As someone who absolutely loves the cinematography and soundtrack in The Revenant, thank you for making this. This is amazing and very inspiring man! Well done.
Ah this means a ton! Thank you for taking the time to watch and share this comment, made my day! I absolutely love the revenant, one of my favorite movies of all time!
I watched it over and over again. Being an "Revenant" Fan , I really like your test shots. The amount of details, highlight roll of, atmosphere, color rendering is amazing. Great combination of Cam + lens. Probably I will buy it for my G2 as well.
Wow thank you tons Joel! Means a lot brother! I really appreciate your kind words! The cinematography of the Revenant is some of the most inspiring work I've ever seen. That's awesome that you're looking to buy these lenses for the G2. They're great for super 35mm coverage, you will be really happy! I can't wait to see what you produce!!
@@storylitfilms (writing for my major account) Hey, same here. Revenant has influenced my deeply and I am very keen to try out wide angle cinematography in the way Lubezki does it. Actually thought about getting the Tokina ATX 11-20 Cine for that matter. Great to hear that you are really happy with the DZO Pictor Zooms, I am considering them already since half a year and waited for more test footage. Footage like yours make me click the "purchase now" button. Looking highly forward to your next film.
@@syncomposer Thats so awesome brother! Yeah you will be very happy! I love that you have the ability to swap between EF and PL mounts, but the Parfocal capabilities alone make this lens worth it to me. Super excited for you!
My man if you color graded this in DaVinci can you please share your node settings. I just want to see how you went through your progressions. This is some Hollywood Netflix kind of #hit! I'm subscribed!
Means a ton brother! I was talking with dehancer today about doing a TH-cam video on their plugin! So I may do a quick tutorial with this footage using that plug in
Hello there! Yep that’s exactly right! While I like the easy rig for taking pressure off my back, I prefer shoulder rigs because of how much more controlled and stable the shot is with them. Especially when walking.
so cool image watching several times . but i have a question so many peoples are using different professional camera but in my opinion the ursa mini pro 12k is best it's important how to edit the video
Thank you for your kind words Nekon! Means a lot! In answering your question, yes the BlackMAGIC 12k is a great camera and it handles really well in editing. I shot most of this in 8k with a few 12k clips, then down sampled the footage to 4k and exported it at 4k resolution. This was all done from a 2019 iMac. The new resolve 18, with a Mac M1 chip should be able to handle any footage easy!
Hahaha very tough choice! Both have a great image, you’ll definitely get better frame rate and resolution options on the 12k. But the Komodo has the advantage of Being part of the RED family, compact size, and the image actually matches really well with the new red raptor
OH MAN, THAT DID NOT HELP AT ALL. hahahaha! - The thing is, I already have the BMPCC 4k and 6k, so I'm assuming it would flow better with the 12k - I also have (A7sII and A7sIII) so, adding a completely new system wouldn't make sense...but then again...it's Komodo! hahaha. You obviously chose BM12k over Komodo, why? :D By the way. Amazing footage!
Yeah the struggle is real! Hahaha anytime I’m between two cameras I hate life! As far as which one to buy, I haven’t bought either but have shot on them both. I can see benefits to both. If you’re in the LA area I think you’ll get hired out more with a Komodo kit. But if that’s a non issue it sounds like the 12k is a great fit for you. Just beware that it doesn’t offer prores, unless there’s been a recent firmware update. You can only shoot in BRAW.
@@storylitfilms Thank You! - I am in L.A area, but the thing is I'm not even thinking about clients as I'm only getting these to do my own films and like I said before, this beafutiful video is what sold me, I think I'm gonna rent out both and test them out first. I'm also going to NAB next month, to further torture myself, I'm gonna see if BM releases the "rumor" BMCUBE :D
@@ChevitosJourney Hahaha yeah its always tough to make these decisions right when we're on the cusp of new camera announcements. Definitely wait to see if BM is releasing something new. RED has already shown their cards with the Raptor and Raptor XL, which the Komodo does match up with perfectly!
@@controversylab That's one of my weaknesses is writing dialogue, trying to really improve in that area! Thank you for your great feedback much appreciated!
@@storylitfilms watch “The Closer Look” on TH-cam. I’ve been writing since I was 11, and even though my writing is pretty solid, the creator on that TH-cam channel has some pretty amazing insight on creative writing. You can learn to write better if you just study the greats and create your own voice. You have the talent behind the camera. So just put the work in to improve your dialogue and the skies the limit.
@@controversylab Wow thank you so much for sharing this resource and your story, I definitely will be checking this out, any other resources you think of please let me know. I'd love to learn and improve.
Hello there! I hope someone else can chime in! I only used this combo twice so I forget exactly what I did but I do remember I got it right by using the instructions on the DZO website.
This is stunning. If it's not a secret, what do you do in Resolve to achieve this sort of ultra detailed/rugged HDR-type look? I've nailed a lot of aspects of the cinematic look and this is what I still can't figure out.
Thank you tons Alejandro! Means a lot! Truly! One thing that mat help for sharpening is to create a power window node over the parts of the skin that’s shown and then increasing the “Midtone” detail. It doesn’t always work but it often does the trick of what you’re trying to achieve! It’s a bit tedious cause of the power windows but I always like the end result
Very nice work. Would you say DZO zoom resolve the full resolution pretty good? I like the character of the lenses. I'm looking to get the DZO vespid primes.
Thank you for your kind words! I appreciate it so much! Yeah the character is nice on these, in some way they’re a bit Leica R like, which I love! I didn’t run any lens tests on them but they looked to my like they handled the 8k and 4k resolutions just fine! I only shot one shot in 12k and that one also looked good to me! I know that’s very subjective but I’d imagine if you ran some tests you’d get fall off towards the edges at the lower t stops.
It has super rich color tones. I really enjoyed grading it. I think their sensor is interesting and I’d be interested to shoot more tests on it. But yes the rich colors and the way the colors pop look very lush. It’s less filmic looking but very beautiful
It definitely does. They spent 3-4 years building a new sensor technology. I think that’s a step forward for them. And it will be interesting to see how they use the sensor going forward. Everyone I know who’s shot on it really loves the way it handles the RGB colors. I’ll try to get it on another shoot so I can more thoroughly test it.
You do great work. You deserve more subscribers. Count me as a new one. I see that your latest films were shot with arri cameras. Do you own the ursa? How does the ursa 12k and arri compare? I am considering the ursa. The arri cameras are out of my budget. Thanks!
Thank you for you kind words! Means a ton! I just subscribed to your page! Your content looks awesome!!!! I did own the ursa G1 and G2 and have shot with the 12k once. I’d say the G2 and 12k match up great with the ARRI cameras. It’s easier for me to match Blackmagic with ARRI then Red and ARRI. But all three of those cameras provide a beautiful cinematic look. The Ursas have great color science but their image will fall apart faster when pushing the exposure higher or lower on the camera. Nevertheless they’re still great, bang for buck cameras!
I too love how the arri can be pushed around and still deliver an amazing look. I’m guessing the ursa falls apart after a few stops over and under. Keep making great content!
Absolutely! I’m glad we connected! I’m looking forward to gleaning from your insights on your page! Yes that’s exactly right. Practically speaking they both operate similarly. I think you’d be super happy with the Ursa and the images it produces. I believe ARRI will drop some new cameras next year which should lower their prices even more on some of their cameras if you’d like to wait for that.
@@storylitfilms just tested out the lens with the camera. I like it, but the edges are a little soft wide open. It’s not a deal breaker. Just wondering if you encountered that? Test video link: th-cam.com/video/IOoHcMqUQW0/w-d-xo.html
This may be a dumb question but I’m looking to get this lens for this camera! Why did you decide to shoot in 8k instead of 12? Can the lens not handle 12k or something? This video is AMAZING!!
Thank you tons!! 12k files, while manageable in post, are still really large! So just for the sake of space on the card in camera I went with 8k! I did shoot a few things in 12k and it looked like the lenses were able to resolve the 12k. I didn't run proper testing though (cards, lights, apertures, etc.) and am only going based on what I saw in camera and in post.
@@storylitfilms Oh my god..have you ever thought of giving tutorial on how to record and edit your voice to this? this is absolutely amazing, high level!!!
@@felixkhu9747 Thank you so much for your kind words! I haven't thought about that, but will definitely consider it! I was trying to put together a review for Dehancers new film emulation but Im having a hard time getting around to it at the moment.
@@safeerhuseyin5041 Means a lot to me bro! Thank you! Yes! I'll do a video break down of this for you! It might be a week or two before I can get it out, but I'm happy to do that! Stay tuned!
Sorry it was too dark for you, it actually sits at the right levels on my waveform in DaVinci so maybe your brightness is too low. The appeal of shooting 12k or 8k for a lot of folks is downsampling to 4k. It does indeed provide a cleaner image. But I think this camera will have most of its appeal in the vfx, XR stage, volume stage world for sure. Actually ARRIs new line up coming in 2022 is supposed to feature both and 8k and 12k camera ;)
As someone who absolutely loves the cinematography and soundtrack in The Revenant, thank you for making this. This is amazing and very inspiring man! Well done.
Ah this means a ton! Thank you for taking the time to watch and share this comment, made my day! I absolutely love the revenant, one of my favorite movies of all time!
I watched it over and over again. Being an "Revenant" Fan , I really like your test shots. The amount of details, highlight roll of, atmosphere, color rendering is amazing. Great combination of Cam + lens. Probably I will buy it for my G2 as well.
Wow thank you tons Joel! Means a lot brother! I really appreciate your kind words! The cinematography of the Revenant is some of the most inspiring work I've ever seen. That's awesome that you're looking to buy these lenses for the G2. They're great for super 35mm coverage, you will be really happy! I can't wait to see what you produce!!
@@storylitfilms (writing for my major account) Hey, same here. Revenant has influenced my deeply and I am very keen to try out wide angle cinematography in the way Lubezki does it. Actually thought about getting the Tokina ATX 11-20 Cine for that matter. Great to hear that you are really happy with the DZO Pictor Zooms, I am considering them already since half a year and waited for more test footage. Footage like yours make me click the "purchase now" button. Looking highly forward to your next film.
@@syncomposer Thats so awesome brother! Yeah you will be very happy! I love that you have the ability to swap between EF and PL mounts, but the Parfocal capabilities alone make this lens worth it to me. Super excited for you!
@@storylitfilms Have you shot with the OOOM at all?
I can watch this image quality all day. pure bliss!!
Thank you so much! I really appreciate your kind words!
This is top-level Hollywood cinematography... congrats!!
Means a lot Ricardo! Thank you so much brother!!
@@storylitfilms just speaking the truth 👍🏼👍🏼👍🏼
Amazing, i was hooked on the story, man! Well done. I haven't even bothered to applaud your awesome cinematography and all.
Thank you so much for your kind words PJ! Means a ton brother!
amazing color grading!
Thank you so much!!!
great job all around tone, editing, music, cinematography.
Thank you tons Miles! Means a lot brother!
People that say the camera doesn't matter for making something look cinematic are out of their minds. This sensor is insanity. Looks incredible
Thank you so much!! I agree! The sensor is the make or break for me with every camera!!
That's a fact!
TOTALMENTE
This footage is incredible!! I just got an Ursa 12k and I am doing some tests... is an incredible camera
Congrats on the new camera my friend! That is awesome! Thank you for your kind words, means a lot!
Great short one! Color grading is top notch and perfect for the video atmosphere
Thank you Niko! Means a lot! I really appreciate your kind words!
Man, you’re a great Cinematographer!!!
This means a lot Dima! Thank you for your kind words!
@@storylitfilms I know man! Keep it up! 😌
Just stunning!
Means a lot my friend! Thank you!
excellent test shoots... outstanding visuals
Thank you so much Dean! Means a ton!
Wow. Man you kill every single video!
Means a lot my friend thank you so much!
@@storylitfilms are you a film director or DP?
@@TMD_Produktion DP I've directed a few small things but DP full time.
@@storylitfilms really cool man. We love your projects! Greetings from Germany 🙌
@@TMD_Produktion Greetings my friends! Means a lot, I subscribed to your channel! Your work looks awesome!
Wow. This look is insane! 👏🏼👏🏼👏🏼
Thank you so much for your kind words! Means a lot!
Soooo good!!! Love the grading.
Thank you so much Jason! Means a lot!
brooo damnim doing homework i want my video clipsto look like this not just mainstream cars monney bitches video clips. ur an inspiration
Thank you so much bro! Means a lot! Truly!!
My man if you color graded this in DaVinci can you please share your node settings. I just want to see how you went through your progressions. This is some Hollywood Netflix kind of #hit! I'm subscribed!
Means a ton brother! I was talking with dehancer today about doing a TH-cam video on their plugin! So I may do a quick tutorial with this footage using that plug in
@@storylitfilms my man please do!!! I’m working on a doc and I may want to add a grade like this in some of the parts.
In case I don’t have time to, shoot me an email through my website and I’ll try to hop on a zoom call with you and walk through it!
how did you go about getting those steady walking shots? shoulder rig?
Hello there! Yep that’s exactly right! While I like the easy rig for taking pressure off my back, I prefer shoulder rigs because of how much more controlled and stable the shot is with them. Especially when walking.
Amazing Color Correction.
Thank you very much Bruno!
Blown away!
Thank you so much!!! Means a lot!
Perfect visuals
Thank you very much for your kind words!
Amazing work
Thank you very much!!
so cool image watching several times . but i have a question so many peoples are using different professional camera but in my opinion the ursa mini pro 12k is best it's important how to edit the video
Thank you for your kind words Nekon! Means a lot! In answering your question, yes the BlackMAGIC 12k is a great camera and it handles really well in editing. I shot most of this in 8k with a few 12k clips, then down sampled the footage to 4k and exported it at 4k resolution. This was all done from a 2019 iMac. The new resolve 18, with a Mac M1 chip should be able to handle any footage easy!
I'm already sold with the PICTOR ZOOM LENSES....this video is what's killing me from choosing between URSA 12K or KOMODO! Ahhhhh....
Hahaha very tough choice! Both have a great image, you’ll definitely get better frame rate and resolution options on the 12k. But the Komodo has the advantage of Being part of the RED family, compact size, and the image actually matches really well with the new red raptor
OH MAN, THAT DID NOT HELP AT ALL. hahahaha! - The thing is, I already have the BMPCC 4k and 6k, so I'm assuming it would flow better with the 12k - I also have (A7sII and A7sIII) so, adding a completely new system wouldn't make sense...but then again...it's Komodo! hahaha. You obviously chose BM12k over Komodo, why? :D
By the way. Amazing footage!
Yeah the struggle is real! Hahaha anytime I’m between two cameras I hate life!
As far as which one to buy, I haven’t bought either but have shot on them both. I can see benefits to both. If you’re in the LA area I think you’ll get hired out more with a Komodo kit. But if that’s a non issue it sounds like the 12k is a great fit for you. Just beware that it doesn’t offer prores, unless there’s been a recent firmware update. You can only shoot in BRAW.
@@storylitfilms Thank You! - I am in L.A area, but the thing is I'm not even thinking about clients as I'm only getting these to do my own films and like I said before, this beafutiful video is what sold me, I think I'm gonna rent out both and test them out first.
I'm also going to NAB next month, to further torture myself, I'm gonna see if BM releases the "rumor" BMCUBE :D
@@ChevitosJourney Hahaha yeah its always tough to make these decisions right when we're on the cusp of new camera announcements. Definitely wait to see if BM is releasing something new. RED has already shown their cards with the Raptor and Raptor XL, which the Komodo does match up with perfectly!
Absolutely breathtaking visuals and framing... dialogue? Nails on a chalkboard. Lol 😂
Thank you for watching and for the feedback!
@@storylitfilms keep pumping out this amazing footage. Dialogue can be learned, an eye, has to be gifted. Cheers 🍻
@@controversylab That's one of my weaknesses is writing dialogue, trying to really improve in that area! Thank you for your great feedback much appreciated!
@@storylitfilms watch “The Closer Look” on TH-cam. I’ve been writing since I was 11, and even though my writing is pretty solid, the creator on that TH-cam channel has some pretty amazing insight on creative writing. You can learn to write better if you just study the greats and create your own voice. You have the talent behind the camera. So just put the work in to improve your dialogue and the skies the limit.
@@controversylab Wow thank you so much for sharing this resource and your story, I definitely will be checking this out, any other resources you think of please let me know. I'd love to learn and improve.
You went crazy with the composition and the grade, looks amazing. Did you color this in resolve?
Means a lot! Thank you so much! I did! I converted my whole post workflow to resolve about 3 1/2 years ago and love it!
Big fan! Amazing video! Would you mind sharing what audio equipment you used ?
Thank you so much Austin! For this one we were running a simple audio set up. Rode NTG3 with a zoom h4n. Then edited in Resolves fair light page.
great work! really like the mood!
Thank you so much! Means a ton!!
@@storylitfilms Hi, can we have the original and repost this video to domectic video sites?
Absolutely! I’ll send it over to you! Is there an email I can send it to?
This is really good
Thank you so much Bryan! Means a lot brother!
This is deep perfection.
Means a ton! Thank you so much!!
Means a ton! Thank you so much!!!
Love the tone.
Thank you tons Boris!
Can anyone tell me the shims count for both dzo lens. On the pl Mount of the ursa 12k. Thank you
Hello there! I hope someone else can chime in! I only used this combo twice so I forget exactly what I did but I do remember I got it right by using the instructions on the DZO website.
Okay thanks for responding I hope someone can answer
Amazing
Thank you so much!
Wow. just wow
Thank you so much! Means a ton!
This is stunning. If it's not a secret, what do you do in Resolve to achieve this sort of ultra detailed/rugged HDR-type look? I've nailed a lot of aspects of the cinematic look and this is what I still can't figure out.
Thank you tons Alejandro! Means a lot! Truly!
One thing that mat help for sharpening is to create a power window node over the parts of the skin that’s shown and then increasing the “Midtone” detail. It doesn’t always work but it often does the trick of what you’re trying to achieve! It’s a bit tedious cause of the power windows but I always like the end result
@@storylitfilms I'll try that. Thank you!
Looking forward to seeing this!
@StoryLit Films was all of this free handed?
Hello! This was shoulder rig and tripod!
@@storylitfilms viewfinder or monitor?? Your work is inspiring my guy!!!!
Thank you! Truly means a lot! I love the viewfinder for shoulder rig work. And then the monitor for any hand held stuff
this is so fire
Means a lot! Thank you so much for your kind words!
Very nice work. Would you say DZO zoom resolve the full resolution pretty good? I like the character of the lenses. I'm looking to get the DZO vespid primes.
Thank you for your kind words! I appreciate it so much! Yeah the character is nice on these, in some way they’re a bit Leica R like, which I love! I didn’t run any lens tests on them but they looked to my like they handled the 8k and 4k resolutions just fine! I only shot one shot in 12k and that one also looked good to me! I know that’s very subjective but I’d imagine if you ran some tests you’d get fall off towards the edges at the lower t stops.
@@storylitfilms How are you liking the 12k image compared to other cameras you worked with?
It has super rich color tones. I really enjoyed grading it. I think their sensor is interesting and I’d be interested to shoot more tests on it. But yes the rich colors and the way the colors pop look very lush. It’s less filmic looking but very beautiful
@@storylitfilms So would you say it has it's own distinct look?
It definitely does. They spent 3-4 years building a new sensor technology. I think that’s a step forward for them. And it will be interesting to see how they use the sensor going forward. Everyone I know who’s shot on it really loves the way it handles the RGB colors. I’ll try to get it on another shoot so I can more thoroughly test it.
You do great work. You deserve more subscribers. Count me as a new one. I see that your latest films were shot with arri cameras. Do you own the ursa? How does the ursa 12k and arri compare? I am considering the ursa. The arri cameras are out of my budget. Thanks!
Thank you for you kind words! Means a ton! I just subscribed to your page! Your content looks awesome!!!!
I did own the ursa G1 and G2 and have shot with the 12k once. I’d say the G2 and 12k match up great with the ARRI cameras. It’s easier for me to match Blackmagic with ARRI then Red and ARRI. But all three of those cameras provide a beautiful cinematic look. The Ursas have great color science but their image will fall apart faster when pushing the exposure higher or lower on the camera. Nevertheless they’re still great, bang for buck cameras!
@@storylitfilms thank you for your reply and for subscribing. I really appreciate it.
I too love how the arri can be pushed around and still deliver an amazing look. I’m guessing the ursa falls apart after a few stops over and under. Keep making great content!
Absolutely! I’m glad we connected! I’m looking forward to gleaning from your insights on your page!
Yes that’s exactly right. Practically speaking they both operate similarly. I think you’d be super happy with the Ursa and the images it produces. I believe ARRI will drop some new cameras next year which should lower their prices even more on some of their cameras if you’d like to wait for that.
@@storylitfilms just tested out the lens with the camera. I like it, but the edges are a little soft wide open. It’s not a deal breaker. Just wondering if you encountered that? Test video link:
th-cam.com/video/IOoHcMqUQW0/w-d-xo.html
This may be a dumb question but I’m looking to get this lens for this camera! Why did you decide to shoot in 8k instead of 12? Can the lens not handle 12k or something? This video is AMAZING!!
Thank you tons!! 12k files, while manageable in post, are still really large! So just for the sake of space on the card in camera I went with 8k! I did shoot a few things in 12k and it looked like the lenses were able to resolve the 12k. I didn't run proper testing though (cards, lights, apertures, etc.) and am only going based on what I saw in camera and in post.
What frame rate and resolution did you use to shoot the slow-mo? Looks awesome.
Thank you Manuel! I appreciate that tons! I shot all slow mo in BRAW 4k Codec at 240 FPS.
May I know how do you use to record your voice?
Absolutely! This was recorded on the RODE NTG3
@@storylitfilms Oh my god..have you ever thought of giving tutorial on how to record and edit your voice to this? this is absolutely amazing, high level!!!
@@felixkhu9747 Thank you so much for your kind words! I haven't thought about that, but will definitely consider it! I was trying to put together a review for Dehancers new film emulation but Im having a hard time getting around to it at the moment.
This isn’t the 12K camera, I saw it before it’s the 4.6K
Lol it’s definitely the 12k, I shot it and have BTS pics from the day of. But maybe I’m missing the joke here
This looks very, very good! Did you shoot raw?
Thank you tons Ryan! Yes! I shot BRAW constant quality Q5. I chose not to shoot 12k but instead 8k (4k for the super slow mo)
@@storylitfilms Looks damn good dude! Nice work! Where are you based?
@@RyanBartonGrimley Means a lot brother! I appreciate that very much! I'm based in Nor Cal! What about you?
@@storylitfilms So Cal but work with a lot of folks from Monterey/Carmel area.
@@RyanBartonGrimley Awesome! I work down in so cal a couple times a month usually!
Which software for color grading?
Hello my friend! This was all graded in DaVinci Resolve version 17
@@storylitfilms loved it so much ❤ thankyou so much for your reply. Any tutorial how to grade like this in future?
@@safeerhuseyin5041 Means a lot to me bro! Thank you! Yes! I'll do a video break down of this for you! It might be a week or two before I can get it out, but I'm happy to do that! Stay tuned!
🙌
Thank you Jorge!
::bravo:: ::bravo::
Thank you so much!! 🙏🏼 🙏🏼
Yeah bro you need to teach a masterclass or at least a tutorial on how you achive such a cinematic image.
Means a lot brother! Thank you so much!!
Too dark and what's the point of using the 12K if you upload it at a lower resolution?
Sorry it was too dark for you, it actually sits at the right levels on my waveform in DaVinci so maybe your brightness is too low.
The appeal of shooting 12k or 8k for a lot of folks is downsampling to 4k. It does indeed provide a cleaner image. But I think this camera will have most of its appeal in the vfx, XR stage, volume stage world for sure. Actually ARRIs new line up coming in 2022 is supposed to feature both and 8k and 12k camera ;)
Check your phone’s brightness
Amazing
Means a ton Jaspreet! Thank you very much!