Incredible wedding film! The storytelling was on point and the visuals were absolutely stunning (as always!!) Keep up the great work. It’s truly inspiring.
You films always have a immersive story! In your opinion how future proof is the c100 for weddings ? I’ve been tossing up about a purchase for one for a while but this question is always on my mind?
This is the first year we’d say that it’s a tough call. The C200 has a few features we really love, like 4K (which while not necessary, the extra sharpness and ability to crop in/reframe is helpful), and a movable autofocus frame. If Canon released a camera between the c100/200 or if an eos r came out that ticked all our boxes, we’d jump on it, but until then, we can’t see ourselves giving up our C100s. Mind you it’s still the most beautiful colours out of any camera we’ve used. It even knocks the C200 out of the park.
Outside In Studio I like that even professional still face the same issues. That’s so interesting to hear that the c100 still holds the crown on colours. C100mark III would be amazing! If you’re listening canon? Thanks guys!
This was so beautiful, praise God!
Incredible wedding film! The storytelling was on point and the visuals were absolutely stunning (as always!!) Keep up the great work. It’s truly inspiring.
Beautiful work you two, great job!
Incredible. What frame rates do y'all use for the slow motion?
Loved this....real nice work....was this shot on the C200 and what lens's?
Hi there - it was a mix of C100/C200. All the C200 footage was shot with the Canon 24L 1.4. C100 footage was a mix of 24L, 35L, 50L, and 85L 1.4 IS.
@@outsideinstudio Wow.......thanks for replying....also was it shot in C-Log?
@@BlackSteelBlackSteelPromotions We shoot Wide DR on the C100ii's and with the Bt.709 preset on the C200s!
@@outsideinstudio Fantastic....really helpful info!!
You films always have a immersive story!
In your opinion how future proof is the c100 for weddings ? I’ve been tossing up about a purchase for one for a while but this question is always on my mind?
This is the first year we’d say that it’s a tough call. The C200 has a few features we really love, like 4K (which while not necessary, the extra sharpness and ability to crop in/reframe is helpful), and a movable autofocus frame. If Canon released a camera between the c100/200 or if an eos r came out that ticked all our boxes, we’d jump on it, but until then, we can’t see ourselves giving up our C100s. Mind you it’s still the most beautiful colours out of any camera we’ve used. It even knocks the C200 out of the park.
Outside In Studio
I like that even professional still face the same issues. That’s so interesting to hear that the c100 still holds the crown on colours. C100mark III would be amazing! If you’re listening canon? Thanks guys!