How to Stretch Watercolor Paper
ฝัง
- เผยแพร่เมื่อ 11 ม.ค. 2022
- In this video I show you why it can be beneficial to stretch your watercolor paper before you paint on it, and give you some tips and techniques that deliver consistent and reliable results.
DISCLAIMER: This description contains affiliate links.
The watercolor papers that I use currently are:
St Cuthberts Mill - Saunders Waterford:
geni.us/tlfGE (Jackson's Art Supplies)
St Cuthberts Mill - Millford
geni.us/cUkGAx (Jackson's Art Supplies)
Canson Heritage
geni.us/f2eJou (Jackson's Art Supplies)
Daler Rowney - Langton Prestige
geni.us/ID0a (Jackson's Art Supplies) - แนวปฏิบัติและการใช้ชีวิต
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THAT'S why I've sometimes had trouble with my tape lifting after 'stretching' my watercolour paper. This is the first time I have learnt that my tape was probably too wet.
I so appreciate your careful and thorough explanations, both in this video and all of the other ones that I've seen so far. Thank you, this was really helpful.
It would be great to see a video of you removing the painting from the board after it’s done!
I am so glad that you said that any weight paper including 100% cotton and blocks all buckle! I thought it was just my problem. From now on I will stretch all my paper. 😊
I look at your finished paintings and I know you know what you are talking about-thank you so much for sharing your years of experience.
Thank you for this comprehensive tutorial. I agree with what others have said regarding your strength as a teacher. You have a calm and patient manner that has a strong impact. Thank you for sharing your knowledge with us.
Thank you so much for this demonstration! I am so thankful for how patient and thorough you are in showing how you stretch the paper and explain not only the process but the reasons for what you do. 🙂
Could you please make another video to show your method for removing your painting from the board? What clean up do you do of the board itself to have it ready for taping down your next painting?
He explains at about the 7 minute mark why he doesn’t worry about removing the paper.
Great information. You are a terrific teacher, communicator and brilliant artist. Thank you for being so generous with your talent.
I am sooooo glad I found you on TH-cam. You have helped me so much with my painting. This was my biggest problem because I like working wet into wet and no one has explained stretching paper so well. Thanks for doing this. I have now watched all of your videos and they have all helped me. Thanks again!!!!!
Oliver, thank you! You are a wonderful teacher. I so look forward to seeing every notification.
Going to give it a try. Thank you. Loved your finished painting you showed.
Wooow!!! Beautiful!!
Thank you so much for demonstrating this process!
Brilliant, thank you.
Thank you for this demonstration. It was very helpful!
Thank you for sharing. You have great tutorials.
Thank you for another very useful video!
Excellent instruction! Keep them coming 😁👍
Thank you Oliver! A very clear demo on paper stretching! So very helpful!
What an absolutely beautiful painting, I must say! And thank you for the instruction.
Thank you again for a very clear helpful video 👍
Very neat! ❤
You are wonderful teacher
You are an excellent communicator, sir.
Thanks for doing this. Very helpful. Much appreciated.🙂
Thank you~~ This is very helpful
Thank you 🙏🏻 it was very useful
Thanks Oliver. Very informative.
Thank you for this excellent instruction.
Oliver, that painting you showed as an example of why you stretch paper was really nice. I liked so much about it.
Hugely informative, describing things clearly. Thank you - top notch!!
great artwork. thank you for explaining the stretching paper technique.
Thank you very much Oliver, very useful. I love your paintings.
Incredible artist
I just found your channel and I absolutely love your work and your teaching. Thank you!!!
Thank you so much Oliver for your time.Considering how much time it takes to make a video edit etc. it is really appritiated for every second you share with us.Also the painting you showed there is soooooo gorgeous that i can't explain 10/10.
Thank you, very helpful.
Allways Learning something interesting from you. Thank you very much.
Thank you for your information I find it very helpful and you're awesome
Great demo, thanks for the tips. I like the white border masking tape gives me for a quick sketch but yeah even a block buckles when I get it wet enough and a nice flat surface is much nicer to work on.
Best video that I've seen so far, for this subject! Thank you! 🙏
I love your painting of the castle from Arun estuary - so gorgeously tranquil! Thank you for showing us how to stretch watercolour paper, if we should need to - good to know! Thank you so much for your time and generous spirit 👍😀
The best instruction videos.! Thank you so much Oliver you have helped refine my approach to painting in this medium.
Thank you so much. You are a great instructor. It now does not seem as intimadating as before.
Muchas gracias!!!
Muy útiles sugerencias para sujetar el papel!
Thank you!
Thank you. I have 3 boards so I always have paper ready to paint on. I had had an issue with the brown tape not sticking properly, so your technique is helpful. I am a new (and left handed) painter and find your videos useful.
Again, Many thanks!! After viewing many tutorials on this subject, yours has inspired me to take the time and do it properly:) 👏 Kudos Ollie!
Your Castle/Boat painting is absolutely wonderful!
Thanks Robert
Hi I have been considering giving watercolours a go for some time and find your explainations easy to understand. Now I realise I need a board!! So much to learn and practice, which means lots more video watching .I appreciate your work and videos.
I am fond of your videos!!! Very clear, cool, and i love your style ! I am not a beginner any more... so i am starting to be able to experiment your top tips ! Like painting trees for example. THANK YOU VERY MUCH. I am french, and living in Togo. I want to try to paint tropical trees more accurately. I just saw your videos about trees in winter/automn then in summer !!! 😊 Would you please think about a video showing tropical foliage, and meditterranean as well...???? Best wishes.
Artista sensível, grande didata.
Great technique tip... seems simple enough though I've always been a bit intimidated to do this...
Thank you for this useful explanation. You are amazing teacher.🙂
I really like your painting, memorize me how beautiful of Sussex n UK
Extremely helpful guidance Olly thankyou. Absolutely adored your gallery painting of the river arun. We really are so fortunate to have such rich landscape around us. Take care.
Indeed Casey - it's hard not to find inspiration!
Thank you.
Very helpful video.
I just watched your Best Ever Watercolor Exercise and I gotta say it was one of the best tutorials! Thank you so very much for sharing all your expertise for us beginner watercolor artists! Had to subscribe! ❤🇨🇦
It also helps with seems to be sizing on the paper.
Awesome, as always :)
Thank you🇨🇦
Great video
Thank you very much for helping those of us who can be quite challenged by paper stretching.......you really helped me! May you and yours stay healthy and happy! Sending big hug!
Thank you - and the same to you too
helpful!
Like so many others I've often trouble with the tape lifting after stretching the paper. There are several steps I've never seen before and I'll give it a try for sure. Thanks for sharing your process. I love your work.
Thank you for sharing your knowledge which is very helpful as I paint half sheets and boy do they get wet and I really don't want any more troughs!
I literally stopped at 2:46 in because you said "don't do it 'cause I do it" haha. The blocks have been working great for me for now! Thank-you for that honest statement :)
I enjoyed it very much and learned something. even that I paint for 35 years! But to be honest I don't stretch a lot. But tomorrow I going too!
Thanks Oliver, I remember doing something similar back in Art college in the late '70s! I'm about to move up from painting quarter sheets to half imperial sheets, so this was exactly what I needed to see. Really well explained and very helpful
You're welcome Lois. It's funny, several people have mentioned learning this in years gone by and I couldn't help thinking as I was making the video that it was a rather old-school technique. I find it so beneficial though and it makes life so much easier with the larger sizes. I think you'll really enjoy painting larger - it was a revelation for me; I found that I had far more freedom for larger brushstrokes (important for a detail freak like me!)
@@oliverpyle-ourlandscape4442 David Curtis describes precisely the method you use in his book, "The Landscape in Watercolor." Like you, he also points out how the paper gets so tight that it lifts slightly from the board and allows the brush to glide on the surface. Old school, but a good school! QUESTION: Does the 5 minute bath change the sizing at all? I would imagine some comes off in the bath water and allows pigments to go a bit deeper into the paper? Thanks!
This is really helpful, thank you. I stretch my paper, and my concern has been whether it’s ok to leave that edge of gummed paper on a finished painting if you’re going to frame it. I’ll stop worrying about it 😊.
Also the ruler trick looks useful. I might try that too!
Thank you so much! Now I know that you are the real deal! I can’t tell you how many “teachers “ say that you don’t need to stretch paper on a block! I don’t know what they are using but for me even the blocks buckle! Thank you for making me feel like this job of stretching is actually worth it! Great on you! Love your videos!!
Definitely worth doing Donna. All the manufacturers tell you that it won't buckle, but it's simply not true if you are using watercolour in the way that I like to use it - lots of wet-into-wet washes and glazes. If you paint like the brilliant John Yardley, for example, then you might not find it buckles so much.
A great tutorial for stretching watercolor. Mine always seems sub par. Glad I ran into your channel.
Many thanks for this very useful video. I've watched many videos of other people stretching paper and myself have had mixed results. After leaving the paper to dry over night i find the gummed tape has not attached properly to the paper. One thing I have taken from your video is that you use heavy duty gum tape and that you dry the edge of the paper before you apply the tape. Please keep these wonderful videos going.
Sorry but this is my 2nd comment on this video.
I'm imploring you to add more content if possible.
Been bindgeing what you have available and really appreciate your precise and comprehensive instruction. You are greatly appreciated ~ Gail, Alabama, USA
more coming Gail......and thank you!
I had a problem with lifting tape, like many people in the reactions below it seems. I'll try drying the edges, the plastic tool, more tape on the board, and maybe another board (mine is melamine). Thank you so much Oliver !
Thanks for the tips!
I started off a couple of years ago working exclusively on blocks per the advice of a lot of several misinformed and misinforming TH-camrs... Only my paper almost always buckled on the block. I've even had my Arches blocks fall apart all together. More recently, when I realized I do have to stretch the 140 lb paper and not bother with blocks, I switched to 300 lb paper instead... so I'm working with this heavier paper for the moment until I'm better at stretching. I did a couple of trial stretches on 140 lb paper and it really didn't work for me. That said, thank you for all the info in this video.
I would love to see you do a series of videos if necessary on the full process you go through for a full painting including glazes, etc. don’t believe I’ve seen that.
This is exelent advise apart from the use of gummed blocks do yo have any advice or ideas for a person wo has mobility issues I. E. The use of only one arm, when it comes to stretching paper, kindest regards mickT
If you have the patience for it I found that one can remove the tape afterwards by repeatedly wetting it with a brush until the water gets through to the glue. I found a soft brush cut at an angle with rather long hairs at a hardware store also helps not getting water onto the edge of the painting. When cutting the painting out I tend to leave a gap between the cut and the tape as Oliver said, since some of the glue tend to bleed through and glue the bottom of the paper to the board, so a 5 mm gap should be fine, I you don't over wet the tape like he shows.
Great instructional video, thank you for making it. I usually use Arches 140# (300 gsm) CP, and soak mine for 20 minutes. I find I get better results for my style of painting over soaking it for only 5 minutes. Thank you very much for clearly stating that what you do is your preference and that it works for you and that there are other ways out there for other people. I really appreciate that as so many artists have been gatekeeping art lately, saying that there is only one true way to do something.
Thanks Anne-Marie. I agree - I find the words 'right and wrong' should have very little to do with a creative endeavour. Much teaching today seems to be about creating clones that paint like 'me.' That shouldn't be the case - a good teacher should help you to paint your way. Individual expression is so important.
Thank you! I now know how important stretching is. I have used blocks, and been disappointed.
I never knew we can flat our paper with this tip! thanks for your professional sharing!!! 😊
P.S I couldn't help noticing the book " the making of the British Landscape" on your bookshelf, almost falling down, lol!
It's a wonderful read - highly recommended
I am new to watercolor and loved this straightforward explanation. I wonder if I can soak my paper and then lay it between sheets of blotting paper I use in printmaking to absorb some of the excess water. Clean, unused blotting paper of course. I'll have to experiment with that and see if I an find a happy spot that isn't too dry or too wet to work properly in eliminating buckling.
I used to stretch a couple of boards at a time like that so I had one handy. If I was going out for the day to paint, I would stretch a sheet on either side of a lightweight ply board and fix a sheet of drawing paper on top with masking tape to protect the painting surfaces. I tend to only work on 1/8 or 1/4 sheets though and lately I only bother to stretch the 1/4 sheets.
It's a good idea to have a couple ready Peter. I agree about the smaller sizes.....its not always 100% necessary.
I'm so happy that I had found your channel ❤ ... so many helpful tips, thank you, Oliver.
I have one question please:
is it important on what kind of surface I stretch the paper?
Can I use plexiglass too or is wood better, and if yes, why?
Again, I really like this format of live chat with you, Oliver, while watching the prerecorded video. This format avoids the annoying voice chat that's common on live YT tutorials that delays content and is distracting. ("Hi Andy from Georgia. Glad to see you Mary," etc. with 20 viewers. I don't need the ego stroke of a shout out. 🤭) I realize this requires more time and work for you, but I think it's very appealing and a good way to learn from you.
Side question, do you have a Patreon account yet? Your way of teaching is something I'd like to support.
Thank you - I appreciate that. No plans for a Patreon account - I'm trying to keep as much of this content as free and accessible as possible. At some stage, I will introduce some paid content that can be downloaded, but would prefer to control that through my own platform(s) as opposed to a third party such as Patreon
This is great. I had tried to do this with staples and it worked.... but now I need a new board.
They do work, but as you say their removal is a little problematic.
The stapling method works great with Gatorboard, and when it's dry just loosen a corner and the whole thing will pull right up. (regular staples)
I got this wrong first time, missed your drying board edge trick. The tape lifted. Tried again and I must have missed a wet patch down one side. Luckily I had been keeping a watchful eye on my prepped board and caught it just in time as i noticed the tape growing an air pocket and rescued it by tightly binding masking tape all the way around my board like a belt. Phew! This langtons prestige paper makes me 😓 😬 nervous... i will follow your video to the letter next piece. Sorry I rambled, thanks Oliver.
I heard from an austrian watercolorpainter, who paints since over 40 years and often works on very thin inges paper that he doesn't strech his paper but glues his paper down with thinned wallpaper paste leaving only a small corner, where he can take off the paper afterwards. So this seems to be an good option as well. 🙂
Very interesting Annette - not come across this technique, but good to know.
Oliver, what a beautiful painting. Any chance you did a video while you were painting it?
Thanks David - but not for this one
I thanked for the noises, gonna include a audio feedback much thanks if I won't be getting that sound effect your thumb made, that tape will brake off during painting,that much I've assimilated on this tutorial like 100 percent insight 🤟🤟🤟🤟🤟
Hi Mr. Pyle,
I have really benefited from your watercolor videos! Thank you for all the hard work you've put into this channel. I was hoping that you could answer a technical question of mine. When I paint with watercolor, I like to sketch the composition out to get my lines right on a separate sheet of drawing paper, and then use a light box to lightly transfer it to the watercolor paper when I'm happy with my sketch. I'm running into the problem where either I am unable to transfer using the light box because the watercolor paper is stretched on a piece of wood, or my graphite lines sink into the paper and become much harder to erase when they are put through the paper stretching process. What can I do to solve these issues, or is there a better way to do this? Also, I like to use liquid drawing gum to block out white tones, but am unsure of when is the best time to add those in: before the stretching or after it's dried after stretching?
I've always been an advocate of properly stretching paper with gum strip since I was at art college training as a graphic designer in the 70s, and before at school! I think it's a pleasurable and satisfying process in fact. Using masking tape without stretching is an unsatisfactory and lazy solution in my book. Also noticed the Rowland Hilder book on your shelf. What an absolute master.
Quite right Ian - it has become an integral part of my painting process and I enjoy it. It makes me feel as though I'm getting prepared for something important......sets the right tone. We're very much on the same page (excuse the pun) re. Hilder - one of the very best.
Nicely done video, Oliver. One thing that you (and every other watercolorist I’ve seen discussing this topic) didn’t address - how do you get the tape off the board once you’ve cut the painting out?
It's not the subject of the video, but it's a good question nonetheless. You may have missed the recent video by my friend Edo Hannema on his channel......it specifically addresses this. Here's the linkth-cam.com/video/RImYtRxExjo/w-d-xo.html
I have watched several of your videos and I just want to say thanks for your clear and informative instructions. I have yet to put paint to paper, and for me, just watching your videos is so inspiring. I do have, I feel a silly question regarding this technique of stretching the paper, maybe you have previously addressed this. I can see that you would stretch your paper when in the studio, but what do you do when you are painting outdoors? Also, for me as a beginner, I feel I would need to have a dozen sheets of paper all stretched and ready to go should I want to start something over. Thanks again for putting together really great information. Ready to paint in Phoenix, AZ!
I tend to use watercolour blocks on location Cecelia - not quite as good as stretched sheets, but far more portable. Also convenient for practice indoors, but having several boards with stretched paper is useful
@@oliverpyle-ourlandscape4442 Thank you for your input, I will certainly give this a try. Also, as a beginner I really find your videos so helpful. Getting down to the basics of tonal values, opaque colors, color mixing, etc., it takes a bit of the mystery out of watercolor painting! I hope you continue to do more videos, I will look forward to watching and learning from them. Thanks!
Great video! Thank you. How do you take the tape off, please? Do you pull or cut it off? 🤔
I'm at that age now where I even have to stretch before painting... Stretching paper has worked properly once in all the years I've been painting, keen to see if this technique works.
Haha! "Knees up, knees up!" Persevere with the technique - I've found that this is a very reliable way to get results, but don't despair if the it's not right on the money first time.......judging how wet the tapes need to be to soften the adhesive, but hold the paper firm is a bit of a balancing act.
Such a useful channel. I’ve only recently started in watercolour so lots to learn. Quick question about boards. I use a sheet of acrylic (non porous) to tape my paper down onto. When stretching paper should it be taped to a porous surface? I’m concerned that it may not dry out properly on the acrylic sheet.
Great info for a beginner like myself….one question do you have a video of how you drew the picture of the river Aaron?
Looks easy the way you do it! Do you go round the edges with a razor to cut the painting out? And what do you do with the remaining paper on the board, leave it and paste over it with next painting or??