The hobby community: Look! Completely new awesome technique! Never seen before!! Slapchop! Paint your minis in no time! Marco: Hello guys! Today we will paint using Grisalle, a classic academic approach to comprehensive usage of value and volumes. Love your work Marco. Keep the paint flowing.
@@stewartfrancis9188 Being fair Rob (of SlapChop fame) knows it's not new. He's just leaning into 'the bit' and is better at marketing than most people. He knows the power of a catchy name!
@@sirbobulous imo, leaning into 'the bit' for clicks and likes is even worse. Especially because it's taking a centuries old idea and trying to pass it off as your own.
@@fallenweeble7453 But he doesn't? In the first 5 mins of his video he points to other people using drybrush base layers+contrasts (epic duck studios, tale of painters) and suggests people check those out. He's not claiming some great invention. He's just sharing the technique in a way packaged for people who want to speed paint an army with the minimum technical ability.
I'm in between two big workshops and these are precisely the main topics I'm bringing "on tour" these days, so this video is part an anchor for old and new students, a video reference/preview of the workflow and its general mindset, and part me stretching and exercising to be ready for this weekend's event :D Enjoy!
@@NightfallTH I regularly spam news of the upcoming events on all my socials! Your timing is great because there's something in the planning phase both for Germany and Denmark 😉😉😉
I love this so much! One side effect is that this approach can also allow you to practice NMM in a safe manner, as, in the greyscale stage, you can focus entirely on the values and contrast alone, without the additional complexities of chromatic tones. That way, something as complex as NMM is broken down into smaller chunks of mental load and becomes much easier to manage for beginners. Excellent stuff, as always!
Just finished priming and zenithil highlighting an entire set of monster for a game. Now I feel like I should go strip them all and do it this way. Man. Learned so much here today!
When I first got into the hobby circa 2001, there was a guy at my local shop everyone referred to as 'Son of Milkman'. 10 year old me had no idea why that was funny but I did know the guy was a wizard. I was stuck in the realm of base coat > layer > highlight; I hadn't even graduated to using washes. He took the old application of painting with inks and "boosted" them by putting his values down first. It blew my tiny prepubescent brain, how quickly he could build up so much contrast in so few steps. A couple of years ago, I returned to the hobby and underpainting and undershading are now common practice. I still think about that bloke and how he elevated what I thought was possible when painting little toy soldiers. Your videos give me the same vibes as watching him all those years ago. Your dad's not a milkman is he?
I'm sure you know, but if you are just doing a bunch of models, you can prime first with black, then use a white primer and spray from above the model to do a similar effect quickly. Not as high quality, but it's ok for doing a lot of models at one time.
I take way too long to be able to realistically paint bulk batches of minis. This should help me a lot!!! I can't wait to try this technique! Thank you so much for the great tutorial and expert tips!
Outstanding. Again. Keep it up Marco, your contribution to the community with regards to teaching the understanding of effectful painting processes is unmatched!
I'm comfortable now with the all 'black undercoat + zenithal white ink + black oil wash > make up sponge + acrylic white drybrushing' grisaille technique but this one is far superior. I'm gonna try this white gouache application tomorow! (Every time you publish a new video, I buy some paint the next day, what an odd coincidence :D )
Taking this method to my table tonight, thanks for always being inspiring. My next goals are trying to develop such interesting color pallets as you do - and bring more visual interest to my models. Rock on Marco, I hope to catch one of your classes at some point in time.
Grandissimo Marco, mi trovo sempre a mio agio con il tuo stile di pittura. Questo metodo lo uso e mi piace moltissimo oltre ad essere utile per migliorare. Bravissimo
As always: highly inspirational. I immediately painted my Oldhammer Quest Heroes en gresaille, albeit not as speedy or good as you. Still highly enjoyable. I did not know how I wanted to paint them and this technique allows you to focus solely on light and texture. Millie Gracie!
Hey Marco, it was really great for myself, son and wife to meet you at the Bad Moon Cafe two weeks ago. Loved this video, well all of the NJM videos to be honest, keep 'em coming!
Even though I own almost the complete line of contrast paints, I have been mixing contrast medium with artist ink (any inks really) to combine the great properties of both. It seems something that is right up your ally, Marco!
@@draadhaai did a test where I compared 7 different options for mixing up my own "contrast paint". The contrast medium and the glaze medium did act differently. Contrast covered more and created less highlights, glaze medium covered less and created more highlights. Both should have their uses
Greetings and respect from Finland! To my eyes these are the most exciting, imaginative and true cartoon fantasy-like Skavens I’ve ever seen. Superb job, and just blows my mind you did this all in 5 hours. Maestro!
I picked up the idea from your last grisaille Video with the Malifaux Minis and did that for a Year now. Funny to find this video when returning for more Input :D I sincerely thank you for the awesome content, it is a real game changer
Would you consider doing some guides on painting miniatures with heavy body artist acrylics? I'm really curious how you would approach painting a mini that way.
Oh yeah absolutely! I made a big investment of Schmincke PRIMAcryl during Christmas to boost my collection of Liquitex Heavy Body so you'll see them a lot in the next future 😉
Hi Marco. I missed this video, only watching it today. This is definitaly a must know technic. You say you spend only 20min for each model to set up the black and white values. It seems your white is quite diluted, almost as a glaze... any tips to achieve such a quick painting with this diluted coat (I guess you need at last 2 or even 3 coats to get your white gradient) ?
Thanks! The trick is to work with different consistencies and opacities at the same time; layering full layers takes more time but if you already have an idea of the right values to use you can apply more opaque white on the upper parts and delicate, translucent touches in the lower midtones and shadows!
@@MarcoFrisoniNJM ok so you have a glaze consistency so that you can have translucent layers were you want and you make "stains" on purpose where you want it to be brighter ?
Marco, you are an absolute master. You always blow my mind and make me want to get better at painting. I'm still a newbie (second year of miniature painting) but I want more and more. I want to try this sketching technique with a set of minis. Thank you very much from Spain!
This is one of the coolest projects I've ever seen. I love how they turned out. How does one learn to paint in greyscale? I know, I know, practice. What I mean is what practical knowledge do I need to achieve this and where do I find it? Thank you, Marco.
Thanks a million!!! And this is one of the best questions ever! Take any picture or cool illustration you like, turn it in black and white on your phone or pc and study how the values make all the heavy lifting 😉. Drawing books and tutorials are also super useful because drawing with pencil on paper you have to create the same kind of 3D modelled greyscale from the empty 2D white page!
Super content once more Marco! I'm going to def. try this approach. So far I only used black with either a smooth white or a drybrushed white. Spending more time on the black and white sketch makes more sense now I've seen it demonstrated.
Truly stunning amazing work! Always love watching your content (though I don't often comment). Thank you for your continued dedication to the hobby and sharing. ❤️
I love the look of the grisaille painted minis, and I would love to have that the finish for my Infinity models. I don't have the brush control or precision for what you've done in this video, do you have videos dealing with how to get better at that?
there is a big difference it seems in the way the gouache gets applied on the surface vs acrylic. it looks like you get a lot of unique texture and variation in opacity when you use the gouache. very interesting to see
It's great to set a mood and break the flatness of the primer even in our tiny scale! You can also start with a base of more basic/saturated colours if the model is set in more powerful fantasy lights
This grisaille method is exactly what I've always been looking for. Are there more video lessons on your technique with this? It's such a wonderful method.
As always, an excellent execution of amazing technic into beautiful work... love it man!! I'll give it a go on some of my Cursed City models ive got waiting on me... just build and cleaned the entire setup... loads of plastic just waiting for paint... this will help me get through them more quickly!
I’ve watched nearly all of your videos. They are truly inspirational. I wonder If you have any plans to any free hand designs. Painting designs on shields for example. Thank you for your work 👍
These look amazing, Marco! Congratulations and thanks for sharing! A couple of questions, though: How would you adapt Liquitex Inks for the job of GW's Contrast line? Just medium and retarder, too? How would you compensate for the blue undertones in most blacks when glazing over yellow paints, as they might tend towards the green side of the spectrum? I miss being able to show up at the premiere, but work's got me busy at the usual time! Hope you're doing well!
Where can I find these models :O, they look awesome and I don't think I've ever seen these before! As always great paint job, perhaps one day you can teach me in person. If you ever decide to do a special series on making a noob a pro, I volunteer as tribute!
Considering that in 2 days I'm going finally to attend the class, this video helps me to understand better the underpainting! :D in the case of inks (like Liquitex or similar) what approach would you use? I know that inks are more saturated... would you use more water and medium to dilute the inks?
Hi Marco, thanks for this awesome video! I have a Question: Without contrast paints does this approach work best with inks and medium? Do I lose to much of the value dynamic using "normal" or more opaque acrylics?
Absolutely mind blowing ! I have to admit one thing, I loved the models in black and white too haha I really have to try that grisaille. Can a noob achieve it... ? That will be interesting anyway I guess !
Super effective and clear breakdown of the main stages. That medium retarder water combo comes our very natural and approachable and fun. Always top notch content thanks a lot 🤟😉👍
Going to try this on my Zombicide set. Cant wait to give it a go. I think zombies will be a good subject for this method. Now to figure out the accompanying super cool accent ;)
Amazing work and technique Marco :) I have a question... Do you mix any mediums or matt varnish along with the white acrylic ink? Or do you just use it straight from the bottle into the airbrush?
Have you done any mini painting videos with watercolors? How does it compare to other types of paints? Any tips? I just bought some wizkids minis (my first minis, mostly because they come pre-primed) and I'm curious as to the effectiveness of painting with the watercolors I already have (also have some oil paints, I might try using them together, if I feel brave).
Does anyone know what the clear liquid at the top of the wet palette is at 12:24? Is that just water? Also, is the medium used just plain Matte Medium from Liquitex? Also, one last question: does Marco use Contrast Medium or just use Matte Medium to thin Contrast paint? Thanks!
Always inspiring Marco! do you think it's possible to reach a similar result with oil paint instead of Contrast paint? I recently fell in love with oils :D
Question: have You ever tried working with Aquarell paints as washes? Because I think your Oil wash workflow might work there too. Except water based and You would need to fix them with varnish.
I watch other painters content to get tips and tricks, but I watch Marco Frisoni to learn how to paint.
They look amazing even just in black and white
And that’s the problem 😂 I fail in the first step 😂
@@gnol4688 yes me too!
My white is like "too much pigment" or "Drink, this is water now".
Found this while looking for reference for my Cheesestealer Cult, and holy shit yeah, this man's shading is gorgeous
The hobby community: Look! Completely new awesome technique! Never seen before!! Slapchop! Paint your minis in no time!
Marco: Hello guys! Today we will paint using Grisalle, a classic academic approach to comprehensive usage of value and volumes.
Love your work Marco. Keep the paint flowing.
Haha! That whole 'slap chop is a great new thing' has been grinding my gears :D
@@tomdanvers omg same
@@stewartfrancis9188 Being fair Rob (of SlapChop fame) knows it's not new. He's just leaning into 'the bit' and is better at marketing than most people. He knows the power of a catchy name!
@@sirbobulous imo, leaning into 'the bit' for clicks and likes is even worse. Especially because it's taking a centuries old idea and trying to pass it off as your own.
@@fallenweeble7453 But he doesn't? In the first 5 mins of his video he points to other people using drybrush base layers+contrasts (epic duck studios, tale of painters) and suggests people check those out. He's not claiming some great invention. He's just sharing the technique in a way packaged for people who want to speed paint an army with the minimum technical ability.
I'm in between two big workshops and these are precisely the main topics I'm bringing "on tour" these days, so this video is part an anchor for old and new students, a video reference/preview of the workflow and its general mindset, and part me stretching and exercising to be ready for this weekend's event :D Enjoy!
Was hoping to make it to your Dublin workshop, Marco, but will be away that weekend. Definitely coming to the next one! Hope you have fun 😁
Where may I find more information on your upcoming workshops? Any plans for Germany or Denmark/Sweden?
@@NightfallTH I regularly spam news of the upcoming events on all my socials! Your timing is great because there's something in the planning phase both for Germany and Denmark 😉😉😉
@@MarcoFrisoniNJM awesome, looking forward to it :))
Marco is the true artist from the mini painting community
You are the best miniature painting artist on TH-cam.
😁😊😁😘😘😘
You are the best Marco
I love this so much! One side effect is that this approach can also allow you to practice NMM in a safe manner, as, in the greyscale stage, you can focus entirely on the values and contrast alone, without the additional complexities of chromatic tones. That way, something as complex as NMM is broken down into smaller chunks of mental load and becomes much easier to manage for beginners. Excellent stuff, as always!
Just finished priming and zenithil highlighting an entire set of monster for a game. Now I feel like I should go strip them all and do it this way. Man. Learned so much here today!
I can't get enough of this method with grisaille. So awesome.
I can't belive what I've just seen! I don't really like painting at all but you are true inspiration to do that anyways :)
Good boy Marco!! 🐶
😁😆😁😘
one hour?! per mode?! jeez... one hour would be amazing achievement for me just with the black/white part for one model :D
Amazing. The greyscale and the full color are both so beautiful but in completely unique ways. Well done!
When I first got into the hobby circa 2001, there was a guy at my local shop everyone referred to as 'Son of Milkman'. 10 year old me had no idea why that was funny but I did know the guy was a wizard. I was stuck in the realm of base coat > layer > highlight; I hadn't even graduated to using washes. He took the old application of painting with inks and "boosted" them by putting his values down first. It blew my tiny prepubescent brain, how quickly he could build up so much contrast in so few steps.
A couple of years ago, I returned to the hobby and underpainting and undershading are now common practice. I still think about that bloke and how he elevated what I thought was possible when painting little toy soldiers. Your videos give me the same vibes as watching him all those years ago.
Your dad's not a milkman is he?
I'm sure you know, but if you are just doing a bunch of models, you can prime first with black, then use a white primer and spray from above the model to do a similar effect quickly. Not as high quality, but it's ok for doing a lot of models at one time.
Great stuff friend 👏 👍
One of my favorite videos yet!
I take way too long to be able to realistically paint bulk batches of minis. This should help me a lot!!! I can't wait to try this technique! Thank you so much for the great tutorial and expert tips!
Stunning. I have never seen this technique before and I can’t wait to try it. Thanks for sharing your talent!!
Outstanding. Again. Keep it up Marco, your contribution to the community with regards to teaching the understanding of effectful painting processes is unmatched!
I'm comfortable now with the all 'black undercoat + zenithal white ink + black oil wash > make up sponge + acrylic white drybrushing' grisaille technique but this one is far superior. I'm gonna try this white gouache application tomorow! (Every time you publish a new video, I buy some paint the next day, what an odd coincidence :D )
Taking this method to my table tonight, thanks for always being inspiring. My next goals are trying to develop such interesting color pallets as you do - and bring more visual interest to my models. Rock on Marco, I hope to catch one of your classes at some point in time.
I like teh way this technique turned out. I'll give it a shot. Thanks for sharing.
Grandissimo Marco, mi trovo sempre a mio agio con il tuo stile di pittura. Questo metodo lo uso e mi piace moltissimo oltre ad essere utile per migliorare. Bravissimo
Excellent video. I was thinking this old painting method would work with glaze mediums and contrasts. So great to see you show it works.
Amazing will certainly try out the sketch lines to highlight before. The models in just the black and white looked awesome.
дуже цікава техніка. чудове відео
Love the Tilean accent... Oh and the paint job is great too
You sold me on your style with this easy-to-follow video, Marco. Inks would work fine in the place of the contrasts for the initial staining?
😊😁😊! Sure inks are great for this; you just need to tame them with a bit of extra dilution and maybe a drop of medium!
As always: highly inspirational. I immediately painted my Oldhammer Quest Heroes en gresaille, albeit not as speedy or good as you. Still highly enjoyable. I did not know how I wanted to paint them and this technique allows you to focus solely on light and texture. Millie Gracie!
fantastic as always.
Hey Marco, it was really great for myself, son and wife to meet you at the Bad Moon Cafe two weeks ago. Loved this video, well all of the NJM videos to be honest, keep 'em coming!
Even though I own almost the complete line of contrast paints, I have been mixing contrast medium with artist ink (any inks really) to combine the great properties of both. It seems something that is right up your ally, Marco!
I take this same approach (and don't have any contrast). Just mix liquitex inks with vallejo glaze medium is also a great combo.
@@draadhaai did a test where I compared 7 different options for mixing up my own "contrast paint". The contrast medium and the glaze medium did act differently. Contrast covered more and created less highlights, glaze medium covered less and created more highlights. Both should have their uses
With 1h per model that's epic cool!! I strongly wish myself 🙈
great video. I love the way you use contrast paints (mixing, adding retarders, etc.)
Slapchop 🎉
Greetings and respect from Finland! To my eyes these are the most exciting, imaginative and true cartoon fantasy-like Skavens I’ve ever seen. Superb job, and just blows my mind you did this all in 5 hours. Maestro!
I picked up the idea from your last grisaille Video with the Malifaux Minis and did that for a Year now. Funny to find this video when returning for more Input :D
I sincerely thank you for the awesome content, it is a real game changer
Oh my lord. I freaking love this comicy sketchy highlighting style I NEED to learn how to do it… but where do i start?
Thank you!!! The best way to start is to study artworks and illustrations turned in black and white; all the visual information you need is there!
yeee
I absolutely have to try this technique!! Thanks for the awesome video Marco!
This is amazing. Thanks for the lesson in Light and control:D
I’m not gonna lie here, the black and white was absolutely stunning. 🖤🤍
You have an amazing style. Love your vids
😍😊😍 Thanks a million man!!!
I'm definitely going to try this.
Wow. It looks great and it is done so easily 😳
Beautiful work, Marco!
Amazing video! This is something I feel I can do to upgrade my paint jobs :) Thank you :)
Would you consider doing some guides on painting miniatures with heavy body artist acrylics?
I'm really curious how you would approach painting a mini that way.
Oh yeah absolutely! I made a big investment of Schmincke PRIMAcryl during Christmas to boost my collection of Liquitex Heavy Body so you'll see them a lot in the next future 😉
@@MarcoFrisoniNJM AWESOME can't wait!
Hi Marco. I missed this video, only watching it today. This is definitaly a must know technic. You say you spend only 20min for each model to set up the black and white values. It seems your white is quite diluted, almost as a glaze... any tips to achieve such a quick painting with this diluted coat (I guess you need at last 2 or even 3 coats to get your white gradient) ?
Thanks! The trick is to work with different consistencies and opacities at the same time; layering full layers takes more time but if you already have an idea of the right values to use you can apply more opaque white on the upper parts and delicate, translucent touches in the lower midtones and shadows!
@@MarcoFrisoniNJM ok so you have a glaze consistency so that you can have translucent layers were you want and you make "stains" on purpose where you want it to be brighter ?
God I so hope I can make it to at least one of your mind blowing classes! You are an inspiration ❤️
Marco, you are an absolute master. You always blow my mind and make me want to get better at painting. I'm still a newbie (second year of miniature painting) but I want more and more. I want to try this sketching technique with a set of minis. Thank you very much from Spain!
this was a great video, I will try this out ! thank you Marco !
This is one of the coolest projects I've ever seen. I love how they turned out. How does one learn to paint in greyscale? I know, I know, practice. What I mean is what practical knowledge do I need to achieve this and where do I find it? Thank you, Marco.
Thanks a million!!! And this is one of the best questions ever! Take any picture or cool illustration you like, turn it in black and white on your phone or pc and study how the values make all the heavy lifting 😉. Drawing books and tutorials are also super useful because drawing with pencil on paper you have to create the same kind of 3D modelled greyscale from the empty 2D white page!
un bonnet en plein été, mon dieu
Love it. Great demo and explanation. Thanks much, Marco.
Super content once more Marco! I'm going to def. try this approach. So far I only used black with either a smooth white or a drybrushed white. Spending more time on the black and white sketch makes more sense now I've seen it demonstrated.
Awesome I was Just starting to pratice the slab job technique so I cant wait for this video!
Truly stunning amazing work! Always love watching your content (though I don't often comment). Thank you for your continued dedication to the hobby and sharing. ❤️
I love the look of the grisaille painted minis, and I would love to have that the finish for my Infinity models. I don't have the brush control or precision for what you've done in this video, do you have videos dealing with how to get better at that?
What a legend!!! So cool can't wait to try this out!!
Nice! Cool thing is you can use the older warcry video for the dark elf side
Hahaha yeah they are almost the exact same models!!! #noshame lol
there is a big difference it seems in the way the gouache gets applied on the surface vs acrylic. it looks like you get a lot of unique texture and variation in opacity when you use the gouache. very interesting to see
Yeah I noticed that too. I'm gonna get that liquitex gouache tomorow to test this technique. It's very intriguing.
Marco in your opinion is the "dead layer" used it oil painting with ivory black, white, and burnt sienna too subtle for our tiny miniatures?
It's great to set a mood and break the flatness of the primer even in our tiny scale! You can also start with a base of more basic/saturated colours if the model is set in more powerful fantasy lights
This grisaille method is exactly what I've always been looking for. Are there more video lessons on your technique with this? It's such a wonderful method.
Brilliant video. Looking forward to trying this out. Been on my radar since your Malifaux grisaille video, but now I HAVE to try it :D
As always, an excellent execution of amazing technic into beautiful work... love it man!! I'll give it a go on some of my Cursed City models ive got waiting on me... just build and cleaned the entire setup... loads of plastic just waiting for paint... this will help me get through them more quickly!
I’ve watched nearly all of your videos. They are truly inspirational. I wonder If you have any plans to any free hand designs. Painting designs on shields for example. Thank you for your work 👍
These look amazing, Marco! Congratulations and thanks for sharing!
A couple of questions, though:
How would you adapt Liquitex Inks for the job of GW's Contrast line? Just medium and retarder, too?
How would you compensate for the blue undertones in most blacks when glazing over yellow paints, as they might tend towards the green side of the spectrum?
I miss being able to show up at the premiere, but work's got me busy at the usual time!
Hope you're doing well!
was the medium contrast medium from GW, or can you use acrylic matt medium from liquitex as well?
Where can I find these models :O, they look awesome and I don't think I've ever seen these before! As always great paint job, perhaps one day you can teach me in person. If you ever decide to do a special series on making a noob a pro, I volunteer as tribute!
They are part of the nethermaze starter set for warhammer underworlds.
Love the process, gonna give it a try :)
Considering that in 2 days I'm going finally to attend the class, this video helps me to understand better the underpainting! :D in the case of inks (like Liquitex or similar) what approach would you use? I know that inks are more saturated... would you use more water and medium to dilute the inks?
Hi Marco, thanks for this awesome video!
I have a Question: Without contrast paints does this approach work best with inks and medium? Do I lose to much of the value dynamic using "normal" or more opaque acrylics?
Hey Marco great content like always! Question, what kind of medium did you used? Did you use contrast medium?
Really awesome work Marco, what do you think about to prime in a mid-dark grey instead of black to get a lighter result?
Wow 👌
Top🔥🔥🔥🔥
Omg must try, wonder how it'd go at 10mm warmaster
It's a great way to work on really small models! Less steps and less stress on micro volumes!
subscribed
Already put a like on this Video ! I know it will be very interesting (And Skavens are my favourites !) 😛
did you use a glossier black primer so that the black would be darker? The black primer I use is very grey
Yep! Iused my usual Molotow black that tends to be satin/slightly glossy!
@@MarcoFrisoniNJM does Molotow make a primer? I thought they were just fancy pens?
@@minigamerjeonsofbattle9376 they make refill tubes for those pens that are great also with brush and airbrush 😉
Absolutely mind blowing !
I have to admit one thing, I loved the models in black and white too haha
I really have to try that grisaille. Can a noob achieve it... ? That will be interesting anyway I guess !
Mitico Marco
If I was going to recreate this with, say, pro acrylic transparent line, would mixing with contrast medium be necessary?
You are truely a, if not the, maestro. You are the same for miniature painting as Sandro Botticelli was for art in general
Super effective and clear breakdown of the main stages. That medium retarder water combo comes our very natural and approachable and fun. Always top notch content thanks a lot 🤟😉👍
Going to try this on my Zombicide set. Cant wait to give it a go. I think zombies will be a good subject for this method. Now to figure out the accompanying super cool accent ;)
Amazing work and technique Marco :) I have a question... Do you mix any mediums or matt varnish along with the white acrylic ink? Or do you just use it straight from the bottle into the airbrush?
Have you done any mini painting videos with watercolors? How does it compare to other types of paints? Any tips? I just bought some wizkids minis (my first minis, mostly because they come pre-primed) and I'm curious as to the effectiveness of painting with the watercolors I already have (also have some oil paints, I might try using them together, if I feel brave).
man i would love to see your take on a sylvaneth model.
Hello Marco, superb... > Have you the miniatures Skaven Reference? nothing in Games Workshop and i like this model+++ thank you very much
Does anyone know what the clear liquid at the top of the wet palette is at 12:24? Is that just water? Also, is the medium used just plain Matte Medium from Liquitex? Also, one last question: does Marco use Contrast Medium or just use Matte Medium to thin Contrast paint? Thanks!
Oh, nevermind. He mentions it later. It's Acrylic Retarder.
Hi Marco, great video as usual. Lots of valuable information. Are the paints at the end of the video the liquitex acrylic gouache as well?
What medium are you using? Glaze medium so it doesn't break the pigments up?
Why did you use a gouache paint for the white? What makes gouache different here than regular acrylic mini paints?
Always inspiring Marco! do you think it's possible to reach a similar result with oil paint instead of Contrast paint? I recently fell in love with oils :D
Metal skaven? Clan Skryre you mean or skaven armor in general?
Armour in general!
Question: have You ever tried working with Aquarell paints as washes? Because I think your Oil wash workflow might work there too. Except water based and You would need to fix them with varnish.
Hello, Marco! Thanks for the great video) in our country there is no way to buy such gouache (what can replace it?