That's Mat Jodrell. He's from Perth Australia. Mat's smokin'! We were in Vitoria to hear Sonny and ended up at this jam. It was great to catch up with Terell and have a play.
whatever dude, Why you guys with all your mouthpieces go and chill out. This guy sounds great. And he would sound great on anymouth piece that played on. CHILL OUT!!!!! peace MOTTER
its a good solo ... and well sutained with plenty of ideas along the way ... he also keeps the melody in his head throughout. In short great playing of this style ... yet it is also yet another case for the smooth school
I started on a seven(played it for five years) and switched over to a 3 C megatone because it improved my tone quality but it really depends on which mouthpeice works best for you personally. I recommend trying multiple ones and seeing what works best for you.
dude was hitting the changes big time...excellent...also on mouthpieces, you find one your comfortable with and go from there..alot of the best players play on basic mouthpieces...3C and 5C Bachs for instance..there's a reason for that...quit qorrying about mouthpieces and go practice!!
Don't worry so much about the mouthpiece. I used to worry about that stuff too, and I went from playing a monette prana mouthpiece to a bach 3c. My teacher recommended the 3c over the prana. It's all because the 3c helped me achieve an ideal trumpet sound where the prana was hindering me. So I think the most important thing for a trumpet player to think about is, "Am I achieving an ideal trumpet sound?" If you aren't, talk to your teacher about what needs to change (not necessarily mouthpiece.)
hey everything isnt just about 3c,5c,7c... if you want anything inbetween try Gary Radke mouthpieces, you can get anything inbetween...for jazz stuff I'm using a "3S" its for the most part a shallow cup 3c
A higher # = a smaller cup, so a 7C would have a smaller cup diameter than a 5C. I find that a smaller cup diameter helps with endurance and a shallower cup; a higher letter (in this case a 7D or a 3D) helps you hit higher notes more easily. However, it's different for different horns and different players. Sometimes a bigger cup is actually makes it easier to play higher (if the horn has a lot of built-in resistance, for example). I'd recommend trying a few out and seeing what you like best.
this mans got some groovy licks. i havewnt played in years myself, got a stomvi mambo sat there, its criminal really, this is the inspiration to start playin again. talkin of mouth pieces, im still using a C7, its probably about time i changed, has anyone any ideas?
just play on the mouth piece that is most comfortable. Roy hargrove was playing on 10 1/2 when he entered into berklee. i was told by one of the teachers there that even with such a smal mouthpiece, his sound was sooo full. so what ever feels the best, work with it
Should be able to fit it into a standard horn. I had a friend that put an STC-3 into his non-monette horn w/no problem. I believe the only ones that won't go into standard horn are the pieces from the Raja horns.
i know this is beat to shit, but mouth piece means little in the long run, worry about how you allign it, and how comfortable it sits on your lip. it takes time to get used to a mouth piece, just remember tthat you make the sound, not the mouth piece
Actually 5c and 3c aren't all that good. I use a 5c only I have really good tone quality. But 3c is a squealer mouthpiece only made for playing higher notes but it sacrifices tone quality for range. So i say the best for low and high notes for most people is a 5c.
That's Mat Jodrell. He's from Perth Australia. Mat's smokin'! We were in Vitoria to hear Sonny and ended up at this jam. It was great to catch up with Terell and have a play.
It's so pleasant to discover so many fantastic musicians playing jazz sandarts so well, Jazz is alive.
Mat is a fabulous Australian trumpeter from WA, sounded great at 16, won a james morrison scholarship, and just keeps working hard
yeah man, nice solo. i love Four
Jodrell is a machine.
Yea, he killed this shit. Changes were amazing. For example seconds 32-42 were what jazz is about. Hitting the changes and having fun.
whatever dude,
Why you guys with all your mouthpieces go and chill out. This guy sounds great. And he would sound great on anymouth piece that played on.
CHILL OUT!!!!!
peace
MOTTER
Oh man I would have loved to been there.
You guys are both right!
its a good solo ... and well sutained with plenty of ideas along the way ... he also keeps the melody in his head throughout. In short great playing of this style ... yet it is also yet another case for the smooth school
this guy's great!
Gonna be honest, I was watching the bass player until he got cut out of the video. Guy's totally into the grove, it's so awesome.
I started on a seven(played it for five years) and switched over to a 3 C megatone because it improved my tone quality but it really depends on which mouthpeice works best for you personally. I recommend trying multiple ones and seeing what works best for you.
...and our buddy Shane Pooley on bass
dude was hitting the changes big time...excellent...also on mouthpieces, you find one your comfortable with and go from there..alot of the best players play on basic mouthpieces...3C and 5C Bachs for instance..there's a reason for that...quit qorrying about mouthpieces and go practice!!
"quit worrying about mouthpieces and go practice" - Few realise how important that statement actually is.
Don't worry so much about the mouthpiece. I used to worry about that stuff too, and I went from playing a monette prana mouthpiece to a bach 3c. My teacher recommended the 3c over the prana. It's all because the 3c helped me achieve an ideal trumpet sound where the prana was hindering me. So I think the most important thing for a trumpet player to think about is, "Am I achieving an ideal trumpet sound?" If you aren't, talk to your teacher about what needs to change (not necessarily mouthpiece.)
oh well i was just guessing but yea i would actually like to get one of those trumpets
i think its one of those trumpets that the mouth piece is customed for him and its just all one piece
this cat smokes man! swinging all through the registers at that tempo just ain't easy man...
unghh!...this guy's great
hey everything isnt just about 3c,5c,7c... if you want anything inbetween try Gary Radke mouthpieces, you can get anything inbetween...for jazz stuff I'm using a "3S" its for the most part a shallow cup 3c
2:15 is the sickest little lick EVER!
yesss
Yeah! Nice! :p
of course, i've been playing for 5 years and got a c3.
Just as well they didn't have a guitar amp up on stage. Hey I told you that you sounded good up there too Mack, now you have evidence.
A higher # = a smaller cup, so a 7C would have a smaller cup diameter than a 5C. I find that a smaller cup diameter helps with endurance and a shallower cup; a higher letter (in this case a 7D or a 3D) helps you hit higher notes more easily. However, it's different for different horns and different players. Sometimes a bigger cup is actually makes it easier to play higher (if the horn has a lot of built-in resistance, for example). I'd recommend trying a few out and seeing what you like best.
this mans got some groovy licks. i havewnt played in years myself, got a stomvi mambo sat there, its criminal really, this is the inspiration to start playin again. talkin of mouth pieces, im still using a C7, its probably about time i changed, has anyone any ideas?
Who is this guy? sounded great! thanks for sharing again !
wow
Great solo!
Anyone know what tune they're playing?
Four Miles Davis
just play on the mouth piece that is most comfortable. Roy hargrove was playing on 10 1/2 when he entered into berklee. i was told by one of the teachers there that even with such a smal mouthpiece, his sound was sooo full. so what ever feels the best, work with it
@lukerocks13 ofcourse...
Nice long falls at :50
They're all jamming off the chord progression for "Four", so that's probably why. Nice ears.
WOW Great Playing...solo has a hint of "Four" in it
wow..that monette eats air like crazy...
Nice solo.
does anyone know what size of mouthpiece receiver fits the Monette STC2 mouthpiece ?
thnx
Should be able to fit it into a standard horn. I had a friend that put an STC-3 into his non-monette horn w/no problem. I believe the only ones that won't go into standard horn are the pieces from the Raja horns.
@Arborwaychet "Smooth School?" You better explain this. I know Mat. Nothing "smooth school" about it. The cat can play his ass off.
hey, joe! how's japan?
Name of the tune please aha?
Four
@@kyleimlah2217 Thank you Kyle!
@@liamsedable subscribed!
thanks cus i always thought the lower the number and letter the better u can play high notes
who is this guy anyway? Great playing.
i know this is beat to shit, but mouth piece means little in the long run, worry about how you allign it, and how comfortable it sits on your lip. it takes time to get used to a mouth piece, just remember tthat you make the sound, not the mouth piece
@SmoothLilMexican yes
Actually 5c and 3c aren't all that good. I use a 5c only I have really good tone quality. But 3c is a squealer mouthpiece only made for playing higher notes but it sacrifices tone quality for range. So i say the best for low and high notes for most people is a 5c.
omg why do u still use 7c???thats a no no....7c is only for beginners...u chould be on 4 or 3c now lol...ive been playing for 3 years and i use a 4c
@Rudreax except he doesnt swing lol