@@reeseblair2878 I think about my feeling why my sense heard like that When I check with two scales, they have one note that in same position - the b6 degree When this progression play at iiim -> ivm: the note “F” can enharmonic the iiim chord become augmented chord in So C#m can be C#, E#(F), A Every time when the notes or melodies come back iii -> iv section my ear will hear two minor chords and that augmented one in that time And of course this couple scales have scale structure in same position from the root to the sixth, except the 7th degree Thanks for your comment.
Perfect!
Sound at C#m/A - Dm/A similar like mixolydian b6 from my ears
yeah parallel harmonic major and mixoldian b6 scales are one note apart: the 7th degree
@@reeseblair2878 I think about my feeling why my sense heard like that
When I check with two scales, they have one note that in same position - the b6 degree
When this progression play at iiim -> ivm: the note “F” can enharmonic the iiim chord become augmented chord in
So C#m can be C#, E#(F), A
Every time when the notes or melodies come back iii -> iv section my ear will hear two minor chords and that augmented one in that time
And of course this couple scales have scale structure in same position from the root to the sixth, except the 7th degree
Thanks for your comment.
3 minutes? How do i practice 7 modes in 3 minutes?
Is perfect, just don't see them like 7 modes... Is just 1 scale, see it lik that. and play it all over the fretboard