The Choir of Royal Holloway, Rupert Gough - Gjeilo: Ave Generosa (Lyric Video)
ฝัง
- เผยแพร่เมื่อ 28 ก.ย. 2024
- Norwegian composer Ola Gjeilo is bringing warmth and comfort this holiday season with a new album called Winter Songs. Available here: decca.lnk.to/w...
Combining choir, piano and strings, this album reimagines beloved carols, alongside brand new compositions which evoke the spirit of winter. Christmas favourites such as ‘The First Nowell’, ‘The Holly and the Ivy’ and ‘Silent Night’ alternating with beautiful Gjeilo works such as ‘The Rose’ and ‘Ecce Novum’ - balancing the new and the familiar in perfect harmony.
Ola Gjeilo says: “I’ve always wanted to do a Christmas album and I’m so excited to get to share these winter-inspired tracks, 15 collaborations with the amazing Choir of Royal Holloway and 12 Ensemble.”
The new recording features Ola Gjeilo on piano, the Choir of Royal Holloway, and 12 Ensemble - a collection of London’s finest and most exciting chamber musicians. The conductor is Rupert Gough, Director of Choral Music and College Organist at Royal Holloway since 2005.
Music video for Ave Generosa. (C) 2017 Decca Music Group Limited
vevo.ly/PB6L3J
Simply- it's beautiful, but "gloriosa" is the best😍
I love everything he composes, but I think this is my absolute favorite.
I love how it gets real loud at the end and the rings out as each section stops singing
The last 10 seconds made me cry.
Just gorgeous. Hopefully, our choir can sing this. When it’s safe to sing again. It was nice to have the music to sing along with.
From a soprano, to you: Thank you for composing this piece. I love it so much.
i'm deeply in fond of Ola Gjeilo's work.
so beautiful! i can't stop listenning to this song!
Love the coupling with the sheet music. Beautiful.
I’ve been a lifelong choir member and I’ve sung everything from tenor to highest soprano. Your music is so beautiful, and I wish I could be a part of a choir who performs this. I would have goosebumps through the whole thing. I’m a sucker for a rich low voice, and those altos and basses are superb! I’ve listened to both versions of this piece and I have to say, I like the SSAA version better. I think the higher key makes it sound more triumphant and vital. Whereas the SATB sounds more contemplative and subdued. So subjective, though. Thank you for your beautiful music.
I had a talk with my conductor and gave some examples of pieces that I estimated the choir could handle. And now pieces of Gjeilo are some of the most beloved in the repertoire. I was part of a performance in a foreign country. We brought part of our own Orchestra with us, but needed to hire professional musicians. They also got hooked to these pieces and loved it. Just give it a try. When you knock, it is possible that the door is already open and you just need to enter.
I accidentally stumbled across this in my TH-cam suggested and now I’m on a mission to convince my choir director to have our choir perform this piece
You can do it. IF the choir director of yours refuses on this deal, shame on him/her
DO IT!!! i sang this with my choir and it was so fun
Ah yes so true. Me tooo 😁
How did you get on? :)
My choir performed it a few weeks ago...I love every second of singing it ❤️❤️
I really hope you get to sing it one day
What a godly Music ! Thank you so much !!!
I love this composition. Sounds like old school polyphony.
It’s Middle Ages monophony
@@anthonypuente9072 its only based on that lmaoooo
Not polyphony, then the voices would start to various times, like at a canon or a fugue ,and would be self-standing. That is homophony it means either, that the voices have wholely or almost wholely the same rhythm, or one voice , for instance the soprano, is the main voice and the other voices make the harmonies and accompanish the main voice with long notes like here how it seems to me. Maybe it sounds medievally, but there are harmonies which the mostly unknown medieval componists had would made never to their time.
@@susannestechow1009 it’s has elements of polyphony at the end
0:10 for replay :)
Dario Satriani THANKS
Questo pezzo tocca le parti più intime dell'anima.
PURE MASTERPIECE
What a beautiful song
I love the alto part!! So powerful
My choir did this piece in 2019 it was such a fun piece to learn and it sounded great. Lovely composition keep up the good work :))
I just buy two your albums on itunes. your music is so inspired. thank you man.
The best ❤
OMG this is amazing!!! you are such a great composer. This sound like heaven, I want to know more about you!!!!
Sublime!
Just went and bought the CD. :)
Any altos who really want to sing the bass line? Just me? Okay.
Cool
Tenors too :(
@Connor B. The B flat in measure 86, on the 3, too? ;)
@Connor B. I'm a Baritone and I can reach that hehehehe
I've done it, and it's amazingggg
Bravo!
Magnificent!
Amaxing music !!! How can we find the sheet music for this piece ?
2:51 - 3:24 on .75x speed. You're welcome
beautiful
後半のアルトが熱すぎる
I was just thinking "they have nice pronunciation for an English choir". Then came the soprano soloist at 2:32...
However, it is a great performance of a great piece by a great composer.
It certainly is.
Are you referencing to how "ge" is pronounced?
@@Marunius no, mainly the r
@@irismoralis thanks :)
@@irismoralis haha I noticed it too. Still amazing performance!
Day 1 of convincing my choir director to sing this…
Tell me it worked?
1:03
2:50
is there a translation available?
firt time I read Latin
I sing bottom alto but yeah we have girls in my choir that sing bass (it’s a girls choir) (they sing on pitch too)
You'd probably be singing the original arrangement for SSAA?
Gjeilo, you're a real genius! My choir sang "Days of Beauty" and "The Rose" using a new arrangement and adapting the songs for male and female choir, making spectacular videos with stunning scenery and views. Write this in the search: I hope you like it!
Corale Novarmonia - Days of Beauty (O. Gjeilo) SATB Choir
Corale Novarmonia - The Rose (O. Gjeilo)
As a 2nd bass, I don’t like the range for bass. Too high
Aan Sihotang it works well in my opinion, in most compositions I’ve seen only baritone reach that high but I like how basses are given the challenge too
I am a 2nd bass and i think its not that challenging lol
Yağız GÜNDÜZ Yeah and there’s a TTBB version of this song too. I wonder if the same happens there
Where the fuck is the bass?
Is that it? Not much substance.
As an alto, I appreciate how he lets altos sing. Most of the time we get a drone or a simple harmony, but Ola writes our part a lot more interesting than normal.
I'm an Alto, one of the lowest registers in the girl's choir (so low I sometimes supliment the tenors), and it was so nice being able to sing darker, more powerful tones.
Then there was the final (puella...) that I genuinely cried.
Allie you’re so right,
He writes such beautiful alto lines. Much more interesting than many.
AMEN, SISTERS!!!
ENGLISH TRANSLATION:
I behold you,
noble, glorious and whole woman,
the pupil of purity.
You are the sacred matrix
in which God takes great pleasure.
The essences of Heaven flooded into you,
and the Great Word of God dressed itself in flesh.
You appeared as a shining white lily,
as God looked upon you before all of Creation.
O lovely and tender one,
how greatly has God delighted in you.
For He has placed His passionate embrace within you,
so that His Son might nurse at your breast.
Your womb held joy,
with all the celestial symphony sounding through you,
Virgin, who bore the Son of God,
when your purity became luminous in God.
Your flesh held joy,
like grass upon which dew falls,
pouring its life-green into it,
and so it is true in you also,
o Mother of all delight.
Now let all Ecclesia shine in joy
and sound in symphony
praising the most tender woman,
Mary, the bequeather/seed-source of God.
Amen.
Fucking based. Thanks bro.
Thanks!!!
but the song has only the first paragraph.
Amen
That's... not... a very good translation...
This is definitely closer:
1. Hail, nobly born, hail, honored and inviolate,
you Maiden are the piercing gaze of chastity,
you the material of holiness-
the one who pleased God.
2. For heaven’s flood poured into you
as heaven’s Word was clothed in flesh in you.
3. You are the lily, gleaming white, upon which God
has fixed his gaze before all else created.
4. O beautiful, O sweet!
How deep is that delight that God received in you,
when ‘round you he enwrapped his warm embrace,
so that his Son was suckled at your breast.
5. Your womb rejoiced
as from you sounded forth the whole celestial symphony.
For as a virgin you have borne the Son of God-
in God your chastity shone bright.
6. Your flesh rejoiced
just as a blade of grass on which the dew has fall’n,
viridity within it to infuse-just so it happened unto you,
O mother of all joy!
7. So now in joy gleams all the Church like dawn,
resounds in symphony
because of you, the Virgin sweet
and worthy of all praise, Maria,
God’s mother. Amen.
I practice this song with my choir 2 years ago, unfortunately we ended up not performing it because the concert was canceled 😭😭 This piece is amazing
Keep doing what you're doing man. In a world where mainstream genres reign supreme, it is the hidden gems, like the pieces that you create, that give music a deeper meaning.
But Ola Gjeilo and Eric Whitacre ARE the classical world's version of mainstream dreg. This is just a couple of close seconds away from the sugary world of "The River Flows in You". How people fail to see this always astonishes me.
fredsik Yeah, I can agree on that. Compared to a number of contemporary composers like Dominick Diorio, Jake Runestad, Morten Lauridsen, Elaine Hagenberg, Daniel Elder, and Eriks Esenvalds, Ola Gjeilo's music is just too sweet and lacks substance. I'd compare it to unseasoned chicken.
Shining Armor I’m a bit musically young, but what do you mean by too sweet? The chord structures seem really complex when compared to most music I hear nowadays
Christ, you people. Dissonance doesn't auto-equal quality and "sweet" doesn't auto-equal dreg. A choral mastermind like Thomas Tallis often used dissonances - which frankly I tend not to like - but was also often very tonal and consonant. If you want to take a swing at Tallis for being sugary sweet dreg, be my guest. This is excellent choral composing.
^
This is a MASTERPIECE ! I feel like it comes from a another planet... b-e-a-u-t-i-f-u-l
I just heard this piece at a concert, and now it got recommend to me? Google definitely uses our microphones or something
Nothing new to be real
Always remember, if the service is free and still going strong, the product they are selling is you
Maybe they noticed the tickets to the concert...😅
THANKS for being the light in my TH-cam subscriptions.
my choir director chose five of his songs for the advanced choir to sing next year and im so hyped!! these are so gorgeous and i cannot wait to perform them!!!
edit: we had our winter concert the december before covid and these were in it, it was the last concert i ever did or will do with that group since our spring concert was cancelled and i graduated that spring, it makes these songs all the more special to me
Where did you go for school?
@@adrianbenson2570 cranbrook
My choir also sings this now (;
How wonderful!!!
Ola's music, Always,
It makes me humble.
I appriciate his own inspirations which touch our mind deeply.
Extremely heart touching. Amazing!
Nice one :) and thanks for including the sheet music, I love it, but unfortunately not enough people do this
Very very much! Palestrina was my favorite, but now...
前半の激しさと後半の神秘的な音楽が素晴らしい。
Beautiful!!
It has that winter touch to it.
How did the bass singers hold a note that long? (Before bar 75)
There is usually more than one singer and they can take turns in breathing.
*Behold! Ola Gjeilo is composing!*
The ladies of VCU sang the SSAA (original) version of this at our Christmas 2017 concerts - thank you for making the Hildegard text available as SATB for those who wish to learn that version.
This bass line is everything right with the world
Vibe check complete, you pass.
Sang this im the Texas all state choir
Singing this now in a choir. Love it that every voice gets to shine in this.
LATIN LYRICS:
Ave, generosa,
gloriosa et intacta puella.
Tu pupilla castitatis,
tu materia sanctitatis,
que Deo placuit.
Nam hec superna infusio in te fuit,
quod supernum Verbum in te carnem induit.
Tu candidum lilium,
quod Deus ante omnem creaturam inspexit.
O pulsherrima et dulcissima,
quam valde Deus in te delectabatur,
cum amplexionem caloris sui in te posuit,
ita quod Filius eius de te lactatus est.
Venter enim tuus gaudium havuit,
cum omnis celestis symphonia de te sonuit,
quia, Virgo, Filium Dei portasti,
ubi castitas tua in Deo claruit.
Viscera tua gaudium habuerunt,
sicut gramen, super quod ros cadit,
cum ei viriditatem infudit,
ut et in te factum est,
o Mater omnis gaudii.
Nunc omnis Ecclesia in gaudio rutilet
ac in symphonia sonet
propter dulcissima Virginem
et laudabilem Mariam, dei Genitricem.
Amen
Simplemente genial. Un bálsamo para el oído. Gracias, por tan sublime composición, Ola Gjeilo
Tenors underrepresented in this recording
1:56
We started to sing this with my choir and I wasn't really convinced by the bass part which we were training. But when I decided to listen to this I was blown away! I can't wait till we sing it with the rest of the choir
Yeah that 13.5 whole note could be pretty tiresome 😅
someone on meme board overlaid this with an image of Gustave Doré, “The Triumph Of Christianity Over Paganism,” 1868 as a meme and it was magical.
Very beautiful peace!
I sang with with my choir (Quava Vocal Group) in 2019. Absolutely amazing 🥹. Love from South Africa 🇿🇦
I have gotten really familiar with composers and choir music all the way back to Gregorian chant. And i think Ola is the best composer ive heard of all time. I love the music
I am singing this in my chior!
Me too....:-)
whouahhhhhhhhh😍😍😍😍
if i may just say my opinion. its a realy wonderful piece of music the only question i have is why is the melody allmost the whole song dobled in bass and soprano line. i mean another ceep the melody where it is but don´t doble it use one of the voices to ad another harmonising line i belive it would sound even more as a whole.
I may be wrong, but I think the unison octaves of the melody is to be reminiscent of the period of the text. In 1100-1200, the common practice in sacred Christian music was to have monophony alternating with polyphony, so it seems like a little nod from Gjeilo to that practice.
Okay so I saw that the bass line was something I could sing. I began singing along until of course he had to put in those gosh darn low B Flats!
Always amazing...your music has gotten me thru sad heavy days.
You'll be alright.
Це так красиво ✨✨✨🫶🏻 дякую 🙏🏻
This is my all-time favourite. Can't get enough of harmony and voices sink in each other. ❤❤❤
good
Sounds like either the tenors are doing the alto's melody at bar 75 onwards, and the alto 2 melody at bar 83.. or the altos are really manly :S
I guess they're manly altos 🤷🏻♀️
Wow, it's good to have bad hearing like me so that I can just enjoy it xD
1:57
Wow a piece where Barelytones get to shine! I love it!
They phrased the hell out of bar 17! 😭😭😭❤️😍
beautiful hymn and beautiful language
Masterpiece man, keep going
Wow... Am blown Away...
This reminds me of Gregorian chant. Its beautiful. Thank you for music such as this. Greetings from Dunedin, New Zealand.
It IS a gregorian song, based on a woman writer's text, from the Middle Ages
Carambas como eu adoro essa maravilha!
This piece always feels like a reset button for my soul
Artist: Hildegard von Bingen (1098 - 1179)
Latin
Ave Generosa
1. Ave generosa gloriosa et intacta
puella, tu pupilla castitatis,
tu materia sanctitatis,
que Deo placuit.
2. Nam hec superna infusio in te fuit,
quod supernum Verbum in te carnem induit.
3. Tu candidum lilium quod Deus ante omnem creaturam inspexit.
4. O pulcherrima et dulcissima,
quam valde Deus in te delectabatur,
cum amplexionem caloris sui in te posuit,
ita quod Filius eius de te lactatus est.
5. Venter enim tuus gaudium habuit
cum omnis celestis symphonia de te sonuit,
quia virgo Filium Dei portasti,
ubi castitas tua in Deo claruit.
6. Viscera tua gaudium habuerunt
sicut gramen super quod ros cadit
cum ei viriditatem infundit, ut et in te factum est,
O mater omnis gaudii.
7. Nunc omnis ecclesia in gaudio rutilet
ac in symphonia sonet
propter dulcissimam Virginem
et laudabilem Mariam,
Dei Genitricem. Amen.
English: Hail Thee, Noble One
1. Hail, nobly born, hail, honored and inviolate,
you Maiden are the piercing gaze of chastity,
you the material of holiness-
the one who pleasèd God.
2. For heaven’s flood poured into you
as heaven’s Word was clothed in flesh in you.
3. You are the lily, gleaming white, upon which God
has fixed his gaze before all else created.
4. O beautiful, O sweet!
How deep is that delight that God received in you,
when ‘round you he enwrapped his warm embrace,
so that his Son was suckled at your breast.
5. Your womb rejoiced
as from you sounded forth the whole celestial symphony.
For as a virgin you have borne the Son of God-
in God your chastity shone bright.
6. Your flesh rejoiced
just as a blade of grass on which the dew has fall’n,
viridity within it to infuse-just so it happened unto you,
O mother of all joy!
7. So now in joy gleams all the Church like dawn,
resounds in symphony
because of you, the Virgin sweet
and worthy of all praise, Maria,
God’s mother. Amen.
Magnífica Obra!!! Transporta a otra dimensión. Me encanta.
So beautiful!! But why the break after measure 28?
Maybe it's there because the phrase/statement is being restated. To emphasize it. It would seem odd, and perhaps even a bit rushed (to me) to repeat the same phrase without a slight pause.
1:12 and 4:04 give me CHILLS
Bro same
@@jillpongo2959 4:04 can BLOW OFF even a Titanium roof... is ... just... amazing....
I discovered this piece 2 days ago. I got goosebumps after goosebumps. On one part it was consistent, second only to Wagner's prelude from Tristan und Isolde. This is the last thing I expected from a contemporary choir piece. This is making me appreciate choir music more. Thanks
Absolument d'accord! Envoûtant. Apaisant; la musique de l'âme, évidemment. Etonnant aussi de la part d'un contemporain, de ceux qui cherchent la haute-voltige, les acrobaties, l'explosions des valeurs classiques, fondatrices, fondamentales....
0:10 that entrance is so powerful ✨
Love this song- singing it for contest season. Not especially fond of the lyrics, but it’s truly a musical masterpiece!
Türkiye'den selamlar!
böyle güzel bir koroda söylemek için irtica edebilirim.
keşke görme engelli olmasaydım
keşke avrupada bir yerde doğsaydım
tebrik ediyorum ve sevgilerimi gönderiyorum❤
This is so cleverly written!!! I’m in awe.
Majestic ❤️
Toujours très beau ce que vous écrivez !
Envoûtant. Comme souvent le grégorien . Apaisant, la musique de l'âme, évidemment. Et les voix graves,exaltées. Etant soprane, j'aime cette amplification. Etonnant aussi de la part d'un contemporain, de ceux qui cherchent la haute-voltige, les acrobaties, l'explosions des valeurs classiques, fondatrices, fondamentales....
This showed up on my auto-play and I somehow know the bass part from memory but have no recollection of every learning/singing this song?? Memory works in VERY interesting ways.....