This thing is in full mid-20th century fashion. I always want to compare this with intimate communication between a woman and a man. Participating in this matter is much more interesting than observing from the sidelines. So in experimental compositions, sometimes based on arbitrary improvisation of the performers - neither in rhythm nor in time, but something completely creaking and whistling - it's much more interesting to be on the stage, but in the hall - boredom. I give you a like, dear Nini Hampo, for your dedicated work as a popularizer of contemporary art, but I don’t like the music.)))
This thing is in full mid-20th century fashion. I always want to compare this with intimate communication between a woman and a man. Participating in this matter is much more interesting than observing from the sidelines. So in experimental compositions, sometimes based on arbitrary improvisation of the performers - neither in rhythm nor in time, but something completely creaking and whistling - it's much more interesting to be on the stage, but in the hall - boredom. I give you a like, dear Nini Hampo, for your dedicated work as a popularizer of contemporary art, but I don’t like the music.)))