@JackDan i believe his first tour in 1973 was his best voice but not the best singing, Freddie has honed his technique over time, but in the early Queen years concerts Freddie had his voice softer and brighter than ever and sang all studio verses in falsetto
The vocal range of Freddy in all situations... just a legend. He's got it in studio with his legendary pure voice but when he had to shout he was unable to do it. *Caution* : i say it's his voice in studio but it's easier to modulate in a quiet room. Of course he had to be able to modulate this way. It's really different on stage with the high pressure. Any musician must secure his performance by playing the way he won't be too tired while a 2 hours performance.
Also I'm pretty sure he hits a solid G5 in Montreal '81 in "Get Down Make Love" in the first "Everytime I get HIGH". Not sure what to make of the E7 though.
The Americans are quite greedy when it comes to those shows. It’s a shame because those vocals would easily fit in with the Crazy Tour and no one would notice. I’m so curious what the first four shows sound like since they’re not in circulation because I’d imagine he’d be a different beast in them.
@@MintiesPoopin Do you think it's more that people who might have these shows don't want to release them or that they don't know they have something uncirculated?
Not really. His 6th octave notes are more or less just shaky and weird noises. He has some great C6's tho. But that E7 isn't countable at all. Probably just overtones
@@halloweenjack95 I think the F#6 in Liverpool 79 is counted since it sounds kinda strong and sustained and maybe also the G#6 in Leeds 82. I do think that the E7 isn't countable but it may be countable since many people consider yelps from other singers countable I don't really know Sorry for my grammar I'm not really a English speaker
@@rickysld Basically, according to a post on the forum by Ryan Newton, there are two reasons to believe that the soundcheck comes from the Japan 1979 shows. The first is that Freddie doesn't sound like his regular 1981 self, but more like how he did in 1979. In the soundcheck, Freddie can be heard straining his voice on higher bits, while even on the last show of the 1981 Japan tour, he sings them easily. The second is a certain piano melody during the soundcheck that Brian plays after the line "It's just as though I hold a flower that touches you". He plays the melody for the first time at the 4/25 show, but not at any of the 1981 shows. Ryan's conclusion is that the soundcheck may come from either 4/23 or 4/24, but mostly likely from 4/23.
Freddie never would sing live like this after 80 - 83 period again . ( except probably Live Aid 85 ) Does Someone know why he sang so high and powerful in this period of time ?
It was around the 80-83 period when he first started smoking, so the after effects really showed up in the later tours. He also had pretty bad vocal technique, which took its toll on his voice later on in his career.
@@johannesvaasalainen7075 English levels for you are very low. I never said he wasn't the greatest vocalist of all time. For me freddie is the Greatest singer period. However, his technique wasn't very safe, and damaged his vocal chords a lot.
Blame Fred for his habit lol,Beside age, Alcohol and smoke are really influence his Vocal.You Can see his voice got Darker from '82,and Fred voice got Darker and add a growl in 1986,because Cigar and Alcohol of course.His voice already affected by Aids also(cmiiw),and You Can see since 1987-88(Barcelona performance)are really good and clear.He Know he got Aids that year and start stop the habit.And Until Innuendo he still keeping that. Forgot to mention,In His live tour,he drink tons of Beer,it good for his Vocal since it lubricate his Vocal Cord but also damage it.
Nah, he’s always done his usual live phrasing in that part, although some early versions have him hitting the B4s on “and another one gone” plus the few times he hit the B4 on “standing on my own two feet”
I use a mobile app called inshot. I know it’s not great, but I know how to make it work for the content I make. I really like how well you can make audio transitions in that program (see my last hammer to fall video). They’re seamless.
Mercury didn't use his head voice when belting live, that's why he got nodules, because of bad technique and singing "against the rules" Also he was most likely a high baritone or a spinto tenor
Yes, he never went past a D5, but even the D5s weren’t actually a part of a melody. He usually “shouted” or randomly ad-libbed those notes, they weren’t actually a part of the studio version. His most powerful live D5 is probably the one at the end of Now I’m Here in Stockholm 1986 (“GIVE it to me now”).
Actually I wanted to do, after all this 80s stuff, very early Queen, like 73/74. Maybe due to the lack of recordings I’ll combine Queen and Queen II tours together, even including golder’s green and all these early gigs.
La scienza ha decretato il cantante piu grande di tutti i tempi per estensione vocale con le sue cinque ottave il vincitore e AXL ROSE il mitico freddie e risultato undicesimo lasciamo stare i cori da bar
excellent work men these videos are very good Personal opinion of the tour:I don't know why but the tone of most of the songs except Somebody to love and you cast them in The Game I don't like his tone in songs like Killer Queen, e Wil rock you or Tie your mother down and others from the 70s or Elvis's that I don't remember his name I never like the tone it had in the early 80's but the one in the mid and late 80s and eraly 90s I LOVE it Those two different tones of voice but the one I love most is the one from the late 80's and early 90's
@@rickysld his first tone of voice 70-79 is the most iconic but the general tone of the Game tour and the hot space tour I don't like much the same great compilation of Freddie's range on that tour the problem is that many cracks are very annoying or they are too noticeable and this worsened in the hot space and something was done every day in The Works but in the Magic they became less annoying and were reduced a little bit
his early 73-77 tone is light, yet powerful his jazz tone is dark, but he sounds alright when he has decent range crazy-early game is sorta turning into his macho tone the game tone is oversung and honestly my least favourite tone, 1st SP still rocks tho the EU hot space tone is amazing, and my personal favourite us hs/works is barky but I have a soft spot for it magic is dark yet powerful
@シャケ Its neither controlled nor good or long maintained. So fun mentioning maybe but definitely not a note thats worth adding to his vocal range. Listening to it again.. the E7 probably isn't even freddie.
Polyphonic over tone via flageolet/headvoice i think whistle doesnt sound like that and is much more disconnected it sound like squeak head voice extension
![ปฏิเสธไม่ไหว (Crush on you) - LIPTA feat. No One Else [Official MV]](http://i.ytimg.com/vi/NBw1jF342vw/mqdefault.jpg)
10:15 So strange but is definitely him. Wow.
9:39 This sounds so incredibly good like how have I never heard this before
Freddie Mercury had all incredible performances vocals it’s great, it’s number one
The second "Prime Fred" tour.
3rd no???
@JackDan where he sounded the best
The Crazy tour is considered to be Freddie’s first prime tour (with the addition of Saarbrucken)
@JackDan i believe his first tour in 1973 was his best voice but not the best singing, Freddie has honed his technique over time, but in the early Queen years concerts Freddie had his voice softer and brighter than ever and sang all studio verses in falsetto
@@CookieFXTM12 his range was higher but his voice wasn’t quite rich and textured yet.
I love what you did at 5:02.
5:09 25/11/81*
@@Master356yt 24/11/81*
@@thefiresgamen9186 is 25, 24 not have Video
no, this borhap is from 1st night
@@Master356yt the official release is a mix of both nights. Both shows were filmed, but of course, most of what got released was the second night.
I think the E7 was Freddie but I'm still skeptical because it sounds somewhat unnatural, but when it goes lower I hear Freddie
He can definetly reach higher than the 6th octave
@@PencilllCasees obvio , freddie hizo un E7 y F7 en glasglow
10:15 Holy sh*t, that scared me! How can it be!? HOW!?
Because he's Freddie 😉
The vocal range of Freddy in all situations... just a legend. He's got it in studio with his legendary pure voice but when he had to shout he was unable to do it. *Caution* : i say it's his voice in studio but it's easier to modulate in a quiet room. Of course he had to be able to modulate this way. It's really different on stage with the high pressure. Any musician must secure his performance by playing the way he won't be too tired while a 2 hours performance.
I LOVED LIVE IN MONTREAL- AMAZING CONCERT 👑FREDDIE ALWAYS FIRST IN MY HEART ❣GREAT VIDEO THANK YOU 🖐👩🦰🇵🇱
Also I'm pretty sure he hits a solid G5 in Montreal '81 in "Get Down Make Love" in the first "Everytime I get HIGH". Not sure what to make of the E7 though.
Very amazing tour! Amazing C5s! Fredie is the best and alwyas be!
Those July shows bruh, hopefully we get more shows from that month.
The Americans are quite greedy when it comes to those shows. It’s a shame because those vocals would easily fit in with the Crazy Tour and no one would notice. I’m so curious what the first four shows sound like since they’re not in circulation because I’d imagine he’d be a different beast in them.
@@MintiesPoopin Do you think it's more that people who might have these shows don't want to release them or that they don't know they have something uncirculated?
San Diego LOL
@@MisterSandmanAU LOL
It's amazing! Brilliant voice, so unique and inimitable, love it! Thank you, great video!
Well done, my friend
Thanks!
@@rickysld Anytime
Freddie was at his absolute peak in that era, I prefer it even over Crazy Tour (I know, it's unaccepatble).
True i also prefer game tour
Normal si hay muy pocos conciertos del Crazy Tour. Espero que salgan en su gran mayoría en lo años próximos T.T
So excited to see this show up in my feed! Fantastic as always mate!
Freddie king 👑 love ❤️
SOOOO glad you used Frankfurt’s DA,I fucking love that version,Great video once again.
excellent video, I can’t imagine the job it must be to do them
¡¡¡¡ què belleza !!!!Es hermoso verlo, escucharlo....muchas gracias!!!!! ❤❤❤❤❤❤
Magnifique performance vocale et registre remarquable
FREDDIE SUPERBO GRANDIOSO I LOVE YOU ❤❤❤❤❤❤
Finally, have been waiting
I want a lot of people to see your videos. good job!
estaba esperando este video gracias!!!
So... his range is’nt f2-f6, is f2-e7? Wow
🤷🏻♂️ Possibly, yeah
Not really. His 6th octave notes are more or less just shaky and weird noises. He has some great C6's tho. But that E7 isn't countable at all. Probably just overtones
@@halloweenjack95 I think the F#6 in Liverpool 79 is counted since it sounds kinda strong and sustained and maybe also the G#6 in Leeds 82. I do think that the E7 isn't countable but it may be countable since many people consider yelps from other singers countable I don't really know
Sorry for my grammar I'm not really a English speaker
@@sub-ne8qv my only problem with the G#6 is that it sounds awful. Otherwise it should be countable.
@@max101victory yeah I kinda agree after rewatching the other video it just sound so strained despite being sustained
Великолепный, неповторимый!
Freddie tu est dans mon cœur pour l'éternité
7:22
Great job Bro!!. I had eye surgery (even though I'm 13) for cataracts so I didn't check my phone for a month so didnt see the video earlier
That's horrible, hope you're recovering well.
@@MisterSandmanAU well I actually did its been 3 months now thanks for the reply that means so much to me
OMG LOVE IT
what note is Montreal Under Pressure "These are the days it never rains but it pours"
The highest note is a D5 (“days”)
Great video so far!
LET'S GOOOO.
10:08 wtf
good!!
7:05 is the first night in Montreal not high enough to be in that compilation of C5?
I should’ve included it, my bad. I guess I forgot about that one.
@@rickysld it’s okay. Personally, that’s the best C5 because he follows up with an extra high note
Ojalá salga pronto el de a day a the race
mejor el the news of the world
Pues todavía no salió xd
@@thiagoromero6816 ni va a salir
@@willicampbell9594 me pregunto porqué .la verdad eran videos interesantes T.T
@@thiagoromero6816 en un video dijo que ya no queria hacer los mismos videos y queria variar
wow
Next Jazz Tour
in 6:22 sounds like Magic Tour
Frejus!
Sarrbrucken to milton Keynes and Stockholm to Mannheim and frejus and cologne Are Freddie prime era shows
Which Cologne?
I suppose the Magic one
@@politicsnerd0311 magic tour one
YESSSS
El rango vocal de Freddie sería G1-E7! (G1 hizo en Under pressure live london 1984 para el que se pregunta) un rango vocal muy alto!
link del G1 xd
@@thiagoromero6816 Si, al final no existía, pero bueno! es un gran rango vocal, 5 semitonos y 2 octavas
@@pauliun954 *xd*
@@pauliun954 querras decir 5 Octavas y 4 Semitonos (C2-E7)
@@AISongs07 donde hace el C2?
Hartford is my personal favorite of game tour play the game
It’s great!
Montreal's LOML comes from the first night
Siiiiiiiii, hai messo l’ok let’s do it🥲🥲🥲🥲🥲
Isn't that Tokyo Teo Torriatte A2 from a Jazz tour soundcheck?
Yes it is
@PpCuyPlay listen to fred's tone, it's not his game tour tone
He could reach 5th octave easy
0:52 We found out this is 1979 not 1981
How do we know? That sucks
@@rickysld Basically, according to a post on the forum by Ryan Newton, there are two reasons to believe that the soundcheck comes from the Japan 1979 shows. The first is that Freddie doesn't sound like his regular 1981 self, but more like how he did in 1979. In the soundcheck, Freddie can be heard straining his voice on higher bits, while even on the last show of the 1981 Japan tour, he sings them easily. The second is a certain piano melody during the soundcheck that Brian plays after the line "It's just as though I hold a flower that touches you". He plays the melody for the first time at the 4/25 show, but not at any of the 1981 shows. Ryan's conclusion is that the soundcheck may come from either 4/23 or 4/24, but mostly likely from 4/23.
8:45
8:01 that wasn't a C5.maybe a cracked Bb4
It’s by far the weakest attempt, but still an attempt in my opinion. It’s still worth showing
Monterrey and 1st Puebla is very tied C5
Of course Get down make love is when Freddie becomes a bird with the high notes.
yes
Freddie never would sing live like this after 80 - 83 period again . ( except probably Live Aid 85 ) Does Someone know why he sang so high and powerful in this period of time ?
It was around the 80-83 period when he first started smoking, so the after effects really showed up in the later tours. He also had pretty bad vocal technique, which took its toll on his voice later on in his career.
@@fornevermusic Aha he had bad technique... Ok, that is your opinion... He is one of the greatest vocalist if not the greatest...
@@johannesvaasalainen7075 English levels for you are very low. I never said he wasn't the greatest vocalist of all time. For me freddie is the Greatest singer period. However, his technique wasn't very safe, and damaged his vocal chords a lot.
@@fornevermusic How about your English levels then? I newer said that you said he wasent... And the rest is your opinion
Blame Fred for his habit lol,Beside age, Alcohol and smoke are really influence his Vocal.You Can see his voice got Darker from '82,and Fred voice got Darker and add a growl in 1986,because Cigar and Alcohol of course.His voice already affected by Aids also(cmiiw),and You Can see since 1987-88(Barcelona performance)are really good and clear.He Know he got Aids that year and start stop the habit.And Until Innuendo he still keeping that.
Forgot to mention,In His live tour,he drink tons of Beer,it good for his Vocal since it lubricate his Vocal Cord but also damage it.
The soundcheck is from tokyo 79 (with the A2 its been confirmed)
Really? That sucks since it changes everything
How has it been confirmed?
@@rickysld some of the piano playing iirc but it was a little bit ago so idr fully
@@rickysld i saw it on discord
His voice is younger
Oakland and Inglewood were in July, not June.
I always have to f’up something 🤦🏻. Thanks for letting me know
could you enjoy the first concert at Wembley that I sent you?
Did Freddie ever hit the Another One Bites The Dust's E5 live?
Nah, he’s always done his usual live phrasing in that part, although some early versions have him hitting the B4s on “and another one gone” plus the few times he hit the B4 on “standing on my own two feet”
I suggest checking out Hartford, he didn’t quite figure out how to sing the song yet so there are some instances of him going for really high stuff
@@rickysld OH, thank you so much for the answer
@@rickysld I checked it right today and comparing that performance with the others I think it's one of the nearest to the high note
@@me8797 Also Providence 1980 has a very daring version
There’s also brian doing some weird stuff in the 1st verse
What editing software do you use?
I use a mobile app called inshot. I know it’s not great, but I know how to make it work for the content I make. I really like how well you can make audio transitions in that program (see my last hammer to fall video). They’re seamless.
@@rickysld thanks so much
6:59 Had San Diego 1980 been circulated long ago, it would've been here before Chandler 1980.
PS: It's my birthday!
Yeah probably. Anyways, Happy Birthday!
Thanks @@rickysld!
So what's your next video?
E7 the really note guitar sound?
That was Freddie.
@@edgarferrer8084 ok)
That A2 is one of the best low notes from Freddie, really full and baritone sounding
Also 8:25 he could've sustained that for at least 2 seconds
Lol it's sounds just like normal tenor low notes 😆
His voice blooming in belting and head voice
Mercury didn't use his head voice when belting live, that's why he got nodules, because of bad technique and singing "against the rules"
Also he was most likely a high baritone or a spinto tenor
@@tonjametanoia tenor lol his voice sits like most tenor does eb3 seem low for him already
@@tonjametanoia I didn't said that I said his belting and head voice are his best assets
Did Freddie ever top the D5 on any tour?
Not that I know of. I think D5 was the highest note he did live.
Yes, he never went past a D5, but even the D5s weren’t actually a part of a melody. He usually “shouted” or randomly ad-libbed those notes, they weren’t actually a part of the studio version. His most powerful live D5 is probably the one at the end of Now I’m Here in Stockholm 1986 (“GIVE it to me now”).
th-cam.com/video/ZXFBK2APd0g/w-d-xo.html&ab_channel=DavidR.Fuller (1:04 Eb5) but is not actually queen idc
@@thepacmanface3815 Wow that's epic. Funny how when he hit it, he sounds nothing like himself.
@@thepacmanface3815 wow thats impressive
What is the A2 song in Tokyo?
It was a soundcheck from the song Teo Torriatte or Let us Cling Together in english
Teo Torriate (Soundcheck)
Bro 3/21/1981 STL might be the best of the tour
Why?
@@thiagoromero6816 cause he gets almost all the key Bb4’s, plus the C5 and overall sounds better with a killer solo by Brian
@@spider-man120 a. lo malo es el sonido que se escucha como la 💩
10:15
Si suena como un E7
@PpCuyPlay de echo el sonido que hace Freddie para llegar al E7 yo también lo puedo hacer
Con la diferencia que yo llegue a un D7
@PpCuyPlay ahora que me acuerdo en una parte de la canción cool cat hace algo parecido
Me voy a fijar
@PpCuyPlay hermano yo con suerte hago un D3 bajo ahhajaja
Como haces para cantar alto ? Si no puedes responder no pasa nada
@@lauti.b9750 con falsete o voz mixta
@@willicampbell9594 yo me refería a que me es imposible a mi hacer eso realmente
Pero felicitaciones si puedes hacer notas altas
is the vocal range for Jazz tour next?
Actually I wanted to do, after all this 80s stuff, very early Queen, like 73/74.
Maybe due to the lack of recordings I’ll combine Queen and Queen II tours together, even including golder’s green and all these early gigs.
@@rickysld so no Jazz, so Sheer Heart Attack
La scienza ha decretato il cantante piu grande di tutti i tempi per estensione vocale con le sue cinque ottave il vincitore e AXL ROSE il mitico freddie e risultato undicesimo lasciamo stare i cori da bar
10:15 personally think it's G6
G6 and polyphonic eb7 i think?
@@rii1240 what does polyphonic mean?
@@max101victory He produced two notes at the same time
@@rii1240 producing two notes at the same time? I didn't even know that was possible.
@@max101victory Search Avi Kaplan polyphonic except Freddie was unintentional here Avi have controlled polyphonic
excellent work men these videos are very good
Personal opinion of the tour:I don't know why but the tone of most of the songs except Somebody to love and you cast them in The Game
I don't like his tone in songs like Killer Queen, e Wil rock you or Tie your mother down and others from the 70s or Elvis's that I don't remember his name
I never like the tone it had in the early 80's but the one in the mid and late 80s and eraly 90s I LOVE it Those two different tones of voice but the one I love most is the one from the late 80's and early 90's
Yeah, I’m also not a huge fan of his 79/80 tone, but his 81/82 tone is great.
@@rickysld his first tone of voice 70-79 is the most iconic
but the general tone of the Game tour and the hot space tour I don't like much the same great compilation of Freddie's range on that tour
the problem is that many cracks are very annoying or they are too noticeable and this worsened in the hot space and something was done every day in The Works but in the Magic they became less annoying and were reduced a little bit
his early 73-77 tone is light, yet powerful
his jazz tone is dark, but he sounds alright when he has decent range
crazy-early game is sorta turning into his macho tone
the game tone is oversung and honestly my least favourite tone, 1st SP still rocks tho
the EU hot space tone is amazing, and my personal favourite
us hs/works is barky but I have a soft spot for it
magic is dark yet powerful
@@MisterSandmanAU What you say is true but for me the tone of the hot space is the one I like the least
The E7 sound like mad overtones. Probably a E5 at best.
And his Whistle register is really shaky anf weak. But a great find & compilation
@シャケ Its neither controlled nor good or long maintained. So fun mentioning maybe but definitely not a note thats worth adding to his vocal range.
Listening to it again.. the E7 probably isn't even freddie.
Polyphonic over tone via flageolet/headvoice i think whistle doesnt sound like that and is much more disconnected it sound like squeak head voice extension
@@halloweenjack95 the E7 is Freddie. If it were guitar, it would sound different.
I gotta say, I'm pretty doubtful of that Eb7. It sounds way too much like a guitar.
Ehhhhh Inglewood WATC he doesn't hit anything notes
It sounds like he hit the Bb4s to me. Anyways the quality is close to garbage so it requires a lot of interpretation. 4:48
Imo it's maybe Roger and Brian combine
In discord greg remaster it
@Ju Dy Maybe you’re right. That’s the matter with low quality recordings, you can never tell tf is going on
Yeah