Do you have sheet music for this anywhere? There are a lot of techniques I want to improve at in this song, and also it's fucking GROOVY I get if you don't it's been a while since you made this one lol
Alright, have at it! www.dropbox.com/s/rtsmzlk8sym5h7a/In%20Her%20Element%20-%20Solo%20Piano.pdf?dl=1 I included a lot more detail in these sheets than I usually would since you mentioned improving your technique in particular. Some composer's/instructor's notes: - Although I've transcribed every single note as best as I could, you should keep in mind that this isn't how I thought of the music as I played it. In my head it's not much more than rhythmic figures and certain particular chord voicings, and a lot of the comping patterns were done spontaneously. Likewise, it should _feel_ spontaneous for you to play. Hint: left hand plays _with_ right hand to accent certain beats, and _apart_ from it when not. - Pedal notation is deliberately very scarce; while there are some passages where the pedaling was fairly straightforward and simple to notate, the truth is that the _entire_ piece is sprinkled with very delicate spontaneous pedalwork that I couldn't hope to properly remember or transcribe. Instead, I've marked with *_Ped./*_* notation the most notable sections that rely on pedaling to smooth the sound, and I've left it to you to feel out the best way to pedal through it. - Due to a MuseScore quirk, I didn't properly notate the arpeggiations as being cross-staff; assume that you're meant to arpeggiate both hands when the figure comes up. - While I've notated the most notable staccatos and tenutos, remember that the feel of the piece is meant to be quite bouncy. Legato technique should be avoided as much as possible, so almost every note is played between 50% to 75% of its full duration. Your notes should be fairly distinct, and there should be minimal slurring between them. - A tiny note just for bar 59: on those grace notes sliding into the octave, just literally slide your hand down! Your fingers should fall from the A#s to the Bs with ease and without pain. Sounds difficult, really isn't. See @ 2:17 in the video. Have fun learning the piece, and best of luck on your piano learning journey! Music is a lifelong companion, and I'm glad to hear that you're taking the time to develop this hobby.
![โฮ่ง! (SUGOI) - LYKN [ OFFICIAL MV ]](http://i.ytimg.com/vi/nFp4zjAARFs/mqdefault.jpg)
That is so sick man
DAAAYUM extremely groovy!!!!
yes this is groovy 😎
Do you have sheet music for this anywhere? There are a lot of techniques I want to improve at in this song, and also it's fucking GROOVY
I get if you don't it's been a while since you made this one lol
No sheet music lying around anywhere, but I might whip something up for you if I can squeeze in the time for it.
@@FlareMusic Shit, if it's not too much trouble!
Alright, have at it! www.dropbox.com/s/rtsmzlk8sym5h7a/In%20Her%20Element%20-%20Solo%20Piano.pdf?dl=1 I included a lot more detail in these sheets than I usually would since you mentioned improving your technique in particular. Some composer's/instructor's notes:
- Although I've transcribed every single note as best as I could, you should keep in mind that this isn't how I thought of the music as I played it. In my head it's not much more than rhythmic figures and certain particular chord voicings, and a lot of the comping patterns were done spontaneously. Likewise, it should _feel_ spontaneous for you to play. Hint: left hand plays _with_ right hand to accent certain beats, and _apart_ from it when not.
- Pedal notation is deliberately very scarce; while there are some passages where the pedaling was fairly straightforward and simple to notate, the truth is that the _entire_ piece is sprinkled with very delicate spontaneous pedalwork that I couldn't hope to properly remember or transcribe. Instead, I've marked with *_Ped./*_* notation the most notable sections that rely on pedaling to smooth the sound, and I've left it to you to feel out the best way to pedal through it.
- Due to a MuseScore quirk, I didn't properly notate the arpeggiations as being cross-staff; assume that you're meant to arpeggiate both hands when the figure comes up.
- While I've notated the most notable staccatos and tenutos, remember that the feel of the piece is meant to be quite bouncy. Legato technique should be avoided as much as possible, so almost every note is played between 50% to 75% of its full duration. Your notes should be fairly distinct, and there should be minimal slurring between them.
- A tiny note just for bar 59: on those grace notes sliding into the octave, just literally slide your hand down! Your fingers should fall from the A#s to the Bs with ease and without pain. Sounds difficult, really isn't. See @ 2:17 in the video.
Have fun learning the piece, and best of luck on your piano learning journey! Music is a lifelong companion, and I'm glad to hear that you're taking the time to develop this hobby.
@@FlareMusic Thanks so much! This thing's gonna kick my ass for a WHILE lol but hopefully it helps me understand improv on the piano a better.