TVアニメ『るろうに剣心 －明治剣客浪漫譚－』第１弾PV
ฝัง
- เผยแพร่เมื่อ 8 ก.พ. 2025
- 明治十一年、東京下町――、ここからはじまる浪漫譚
2023年“ノイタミナ”ほかにて放送決定！
コミックスがシリーズ累計7,200万部、実写映画はシリーズ累計興行収入193億円と全世界・全世代からの支持を受ける伝説の名作『るろうに剣心 －明治剣客浪漫譚－』が、2023年に新作TVアニメシリーズとして蘇る。
和月伸宏による原作は1994年「週刊少年ジャンプ」にて連載開始、1996年には初のTVアニメ化。以降もOVAや劇場映画など数々の展開を経て、現在は『るろうに剣心 －明治剣客浪漫譚・北海道編－』が「ジャンプSQ.」にて連載中。
満を持しての今作は、最新のアニメーション技術で原作を第１話から再構築し、現在のアニメファンにもアピールしうる、アニメ『るろうに剣心』を目指す。
制作にあたっては監督・山本秀世（『ストライク・ザ・ブラッド』）、シリーズ構成・倉田英之（『メイドインアビス』）ら実力派スタッフが集結。緋村剣心役に斉藤壮馬などキャスト陣も一新して臨む。さらに原作者・和月伸宏が自ら、キャラクターデザインやシナリオなど全編に渡って完全監修する。
連載開始から約30年を経ての新作TVアニメ『るろうに剣心』。色褪せることのない、王道にして普遍的な物語、登場人物たちの苛烈な信念を、今再び鮮烈に映し出す――
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
■スタッフ
原作：和月伸宏『るろうに剣心 －明治剣客浪漫譚－』（集英社 ジャンプコミックス刊）
監督：山本秀世
シリーズ構成：倉田英之
キャラクターデザイン：西位輝実
音楽：髙見 優
制作：ライデンフィルム
■キャスト
緋村剣心：斉藤壮馬
神谷 薫：高橋李依
■作品公式サイト
rurouni-kenshi...
■作品公式Twitter
@ruroken_anime
/ ruroken_anime
©和月伸宏／集英社・「るろうに剣心 －明治剣客浪漫譚－」製作委員会
#るろ剣
#るろうに剣心
![前編[5/6：般若戦、式尉戦]｜TVアニメ「るろうに剣心 －明治剣客浪漫譚－ 序幕東京」](http://i.ytimg.com/vi/Dvo7g4i9yb4/mqdefault.jpg)
まって
想像の200倍くらい高橋さんの薫違和感無さすぎて動揺してる
るろうに剣心は青春時代を共に生きた作品。並々ならぬ思いがあるから蘇ってくれるのは本当に嬉しい。
いろいろ不安に思う部分もあるけど、それをどう作り上げていくか注目してる。
第1弾PVありがとうございます！
漫画の絵柄を残しつつ、現代の技術に落とし込まれたるろうに剣心最高です。
来年が楽しみです！！
th-cam.com/video/l968Fk3GPaw/w-d-xo.html
旧作の志々雄編が始まって斎藤一が登場した所からBGM良すぎていまだに頭から離れないからなんとかしてこっちにも使ってくれたのむ
今の時代って作画重視で綺麗なのが人気になるけどやっぱりこういう昔の作画っぽいのもあったらその期間アニメに飽きないよな
A legendary anime. Live action also didn't dissapointed, considered as the best live action anime adaption. Now this reboot with modern style, can't ask more.
Live action must be one of the only few exceptions of good live actions
What anime is this?
@@Model_BT-7274 Rurouni Kenshin (2023). It's the new anime adaptation of a Shonen Jump manga that had another anime adaptation from 1996. I highly recommend this series and the OVAs that precede and come after the 1996 version.
the only time the live action of an anime has been so epic...indeed
i wish this anime remake would be much better tho 😳
@@catteljaloux How so? Based on this video I still prefer the look of the original, but so far this new adaptation looks serviceable. If we look at the OVA that precedes the original anime adaptation though that thing aged gracefully.
またこうやって綺麗な映像で見れるのは嬉しいな
That oro moment is what makes Rurouni Kenshin became a legendary anime
I first came upon Rurouni Kenshin through the Tsuioku hen OAV, it's dark realistic and devoid of any of the comedic element of the main serie. So when I started said main serie the impact of that first "oro" was augmented a hundredfold. From that idealistic, but cold and hurt by life young man to this goofy character, it was just so much of a gap and yet so strangely naturaly fitting that I was hooked instantly.
I can't believe they will be re-doing the entire Rurouni Kenshin series! What a time to be alive 😄
I'm watching the original right now
as much as I like it as it is, we need to see a different ending from reflection
Am I the only one that was introduce to this show as Samurai X that was the title of the show when I seen it🤔
I know right , when I saw this, I was like, shocked, it's been almost 20 years since I last saw RK, I last saw the final episode around 2005
@@TheHattaru i saw the whole series first time in 2004 time files😅
its about time they decided to bring this back. the og anime was good, but the filler arc completely killed it afterwards. now we get to see how the anime was truly meant to finish.
If im not mistaken, this a full blown remake. So it will be start to finish as a complete manga adaptation.
El arco del relleno no es canon en el manga
Hell yeah
Please don't remind me of the fung-shui people having super powers using... rulers...
瓦走りやドリフト回転など実写の要素も盛り込んでる感じ好き
rurouni kenshin is literally my favorite anime. so seeing it making a return, even after the live action movies put a smile on my face. cant wait.
子供の頃、何度も読んだのが思い出されます。アニメは名曲だらけで、友人たちとのカラオケでは必ず歌いますし。
素敵なアニメになりますように。
Is it a remake or a sequal? I haven't watched the old anime
@@devilishdeeds7951
it's a remake
再アニメ化決まってから情報ないなぁと思ってたら新たなPV公開。
このクオリティなら楽しみでしかない。それと薫が違和感なさすぎて凄い。
同感です。薫の声はまんま薫でしたねw
「人斬り抜刀斎」って聞いただけで違う人だってわかったけど
@@user-tv9cu8ps9o 違う人であることはわかっても違和感なくスっと入ってくることもあるのではないでしょうか
え？それじゃ、検心の声は、違和感あるってことですか？
おろ？が、、、、😅😅
またこのアニメを今の作画技術や声優で見れるとか生きててよかった
るろうに剣心で
更に歴史が好きになった学生時代
新しい時代にまた観れる日がこようとは
戦闘シーン力入れてくれてるのありがてぇ
Even if it has the same story line without any change from 90s, I’ll still watch it❤
Me too
From what I've heard it'll be following the material and no filler arcs.
Bhai what is the name of the anime
@@teenagegamer629 samuraix or rurouni kenshin
@@teenagegamer629 when it was released on animax it’s name was Samurai X
Japanese name Ruroni Kenshin (wanderer kenshin).
昔のアニメが今の作画でリメイクされてさらに多くの世代に見てもらえるんや最高やん
と思うやろ？ひぐらしだのの悪夢が
@megu 業卒？そんなもんなかったよ
業卒はパチンコ化させる前提で作られたんや、、、もうパチンコ化されてるけどね
@@ハレ-j9w 業までは良かったよ😢
それが必ずいいものとは限らない
過去の名作を汚すことに繋がったりもする
I'm so excited and have constantly come back to rewatch this several times! The art style and conscientious animation quality even during combat sequences are a perfect match for Trust & Betrayal. I always found the action aspect of the original TV anime weak, and now, this remake looks mesmerizing and beautiful, and is definitely what fans have been anticipating.
I like how they changed art style a little bit, so it looks more modern, but it still looks really close to the original one. Perfect balance. Can't wait to see the anime
i hate the animation laziness shown by the animators sticks out a mile i hate when animators try to cover the motion of sword w shiny reflections instead of using smears
This looks much closer to the recent manga artwork.
@@yname well im animation student and just by this trailer, i'll say the tráiler IS lazy, is annoying, why the OLD animation is better? This actually makes me realize i can always be better, you cant be lazy. But also we dont know how much these animators are being paid, that can be a reason.
@@yname the Jin'e fight especially. Literally Kenshin and him stand still and just see the lines that are the sword. This looks much better.
@@Adriana-so5jn Come on, it's liden films, say thanks it isn't animated like Berserk
I can't even believe it. After all these years Kenshin is coming back. What a time to be alive.
Fr
try watching sword of the stranger
@@meantforterrorfilledleisure that was a pretty great anime movie
He is not coming back, he repeating the same story again. Coming back would be to continue the story with Enishi's arc.
@@--Sama- Ok, lowkey though what was the point of this comment? That's kind of just being really nit-picky.
るろ剣は、物語で流れる音楽がとてもお洒落でカッコ良い印象があるので、今作でも期待しています！
To see Rurouni Kenshin come back, makes me super happy.
原作者前作否定してるけど
技演出とBGMは最高だったけどね…
師匠の池田秀一もめっちゃ好きだわ
特に京都編はあれで完成してた感ある。
「信頼できる新スタッフと忖度一切なしのガチ選考で選ばれた実力派新キャストでの制作となります」
このコメントから滲み出る旧アニメへの不信と不満よw
つーかやっぱ宝塚とか女優とか、あの辺って忖度だったんだね
まぁ前作は沢城みゆきさんを声優にならせただけで大きな功績だよ。
ドラマCDでの配役がよかったのにアニメ化で継続されなかったのが心残りだったらしいですね。
ハンターハンターの冨樫先生は「アニメはジャンプとちょっと内容が違っていてお得感があります。」って言ってたのに和月先生ときたら…
今の作画で名作を再び観られるなんて、本当に感謝でしかない
鬼滅の刃ヒットからの流れだな
マジで興奮しました！下のは興奮して作ったので気にしないでください。
th-cam.com/video/l968Fk3GPaw/w-d-xo.html
ライデンフィルムは物足りんなぁ…
@@翔-c6i
働く細胞ブラックと東京リベンジくらいしか知らないが何処なら良かった？
@@user-akaisuisei はい鬼滅すごいすごい
正直あのアニメの古い感じが味を出してて、声優さんもピッタリマッチしてて好きなんだけど、、、
これはこれで是非ともいい作品になってほしい
そうなんよね。今風の妙に色調がはっきりくっきりして塗りが単調な絵より、旧アニメ版のふんわりさやぼかしがある色調や複雑(自然みがある)なグラデーションの塗りがあるのが良さ味があるんだけど…。
これは今のアニメの全てに言えることだけどね。デジタル化の弊害なのか。これはアニメ業界の人は考えてほしい。
薫役の人、旧作のリスペクトを感じられてとても好きあの頃の薫ちゃんと変わらない(´；ω；｀)
作画を原作寄りにしてくれただけでも良いのに実写の殺陣にも寄せてるあたり本気度がうかがえる
Tittle
原作...寄り...？？
キャスト変わったのは残念だけども
リメイク自体は大いに歓迎
実写のエクストリームな飛天御剣流を逆輸入するの好感もてる
実写のだせぇ動きがアニメで再現されるのは胸熱だな
同じ世代に生まれ育ったであろう人達が努力しつづけて名作を推せる権力振りかざしてる昨今すき
そっか、制作者たちがその世代にあたるのか
@柳大海
大人の都合は今でも健在だけどな
今さら声優変えられたら当時の人たちは半分くらい乗れないんじゃ。そして一からやるならいつ北海道編になるんだか。リメイクに逃げず新作やって欲しかった。このリメイク商法こそ大人の都合なのよなぁ
@@YY-qd8tj それこそ一部のおっさんのエゴにしか見えねえわ
@@YY-qd8tj もう当時の声優さんの年齢もなかなかだし世代交代よね。
るろうに剣心がこの時代にアニメとして帰って来るのと剣心の物語が観られるのは嬉しくて本当に楽しみです。
やば
アニメ見るのに年齢なんか関係ないし誰かに迷惑かけるわけでもないんだからいいじゃん。
個人の自由よ
別れではなく旅立ち、終わりではなく始まり。少し寂しいけれどそういうものでござるよ
ブーメラン荒らし釣りやろうがいるな…
Wow! Can't believe they are bringing back one of anime's greatest masterpieces, Rurouni Kenshin.
This anime, its openings and endings and soundtrack in general reminds me too much of my childhood when my mother watched this anime with me, especially during Saturday's nights. She passed away last year, kinda unexpectedly, so everytime I see the old anime or listen to the music it's very difficult. Well, I really hope it's a masterpiece like the original and brings good nostalgia. Where she is now, I hope she sees that I remember her.
Much love to you. Those are wonderful memories to cherish.
Sadly she can't...there is no memory after death. She sounds like she was a queen though. Remember to live life to the fullest and enjoy even the simplest of things my brother/sister. Condolences.
so sorry for youf lost
This wont be as good as the og.
I'm sorry for your loss. As others have stated, even if she's not here with us, she is certainly resting peacefully. If she was here, I bet she'd be looking down and watching it with you. It sounds like you had a really good relationship, and you should cherish those memories until your passing. Maybe tell some people some stories about her? Hopefully that way they'll live on longer than you or I could hope to.
I hope you have a good day, and I can't wait to experience this anime for the first time ever. I'll be right there besides you guys. Much love, man, much love. If I could give you a hug right now, I would. I teared up a little reading your comment, so I could use a hug right now anyway lol.
It's been decades and we're gonna get to see some hiten mitsurugi style again! Brings back childhood memories.
Ryūtsuisen (龍りゅう槌つい閃せん, Dragon Hammer Flash) - Usually initiated by a powerful jump, this technique places its user above the opponent, thus opening up more vulnerabilities in the latter. This technique's practitioner uses the momentum of his fall to strengthen a two-handed sword swing that brings his blade down on his enemy's head or shoulder. Ryūtsuisen is arguably Kenshin's favorite attack, as once noted by Kamiya Kaoru.
Ryūtsuisen ● Zan (龍りゅう槌つい閃せん・惨さん, Dragon Hammer Flash: Disaster) - Beginning in the same way as Ryūtsuisen, the user positions the sword as to initiate a downward stab to the head instead of a downward swing. Kenshin is first shown using this against Shigekura Jūbei in the manga (though in the Trust & Betrayal OVA, he performs an upward stab instead since he does not jump in the air).
Ryūkansen (龍りゅう巻かん閃せん, Dragon Coil Flash) - Most effective when surrounded by enemies as this technique has the user spin to attack in all directions. It can also be used as a counterattack against a thrust or charge, one sidesteps a forward-moving opponent and moves past them. In doing so, one spins in a full circle, adding momentum and centrifugal force to the strength of the sword swing, which is then aimed at either the opponent's back or the back of the neck. The first two kanji used can also be read as tatsumaki, a Japanese term for "waterspout" or "tornado", and is often written with two different kanji used for "ryū/tatsu" (竜巻 as opposed to 龍巻).
Ryūkansen and its variations can also be performed as battōjutsu techniques, as seen in the video games Ishin Gekitōhen, Meiji Kenkaku Rōmantan - Enjō! Kyōto Rinne, Jump Super Stars, Jump Ultimate Stars, J-Stars Victory Vs. and Jump Force.
Ryūkansen ● Tsumuji (龍りゅう巻かん閃せん・旋つむじ, Dragon Coil Flash: Hair Whirl) - One of the variations of Ryūkansen, Ryūkansen Tsumuji, like its other variations, is most effective as a counter attack (seen when used to defeat Sawagejō Chō AKA Cho-the Sword Hunter), but can be used as an offensive attack. Unlike the original, Tsumuji involves a forward horizontal spin in a drilling motion like a torpedo, from which the user is able to strike at the opponent's midsection while in flight. Tsumuji is the full kun'yomi rendering of the kanji 旋, which is usually used as a term for "the hair whirl on top of one's head".
In J-Stars Victory Vs. and Jump Force, two variations are used: the usual head-on version for his weak-strong combo finisher, dash attack and sheathed blade state strong attack (where it is unnamed) for the former game, and a version where Kenshin tumbles around past his target through the air with a single slash when used as the second input to his neutral special move sequence in the former game (or as his second heavy attack string input in the latter game).
Ryūkansen ● Kogarashi (龍りゅう巻かん閃せん・凩こがらし, Dragon Coil Flash: Wintry Wind) - An alternate version used in Kenshin's Five Hit Combo against Shishio. Involves a single small side-step coupled with a 90-degree pivot turn inward and a back handed slash that quickly blasts the foe away; unlike the original version which is a full 180-degree full spin and slash. The Kogarashi is the quickest of the four variations, however, the weakest as well. It is the ideal counterattack when dealing with a faster or unreadable attack (as seen when used against Han'nya of the Oniwabanshu, due to his 'Shin-wan Spell'). Depending on the form of media (mainly the video games), Kogarashi can be performed as either a simple mid-way-stopping slash, or a full-coverage wide-slash; either way, it only involves a mere single turn. Kogarashi is a unique climate that is only in Japan.
Ryūkansen ● Arashi (龍りゅう巻かん閃せん・嵐あらし, Dragon Coil Flash: Storm/Tempest) - A variation of the normal Ryūkansen, this technique places the swordsman in a full rolling somersault slash while attacking, making it an effective counterattack against downward slash attacks and/or from above. The attack often varies with its momentum in its appearances, and in some cases (such as in J-Stars Victory Vs. and Jump Force compared to both Jump Super/Ultimate Stars), the attack can possibly hit more than once to shred apart the opposition. However, as seen in most other media, this is the only Ryūkansen variation that cannot be performed from battōjutsu. In the PSP game Meiji Kenkaku Rōmantan Saisen, Kenshin performs this variation standalone in midair where he somersaults stationary and ends it with a falling slash, similar to a Ryūtsuisen. While in Jump Force, when used as Kenshin's final heavy attack string input (and is cancel-able into other attacks in this instance despite its airborne nature), he is able to move forward through the air with it with the same animation used in J-Stars Victory Vs. as such.
Ryūshōsen (龍りゅう翔しょう閃せん, Dragon Soaring Flash) - The opposite of Ryūtsuisen, Ryūshōsen is a rising attack meant to strike the jaw from below. For additional power, one uses one's free arm to apply force to the back of the blade and utilizes a powerful upward jump during the attack akin to an anti-air attack. Originally this move was designed to slice into the opponent's chin and kill them, but Kenshin has since modified the technique to strike with the sword's side; consequently, Senkaku, Shishio and Aoshi have all survived the attack, though the very former was instantly knocked out by it.
Ryūtsui ● Shōsen (龍りゅう槌つい・翔しょう閃せん, Dragon Hammer-Soaring Flash) - A combination of Ryūtsuisen and Ryūshōsen, Ryūtsui-Shōsen begins with the powerful jump and supported upswing of Ryūshōsen, giving the leap enough power to pass one's opponent in mid-air, and on the returning drop, Ryūtsuisen is performed. It is unknown if this move can be performed effectively without using a sakabatō, as the initial Ryūtsuisen would already be fatal if landed correctly with a normal katana. It can also work the other way around at times, where the Ryūtsuisen performed first instead, followed by a reversal-slash styled Ryūshōsen (in the case of Jump Super Stars, Jump Ultimate Stars and J-Stars Victory Vs.), which also acts as the starter of his "five-hit combo" against Shishio Makoto.
Ryūsōsen (龍りゅう巣そう閃せん, Dragon Nest Flash) - A massive flurry of strikes delivered to the opponent. The sheer speed of the slashes makes this technique difficult to counter or defend, and is considered best to wear down more sturdy and enduring opponents with (seen during Kenshin's battle against Sagara Sanosuke). There is an alternate version called:
Ryūsōsen ● Garami (龍りゅう巣そう閃せん・咬がらみ, Dragon Nest Flash: Gnawing) - A version of the technique which targets the foe's head.
Doryūsen (土ど龍りゅう閃せん, Earth/Land Dragon Flash) - A ranged attack, Doryūsen strikes an opponent outside of the user's range by striking the ground and sending earthen debris at said opponent with knockout force.
Kuzuryūsen (九頭くず龍りゅう閃せん, Nine-Head Dragon Flash) - A dashing attack that uses Shinsoku (Godspeed) to simultaneously strike all nine vital spots on the foe's body from a normal kendō stance, as each of these nine points are the main targets for different swordstyles (only different styles target different ones). It is said to be unavoidable and nearly unblockable, and is taught as a prerequisite for the succession technique. It is also Hiko Seijūrō XIII's signature move. Users who are faster than the Hiten Mitsurugi, however, are able to evade the attack head-on, as seen with Sōjirō. The strength of the move's "nine heads" will differ greatly depending on the speed, force and even weight of the user. Kenshin's Kuzuryūsen is powerful but is countered at one point by Yukishiro Enishi, due to the speed being matched, while Hiko's Kuzuryūsen easily overcame Kenshin's due to Hiko's weight advantage. And Hiko's God-like Strength allows him to instantly down the immense Fuji despite such a huge weight disadvantage and not being able to perform the attack at godspeed due to the wearing of the Heirloom weighted cloak.
The nine heads of the targets are in counterclockwise while looking towards the target from the user's view (shown more clearly from Kenshin's viewpoint when used in J-Stars Victory Vs.):
Karatake (唐竹からたけ/幹竹たけ, Tang Bamboo/Tree Trunk Bamboo) Aimed at the above head with the downward strike: 壱いち (Ichi, one)
Sakagesagiri (逆さ袈かげ裟さ切きり, Inverted Kasaya Cutter) Aimed at right shoulder diagonally: 弐に (ni, two)
Miginagi (右薙みぎなぎ, Right Mower) Aimed at right arm's center from the side: 参さん (san, three)
Migikiriage (右みぎ切上きりあげ, Right Cutting Lift) Aimed at right arm's bottom/right wrist diagonally: 肆し (shi, four)
Sakakaze (逆さか風かぜ, Inverted Wind) Aimed at groin area from below via upward stroke, or straight from front: 伍ご (go, five)
Hidarikiriage (左ひだり切上きりあげ, Left Cutting Lift) Aimed at left arm's bottom/left wrist diagonally: 陸ろく (roku, six)
Hidarinagi (左ひだり薙なぎ, Left Mower) Aimed at left arm's center from the side: 漆しち (shichi, seven)
Kesagiri (袈裟けさ切きり, Kasaya Cutter) Aimed at left shoulder diagonally: 捌はち (hachi, eight)
Tsuki/Shitotsu (刺つき突しとつ, Thrusting/Thorn Thrust) Aimed at center of the chest, at breastbone: 玖きゅう (kyū, nine)
Ironically, the attack in some cases can be avoided entirely when out of attack range (such as jumping over it in the DS Jump Stars games, J-Stars Victory Vs. and Jump Force or quickly sidestepping it; the Jump Stars games and Jump Force even allow the foe to block it); but regardless, trying to avoid and/or block the attack head-on is impossible most of these cases meaning it must be avoided entirely due to all the other blows catching the foe at once; as aforementioned only Sōjirō was able avoid the attack head-on in this case.
In the manga re-telling, Tokuhitsuban (Rurouni Kenshin: Restoration), this technique is referred as the ōgi (secret skill/technique) of Hiten Mitsurugi-ryū, being called Kokonotsu Kashira no Ryū no Hirameki, which is an alternative kun'yomi or native Japanese formatting of the technique's original name (九頭龍閃, ここのつ かしら の りゅう の ひらめき).
Nijūnanazuryūsen (弐に拾じゅう漆なな頭ず龍りゅう閃せん, Twenty-Seven-Head Dragon Flash) - A technique that consists of three consecutive Kuzuryūsen, which finally brought Itekura down to his knees.
Hiten Mugen Zan (飛ひ天てん無限むげん斬ざん, Flying Heaven Infinity Slash) - An ancient and seemingly lost move used by the original Hiko Seijūrō, Hiten Mugen Zan is a mighty charging onslaught of unrivaled power. Requiring the prerequisite of attaining the capability of natural beyond Shinsoku without the use of battojutsu, the user performs a myriad series of slashes that accelerate faster than other rapid slashing techniques like the Ryūsōsen, and are executed to beyond the spectrum of visible motion the naked eye can detect within splits of a second. Due to the nature of the required speed and force required to naturally accelerate beyond Shinsoku, pushing the user to the limits of their bodily ability, the final slash is augmented with such strength that it creates such tremendous impact capable of smashing, shifting, and razing the nearby earth before the user and crush rock, and the force with which the blade lands into the earth with is powerful enough to send its foe flying into the air, before the attack's full effects can take hold. In the eyes of bystanders, the sheer immeasurable execution speed of the technique gives the impression the final slash is seen as the only single slash delivered by the user, and in turn makes the collateral damage the attack leaves behind as the only spectacle of its evidence of performance. The move is first seen used by Hiko Seijuro in the Sengoku Period during the wars of Kitakata and Nagumo as the technique that singlehandedly earns the odds for inevitable victory for his domain of Kitakata, as the killing blow to the despotic leading Nagumo damiyo warlord Hirosaki Iwano.
Battōjutsu techniques
Sōryūsen (双そう龍りゅう閃せん, Twin Dragon Flash) - Seemingly a simple Battōjutsu strike, Sōryūsen is the first of Hiten Mitsurugi-ryū's two-step Battōjutsu moves. After the first strike with the quickened sword, the user wields the empty sheath along the same path as a blunt weapon. After the sword strike lands, the sheath strike delivers a pulverizing blow capable of crushing bone and shattering wood, but if the sword strike misses, the sheath strike acts as powerful insurance, preventing an opponent's attack and delivering a crushing blow when it's least expected. This move is first seen being used by Kenshin against Udō Jin-e.
Sōryūsen ● Ikazuchi (双そう龍りゅう閃せん・雷いかづち, Twin Dragon Flash: Thunder) - An alternate form of Sōryūsen wherein the sword is wielded while still inside the sheath. The first strike is made with the sheathed sword and, once it makes contact and occupies the opponent's sword, the sword is drawn using Battōjutsu for a second strike. While the original Sōryūsen is designed to make two strikes for versatile mobility in the heat of confrontation, Sōryūsen Ikazuchi appears designed with the assumption that the first strike will be blocked, and uses the full combined mass of a sheathed sword to strike to catch foes off guard and unbalance them vulnerable for the second strike. This move is first seen being used by Hiko Seijūrō XIII against Himura Kenshin.
Hiryūsen (飛ひ龍りゅう閃せん, Flying Dragon Flash) - After assuming a Battōjutsu stance, one rotates their own body rapidly and then stops, aiming the sheath at one's target. The force shoots the sword's grip out of the sheath like an arrow, allowing one to strike a target pommel-first outside of one's zone and reach. As a battōjutsu move and as one that requires one's sword to be shot at the enemy, it can be assumed that accurate aim is required for this move (or else the weapon can easily be lost), and that the sheath can then be used as a melee weapon in a second strike, but the latter is not seen. Hiryūsen is first seen being used by Kenshin against Isurugi Raijūta only in the manga.
Ryūmeisen (龍りゅう鳴めい閃せん, Dragon Cry Flash) - An unusual technique in which one uses the Godspeed of Battōjutsu to sheathe the sword rather than to draw it in a practice known as Shinsoku Nōtōjutsu (神速納刀術, Godspeed Sheathed Blade Technique). The speed and force create a miniature sonic boom that can be used to temporarily stun opponents with particularly sensitive or acute hearing by affecting their auditory nerves. This move is only seen once, used by Kenshin against Yukishiro Enishi. While this attack would normally only deafen the target for a while, due to Enishi's unusually sensitive nervous system, Ryūmeisen managed to affect his equilibrium as well. In Jump Ultimate Stars (unlike in Jump Super Stars), it paralyzes the target for no damage instead, though it also in Jump Force puts the victim into a crumple state while also debuffing their mobility gauge regeneration rate for a set amount of time in ode to their auditory damage.
Amakakeru Ryū no Hirameki (天あまか翔ける龍りゅうの閃ひらめき, Flash of the Heavenly Flying Dragon) - The secret ultimate technique, a.k.a. the ōgi (奥おう義ぎ, secret skill) of Hiten Mitsurugi-ryū, Amakakeru Ryū no Hirameki is a powerful Battōjutsu technique whose secret lies in discovering both the significance and insignificance of one's life, the penultimate requirement needed to master the Hiten Mitsurugi-ryū.
In "Rurouni Kenshin: Restoration"[1], this technique was renamed "Hiten Mitsurugi-Ryu Saisoku Battojutsu: Tenshoryusen" (Japanese: 飛ひ天てん御剣みつるぎ流りゅう 最速さいそく抜刀術ばっとうじゅつ: 天翔てんしょ龍りゅう閃せん; VIZ Media: Hiten Mitsurugi-Ryu Fastest Technique: Heaven Soaring Dragon Flash) using the on'yomi (or original Chinese pronunciation) for the technique's name. In this short manga series remake, the Tenshoryusen is regarded as "The Fastest Battōjutsu" (Japanese: 最速さいそく抜刀術ばっとうじゅつ; Hepburn: Saisoku Battōjutsu), though not the ultimate technique (or ōgi (奥おう義ぎ) of the style. The move was first used in "Act 3: Whereabouts of Justice (Part 1)" where Kenshin used it to counter Saitō Hajime's Gatotsu, shattering both swordsmen's blades in the process. In "Act 9: Sacrifice" of this series, Udō Jin-e was able to counter the technique from the slight decrease in Kenshin's sword-drawing speed, stating that "...[Kenshin] can't genereate enough sayabashira (Japanese: 鞘さや疾ばしり)[2] using a sword with the blunt side on the outer curve."
In the live-action, the added step is capable of launching Kenshin into the air towards a leaping opponent.
Anime-only Techniques
Karyūsen (渦か龍りゅう閃せん, Vortex Dragon Flash) - A seemingly improvised battōjutsu technique used by Kenshin in his duel with Takimi Shigure. Wrapping his wounded arm and sheath to the belt and taking the stance for the Amakakeru Ryū no Hirameki, Kenshin leaps high into the air, and begins a free-fall. Knowing there is no stability while airborne, Kenshin utilizes the free-fall to multiply the torque of his rotating body to accelerate the draw of his sword for the decisive strike. This technique is more accurately akin to a battōjutsu variant of Ryūkansen: Tsumuji, in that it uses the body’s centripetal force to counter any adversary’s assault with a lightning-swift counterattack accelerated by the controlled head on the momentum of the user. Sagara Sanosuke was the one to coin the name "Kenshin-Ryū: Kaiten Battōjutsu" (Kenshin-Style: Rotating Battōjutsu).
Rairyūsen (雷らい龍りゅう閃せん, Thunder Dragon Flash) - A technique invented by Amakusa Shōgo. The technique involves using one's chi and swordsman's spirit, forming a light from the sword in a style of a violent thunderstorm, attacking opponents by overwhelmingly striking their sight with such sensory overload to the point that it knocks them out. Should it be used to its full intensity, the Rairyūsen rids them of their eyesight forever leaving them with grey-empty eyes; unless the one blinded can overcome the Rairyūsen's user in an Amakakeru Ryū No Hirameki clash in a test of true spirit, it is only then their eyesight will return. Kenshin was first hit by this, but quickly adjusted to being blind, and eventually overcame Shōgo in their eventual clash.
Anime-only "Secret Dance of the Umbrella" Circus Techniques
An improvised version of the Hiten Mitsurugi-ryū dubbed as the Kasa no Mai (傘の舞; Dance of the Parasol), used with an umbrella when Kenshin and the group were entertaining a large crowd to help Marimo prepare for her cannon launch main act against the Sumidaya entertaining group. Comedic and humorously entertaining in its style, yet as effective as the real art, the Secret Dance of the Umbrella is also likely used to provide a front to maintain the secrecy of Hiten Mitsurugi-ryū's real repertoire with a deal of humility.
Kasa Mawashi (傘回し; Parasol Spin)/Umbrella Spin - Kenshin immediately opens the umbrella, and faces the top in front of him, spinning it. At such a velocity, the umbrella can deflect various projectiles, including razor-sharp knives and blades.
Tama Tobashi (玉とばし; Ball Flying)/Ball Throw - Used with a heavy rubber ball, Kenshin swings the umbrella at it, sending the said ball as a projectile towards his unsuspecting opponent.
Inoshishi Yoke (猪よけ; Wild Boar Evade)/Wild Boar Evasion - When faced with a charging enemy, Kenshin swipes a feint at the eyes when the opponent is at such a range where the umbrella barely touches the opponent's face. When distracted, Kenshin then immediately uses the opportunity to go to behind or aside the rushing opponent.
Kasa Otoshi (傘落とし; Parasol Dropper)/Umbrella Drop - Leaping up into the air, Kenshin then comes back down with a downwards umbrella smack onto the opponent. This more or less is a comedic toned down version of the Ryutsūisen used with an umbrella.
Other techniques
Hiten no Yomi (飛ひ天てんの読よみ, Flying Heaven's Reading) - A battōjutsu counterattack technique only seen in Jump Super Stars and Jump Ultimate Stars, where Kenshin readies himself in an upright battōjutsu stance as he nearly reaches for his sword. If he is hit during the stance, he'll instantly strike with a single fast-slash which has him re-sheathing his sword, akin to iaidō. Used as his Special Attack B in his 4 Koma version in the said games.
Hiten Gorengeki (飛ひ天てん五ご連れん撃げき, Flying Heaven Five Chain Attack) - A named version of Kenshin's "five-hit combo" vs. Shishio Makoto in Jump Super Stars and Jump Ultimate Stars, where he performs a Ryūtsuisen, Ryūshōsen, then the three Ryūkansen variations (Kogarashi, Tsumuji then Arashi) in that order (used as either his Special Attack A in Jump Super Stars or Special Attack B in Jump Ultimate Stars, both for his 6 Koma version). Can also be replicated in J-Stars Victory Vs. when done from either version of his Ryūshōsen (which can only be done from either the midair attack or the fourth input strong-strong-weak combo version of the Ryūtsuisen in that said game). Though in Jump Force, only the Ryūkansen portions of the chain attack are reused (animation-wise) as Kenshin's heavy attack string, and the entire combo itself is one of the edit-able special moves for the edit-character's moveset while not accessible by Kenshin himself.
Dont use child and Samurai X on the same phrase, lol
@@pcky6646 A lot of us watched the original show in the 90s.
戦闘シーンが綺麗なの好きなんだよなあ
現代版アニメ楽しみにしています！
th-cam.com/video/l968Fk3GPaw/w-d-xo.html
あの時代でリアタイでみてたけど、あの頃もすごいなーとは思ってた。しかしほんま今のアニメの技術って圧巻やな。
ここ最近で1番嬉しいかも
あえて新たに北海道譚を作るのではなく明治剣客浪漫譚をリメイクするのいいね
たぶん北海道編を見据えてのリメイクだと思う。
キャラデザも北海道編準拠な感じがするし。
@@doragonz7517 なるほど
アニメで弥彦と燕の進展が見れるのもそう遠くはないということか
そうやな
おろ？しか聞けなかったけど、誰なんでしょうね…この声
薫は…なんかないなぁ…
再放送で知って原作も全部読むほどハマった作品がこうして現代の技術でリメイクされるってことでテンション爆上がりです！！
bgmや主題歌などにも注目してまた１から楽しめることができそうで嬉しいです。
昔の剣心の声優さんめっちゃ好きだったな〜
斎藤一戦の普通の剣心から抜刀斎モードになった時の声とかめちゃくちゃかっこよかったし、表情とか雰囲気に声が良くあっててとても好きだった
ずっとずっと原作準拠で再アニメ化してほしいと願い続けてたから、願いが叶って泣きそうになった✨
旧作の京都編なども大好きですが、新作さらに期待しています！！声優さんスタッフさん応援してます！
昔を越えるるろ剣ブーム来てほしい！✨
思い出補正かもしれませんが、涼風真世さんの演じられた剣心が、今でも好きです。しかし、新しいキャストやスタッフの皆様が新たに息吹を吹き込まれる、令和のるろうに剣心にも、一ファンとして期待しております。
いや、思い出補正ではないですよ💦今でも見ますけど、やはり涼風さんのがしっくりきますがこれを勇気を持って引き継いでくれたキャストさんにも感謝
やっぱり、跡を継ぐとなると相当なプレッシャーがかかりますからね…
令和の剣心を楽しみにしております
涼風真世さんの剣心→実写映画版の佐藤健さんの剣心→そして令和の剣心、期待が高まる
高橋李依さんの薫も意外と違和感無かった😅声近いのかな？
これ、いま流行りの分割クールでやるわけなの？
完結まで何クールになるん？俺が生きてる間に縁編を完結してくれればいいんだが…
えっ!?北海道編？！なにそれ？！！
今の作画レベルで剣心vs志々雄観てみたいなぁ...京都編まで続いたら嬉しいね
ちゃんとアニメ化されなかった人誅編までみたいなぁ
本当に楽しみです
多分ないだろうけど原作無視のオリジナルストーリーはマジで勘弁してほしい。
それなです
今回のアニメは全く見てない人でも楽しめる？
当時アニオリになったのは、アニメが原作に追い付いたりしたからだし…
でもアニオリの女の子とか、比留間兄弟の兄とか出てこなかったなそう言えば…
流石に今回は原作基準にしてくれると思うけど、ダイの大冒険の例もあるし
今考えると時代劇定番の幕末じゃなく、明治10年代を描いているって凄いセンスだよな。
「終わった人たち」の話なわけで。
新撰組、御庭番(忍者)、人斬り、どれもピークを過ぎた後の話だもんね。しかもどれか一つずつでも漫画書けそうなテーマなのに。ほんと目の付け所がすげーよ。
再アニメ化これは本当に嬉しい。打ち切りになって日の目を見なかった人誅編をぜひともアニメ化して欲しい
あと旧作で使われてた劇中の名曲を新作でも使って欲しいなー
あのド迫力なイエエエェェェェイ…ウォォゥォォウ…が流れたらそれはそれで(￣▽￣;)ww
人誅編もだけどその更に5年後の北海道編やスピンオフの志々雄真実の漫画もアニメ化して欲しい✨
ずっと大好きな作品だったから再アニメ化がめちゃ嬉しい〜映像も音も全部期待大！また、あのワクワクが戻ってくるのかぁ、、、
去年の12月にるろ剣のアニメが制作されていることを知り、待ちに待った新情報公開！
本当にありがとう！
できれば最後の人誅編までアニメ化して北海道編に繋げてもらえたら嬉しいです、、
期待して放送まで待ってます！！
リアルタイムでるろ剣のアニメを追える時がまた来るなんて。嬉しいな～
This trailer renewed my appreciation for the 1999 Tsuioku hen OAV because even with the power of modern technology and potentially bigger budget behind it, the short fight scene showed here just doesn't hold a candle to the clarity, brutality and efficiency of those in the OAV. The comparison might be unfair, but they decided to show fight scene from Kenshin's time as an assassin in Kyoto and this will forever be linked to the OAV in my mind, that's just how good it was.
Also that "oro" at the end... My apologies to Saito san but I'll miss Morinaga san voice, I'm just too used to it (although it's fun to have someone named as his old nemesis voicing Kenshin).
Indeed. The OVA is legendary and will never be surpassed imo.
As one who's a fan of this since the late 90s and has seen the old anime and the classic OVAs, I'm looking forward to this.
Old head here, and I feel the same. Wonder what all arc's they will cover. (Assuming through kyoto)
@@zanehawkins5869 old head since Kenshin come toonami when I was 12. I never thought I would see the day
You should also watch the live action movies. They covered the entire manga storyline and have some damn good fight choreography
i have question
1.the voice actor kenshin chaged right from the original?
2.this is remake or remastered?
@@Liberator- yes
最近映画見終えたからアニメが始まるの嬉しすぎる
作画が原作寄りになってるの良いね！
One of the best anime ever... I saw all the episodes in the last few days. TOP Quality
So excited for this. It was one of my favorites as a kid and helped me get through some difficult times.
Your name and picture has made my birthday. Thank you
i think this anime i'ts peace maker
Same here, “you can die any day but live requiere true courage”
Is it a remake or a sequal? I haven't watched the old one
@@devilishdeeds7951 it's a remake
I remember the first 90’s series when it came out on Toonami. Hopefully this remake covers the entire manga story
It will and it's possible it will even adapt the Hokkaido arc
Whats your age bro
あの『るろうに剣心 －明治剣客浪漫譚－』がすごく綺麗な画になって帰ってくるとは！早く観てみたい！
Kenshin is so handsome. I loved the anime a lot. The live action movies were really good. I'm glad it showed Kenshin before he became a rurouni.
I cannot express the true extent of my joy for this series being brought back! Kenshin is my ABSOLUTE. HANDS DOWN. FAV-OR-ITE ANIME!! To have a new generation have their own version makes me so happy
This made us feel anime gonna be go to the top of Era Again 🤣
Omg Kenshin. I can’t believe it. I’ve wanted this for so many years. Much success so that we get the entire story animated this time.
涼風真世さんのバトルシーンの時の剣心の声を壮馬くんがどう表現するか楽しみすぎる
That sound design sounds brutal, im all for this
アクションとか壮馬君の低めのおろ？とか、実写版を連想させる感じがあって、実写版るろ剣好きとしては楽しみです。
もちろん涼風さんの演じられる剣心も大好きですけどね。
This. Was. My. Childhood.
I was always so upset that the series ended so abruptly and left me hanging like that. I was young and didn't realize the manga went on for so much longer so it wasn't until recent years that I started collecting them so I still havent gotten any farther than where the original series left off. I'm telling you that this is the foundation of my life and it means so much to know that this is happening
The Anime finished up in some OVA's ... non-canon OVA's because for some reason they decided to go with a Story not written by the author with a much darker ending that kinda spit on the message of the manga. The Author themselves declared it non-canon and the Manga is the proper ending.
Yeah that non-canon ova ending just down right trash whoever come up with that stupid plot should just left industry completely and go ruin something else.
Couldn’t have said it better!!! IT’s everything 😭😭😭
@@chayadol what was the plot ?
@@TruthSeeker23099 From what I remember basically son (I think) of the samurai who got killed by Kenshin in the long past seek for the revenge and it basically end with Kenshin become semi-potato, Kaoru took care of him but she's dying from illness or something and their son left basically was left alone and nobody in the series appear to help them for some reason. The end. The ova was backward from what the series is about so much, the author of the manga has to state that this is not what the series really suppose to be about. Kenshin has fought so much to repay his sins of the past. He deserve a good ending (he said rest in the interview)
Tbh Kenshin OVAs are always semi-questionable, since the studio has to pull a random shite to make the ova happen but changing the ending and pissing on the premise of the whole series is just down right disrespectful.
鬼滅もそうだけど剣術とか日本の文化がアニメによって世界から興味を持たれるようになるのは嬉しい。
legend is back.
てっきり北海道編かと思ってた...
本編リメイクは嬉しすぎる😭
旧作が声優もBGMもOPEDも最高だった。
作画もVS斎藤、VS張、VS宗次郎とか最高だった。
新作にも期待。
実写だけじゃなくてアニメの躍動感もぜひ皆に見て欲しいので、めっちゃ期待してます！！！！！！！！！！！
スラムダンクと違って絵に違和感がない。
スラムダンクと違って声にもそこまで違和感ない。
スラムダンクと違ってちゃんと説明してくれる。
これは期待できますね。
ぶっちゃけ剣心の声優は涼風真世さんの印象がめちゃくちゃ強いから男性声優になったのはびっくりした、でも男声の剣心だと佐藤健の印象が強いから今までのイメージとは違った剣心になりそうやな
俺はむしろ佐藤健のイメージが強いわ
@@スキナー 実写しか見てないエアプ感出てる
@@TS-pekochan 私は、どっちも見てるけど、佐藤健さんもかっこいいと思います！
アニメ版も良き！
むしろ、別物として見たほうが良さそう楽しみ
リメイクで、また剣心見れる🎵
原作の世界を踏襲してくれているなら、既作と違っても全然ウェルカム😄いろんな剣心が見れるじゃん
For all these years we finally got a remake of this masterpiece anime :]
Hopefully they'll actually do the final arc this time and not just give us filler as an ending
@@williamparcell9197 I’m sure they will
What? Is this a remake? No way! I thought they'll just continue the arcs
@@williamparcell9197 I mean they don’t have a reason to make filler this time
@@williamparcell9197 AAAAAAAAAAA i hope so . this anime reboot or movie???
最低限、このPVのクオリティを最後まで保ってくれたらあとは文句無いです。
あと、旧を見てない世代なので、声優は特に違和感ないのがありがたい。
今、大学生で旧の再放送をテレビで見てたけど、とても面白かったよw
いっつも保育園行く前にるろ剣見るの楽しみにしてたなぁ〜
その後も再放送してたし、3周目楽しみだ
あの神曲BGMたちはぜひ使ってほしい。。
ﾄﾞｯﾁｬﾁｬﾁｬﾁｬﾝ ﾄﾞｯﾁｬﾁｬﾁｬﾁｬﾝ
テーテテーﾀﾗﾀﾗﾀﾗﾀﾗﾀﾗﾀﾗﾀﾗﾀﾗ
テーテテーﾃﾃﾃﾃﾃﾃ
テーテテーテーテーテーテー
ﾃﾃﾃﾃﾃﾃテテン テテテテン
テテン テテテテン
みたいなやつ好き。
頼む原作忠実に再現してくれ！ダイの大冒険の成功を見習って頑張ってほしい！
ダイはファンは大満足で売上的にはあれだけど、鬼滅とか呪術がヒットしてるし流石にもう手は抜かんやろ
と思いたい😊
願わくば、このアニメのリメイクがマンガ版に忠実であることを願っています。
封神演義…
シリーズ構成の倉田英之さんは今やってるメイドインアビス2期も担当されてる方なのでうまく原作をまとめてくれると期待してます
絵柄が原作の和月先生に寄せていて嬉しい。漫画版ではキャラデザのモチーフまで詳細に説明されていたので、アニメ放送後に旧版のアニメ以上に元ネタが動画とかで騒がれるんだろうなあｗそれくらい人気になってほしいです
思い出はいつも綺麗にさせておきたいのなら昔の作品をずっと見ていればいい
I didn't expect for Kenshin to have a remake but god. I'm so excited!!! I hope the soundtracks will be as badass as before
remake or remastered?
@@Liberator- reboot, in fact
@@RavenWoodsDE Just like they did with Fullmetal Alchemist Brotherhood keeping it true to the manga?
Some of the original OST songs are so iconic that they could definitely get away with re-using them at least once for some scenes, be it a remixed version or even an untouched version
I don't think anyone would complain and it would be a nice easter-egg for longtime fans, as this remake will definitely be picking
up a lot of new viewers that had never seen the original
@@RavenWoodsDE woke
Gonna be hard to top the music of the original. Easily one of the best anime ost's ever. Really took those scenes to another level.
Yeah. You really don't want to mess to much with a soundtrack that people grew up with. It can have some very unpleasant results for fans.
Legend OST
It will hardly be made a better soundtrack than the original.
Unfortunately the composer has passed away and it seems they want to give a new rhythm to this new Rurouni Kenshin anime.
It doesnt have to be exactly as the original to be good, let keep an open mind.
Yeah, the delivery of the OST is gonna be a huge factor.
声優さんより音楽に馴染めるかの方が不安いっぱい…！
旧作のBGMは子供の頃から聞き続け、どうしても剣心を見ると自動で脳内再生されてしまうので、新作のBGMが今からどうなるのかドキドキしてます…
わかります！
旧版のBGMの雰囲気すごく世界観と合っていたので、新アニメも負けないくらい静と動を感じられてドラマチックで緊張感のあるBGMだといいなと思います
志々雄戦のあの曲が頭から離れません
お片付けしないかな
お片付け♪お片付け♪
@@ああ-t4v9t
フタエノキワミアーーー！！
昔のアニメの斎藤一の声が好きすぎる件
美しい… 普段の様子もだが
戦闘シーンの作画が凄すぎる…
るろうに剣心が新たにアニメ化とか
本当に嬉しい。長く丁寧にやって欲しい。
正直微妙じゃない？
気合が半端なく伝わってくる！
昔のアニメとは少し違うかもだけどすごい楽しみ
th-cam.com/video/l968Fk3GPaw/w-d-xo.html
同じもの作るわけないでしょ、、、
I'm crying..they really are making a remake for Rurouni Kenshin
Growing up in Peru, this anime was my inspiration and reason for learning more of the Japanese language and culture, but especially kenjutsu. I can't wait to see how they're going to revive the show, and I hope it includes the Hokkaido arc!
Are you peruvian or from where? I also grew up Watching this beatiful anime. Peru is my native country ✌
Same here :D
Muchísimas gracias por traer de vuelta una adaptación del mejor manga de samuráis para hacerlo anime nuevamente, acabo de enterarme de ello y estoy extremadamente emocionado e incluso nostálgico.
Yo recién veo el tráiler, que emoción ver este animé clásico
Cuando saldría?
今の世代にリアルタイムで観てもらえるのは嬉しい。いい作品はもっといっぱい出してほしいです。
I've never been more excited! I love this anime and now its getting a reboot in the modern style?? Im loosing my mind rn ❤
声優さんが変わってしまったのは残念だけど壮馬くんらしい剣心を演じてね！
私はこんな綺麗な作画でるろうに剣心が見れるってだけでもすっごい幸せ！
楽しみにしてます✨
I'm team Saito and can't wait to see him in this remake.
Finally,someone who knows what it's all about
@@ishmaeelchilila4663 That it is.
Sanosuke my favorite
I love Kenshin, I'm so glad to see him again! The fight scene is awesome and made me wish this wasn't only a remake and we could watch the hitorkiri battosai story during the bakumatsu with more details like a prequel.
If you haven't already, you could watch the OVAs which focused on that time of his life - en.wikipedia.org/wiki/Rurouni_Kenshin:_Trust_%26_Betrayal
@@jsaint25 Thank You! I did and I loved them, but I meant a more extended story. The shinsengumi are a personal weakness xD
@@jota.a5571 Ah understood. 😁
@@jsaint25 Also, the OVA was made in a different style than the manga/anime series. If you read the manga version of those same events, its much different.
Beautiful
前の声ももちろん良かったけど、男性声優の剣心が嬉しいです！
リメイク前のファンからすれば声がガラッと変わって違和感が拭えないのは仕方がないことだろうけど
斉藤壮馬演技上手いし、なによりも、真摯にキャラクターに向き合って作品をとても大切に扱ってくれる声優なので信頼してる
実写映画のお陰で剣心が男声でも違和感なくなったね
旧アニメの棒読みの宝塚やら、ゴリ押しで入ってきたよくわからん女優やらよりは、プロの声優である新キャストの方が圧倒的に良いよ
違和感程度で済めばいいけど、PV見る限りアニメ声による演技に失望しそうな嫌な感じがするよ
@@とっとこハミ太郎ラーイン
アニメなのにアニメ声に失望…？？
主人公ヒロイン揃って棒読みのおばさん声の方がイイ…ってコト！？
@@saasaa6158 棒読みではなかったわ
@@saasaa6158 お前利根川の声優も白竜さんより森川さんが合ってるって思ってるだろうな。
シンプルにめちゃくちゃ嬉しい。
今の子達にぜひ見てほしい
そしてOP.ED担当すげぇ気になる
そばかすでもええんやで😏
そばかすになって欲しいが、どうせそばかすにはならないんだろうな。
あれだろ、Adoか髭男かYOASOBIあたりだろ
薫の声が声が変わっても違和感ない
I just can't believe rurouni kenshin is coming back 😭I'm so excited 🤧
高橋さんめっちゃ合ってるし、斉藤壮馬も良さげで期待値バク上がり
Dude if they use "Freckles" as the opening for the new anime again that would be amazing! That song has never left my head, and I never regret it!
これは楽しみすぎる