No rambling, no constant begging for likes/subscriptions/sponsorships in the middle of the video, and some really awesome sounds and insights into sound design. This channel is pretty underrated.
I agree with others here, your sound design is next level, and this was a much better format compared to a preset deconstruction. It is way better to be able to see things programmed from scratch. A future video where some of the nuances (details) and the inspiration of your sounds are explained a little would be great, even if it was just notated. Where did you learn sound design? Are there any specific resources that got you to where you are now?
@@lateniteproductions Thanks \m/,. It's a journey of finding yourself within the music, just tweaking parameters, and finding a middle ground between what you're going for, and where the sounds take you. What works for one synth/ style/ key, tempo etc,. Doesn't always translate as a direct rule or teaching. Which is why I try to avoid the approach of "always do this" or "set this to 47, and that to 24" etc.. I feel more accomplished with what I do if I can just get the gears turning creatively that yield an array of unique results. I'd rather be using hardware, or other software's, monitoring etc.. I'm probably over-answering your question. It's important to be in a given context, inspired, and just go for it.. u know? It's music, so it's art, and a craft with a signature,.. \m/,.
@@XinnXsya Thanks for replying. I was only suggesting giving pointers, and different tricks you have learned throughout your journey. Like you said, it's no need to say do this, or set this to a specific setting, as you are already showing the "what", but sometimes its nice to know the "why" also. Its also nice to learn certain techniques that apply specifically to EBM/Industrial music, as theres lots of tutorial videos for many other genres, but not that many that teach sound design for Industrial, so thank you for sharing what you do. And no you didn't over-answer anything.
@@lateniteproductions Right on, I'll keep that in mind, incorporate as much as I can. A lot of what I do is experimental, trying to break the rules, and see what happens. I feel like with more aggressive genres it's good to kinda push things to the edge of what is safe, it's worth it to look into different gear that gives a certain result, use references of music, sound design that inspire you, and just find out what the synth, or whatever tool you're using is capable of, cause they're all a bit different. But yeah, thanks for the feedback, let me know if there's anything specific you want to learn more about etc,. \m/
@@XinnXsya Well, what you do inspires me, so I will keep studying the things you put on here. I really want to master the fine art of Industrial/EBM sound design. I fully agree with what your saying, Just looking to maybe get some juicy tidbits, like why you would use a certain envelope or LFO shape, for a particular sound for example. You could even just write some little tips and reference timestamps from time to time in the video description. But hey, I'm not trying to impose or be annoying, I still appreciate what you are willing to share with us regardless. I enjoy and find value in your videos. Please keep them coming. It's nice to learn from someone who has really nailed the techniques and sounds.
![Terror EBM [halloween special pt. (n)1]](http://i.ytimg.com/vi/yY2P3dwvpPc/mqdefault.jpg)
![Terror EBM [halloween special pt. (n)1]](/img/tr.png)
Like & Sub for more Industrial sound design, and future content!
Getting to see you make it from INIT instead of just the review is super cool! It's great to see how each step changes the sound.
@@MarieEidolon \m/,. If there's anything else you want to see just let me know
No rambling, no constant begging for likes/subscriptions/sponsorships in the middle of the video, and some really awesome sounds and insights into sound design. This channel is pretty underrated.
@@mrsomebody1 Thanks \m/,.
Glad the algorithm provided your channel. Im gonna get busy creating some patches in vital now and use em on my next release. Thanks for uploading!
@@s.o.n. \m/ sick man,. your stuff is dope
I agree with others here, your sound design is next level, and this was a much better format compared to a preset deconstruction. It is way better to be able to see things programmed from scratch. A future video where some of the nuances (details) and the inspiration of your sounds are explained a little would be great, even if it was just notated.
Where did you learn sound design? Are there any specific resources that got you to where you are now?
@@lateniteproductions Thanks \m/,. It's a journey of finding yourself within the music, just tweaking parameters, and finding a middle ground between what you're going for, and where the sounds take you. What works for one synth/ style/ key, tempo etc,. Doesn't always translate as a direct rule or teaching. Which is why I try to avoid the approach of "always do this" or "set this to 47, and that to 24" etc.. I feel more accomplished with what I do if I can just get the gears turning creatively that yield an array of unique results. I'd rather be using hardware, or other software's, monitoring etc.. I'm probably over-answering your question. It's important to be in a given context, inspired, and just go for it.. u know? It's music, so it's art, and a craft with a signature,.. \m/,.
@@XinnXsya Thanks for replying. I was only suggesting giving pointers, and different tricks you have learned throughout your journey. Like you said, it's no need to say do this, or set this to a specific setting, as you are already showing the "what", but sometimes its nice to know the "why" also. Its also nice to learn certain techniques that apply specifically to EBM/Industrial music, as theres lots of tutorial videos for many other genres, but not that many that teach sound design for Industrial, so thank you for sharing what you do. And no you didn't over-answer anything.
@@lateniteproductions Right on, I'll keep that in mind, incorporate as much as I can. A lot of what I do is experimental, trying to break the rules, and see what happens. I feel like with more aggressive genres it's good to kinda push things to the edge of what is safe, it's worth it to look into different gear that gives a certain result, use references of music, sound design that inspire you, and just find out what the synth, or whatever tool you're using is capable of, cause they're all a bit different. But yeah, thanks for the feedback, let me know if there's anything specific you want to learn more about etc,. \m/
@@XinnXsya Well, what you do inspires me, so I will keep studying the things you put on here. I really want to master the fine art of Industrial/EBM sound design. I fully agree with what your saying, Just looking to maybe get some juicy tidbits, like why you would use a certain envelope or LFO shape, for a particular sound for example. You could even just write some little tips and reference timestamps from time to time in the video description. But hey, I'm not trying to impose or be annoying, I still appreciate what you are willing to share with us regardless. I enjoy and find value in your videos. Please keep them coming. It's nice to learn from someone who has really nailed the techniques and sounds.
Just learned so much from this video, thank you
@@philippgrunert8776 \m/,.
Your sound design is awesome. Keep it up
@@kammerverschluZ Thanks \m/,.