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Gorgeous. This composer really loves his altos. We love to see it.
Thanks to this beautiful piece from Japan. I wish I could find this 10 years ago, when I was belonging to a college choir.
Beautiful
1:36 to 1:49 is one of the most beautiful passages of music I have heard.
beautiful singing lines for all!
Wow!!! Beautiful!
Meu Deus! Que musica celestial!
Qué delicia. El final con súplica genuina. Maravilloso!
Bravo ❤❤❤❤lindo demais!
Grandiosso, very god, very nice. Gracia.Czech rep.
The climax made me cry dozens of times
very nice
Lovely piece. He certainly knows the Lauridsen motets! 😂
Stunning!!!
Bello! Felicidades por esta composición e interpretación. ❤️
Qué hermosa música para nuestra Madre Santísima 😭🙏 Será que podrían colocar por parte la voz de cada cuerda, Soprano, Contralto, Tenor y Bajo. Para podes cantarla?
Fav part at 4:00 tenors start A men, then sops copy the melody, then tenors copy back while on Rit. Really nice
I really can't understand why the composer made a G# at b.50
I think it's brilliant! Let's have some Lydian taste here!
I am totally for that g#, that chord fits so beautifully at that point!
I thought that too but wow. So cool a piece
Gorgeous. This composer really loves his altos. We love to see it.
Thanks to this beautiful piece from Japan. I wish I could find this 10 years ago, when I was belonging to a college choir.
Beautiful
1:36 to 1:49 is one of the most beautiful passages of music I have heard.
beautiful singing lines for all!
Wow!!! Beautiful!
Meu Deus! Que musica celestial!
Qué delicia. El final con súplica genuina. Maravilloso!
Bravo ❤❤❤❤lindo demais!
Grandiosso, very god, very nice. Gracia.Czech rep.
The climax made me cry dozens of times
very nice
Lovely piece. He certainly knows the Lauridsen motets! 😂
Stunning!!!
Bello! Felicidades por esta composición e interpretación. ❤️
Qué hermosa música para nuestra Madre Santísima 😭🙏
Será que podrían colocar por parte la voz de cada cuerda, Soprano, Contralto, Tenor y Bajo. Para podes cantarla?
Fav part at 4:00 tenors start A men, then sops copy the melody, then tenors copy back while on Rit. Really nice
I really can't understand why the composer made a G# at b.50
I think it's brilliant! Let's have some Lydian taste here!
I am totally for that g#, that chord fits so beautifully at that point!
I thought that too but wow. So cool a piece