I think the main reason why I've enjoyed PT Anderson's movies so much is for something cited here -- the stories unfold in a way that's more like actual life, instead of endlessly rehashed Hollywood cliches. There are many setbacks and diversions in our daily existence that go along with our slow forward trajectory through life, and that simple fact is present in the structure of most Anderson movies. Despite the fact Licorice Pizza has such a rambling plot, full of these same setbacks and diversions, by the time the film was at the halfway mark I felt I knew the people in it and I cared about where their lives were going. I thought Alana Haim was absolutely charming and a total natural in front of the camera -- even more proof of the idea that real-life musicians often make very good movie actors.
This analysis sheds soooo much light on the film, the film is very well put together you just have to understand it and view it a few times. Just as good as PTA’s other films
Also my favourite film of the year, and i loved your analysis. In the two times i've watched it, i wasn't able to analyze it consciusly because its so good to just let myself slip into the emotional and cinematic rollercoster that it is. Now looking back at it more consciously through your analysis, i find myself loving it even more. I generally hate romantic movies because they never feel honest, and this one cured that wound for me confirming PTA as one of my favourite guys out there.
You probably hate rom coms xos they're so schematic, perhaps more so than any other genre. They all follow much the same trajectory, which is why ones that don't feel so fresh straight away. 100 days of summer, for example, though not as good as this film,still has that freshness from refusing to just do what rom coms usually do. In a genre film, you feel it straight away when someone is not following the rules and in that moment you know anything can happen, which is a rare feeling in mainstream cinema these days.
I finally watched Licorice Pizza last night. I really liked it! Yeah, the plot is a bit all over the place, but Cooper Hoffman and Alana Haim kept my attention. Not bad for their first acting roles! Now if you'll excuse me, I'm gonna listen to all of Haim's records and fantasize about my own Alana Kane (albeit an age-appropriate one, of course).
Great video. I also was not bothered by the episodic story as it reflected how life just goes on from one incident to the next -- especially for young people with no definite plans (much like American Graffiti).
I viewed this film the same way I viewed Fellini’s Amacord which to me is a story about childhood adolescences amidst a changing world. For Fellini’s character in Amacord it was the rise of fascism. There are many scenes where this evil insidious ness is made ever present but it seems that character and the characters that are his age group don’t give a shit. Like Gary they are very sex obsessed evidence by the numerous sex fantasy scenes throughout the film. Even at the end of the film when the most desirable woman is married off, the boys run off in search of the next adventure. In Licorice Pizza there are numerous scenes where the real world makes itself present. The gas crisis to which Gary jokingly calls the end of the world as he runs through the long line of cars waiting for gas completely oblivious to what Jimmy Carter referred to as “The Malaise” a feeling that Alana is all to familiar with and despite her best efforts to make Gary aware of that, fails. Gary smokes a cigarette not because he likes to smoke because he perceives it as adult and cool unaware of the dangerous side effects. Loved Licorice Pizza. Brilliant analysis. I’m learning that watching video essays on films isn’t cheating but can often encourage me to watch the film again and keep an eye out for certain things such as screen direction and tracking shots which you’ve highlighted in your essay. And not just in that film but in other films and considering all the numerous ways such a film technique could be interpreted as. Thanks again Julian. Still working on that Truffaut essay.
Love Amacord! Didn't make the connection myself, but I see where you're coming from. The bike race scene made me think of Fellini and Antonioni though.
If this is disjointed I don't know what you call Once Upon A Time in Hollywood. This was an almost perfectly plotted Altman-esque film, I've seen far more disjointed films that don't have interesting characters to keep you engaged.
My girlfriend also noticed that Gary was the one who was shout at when he was still a kid actor and made his boss angry. Then he grew up, became his own boss and at the end it is him who shout at customers.
I’m always fascinated from peoples breakdown of movies. I like experience movies and not being rigid about how the movie should go. It almost felt like tv show where the main characters always seem to fall in love but never seal the deal. The wings let me roll it scene is probably my favorite part.
God damn mate, well done. Just. Well done. All the comments here summarize your work very well. You really brought life and color to this movie for me. Hats off to you sir. Cheers
I did not know Cooper Hoffman was Philip Seymour Hoffman son. The part in the movie where he asks ‘These cigarettes ?’ ….he sounds just like his dad. He’s a great actor you need to focus more on his ability in this film.
I loved the episodic nature of Licorice Pizza. I find this kind of movie is similar to 'Great Literature' in that we see how the characters respond in different situations, how they relate to each other and how they progress as people. This is the core of great, humanist cinema. On the other hand, I was impressed by how well written, how rounded these characters were, how they were both annoying and likeable, contradictory and predictable all at the same time. Another element is how...natural it all felt. I could've been watching a group of real people in real circumstances, it didn't feel stagey at all. What's more, I found the this video has added something to my understanding of the movie. So...thanx for that!!!
Excellent Review. A tad more nuanced and detailed than some of the "I couldn't get past the age difference" reviews. This movie was absolutely fantastic.
Though coming of age movies are most popular in American film, filmmakers from other countries have created films in the genre, including The Apu Trilogy (1955-1959) and The 400 Blows (1959).
Great analysis on a main level of the film. Having been born in the 60's and lived some of my youth in SoCal, I'd like to add that we're also seeing the naivete of 1970's American culture, allowing us to laugh at ourselves regarding where we were and where we've gotten.
This movie was so good. Feels like I’ve been waiting ages for the blu ray to release. Every other 2021 movie has been out for weeks now but no sign of Licorice pizza
I really wanted to like this and it was ok. Most of the scenes didn’t feel like they had a point, stakes, or consequences. Compared to how focused and tight something like phantom thread was it just felt so underdeveloped. Well made, entertaining, but ultimately unsatisfying. I get what he was going for but movies aren’t real life for a reason. For me, you can capture the truth of real life in a more entertaining and in a way that pays off.
like Inherent Vice, a PTA retro tribute to his early 70s California. it's a pretty one-note movie between two main characters (girl-boy) without much subtext. there are a litany of 70s references of course, but the music is pretty outstanding overall. PTA even dials up the same Bowie 'Life on Mars" song Wes Anderson used to similar fantastic emotional effect in a long shot on Life Aquatic. The movie does pick up in the 2nd half, great extended scenes with Sean Penn and Tom Waits, and another classic track ("Let me Roll It" - McCartney/Wings) in a love doves scene,,, although it's a bit rambling and meandering overall, like when Bradley Cooper takes over for now clear reason. the ending scene of the young, passionate, crazy lovers running to each other - cheesy and cliche', yet effective
This was one of those rare MASTERPIECES. The chemistry between the two main actors are AMAZING!! Master film-making. The "Napolian-Dynamite" syndrome at work here.
In my point of view this is a sort of Paul’s hommage to Nouvelle Vague films and his own 70s references. The characters always running in crazy ways is very reminiscent of Band of Outsiders. Which by itself is a reference to Fools Gold by Dolores Hitchens, a pulp fiction writer. Was cute, kinda made me smile that Paul still has some magic left in him. :)
Also, glad the reviewer noted why the age difference is not that significant- Gary with a single mother plays an adult role at home whereas Alana is very much a child in her religious patriarchal family
This movie just went nowhere and didn't make much sense. But I did really enjoy the acting it was great. Other than that it's more of some art film than a movie.
wondeful video! Your observations are so spot on, and excellent. Licorice Pizza *is* a subtle understated masterpiece. And the cherry is the perfect soundtrack.
Your analysis adds a depth, interest, and artistic perspective to this story that, sadly, PTA and his cast utterly failed to convey with even an ounce of clarity or interest. The most brilliant concept in the world means nothing if executed in the most uninteresting, mind-numbing way possible. I am more than capable of enjoying movies that I don't "get." I rather enjoy following up movie viewings with a deep dive into the TH-cam rabbit hole of analysis and "explainer" videos. But even your incredibly insightful take on this film does nothing to make me hate its execution any less.
I think I’ve come up with a really good analogy for licorice pizza. It’s PTA’s Zabriski Point. Antonioni thought he could make a film with out professional actors. It looks stunning but doesn’t work. I feel the same about LP.
This movie's time frame makes no sense. The kid runs several businesses which should require two or three years of effort, but he keeps on being 15. He never goes to school. Is this supposed to be one summer? He works all by himself without any help from parents or professionals. Ridiculous. The whole thing is bizarrely fake, despite millions of dollars of authentic production design.
_Licorice Pizza_ is so disjointed because it's the way Paul Thomas Anderson planned, scripted, framed, shot, directed then edited it. that's my theory. be sure to hit that Like button.
I have come to appreciate PTAs style. I thought HARD EIGHT and BOOGIE NIGHTS were "emperor has no clothes" indulgences. Results in a Hollywood attempt to hoist up a prefab indie upstart. As if Kevin Smith was deliberately created inside the movie industry. But I realize now he is a great filmmaker. He has a unique voice. His style may seem meandering and scattered. Vignettes that barely fit together. I still have a lot of issues with THERE WILL BE BLOOD. But overall he knows what he's doing. By the way, I absolutely loved the backward truck scene! Pure cinema, works in the movie and on its own.
It's not so much about the disjointed, ala Catcher In The Rye meandering storytelling, but more so I personally don't like the actual stories and even the two lead characters themselves. Perhaps that's the point, they're so flawed, they're definitely a product of the 70s the director and his friends that draw influences from at that time. I definitely appreciate it's naturalistic portrayals of a time period I don't know as well as just how too real it is regarding how teens and new adults are just doing their best with their lives. I definitely praise it's cinematography and being so off-beat in the usual plotted films in most mainstream films. The little plot details just aren't my thing, but I also think it's a good film. I also saw this film quite a bit drunk with wine lol 🍷
What a great video essay! Licorice Pizza is a real sensitive and touching movie, PTA a fucking genius, my favorite film from last year. Hugs from Brasil!
i feel like Palo Alto or 20th Century Women have mastered what this movie was trying to do. i got nothing from this when i watched it & wish there was more character background/depth to understand their motivations besides “kid wants to grow up, the grown up wants to be a kid”
Without watching: it's not disjointed or if it is it's disjointed like a track list. Each sequence is a song. The other issue: even though this movie plays like cotton candy (coming of age sex comedy), the script does nothing to hold your hand. It doesn't underline jokes, tell you how to feel, outside of those big long (conventional) sequences of them running each other down (ala a bazillion great romantic teen comedies). That means: we may feel it's disjointed because we don't understand PTA's specific language here (mostly, in my opinion, because he subverts convention). I'm still not sure why he subverts convention though. That is the puzzle I can't get my head around. What is the purpose of leaving the sugar out of the cotton candy?
I'm not sure i get your question right but if you're asking why he doesn't hold your hand more in the way of a conventional romcom, i think its because it comes out more honest. I dislike most romcoms like this but i think i loved this one so much for that reason. Everything that happens tells the story of their relationship but it never feels like the whole world revolves around them. Its just the subtlety of PTA's pen and camera, whispering the love story in the midst of all the chaos. When its told like this, i don't feel cringe watching them run towards each other at the end.
@@edoardoruini199 Fair. I'd also say the sugar is in there but it's hard candy and you got to suck on it a long time before you realize how sweet it is...
I remember growing up siphoning gas from cars, running from police, skinny dipping in public pools, helicopters flying overhead, Drinking alcohol. Wow youth. Good Times.
I still think Alana lies about her age. At one point she tells John she's 28 then corrects herself back to 25. I think she lies to make herself seem cooler to the younger guys. I think she's more like 20, 21.
I just started watching it and if it is what it is, it is the best response to the hysteria of Me2 movements and all the nuances that is missed by people 's agenda is something different to what is involved in the complexity of what leads to sex. It is about seduction by casting the roles as such the movie is telling us to stop thinking in stereotypes and look at the details. Then you can see that it is not such a one-sided story, contrary to what appears after the event. Having listened to all the arguments of such social frenzies, I had often thought that a lot of details are missing here. Sex is messy and what takes place before and after are locked forever in the subjective memory that is often polluted with all sorts of what at the time seemed irrelevant. Indeed, after every sexual act I have often asked myself what was that about? It quickly turns into a distant past emotionally that you don't know how and why it started and when and who could have intervened, change its dynamics, or even stopped it does on many occasions with one party suddenly thinking: ah well, maybe, not this time. You ask why and the answer is hardly understandable. A sudden fart or headache or a reminder of an unpleasant memory suddenly running through your brain is all it takes to so called ruin the mood and yet suddenly it becomes the most consequential decision you have taken. This is why it appears disjointed. It is bit like the beginning of 2001, it starts in one place and then on spinning of bone it turns up 100,000 years away. The music is a waltz but if you pay attention, you see the disorientation of point view in the camera. Space is not a place for a waltz. It is all pretend. But few see that contradiction between the music and the environment and come away with the wrong conclusion. This is the genius of the man.
I think the main reason why I've enjoyed PT Anderson's movies so much is for something cited here -- the stories unfold in a way that's more like actual life, instead of endlessly rehashed Hollywood cliches. There are many setbacks and diversions in our daily existence that go along with our slow forward trajectory through life, and that simple fact is present in the structure of most Anderson movies. Despite the fact Licorice Pizza has such a rambling plot, full of these same setbacks and diversions, by the time the film was at the halfway mark I felt I knew the people in it and I cared about where their lives were going. I thought Alana Haim was absolutely charming and a total natural in front of the camera -- even more proof of the idea that real-life musicians often make very good movie actors.
I love how Anderson can switch so swiftly from drama to comedy, and he doesn't get enough credit for that...
its true he does it so well in all his films
He's good at finding comedy in the drama
Swiftly? Who are you?
That's because life is comedy, drama, and straight tragedy.
I thought the movie was boring, at the same time appreciated the slice of life aspect of it, and really enjoyed your breakdown of the movie.
That was an absolutely beautiful analysis that articulates why Licorice Pizza was my favorite film of 2021.
you're really not saying much. movies have been shit for the last 10 years.
@@JamesDean-vl3uf He wasn't trying to prove a point lmao. My guy was just articulating his opinion, and you are getting triggered for no reason.
Pedo
@@JamesDean-vl3ufyou have been watching some shit 2022 movies but there are actually some pretty good ones😁
@@JamesDean-vl3uf then you dont watch movies, youre just a doomer who wants to sound smart
This analysis sheds soooo much light on the film, the film is very well put together you just have to understand it and view it a few times. Just as good as PTA’s other films
Also my favourite film of the year, and i loved your analysis. In the two times i've watched it, i wasn't able to analyze it consciusly because its so good to just let myself slip into the emotional and cinematic rollercoster that it is. Now looking back at it more consciously through your analysis, i find myself loving it even more. I generally hate romantic movies because they never feel honest, and this one cured that wound for me confirming PTA as one of my favourite guys out there.
You probably hate rom coms xos they're so schematic, perhaps more so than any other genre. They all follow much the same trajectory, which is why ones that don't feel so fresh straight away. 100 days of summer, for example, though not as good as this film,still has that freshness from refusing to just do what rom coms usually do. In a genre film, you feel it straight away when someone is not following the rules and in that moment you know anything can happen, which is a rare feeling in mainstream cinema these days.
Anybody else catch John C Riley as Herman Munster!
The best analysis of this film that I've seen or read so far. Well done!
I find this movie brings an abundant amount of solace and warmth.
This film makes me think of a lady. It's comforting in a way.
I finally watched Licorice Pizza last night. I really liked it! Yeah, the plot is a bit all over the place, but Cooper Hoffman and Alana Haim kept my attention. Not bad for their first acting roles! Now if you'll excuse me, I'm gonna listen to all of Haim's records and fantasize about my own Alana Kane (albeit an age-appropriate one, of course).
Great video. I also was not bothered by the episodic story as it reflected how life just goes on from one incident to the next -- especially for young people with no definite plans (much like American Graffiti).
I viewed this film the same way I viewed Fellini’s Amacord which to me is a story about childhood adolescences amidst a changing world. For Fellini’s character in Amacord it was the rise of fascism. There are many scenes where this evil insidious ness is made ever present but it seems that character and the characters that are his age group don’t give a shit. Like Gary they are very sex obsessed evidence by the numerous sex fantasy scenes throughout the film. Even at the end of the film when the most desirable woman is married off, the boys run off in search of the next adventure. In Licorice Pizza there are numerous scenes where the real world makes itself present. The gas crisis to which Gary jokingly calls the end of the world as he runs through the long line of cars waiting for gas completely oblivious to what Jimmy Carter referred to as “The Malaise” a feeling that Alana is all to familiar with and despite her best efforts to make Gary aware of that, fails. Gary smokes a cigarette not because he likes to smoke because he perceives it as adult and cool unaware of the dangerous side effects. Loved Licorice Pizza. Brilliant analysis. I’m learning that watching video essays on films isn’t cheating but can often encourage me to watch the film again and keep an eye out for certain things such as screen direction and tracking shots which you’ve highlighted in your essay. And not just in that film but in other films and considering all the numerous ways such a film technique could be interpreted as. Thanks again Julian. Still working on that Truffaut essay.
Love Amacord! Didn't make the connection myself, but I see where you're coming from. The bike race scene made me think of Fellini and Antonioni though.
If this is disjointed I don't know what you call Once Upon A Time in Hollywood.
This was an almost perfectly plotted Altman-esque film, I've seen far more disjointed films that don't have interesting characters to keep you engaged.
You would call once upon a Time in Hollywood disjointed too 🤔🙄 I would say both movies have really Great scenes but the whole is lacking 🤨
My girlfriend also noticed that Gary was the one who was shout at when he was still a kid actor and made his boss angry. Then he grew up, became his own boss and at the end it is him who shout at customers.
It felt like Paul Thomas Anderson saw Once Upon a Time in Hollywood and wanted to make a tv show about that…
Once Upon is a response to Inherent Vice tho
@@tonywords6713 or is Once Upon a Time a response to Hail Caesar?
meow
Best analysis on this film I’ve seen or watched anywhere
This is such a beautiful analysis, thank you for sharing!
I’m always fascinated from peoples breakdown of movies. I like experience movies and not being rigid about how the movie should go. It almost felt like tv show where the main characters always seem to fall in love but never seal the deal. The wings let me roll it scene is probably my favorite part.
People just don't have enough time to love. They're disjointed and that is why Licorice Pizza feels real.
Funny, I thought the “love” between a 17 year old and a 30 year old was called assault.
God damn mate, well done. Just. Well done. All the comments here summarize your work very well. You really brought life and color to this movie for me. Hats off to you sir. Cheers
I did not know Cooper Hoffman was Philip Seymour Hoffman son. The part in the movie where he asks ‘These cigarettes ?’ ….he sounds just like his dad. He’s a great actor you need to focus more on his ability in this film.
oh wow, idk that either
I didn't particularly like it the first time I saw it - then I saw it again only one night later, and loved it.
thanking for illustrating some of my fav moments and themes from the firlm! always hatd to put a finger on exactly what i loved the most.
thank you for making these
Paint!! Hiii
Brilliant video mate. Nice to see someone else on the internet understand what makes this film so great.
I loved this movie. The acting was so refreshing and natural. You would think these newcomers had been acting all their life.
I loved the episodic nature of Licorice Pizza. I find this kind of movie is similar to 'Great Literature' in that we see how the characters respond in different situations, how they relate to each other and how they progress as people. This is the core of great, humanist cinema. On the other hand, I was impressed by how well written, how rounded these characters were, how they were both annoying and likeable, contradictory and predictable all at the same time. Another element is how...natural it all felt. I could've been watching a group of real people in real circumstances, it didn't feel stagey at all.
What's more, I found the this video has added something to my understanding of the movie. So...thanx for that!!!
Beautiful analysis, thank you for sharing!
That really helped me appreciate this movie. Thanks!
Congratulations on reaching 100K subscribers. ❤🎉
Loved this video essay.
the film has a beautiful musical theme, I don't recall hearing it in the film, but glad I found it afterward
insanely great analysis bro. I would love for you do one of these on all of PTAs films
Excellent Review. A tad more nuanced and detailed than some of the "I couldn't get past the age difference" reviews. This movie was absolutely fantastic.
Great analysis, was able to describe the film in a way I couldn't put into words.
You got yourself a new subscriber.
Though coming of age movies are most popular in American film, filmmakers from other countries have created films in the genre, including The Apu Trilogy (1955-1959) and The 400 Blows (1959).
Great analysis on a main level of the film. Having been born in the 60's and lived some of my youth in SoCal, I'd like to add that we're also seeing the naivete of 1970's American culture, allowing us to laugh at ourselves regarding where we were and where we've gotten.
this movie is unbelievably good! i loved it!! highly recommend it!!!
Loved you comment on the push and pull of the movie and the idea that the adult world isn't all that is cracked up to be for the characters
Long live Kodak film!!! Man does the color pop in this.
This movie was so good. Feels like I’ve been waiting ages for the blu ray to release. Every other 2021 movie has been out for weeks now but no sign of Licorice pizza
DVD release is May 17th
I saw this on an international flight and found it challenging, but fantastic.
I really wanted to like this and it was ok. Most of the scenes didn’t feel like they had a point, stakes, or consequences. Compared to how focused and tight something like phantom thread was it just felt so underdeveloped. Well made, entertaining, but ultimately unsatisfying. I get what he was going for but movies aren’t real life for a reason. For me, you can capture the truth of real life in a more entertaining and in a way that pays off.
What a brilliant analysis of a film that I had, until now, misunderstood!
like Inherent Vice, a PTA retro tribute to his early 70s California. it's a pretty one-note movie between two main characters (girl-boy) without much subtext. there are a litany of 70s references of course, but the music is pretty outstanding overall. PTA even dials up the same Bowie 'Life on Mars" song Wes Anderson used to similar fantastic emotional effect in a long shot on Life Aquatic. The movie does pick up in the 2nd half, great extended scenes with Sean Penn and Tom Waits, and another classic track ("Let me Roll It" - McCartney/Wings) in a love doves scene,,, although it's a bit rambling and meandering overall, like when Bradley Cooper takes over for now clear reason. the ending scene of the young, passionate, crazy lovers running to each other - cheesy and cliche', yet effective
This was one of those rare MASTERPIECES. The chemistry between the two main actors are AMAZING!! Master film-making. The "Napolian-Dynamite" syndrome at work here.
In my point of view this is a sort of Paul’s hommage to Nouvelle Vague films and his own 70s references. The characters always running in crazy ways is very reminiscent of Band of Outsiders. Which by itself is a reference to Fools Gold by Dolores Hitchens, a pulp fiction writer. Was cute, kinda made me smile that Paul still has some magic left in him. :)
Your review is like a film professor .. we learned so much and you made us feel better about his film
Yeah, a pretentious overpaid liberal arts professor.
Very helpful. Thanks. Will finally watch the movie now (better late than never).
This movie just gets better everytime I watch it.👍
yo.. you broke this movie tf down WOWW !! def gained a fan .. amazing
Lovely analysis. Lovely comments. Lovely movie. Thx all.
Also, glad the reviewer noted why the age difference is not that significant- Gary with a single mother plays an adult role at home whereas Alana is very much a child in her religious patriarchal family
I just watched it and I was wondering this very thing.
One of the best movies I've seen in a looooong time!
Never seen a P.T. Anderson film? There are many plots inside of plots in this. The best director of his time.
Can’t believe I missed the notification. Loved this film. Love your vids and I think Im getting better at film analysis. Keep up the vid essays
This makes so much more sense now
I connected so much to this film
This movie just went nowhere and didn't make much sense. But I did really enjoy the acting it was great. Other than that it's more of some art film than a movie.
Amazing work man ! Keep it up ! Lots of love from India ♥️
wondeful video! Your observations are so spot on, and excellent. Licorice Pizza *is* a subtle understated masterpiece. And the cherry is the perfect soundtrack.
Your analysis adds a depth, interest, and artistic perspective to this story that, sadly, PTA and his cast utterly failed to convey with even an ounce of clarity or interest. The most brilliant concept in the world means nothing if executed in the most uninteresting, mind-numbing way possible. I am more than capable of enjoying movies that I don't "get." I rather enjoy following up movie viewings with a deep dive into the TH-cam rabbit hole of analysis and "explainer" videos. But even your incredibly insightful take on this film does nothing to make me hate its execution any less.
I tried to like this movie. Age gap aside, everything that was in the trailer you seen in the first half hour, the pacing is off somewhere.
God Damn it, this is an excellent video and honestly made me appreciate the movie more.
Something that helped me with this movie was realizing it’s not just about Gary, it’s about Alana.
I think I’ve come up with a really good analogy for licorice pizza. It’s PTA’s Zabriski Point. Antonioni thought he could make a film with out professional actors. It looks stunning but doesn’t work. I feel the same about LP.
this was perfect! your videos and explanations are amazingly well done. thank you
so beautifully said and done
really well put together
I actually Loved the movie. It felt nostalgic and like the scenes were real and could shift at any moment🔥
Love PT Anderson, but was disappointed with Licorice pizza.
Except for Alana Haim. Loved her performance.
This movie's time frame makes no sense. The kid runs several businesses which should require two or three years of effort, but he keeps on being 15. He never goes to school. Is this supposed to be one summer?
He works all by himself without any help from parents or professionals. Ridiculous. The whole thing is bizarrely fake, despite millions of dollars of authentic production design.
That was a beautiful video.
_Licorice Pizza_ is so disjointed because it's the way Paul Thomas Anderson planned, scripted, framed, shot, directed then edited it. that's my theory. be sure to hit that Like button.
I enjoyed this movie once I let myself start thinking as a teenager.
amazing analysis mate. great job!!!
I'm glad you mentioned the sexual aspect of the film, I feel like it's criminally overlooked
I was questioning myself often couldn’t help but think if this were a 25 year old man chasing a 15 year old kid …… 🤔
I liked this movie, at times I did catch myself saying wait… what’s going on. But it was good
I have come to appreciate PTAs style. I thought HARD EIGHT and BOOGIE NIGHTS were "emperor has no clothes" indulgences. Results in a Hollywood attempt to hoist up a prefab indie upstart. As if Kevin Smith was deliberately created inside the movie industry. But I realize now he is a great filmmaker. He has a unique voice. His style may seem meandering and scattered. Vignettes that barely fit together. I still have a lot of issues with THERE WILL BE BLOOD. But overall he knows what he's doing. By the way, I absolutely loved the backward truck scene! Pure cinema, works in the movie and on its own.
This is a fucking glorious video essay. Well done!!!
No mention of the virtual carbon copy of the scene in taxi driver where she knows she's being watched while working.
It's not so much about the disjointed, ala Catcher In The Rye meandering storytelling, but more so I personally don't like the actual stories and even the two lead characters themselves. Perhaps that's the point, they're so flawed, they're definitely a product of the 70s the director and his friends that draw influences from at that time. I definitely appreciate it's naturalistic portrayals of a time period I don't know as well as just how too real it is regarding how teens and new adults are just doing their best with their lives. I definitely praise it's cinematography and being so off-beat in the usual plotted films in most mainstream films.
The little plot details just aren't my thing, but I also think it's a good film. I also saw this film quite a bit drunk with wine lol 🍷
What a great video essay!
Licorice Pizza is a real sensitive and touching movie, PTA a fucking genius, my favorite film from last year.
Hugs from Brasil!
I hated this film. Every video trying to explain it is like “you don’t get it… it’s supposed to suck”
Worst movie I've seen in quite some time.
Wonderful analysis of one of the best movies to come out recently
Well done man
I couldn't tell if half the movie was a dream sequence or not...
PERFECT! finally
Very good take, very good you
i feel like Palo Alto or 20th Century Women have mastered what this movie was trying to do. i got nothing from this when i watched it & wish there was more character background/depth to understand their motivations besides “kid wants to grow up, the grown up wants to be a kid”
Great work
Without watching: it's not disjointed or if it is it's disjointed like a track list. Each sequence is a song. The other issue: even though this movie plays like cotton candy (coming of age sex comedy), the script does nothing to hold your hand. It doesn't underline jokes, tell you how to feel, outside of those big long (conventional) sequences of them running each other down (ala a bazillion great romantic teen comedies). That means: we may feel it's disjointed because we don't understand PTA's specific language here (mostly, in my opinion, because he subverts convention). I'm still not sure why he subverts convention though. That is the puzzle I can't get my head around. What is the purpose of leaving the sugar out of the cotton candy?
I'm not sure i get your question right but if you're asking why he doesn't hold your hand more in the way of a conventional romcom, i think its because it comes out more honest. I dislike most romcoms like this but i think i loved this one so much for that reason. Everything that happens tells the story of their relationship but it never feels like the whole world revolves around them. Its just the subtlety of PTA's pen and camera, whispering the love story in the midst of all the chaos. When its told like this, i don't feel cringe watching them run towards each other at the end.
@@edoardoruini199 Fair. I'd also say the sugar is in there but it's hard candy and you got to suck on it a long time before you realize how sweet it is...
spot on video!
I remember growing up siphoning gas from cars, running from police, skinny dipping in public pools, helicopters flying overhead, Drinking alcohol. Wow youth. Good Times.
Great essay.
Such a weird film. But I kind of love it. The end scene makes it all worth it imo.
Anderson is often two steps ahead of his audience.
Alana is not a film actress, but her performance is exceptional.
I still think Alana lies about her age. At one point she tells John she's 28 then corrects herself back to 25. I think she lies to make herself seem cooler to the younger guys. I think she's more like 20, 21.
I just started watching it and if it is what it is, it is the best response to the hysteria of Me2 movements and all the nuances that is missed by people 's agenda is something different to what is involved in the complexity of what leads to sex. It is about seduction by casting the roles as such the movie is telling us to stop thinking in stereotypes and look at the details. Then you can see that it is not such a one-sided story, contrary to what appears after the event.
Having listened to all the arguments of such social frenzies, I had often thought that a lot of details are missing here.
Sex is messy and what takes place before and after are locked forever in the subjective memory that is often polluted with all sorts of what at the time seemed irrelevant.
Indeed, after every sexual act I have often asked myself what was that about? It quickly turns into a distant past emotionally that you don't know how and why it started and when and who could have intervened, change its dynamics, or even stopped it does on many occasions with one party suddenly thinking: ah well, maybe, not this time. You ask why and the answer is hardly understandable. A sudden fart or headache or a reminder of an unpleasant memory suddenly running through your brain is all it takes to so called ruin the mood and yet suddenly it becomes the most consequential decision you have taken.
This is why it appears disjointed. It is bit like the beginning of 2001, it starts in one place and then on spinning of bone it turns up 100,000 years away. The music is a waltz but if you pay attention, you see the disorientation of point view in the camera. Space is not a place for a waltz. It is all pretend. But few see that contradiction between the music and the environment and come away with the wrong conclusion.
This is the genius of the man.
I don’t know if I agree