the first time I encountered Jim Dine's work was in his series of paintings of hearts which didn't really do anything for me and didn't inspire me to look any further into his output so these works come as a bit of a revelation to me. I always like to see what artists can come up with to stick on their canvases and these really made me chortle. Love the ties. And an actual shower! 😄 But you can tell that he is a very accomplished painter as well. I liked every single piece.
Having never seen Mr. Frost's work before, I was initially excited. The promise of it perhaps became a bit thinner after seeing the similarity between the works. I appreciate the "pragmatic optimism" they convey - definitely cheerful pieces, and warming in the manner of old 1950/60s colloquial patterns. As for Jim Dine - I think he was also pragmatic - skimming the surface of all the art movements around him, and never really plunging in deep to find something truly unique. I liked a show he did many years ago with these styrofoam forms evocative of the Winged Victory of Samothrace. Otherwise, despite my best attempts, I've always found his bathrobe avatars to be a kind of successful insistence on banality. Thanks for the video tour James, and Kate!
You're echoing many of my own responses. I think part of my project is to keep an eye on artist's developments over the years, and I find myself changing opinions, and reevaluating things (good or bad) over time. I've been looking at photos of some of the Dine pieces, in art history books since the early 1970s, so this was a poignant stroll down memory lane, and I mentioned the "Inventing Downtown" show which casts Dine as a much more protean and engaged character than he might initially appear ...JK greyartgallery.nyu.edu/exhibition/inventing-downtown-artist-run-galleries-in-new-york-city-1952-1965/
@@jameskalmroughcut Thank you for the comment... I do have to constantly remind myself when looking at any art from the past that it might have captured something in the air that everyone could sense at that specific time. Or that it was revolutionary then, but because of derivative art from that innovator, it looks cliché to us now. Your lifetime of art experience is a treasure trove, and I cannot get enough of you taking us along on those strolls down memory lane. Thanks for the link as well - wonderful show! You've just expanded my historic timeline of Alex Katz (I didn't realize how long he's been at it). And to think - perhaps a tiny overlap with Warhol with the repeated minimal image of the woman in a dress. Cheers, good sir!
Thanks as ever, from an exile from the Kingdom (that being wherever art is lived and loved). I just read this in Lawrence Weschler's blog Wonder cabinet: "A thoroughly bracing survey of the late Si Lewen’s work, including his stunning anti-war epic suite of stark monochromatic drawings, The Parade (from 1956-7) in its first complete showing ever in New York City, will be opening this Saturday March 23rd (at 3 pm) at the James Cohan Gallery in Tribeca (52 Walker Street) through April 27th." Looks fantastic, the photos intrigue and excite. Black and white drawings of subjects almost abstract, recurrent, indeed replicated forms, serried in phalanxes of angled lines, thrusting and marching or reaching struggling yearning....n
Jim Dine’s work is so cool. I remember discovering his work at the library while playing hooky from school and just pouring over the books intensely
Thank you Kate, thank you everybody.
the first time I encountered Jim Dine's work was in his series of paintings of hearts which didn't really do anything for me and didn't inspire me to look any further into his output so these works come as a bit of a revelation to me. I always like to see what artists can come up with to stick on their canvases and these really made me chortle. Love the ties. And an actual shower! 😄 But you can tell that he is a very accomplished painter as well. I liked every single piece.
Tremendous effort put into multi layered compositions like this. Thank you Phil Frost
Fantastic! Love the Phil Frost experience. Thank you JK & Kate
Very cool artists that I had not known of. Thanks for sharing.
Thank you and thank you kate
Thank you James
Thank you Kate! ❤
Having never seen Mr. Frost's work before, I was initially excited. The promise of it perhaps became a bit thinner after seeing the similarity between the works. I appreciate the "pragmatic optimism" they convey - definitely cheerful pieces, and warming in the manner of old 1950/60s colloquial patterns. As for Jim Dine - I think he was also pragmatic - skimming the surface of all the art movements around him, and never really plunging in deep to find something truly unique. I liked a show he did many years ago with these styrofoam forms evocative of the Winged Victory of Samothrace. Otherwise, despite my best attempts, I've always found his bathrobe avatars to be a kind of successful insistence on banality. Thanks for the video tour James, and Kate!
You're echoing many of my own responses. I think part of my project is to keep an eye on artist's developments over the years, and I find myself changing opinions, and reevaluating things (good or bad) over time. I've been looking at photos of some of the Dine pieces, in art history books since the early 1970s, so this was a poignant stroll down memory lane, and I mentioned the "Inventing Downtown" show which casts Dine as a much more protean and engaged character than he might initially appear ...JK
greyartgallery.nyu.edu/exhibition/inventing-downtown-artist-run-galleries-in-new-york-city-1952-1965/
@@jameskalmroughcut Thank you for the comment... I do have to constantly remind myself when looking at any art from the past that it might have captured something in the air that everyone could sense at that specific time. Or that it was revolutionary then, but because of derivative art from that innovator, it looks cliché to us now. Your lifetime of art experience is a treasure trove, and I cannot get enough of you taking us along on those strolls down memory lane. Thanks for the link as well - wonderful show! You've just expanded my historic timeline of Alex Katz (I didn't realize how long he's been at it). And to think - perhaps a tiny overlap with Warhol with the repeated minimal image of the woman in a dress. Cheers, good sir!
Thanks as ever, from an exile from the Kingdom (that being wherever art is lived and loved). I just read this in Lawrence Weschler's blog Wonder cabinet: "A thoroughly bracing survey of the late Si Lewen’s work, including his stunning anti-war epic suite of stark monochromatic drawings, The Parade (from 1956-7) in its first complete showing ever in New York City, will be opening this Saturday March 23rd (at 3 pm) at the James Cohan Gallery in Tribeca (52 Walker Street) through April 27th." Looks fantastic, the photos intrigue and excite. Black and white drawings of subjects almost abstract, recurrent, indeed replicated forms, serried in phalanxes of angled lines, thrusting and marching or reaching struggling yearning....n
Thanks for the heads-up @reaganwiles_art, I'll try to check it out...JK
Great job!
Jim dines work impressed me, I’d like on hanging on my wall.. 😊
I always associate Dine with his bathrobe pieces.