ฝัง
- เผยแพร่เมื่อ 16 ม.ค. 2014
- Rosalinde - Gundula Janowitz
Eisenstein - Eberhard Wächter
Adele - Renate Holm
Frank - Erich Kunz
Prinz Orlofsky - Wolfgang Windgassen
Alfred - Waldemar Kmentt
Falke - Heinz Holecek
Dr. Blind - Erich Kuchar
Ida - Silvia Lukan
Frosch - Otto Schenk
Wiener Philharmoniker and Wiener Staatsopernchor
Conductor Karl Böhm
1972 - เพลง
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Nachdem ich DIESE Inszenierung von Otto Schenk mit der grandiosen Renate Holm, Janowitz, Wächter, Windgassen und, und, und... (alle sind gut !) gesehen habe, wirken ANDERE Inszenierungen der Fledermaus auf mich nur mehr uninteressant.
Diese hier ist einfach TOP !
Otto Schenk mit seinem Wiener Humor und Esprit
hat diese geniale Inszenierung zustande gebracht.
What a great conductor Bohm was, and this amazing cast. Windgassen is a legend amongst Wagnerites.
The genius that is Otto Schenk!
I love the fact that Wolfgang Windgassen and Erich Kunz sing their solos live, even though everyone else is lipsynching.
BRAVISSIMO!!!!! FABELHAFT!!!!!!!!!!!!
ВЕЛИКОЛЕПНО!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Die beste Aufführung,der Fledermaus!!
As far as overall production goes, the perfect casting, the dancing, and the fact that Böhm is conducting, it doesn't get any better than this, folks!
Well, somewhat unusual casting for Orlofsky, though of course Windgassen was a master.
Why the Met doesn’t do this in HD I cannot understand, this is screamingly funny and has great tunes. And it is so Wienerisch. Truly also amazing performances and incredible energy from the whole ensemble. What a treasure!
Great voices, charming performances. Cannot have enough of it.
I recorded this on videotape in the 1970s, and when I was at university (late 70s-early 80s), it was the basis for many an opera party! We all ogled Anna Moffo (who was the host of the PBS airing), drank vodka shots whenever they drank vodka shots, and drank champagne whenever they drank champagne. Our goal was...to see if we could all stay awake until the very end! Of course, we also had chicken on the grill, and usually burned our fingers, trying to pick up the pieces. Fun times, with good friends, and this video holds a very important honor, in my memories. Thanks for sharing.
Haha, funny memories you have, sir! :D I wish I had something like that...
I was born in the 70s. When you've recorded this opera, I was a baby boy, LOL! Greetings from Brasil.
Sounds like great times! And a lot of us wanted to boffo Moffo (may she rest in peace).
Wolfgang Windgassen ,Otto Schenk,Renate Holm sind gut besetzt und die musikalische Leitung von Karl Böhm großartig
My favorite #operetta… I’m very happy I saw it in Vienna and in Hamburg 😍
GREATEST FLEDERMAUS EVER!!! Case closed.....the casting of WIndgassen as Orlofsky was a masterstroke!!!
mich sturge seeing it in the Volksoper was even better. But this maybe biased on my part.
I have to contradict: Although he is an amazing actor and singer he is way too old for this role. The Prince is supposed to be a young and spoiled aristocrat who is constantly bored despite all of his money. Seeing an old man playing that part makes me think he is bored because he has seen it all in his long life.
I know this is highly individual but in my opinion Brigitte Fassbaender did a much better and way more convincing job. Not only is her voice better suited for a young man, almost still a boy, but she was performing way more energetic and convinving. Especially the accent :)
@@Red80008I've never read any reference to Orlofsky's age in any score or libretto but I imagine Fassbaender would be convincing. My problem is that most female Orlofskys treat the role in an overly foppish fashion.
1:16:48 ... wonderful and loving memories of Maestro Gedda... I remember his posting if this... such fun :D
@@michsturge671
Well, the role was written for a Mezzosoprano, so....
This is so wonderful. I saw this on tv when I was still a kid. Loved it! Eberhard Wächter is such a great Eisenstein.
This is my first real exposure to Gundula Janozwitz and I love her :)
100% ! A létező legjobb előadás. Egy élmény az egész. Felülmúlhatatlan!
Like others here, I first saw this on PBS, New Year's Eve, if I recall. I became immediately smitten with Gundula Janowitz. I too had difficulty finding it on video, so it's a treat to have it here on TH-cam.
Herzlichsten Dank! DAS ist Strauss, das ist die Fledermaus..Das ist die Wiener Stimmung!! Nochmals, herzlichsten Dank!...und: darum Wien bleibt Wien!!!
Beukman Renate is fabulous,as actress and singer.Very good looking at 41.Thank you for the posting. She is my favourite soprano.
Eine wunderbare Aufführung, bei der einfach alles stimmt!
Never get tired of this work. Great to hear Bohm and the Vienna Phil provide such crisp music. And not surprising for a cast with many Wagnerians there is an intensity and seriousness in the humour. Thanks for posting.
Epic rendition of my favorite opera
This is the best adaptation of die Fledermaus in my opinion. I love watching it over and over again.
Since I saw THIS "Fledermaus" all other new performances seem dull to me. Who could interprete Johann Strauss better than this Viennese production of Otto Schenk ! This one is simply the BEST and unbeaten especially Renate Holm as Adele. 🎉 (Finally a russian prince who is a real "man". Who only invented these pervert trouser roles.)
best version
Watched this last night! Enjoyed it and its already one of my favorites! Thanks for sharing! Grateful for the great time
Großartige Produktion!!!
Zum immer wieder gern sehen!!!
A better Eisenstein there could not be.
Müzik ve artistik olarak çok güzel . Beste bir şaheser
A classic. Watched it on PBS way back when , no internet yet.
I recorded this on video tape in the mid seventies one New Year's Day when PBS broadcast it. A much cherished recording, it had started to "decay" so I frantically searched for a recording but had little luck. Your posting of it finally gave me the information I needed to buy it on DVD. In my mind it is the BEST production available. Renate Holm's Adele is fantastic! The entire cast is in top form. You just can't beat it. Thank you SOOOOOO much for listing this, you've made an old music addict VERY happy!
Hi keocntsy! I am very glad that I made you happy. I also like this performance very much.
I'm accustomed to hearing Windgassen and Waechter together as Tristan and Kurwenal (with same conductor). Interesting to hear this new dynamic between them.
Wolfgang Windgassens Prinz Orlofsky : toll, wirklich toll. Keiner wie er...
The best performance!!
K.Böhm u.Wiener Philharmoniker sehr gut ! G.Janowitz hervorrangende Sopran sehr sehr gut !
Mi opera favorita por muchos años, hoy que tengo 77 espero oírla por última vez completa en esta magnifica interpretación. felicidades a quien nos da la oportunidad de oírla y verla.
Einfach Wundervoll
Ein Juwel, Danke !
I saw this opera at Volksoper in Vienna last month. It was fun. Opera House is the only place I feel like really being in Europe, when I go there. Thanks for posting this video. This is the best production so far I can find on TH-cam.
Gundula Janowitz’s czardas is the best
I remember this production from my childhood. You are a legend for finding and posting this jewel. Thank you beyond thank you!
You're very welcome.
✞Miss.Renate Holm(1931-2022)
Sooo sad !!! She was such a wonderful singer and a real star.😢
@@georg2707then the role of Rosalinde must be boring in your eyes. I think she is one of the most perfect Rosalindes - as Hilde Güden was - authentic, subtly funny and not exaggerating and overacting like so many others and she is as wienerisch as can be.
@@onkelgreifenklau Ich denke ich kann auf Deutsch antworten: Sie haben natürlich recht mit Hilde Güden, aber hier ist es mir besonders um Renate Holm gegangen. Schöne Grüße aus Wien!
@@georg2707 danke, ich habe eigentlich zur Bemerkung Janowitz sei „terribly boring“ geantwortet, den ich jetzt gar nicht mit mehr finden kann. Renate Holm war als Adele unübertrefflich, wie übrigens auch als Despina.!
This is so funny and tastefully done, outstanding. The musicianship is superb.
Thank you.
Excelente todo. Voces, música, puesta, actuaciones.
After watching this, I ordered DVD and finally received it today. I wanted to express my thank for your sharing this wonderful version. I'm also waiting for Wächter 's Der Graf von Luxemburg DVD. His acting is extremely wonderful.
+Karen K Hi Karen! I am happy that you like it. Watching the DVD will be better, of course. Enjoy!
What fun it is to view this video! Thank you so much. For many years, I've enjoyed the music, but never took the time to understand the story. Now, at long last, I "get" it.
I know, it was the same with me :)
cette musique est du champagne!
muito,mas muito obrigado por este milagre musical!!!
sempre gostei muito dessa opereta; estou feliz de poder apreciá-la no meu PC. Agradecida
This operetta is the best advertisement for alcohol
Jedes Neujahr schauen wir uns diesen FIlm an, danke fürs hochladen! Frohes Neues!!!!
Feliz Navidad and a happy new year!
Happy New Year to you also.
Min favorit operatte
Wunderschön!
Wundervoll, nur leider zu spät entdeckt, aber der nächste Silvester kommt sicher.
Our local theatre company performed this yesterday. What a wonderful (wunderbar) show!!
wonderful!
Marvellous! You've hit the jackpot again, Janja, with this brilliant show, music and cast! Great translation too!
Thank you, Barry. I also like this Fledermaus very much. Wächter was a wonderful Eisenstein. The translation is of course not mine.
Superb!
Muy buena !!! y gracias por los subtìtulos
DANKE SCHÖN👏👏👏👏👏
Wunderbar!!!!!
Excellent
Thank you so much. So much of the success is due to Otto Schenk's direction and it is something to see Böhm conduct Johann Strauss. I liked them all but most of all, Gundula Janowitz and Erich Kunz. Vocally, I would have preferred either Hermann Prey or Nicolai Gedda as Eisenstein but it is a small point.
Die Dreharbeiten fanden übrigens vom 24. Januar bis zum 16. Februar 1972 in Wien statt, die Tonaufnahmen wurden bereits im November 1971 gemacht, aber erst 1974 von der Decca auf Schallplatte veröffentlicht - leider ohne die herrlich gesprochenen Dialoge ...
The filming took place from January 24 to February 16, 1972 in Vienna, the sound recordings were made in November 1971, but only released by Decca on vinyl in 1974 - unfortunately without the wonderfully spoken dialogues ...
Thanks dear Janja for this best of all FLEDERMAUS stagings ...
Mike
unübertroffen!
Wow!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
What are you doing my Great Tristan and Siegfried here? Miss you. :)
小約翰‧史特勞斯素稱圓舞曲之王，他在這齣歌劇中寫出多首管弦樂的圓舞曲與合唱的圓舞曲，序曲也非常出名。第二幕由次女高音扮成男裝的奧羅夫斯基(Orlofsky)公爵唱出『我很喜歡招待客人』，是一首極為詼諧活潑的詠嘆調。第二幕女高音羅莎琳德(Rosalinde)所唱的『故鄉的曲調』，是用柴爾達舞曲寫成的詠嘆調，非常好聽。
bella musica, peccato che il video non è dei migliori. l' audio è perfetto ;-)
❤️
Prelijepo
Eine wunderbare Inszenierung. Die Fledermaus ist nicht eine Operette, sondern die Operette.Als Orlofsky bevorzuge ich Mezzosopranistinen wie Brigitte Fassbaender oder Regina Resnick. Aber alle anderen Saenger sind super.
+Mário Augusto da Silva Santos Ich wuerde die Fledermaus in das Fach komische Oper klassifizieren....Oder wie Sie sagen die OPERETTE schlechthin....Das Wien der froehlichen Apokalypse....
A little error in translation at 21:40. "Ganz Wurst" does not mean "A lot of sausage", it is an idiomatic German phrase meaning "It does not matter at all".
I am sorry but I am not responsible for the translation.
ja natuerlich
What a lot of baloney.
somewhere here in YT someone posted a much better quality-image video! don't miss it (still love this post tho)
1:47:55 when you're working but laziness makes you asleep.
Is there a way to see what alterations the late Maestro Waechter did in some melodic lines of Eiseinstein? I have the spartito of Die Fledermaus and there are differentiations between the vocal score and what maestro Waechter sung.
I love Janowitz's Hungarian-affected German. No way of knowing how accurate it is.
Also, did anybody catch when Alfred quoted "O namenlose Freude" from Beethoven's Fidelio (2:05:10)? Is that actually in the libretto or did he adlib that?
Ad-lib
21.34 Eisenstein doesn't mean he wants sausage, "ganz Wurst" or "es ist mir Wurst" means "it doesn't matter" in German...
absolutely delightful but why did they not end with "gluecklich ist wer vergisst"
na seavas g´schäft !! habe die ehre herr Strauss
tom, jerry & scott bradley, anybody? ehh, nostalgia is sweet.
64:00 - two non-Frenchmen introduced to each other as French - similar to the scene in La Grande Vadrouille where two Frenchmen each believe the other to be British!
Tom and jerry memories
Min farvet operatte
An otherwise excellent production rather spoilt by your not uploading it in the correct 4:3 aspect ratio. Amazing how many TH-camrs get this wrong. Unfortunate.
8:41 1
14:00 1a
16:35 2
24:40 3*
30:57 4
36:30 5
47:50 2막시작 6
annektier.-- The word regards the annexation of Bosnia-Hercegovina, by Austria-Hungary, which happened in 1873.
360p wouldn't have hurt.
30:57
2020 was a bad year for bats, doesn't seem so funny; maybe this year will be better - Happy New Year 2021
Happy New Year!
outstanding production- what is the date?
1972.
Herur22 thank-you. I saw same production different cast, but it was getting really getting ragged and old. It was so bad that the prompter threw the score at the cast because they couldn't remember their lines. There was complete breakdown where people just stood around and stared at each other. Just deadly boring. So next year they brought in Domingo as conductor because public and critics were yelling that Domingo didn't know anything about conducting and tenors aren't conductors-- So this was like rude gift to Domingo. Same old production and Domingo expected to be just like donkey pulling plough in field--an ass for critics. Domingo came, he made cuts, he imposed discipline and he had very good performances--
After that critics quite yapping about Domingo as incompetent. But WienerStaatsOrchestra-- god, what a rat's nest. You couldn't hear the singers because the members of orchestra were talking so loud and moving their stools around and playing cards and going in and out... Just completely unacceptable behavior that would never be allowed in the US. I was really shocked. And then I understood why Wiener Staatsoper couldn't get a long term contract with a conductor. Really disgusting behavior.
Mary C Legg OMG, was it really that bad? That's terrible. I thought that the Wiener Staatsoper was a serious institution. Was that performance where Domingo was conducting the one with Prey and Kiri Te Kanava? I saw that perfomance (not in theatre) and I found it quite charming.
Herur22 I can look in program, but it was past 100 performances and when I asked my teacher about it, she told me it was disastrous and actually created huge uproar because it was so bad. If the orchestra is so damn loud moving chairs and talking that you can't hear the singers, it's really bad. So Domingo got the job of the nest year's Fledermaus which was then only Silverster and NYD. And every newspaper went after him and ridiculed him and ripped him to shreds that he could never conduct and blah-blah, so hence reason why he got the champagne opera. Herr DIr Drese knew what he was doing. Domingo came in and he cleaned it up, kicked the orchestra, made the jokes funny and really made the performance snap. It was still the same old set, but it was completely different performance on stage. It was really huge turnaround. It was the winter he had pneumonia and sang outside the Rathaus in the snow as benefit concert. I think it was same year. My autograph books and music were stolen, so I cna't easily check it.
He lost his family in the terrible Mexican quake and nobody thought he would ever sing again. So he just couldn't rest. He had crazy hectic schedule and despite being really ill, he was standing out there in snow singing for anybody who wlked by Rathaus. I forgot what else he conducted because he then came back and did some Wagner conducting I think-- and then the incredible Lohrengrin and Parsifal. Domingo, such a man of courage.
When Drese got chucked out by politics-which was huge shame-- and Holender in, Domingo and about 5 other singers dropped their contracts as Holender was really abusive to singers and actually they had contracts with Drese. Holender was really horrible agent to sing for, but he's still in the Staastoper I think. I think his first year, he had 20+ performances of Parsifal--s if anybody needed that many.
Holender-- god knows how he got that job-just politics. have no loving memories of him or his office. Rude, arrogant...whatever. Old Raab, yes. Young Raab, yes. I was foolish not to return to them and ask them for help. I didn't know how to ask. They wanted me and i should have realized that eally they would have helped me. that's what good agents are about.
IncredibleGoliath yes, it rather makes TH-cam a horrible place to visit. You really have to wonder about 80-85% people posting--they couldn't sing for the life of them, but they're very good at ripping and being pretentious. It's normal.
Et ceci, encore, du même tonneau :
"Verse, verse, verse rasade,
"Gente soubrette à l'œil fripon,
"£e beau-père a l'air maussade,
"Mais que son Champagne est bon...!!"
Eugène £abiche ("Un chapeau de paille d'Italie")
2:15:22
Distribuer Orlofsky à un est aussi stupide que si on faisait la même chose pour Cherubino ou Oktavian...
Cela tue toute l'ambigüité du personnage.
What is the name of the music at 1:32:29 ?
+4NGrymonkey Sorry, but I don't know if it has a special name.
+Herur22 Thanks for the reply. I found it, Unter Donner und Blitz.
+4NGrymonkey Is that so? Interesting. A searched in the libretto and there was no mention of the name. Thank you for the information.
+4NGrymonkey
At the end of second act you can often find different gems (arias, songs, dances, concerts) from the classic repertoire, which itself are not part of the show.
4NGrymonkey unter Donner und blitz
*tenor
Never see Boehm smile
Janowitz is a fabulous Rosalinde, there is none better. Too often the role is sung by a soprano near the end of her career ending badly.
I find her extremely booooooring.
@@aliena2979 then the role and character of Rosalinde as such must be boring to you. However, Janowitz is an extremely good Rosalinde - her dialoge and acting subtlety funny and witty, no less than brilliant. No irritating overacting like so
many find hard to resist - perhaps because a lot of people find anything else boring?
I wonder if this production implies that Falke is attracted to Eisenstein? In my experience it is somewhat unusual for a straight male to stroke the inner side of his straight friends thigh as Falke is doing on 25:17, for instance, and also the way Falke keeps stroking the hair of Eisenstein at the very end of the opera. Mind you, it strikes me as quite interesting - and would also help explain why Falke is so angry about what seems like a fairly innocent joke. But I am probably over-interpreting.
UlrikPTA This is all I see now.
i think it happened a lot back then where it came out accidentally gay xd