Young girls these days are amazing insanely good bassists and drummers. The bass and drummers in this band are exceptionally good! It's a great time, isn't it?
I am a prog snob. But I found these girl passion on stage is irreplaceable. Strong voice from heart. I love it. Regarding some comments of the backing track issue… come on we are not listening to Dream Theater. The mix is still good , you can hear real instruments there.. This is a style and their way to go
Were the vocals perfect. No. Was this a live show with live vocals and expressions and not some pre-recorded gig? You bet. Do I prefer my live band to play live. YES. Great job ladies.
Ok so they play with a click track for a lot of the lead guitar live, I had a feeling that’d be the case. I don’t blame them! Having all those lead riffs while singing is a ton to keep track of
I don’t get it, they have a recording of a second guitar ? Asaka doesn’t play the whole riffs ?? 😳 If that’s the case they need to find another guitar player and rename the band Fork 😂
I'm beginning to really hate the situation where bands play live to backing tracks. So many producers insist on overdoing recordings that bands are forced to use prerecorded backing in order to deliver the product to a live audience. In this case, I'd rather hear the raw three piece than what is presented in this video (off-pitch vocals and all).
i don't fully understand your meaning here. I'm not a native speaker and all that technical slang is hard to understand. Could you please explain in a simple way what is wrong with this video?
I brought this up on Lovebites' "Judgment Day," which relies heavily on Mao's "orchestral" tracks to provide a pervasive melodic pattern that no one will actually play but instead be played as a pre-recorded track when the piece is performed live. Still ambivalent about it. It probably can't be helped with three-piece bands who want to augment their sound tastefully; for example, my all-time favorite band, Rush, resorted to backing tracks in mid-to-late output to an extent, while also using the amazing technology of triggering sounds from one another's instruments. Their defense was these were sounds that they themselves created. Gacharic Spin relied on an invisible fifth player to provide synth parts when they were a four-piece band in their earliest days. I understand that fifth "player" was OreoReona, who eventually joined the band as an official member. For a 5-piece like Lovebites, as amazing as they are, to write music that requires a sixth instrumental component to be covered invisibly seems absurdly over the top, given that Asami, Midori, and certainly Miyako could cover keyboard parts. So, though I don't have a problem with the backing track for Trident, but I do think this is a worthy point to debate.
who cares. whats important is these people had fun and they made great music. they perform it with backing track so what, they still did their parts live and overcame the limitations.every single band nowadays play with a sequencer. it serves to enhance the live experience, but also to help 3 piece band to be as big as a 5 piece band. whats important is the music being heard, not the how its being played
![TRiDENT『CRY OUT』[TRiDENT Dream Up TOUR FINAL at Zepp Shinjuku]](http://i.ytimg.com/vi/hiwgW2-yoO8/mqdefault.jpg)
SERINA＋NAGISAちゃんの音数が多くて、全体の厚みを作り出しています。ほのぼの系のMCも良かったです。
Asaka's voice sounds like she's nervous but still slayed this perfomance and they all perform well
ブリブリのベースがたまらんです。かっこいい！
Young girls these days are amazing insanely good bassists and drummers. The bass and drummers in this band are exceptionally good! It's a great time, isn't it?
Asaka smiling 😂😱 Serina smiling 😂😱 Nagisa 😂😂😂😂🙄🥷🥰🥰
Asaka smiling 😂😱 Serina smiling 😂😱 Nagisa 😂😂😂😂🙄🥷🥰🥰
cry outのライブは初めて見た！！
I am a prog snob. But I found these girl passion on stage is irreplaceable. Strong voice from heart. I love it.
Regarding some comments of the backing track issue… come on we are not listening to Dream Theater. The mix is still good , you can hear real instruments there.. This is a style and their way to go
最後でしょ😆
大好きです😆
Great live performance. So powerful and full of Energy . Thank you for sharing
Nagisa 😍
カッコイイ！！
молодцы девчонки !
Just three! SOUNDS is more than amazing!
They are so good
wow that was impressive! Such great live energy! i'm going to need a minute to catch my breath...🥰
Would love to see them in the US!
Preferably opening for Band-Maid!
These ladies Know how to adapt and overcome! Great performance in spite of mix! Asaka just kicked up her voice! Absolutely AWESOME!
obviously deaf. This is garbage. Japan is putting out far better than this.
Девушки вы просто красавицы!
SOIS LAS MEJORES!!!!!
응원 합니다
저두
あさかの魂のシャウトとそれを支えるせりちゃんのベースとバックコーラス、その2人をドカッと支えるなぎちゃんのドラム。
TRiDENTカッコ良すぎるだろ
Não conhecia essa banda japonesa. Curti muito!!!!
subarashī 🤘
Love this band and song, would love to see them live. Reminds me a bit of Doll$boxx, in a good way.
Were the vocals perfect. No. Was this a live show with live vocals and expressions and not some pre-recorded gig? You bet. Do I prefer my live band to play live. YES. Great job ladies.
トキメク日々が楽しい 0:36
歌い方も、振る舞いも自然で、聴いていて、気持ちが良いです。
私は、滅多にロックを聴きません。
素晴らしい演奏をありがとうございます。
Ok so they play with a click track for a lot of the lead guitar live, I had a feeling that’d be the case. I don’t blame them! Having all those lead riffs while singing is a ton to keep track of
PVより少し荒いけどカッコ良いね。この曲の入ったフルアルバムは出るのかな？LPの切り替え、後輩の女の子がバンドエイドでしてたけど、女子なら可愛いと思いました。でも、細工してる様で普通に貼っただけでは
激しいカットの人はダメみたい。ライブ見たいですね。
This would be better with an actual live 4th member, just for live, kinda of like Biffy and Green Day, you need it to add layers to 3 piece.
Would you have suggested that to Jimi Hendrix or Cream?
@Ian McGarr
I agree with you, but then they would have to rename themselves to Quatdent...😵
@@maidthehormone Or simply "fork"
Please stuck to your metallica. We dont need you stone age taste
😆😆😆@@BassOutcast
アサカのお付きの人お疲れ様です😊
Kalian keren banget...sumpah!!!
sayonara semuanyua
I don’t get it, they have a recording of a second guitar ? Asaka doesn’t play the whole riffs ?? 😳 If that’s the case they need to find another guitar player and rename the band Fork 😂
I'm beginning to really hate the situation where bands play live to backing tracks. So many producers insist on overdoing recordings that bands are forced to use prerecorded backing in order to deliver the product to a live audience. In this case, I'd rather hear the raw three piece than what is presented in this video (off-pitch vocals and all).
i don't fully understand your meaning here.
I'm not a native speaker and all that technical slang is hard to understand.
Could you please explain in a simple way what is wrong with this video?
I brought this up on Lovebites' "Judgment Day," which relies heavily on Mao's "orchestral" tracks to provide a pervasive melodic pattern that no one will actually play but instead be played as a pre-recorded track when the piece is performed live. Still ambivalent about it. It probably can't be helped with three-piece bands who want to augment their sound tastefully; for example, my all-time favorite band, Rush, resorted to backing tracks in mid-to-late output to an extent, while also using the amazing technology of triggering sounds from one another's instruments. Their defense was these were sounds that they themselves created. Gacharic Spin relied on an invisible fifth player to provide synth parts when they were a four-piece band in their earliest days. I understand that fifth "player" was OreoReona, who eventually joined the band as an official member. For a 5-piece like Lovebites, as amazing as they are, to write music that requires a sixth instrumental component to be covered invisibly seems absurdly over the top, given that Asami, Midori, and certainly Miyako could cover keyboard parts. So, though I don't have a problem with the backing track for Trident, but I do think this is a worthy point to debate.
@@perpendicularpelican2975 nothing wrong, he just think that everything need to be aligned with his taste.
Unfortunately, studio band. Execution very suffered live. And the one in this video is not the only one.
who cares. whats important is these people had fun and they made great music. they perform it with backing track so what, they still did their parts live and overcame the limitations.every single band nowadays play with a sequencer. it serves to enhance the live experience, but also to help 3 piece band to be as big as a 5 piece band. whats important is the music being heard, not the how its being played
They sound great but still miss JUNNA
Seems to be an invisible guitarist somewhere.
LOVE TRIDENT & LOVE THIS SONG -too bad the audio suuuuuuucks. ZEPP ROCKS -most TIMM sucks
al sonidista lo quiero preso.
Sounds good musically but the vocals are so shrill. Band needs one good vocalist.
she has strong vocals. she just needs to practice the endurance
SEが邪魔過ぎる
曲は凄くカッコいいし演奏も良いけど、歌が・・・
音程がちゃんとしてないからコーラスも不協和音になってるし、基本中の基本の、しっかり音程を取る練習を徹底的にやるべき。
awesome
専任Vo入れたほうが良いような
コレで良い
名前がTridentだから何ともならん
Bassの方が声出てる
それより専任ギターだと思う
多少バンドわかる人ならこのサウンド感でスリーピースはちょっと違和感がつよい
曲もいいし気合い入ったライブしてるのにもったいない
あと、バンド名の由来なんてテキトーな方が突っ込みどころあってより面白くなると思うけど
สวยเก่งสุดยอด
\m/
YIKES!!!! This is terrible. Brought down to the level of an average garage band. Extremely disappointing. PAINFUL in fact. Instantly forgettable.
Your missing the point perhaps you should listen to beyonce .