Good advice, my takeaways from this are: Do the basics well. Enjoy the process. You can't polish a turd. If you believe in a track, its worth investing in it. Be direct and brief when reaching out to DJs.
Unrelated theoretical question for the lads, is mastering really bullshit? If you can “mix” your tunes to a good enough standard and then just limit the master and push it into the limiter, is that not technically also a master? Like I get if u bounce stems or a final premaster and then add more after they are summed into a final drafter, that certainly is mastering. But is mastering not just what you essentially put on the master chain? Idk maybe I’m too tired for this
I wouldn't go as far as to say it's bullshit. It doesn't have to be one or the other (completely necessary or a waste of money and a scam). Yes, you can absolutely push your final mix into a limiter and if you've mixed well, you're good to go. Mastering engineers bring value with their experience. Provided that you've delivered a solid mix to them, they can use their priceless experience & skill to "polish" your song and return the best possible version of your project. I understand that you're probably sick of hearing the word "polish", as it means nothing on its own. Truly, the definition & process behind "polish" will be unique to each mix a mastering engineer gets their hands on. How I'd define it: your mix is of such quality that the mastering engineer can pin-point where YOU were trying to go with your track, e.g. your favourite elements & sounds, and help enhance them and shape the tone of the entire track around them.
Don’t forget if you send a good mix to a mastering engineer their job is to get it to the ‘loudness standard’ then add meta data and quality control, true peak etc. Vinyl releases change a little in terms of low end / high end and amount being limited as to not distort the record. I always laugh when I see ‘mastering engineer’ reels where they have a plug-in chain that is 12+ vsts long and all of them open on the screen. That’s a load of crap they use to justify their price point.
Good advice, my takeaways from this are: Do the basics well. Enjoy the process. You can't polish a turd. If you believe in a track, its worth investing in it. Be direct and brief when reaching out to DJs.
I’ve been watching and learning from you. Appreciate all the great tips 🙏🏽
thank you for these important tips! I respect your way of management
Great stuff very insightfull
When sending promos do you typically send just one track or do you send the whole EP?
unreal video Thankyou, who can you recommend for masters and mixdowns please ?
Great info, cheers joshy b
Unrelated theoretical question for the lads, is mastering really bullshit? If you can “mix” your tunes to a good enough standard and then just limit the master and push it into the limiter, is that not technically also a master? Like I get if u bounce stems or a final premaster and then add more after they are summed into a final drafter, that certainly is mastering. But is mastering not just what you essentially put on the master chain? Idk maybe I’m too tired for this
I wouldn't go as far as to say it's bullshit. It doesn't have to be one or the other (completely necessary or a waste of money and a scam).
Yes, you can absolutely push your final mix into a limiter and if you've mixed well, you're good to go.
Mastering engineers bring value with their experience. Provided that you've delivered a solid mix to them, they can use their priceless experience & skill to "polish" your song and return the best possible version of your project.
I understand that you're probably sick of hearing the word "polish", as it means nothing on its own.
Truly, the definition & process behind "polish" will be unique to each mix a mastering engineer gets their hands on.
How I'd define it: your mix is of such quality that the mastering engineer can pin-point where YOU were trying to go with your track, e.g. your favourite elements & sounds, and help enhance them and shape the tone of the entire track around them.
Don’t forget if you send a good mix to a mastering engineer their job is to get it to the ‘loudness standard’ then add meta data and quality control, true peak etc. Vinyl releases change a little in terms of low end / high end and amount being limited as to not distort the record.
I always laugh when I see ‘mastering engineer’ reels where they have a plug-in chain that is 12+ vsts long and all of them open on the screen. That’s a load of crap they use to justify their price point.