Literally the same thing i said to my wife when we watched the video. And then Yvett came on. I was gobsmacked. Amazing playing to finish this lovely video.
This was a wonderful video to watch not only because of the history of the EMT 140, but because when I was a grad student in Electrical Engineering, I was part of a trio of semi-pro musician-engineers, and we actually built a large plate reverb according to the explanation in an audio engineering textbook. I had inherited a very large, very heavy wooden wardrobe, which was portable in the sense that with 5 men and a boy, plus a lot of wheelers, it could be shifted from place to place. It was made of very solid wood, on average about 1 inch thick (I believe the "box" was Oak, the back panel Teak, and the front 'double door' had been made from a single slab of a monsterous Redwood, felled and sawed decades before. I discovered that there were some sheets of steel stacked up on one side of the EE building loading dock. They'd been there for ages - one was either 3/4 or 7/8" thick and the other two were 1/4" steel plate. There was also a large sheet of thick copper, a leftover from some "secret" radio-frequency work done there during WWII. By great good luck, our immediate boss was also the Dean at that time, so when we put the proposal to him, he though it was a great idea. We were expected to spend at least 1 hour of every workday on our own "personal" projects or ideas, with parts supplied from the EE stores. Not sure how that would go today. With much grunting and a lot of bodies, we manhandled the cabinet up to the top-floor lab, where our group "lived." The department had an superb machine shop staffed by extraordinary craftsmen, so after we'd explained what we wanted the steel plates to do, they designed and fabricated both a suspension system, and a mechanism for moving the plate position. We had several coil-winding machines available, since we made almost all of our own research instruments, and so we cobbled up some drivers and pickups without too much difficulty. There was an excellent book all about the theory and practice of making inductors, for almost any purpose. It was about 2 inches thick, and had been written at the end of WWII, so there was information in there that had been developed for various types of equipment. That was a big help, also. From there, it was simply a matter of "putting it all together" - which was not without incident. One of the technicians from across the hall, who'd been giving us a hand, had the misfortune to have the thick plate dropped across his toes. If the University Hospital had not (literally) been next door, it might have ended with amputations, but fortunately the ER surgeons were right there, and were able to re-attach the toes. I suppose that the finished unit weighed at least a ton, and it aroused a lot of interest from musicians all around the campus. I know it remained in our lab after I'd moved to private industry. What was really distressing to learn was that when the "old" EE building was demolished to make room for a more modern Engineering center, the Plate Reverb was not removed. Instead, it fell to the wrecking ball because at that point there was nobody present to stop that destruction from happening. It was a once-in-a-lifetime project and opportunity, and I'm pretty sure we wrote a note about the project for one of the Engineering journals - I don't have a copy, unfortunately. It was a stinkin' shame that the unit we'd fabricated was destroyed and hauled off for scrap. Quite a few people who'd been involved at that time protested strongly, but the damage was done. If we'd had to buy the wood for the large cabinet, and the steel plates (and the copper one), it would have cost a small fortune. As it was, almost all of the main pieces were "good luck windfalls." We had a lot of fun with it, as did other musicians who came over to try it out. It could be done again, if money was no object, but now that the department is run by HR rather than by an engineering researcher, such "frivolous time-wasting" could never happen. Our Faculty went from being one of the best in North America, and now is more or less a "woke joke." Certainly, Engineering is not the first focus. Thanks for sharking tis Rhett - I'd almost forgotten about the "wardrobe reverb" cabinet (dimensions 6-1/2 ft tall x 5 ft wide, about 25-30 inches deep). Quite the beast.
Sorry to have to say this, Rhett, but as soon as Yvette started playing she stole the show. I noticed I was listening to her wonderful music and not to the different reverbs. Thank You for including her!
A perfect TH-cam video. The production, camera work and editing is impeccable. I learned something fascinating about something that interests me, and get to listen to TIm Pierce and Yvette Young play as a bonus!
The EMT 140 truly is a legendary piece of gear. Like Tim said, we grew up listening to this! Speaking of legends, great to see Yvette, and Tim with the new Luke 4 guitar again too!
Such a great video, Rhett, thanks so much, and WOW! Always great to hear Yvette Young, who has such a superb way of playing that's all her own. What a treat!
I must say dude, your videos...the production, the concept's are unmatched in the online guitar world. Much respect Rhett for the great production skills man. They are a pleasure to watch.
There are tons of different reverb types. I love experimenting with different reverbs in my DAW. When playing live, I like to use a pedal with a ton of different reverb types: spring, plate, hall, chamber, room, etc. Digital reverbs that don't emulate anything specific can also be nice.
@@kennhern I don’t even care about the drip. Most musicians aren’t using a Spring reverb, to get the drip effect. It’s just a test, of how well a digital emulation, can reproduce the spring effects. Even actual spring reverbs, from the amps that made it famous, often don’t have the surf rock drip, for which that tone was made famous.
Wow that jam at the end was great. I’ve never heard or seen that lady before man she is talented I’m going to have to check her stuff out. How amazing would it be to get to hang out in a place like that and just geek out on stuff with other gear nerds man o man
@@Smart-Alex I'm relegated to Sterlings, so I know how you feel. I've gotten pretty good at modifying them. The Cutlass CT50 HSS I bought when they first came out, is a damn good guitar for the money.
My father had a tube powered EMT 140 plate reverb in his studio for ~20 years. It was a truly amazing sounding piece of equipment. There is nothing quite like the real thing.
Nice video, when it comes to reverb, I could watch for hours. I loved Tim's intro, it had a kind of Marshal Tucker feel to it. And he was right, this is the sound we've been listening to all of our lives. There was a lot of fun information to learn here about the history of recording reverb. The "Chambers" at Capital records is a cool story. It was also so nice to see a new talent like Ms Young bring the reverb into her style.
Very nice Rhett! I love it when you and Tim Pierce start brain storming to present these educational videos! There's so much information in in this video! Thanks for sharing your passion with us!
Thank you for doing this, excellent reverb technology lesson. In the grand scheme of things the song and the players' execution always wins over a better or different effect unit.
Beautiful demonstration of all of these devices. Thank you very much. Safe to say we are living in wonderful times to have all of these effects available to us.
Reverb is my favourite thing ever. It gives sound context. The digital reverbs, Lexicon, Eventide etc. helped put sounds and instruments into places from our imaginations rather than being limited to the environment around us
When I was in college doing the recording classes we had very little outboard gear. They got a plate after I was already done with the courses. We did have one of the early digital reverb units. I remember how limited it was. This was in the early 80's. Thanks for the video to show off this old tech and compare it to the endless amount of things that are now available to musicians and engineers.
Such a cool video. Pleaaase do more with Tim and James Santiago! Such an immense amount of knowledge in one room. The guy who knows everything about the gear, and the guy who used it in its day. As an aside, I really hope UA will make a Marshall-style pedal. That'd be a guaranteed purchase from me.
This is so cool! So many of my favorite guitar players all in the same room checking out classic vintage reverb’s this is epically awesome! Thanks for this incredible treat! Rhett, Tim and Yvette!👍🎸🙏💕❤️💝🙌👏✌️👋
Great Stuff: it just makes me think of what a great job Strymon done with the Reverbs on the Flint let alone the Sky Verbs they have done, Great Episode, Very Interesting..👍🏻❤️⭐️🌞👍🏻🎸
That last segment with everyone in the room playing reminded me of the ends of a practice. Everyone is stoned outta their gourds and just playing with knobs on the effects pedals and the wetter they make the signal the more everyone gelled even when it passed that threshold of total tin can suck.
Great! Aaaaaaaah You just reminded me of a mechanical electronics plate chamber reverb I built myself 45 years ago. Will find it and test it with my guitar. I just restarted playing it after 20 years! Same principle, but my plate is about 40cm by 15cm, if I remember well.
So cool to see James Santiago and what he's doing these days. I hadn't known what he was doing, but just remember some of his amazing guitar demos for Voodoo Labs and such. Really cool guy.
![🔴 ฟุตบอลแชมป์กีฬา 7HD แชมเปียน คัพ 2024 [รอบรองชนะเลิศ]](http://i.ytimg.com/vi/zPm8ClLVhoE/mqdefault.jpg)
Tim is a treasure to the guitar community. From his playing to his vast knowledge, he's always fun to watch.
He will be quite good with a bit more practice 😂
He always looks like he's having so much fun when he's playing
No equipment will make u sound as good as Tim.
This is the crossover I’ve always wanted! I love seeing Yvette play her songs while testing the reverbs. So awesome.
Yvette is amazing, so happy we got to see her live a little bit ago! Even caught her quick NAMM demo in person for the YY signature launch 😊
Cool to have me old mate Tim in this vid! Thank :)
JAMES!!! THAT guy plays the hell out of the guitar... great video again, Rhett!
One of your very best shows!
Thanks for this, Rhett, truly amazing.
Thank you for this great learning opportunity
I'm glad to learn what the hell plate reverb is. I've seen it on many reverb pedals for decades, and never knew.
Great video, everyone was fantastic. Very, very cool 😎 very informative, Thanks 😊 👍.
So cool finally knowing what a real plate reverb is. Glad you brought Yvette Young into the video. I could listen to her beautiful playing all day.
Literally the same thing i said to my wife when we watched the video. And then Yvett came on. I was gobsmacked. Amazing playing to finish this lovely video.
This was a wonderful video to watch not only because of the history of the EMT 140, but because when I was a grad student in Electrical Engineering, I was part of a trio of semi-pro musician-engineers, and we actually built a large plate reverb according to the explanation in an audio engineering textbook. I had inherited a very large, very heavy wooden wardrobe, which was portable in the sense that with 5 men and a boy, plus a lot of wheelers, it could be shifted from place to place. It was made of very solid wood, on average about 1 inch thick (I believe the "box" was Oak, the back panel Teak, and the front 'double door' had been made from a single slab of a monsterous Redwood, felled and sawed decades before. I discovered that there were some sheets of steel stacked up on one side of the EE building loading dock. They'd been there for ages - one was either 3/4 or 7/8" thick and the other two were 1/4" steel plate. There was also a large sheet of thick copper, a leftover from some "secret" radio-frequency work done there during WWII. By great good luck, our immediate boss was also the Dean at that time, so when we put the proposal to him, he though it was a great idea. We were expected to spend at least 1 hour of every workday on our own "personal" projects or ideas, with parts supplied from the EE stores. Not sure how that would go today. With much grunting and a lot of bodies, we manhandled the cabinet up to the top-floor lab, where our group "lived." The department had an superb machine shop staffed by extraordinary craftsmen, so after we'd explained what we wanted the steel plates to do, they designed and fabricated both a suspension system, and a mechanism for moving the plate position. We had several coil-winding machines available, since we made almost all of our own research instruments, and so we cobbled up some drivers and pickups without too much difficulty. There was an excellent book all about the theory and practice of making inductors, for almost any purpose. It was about 2 inches thick, and had been written at the end of WWII, so there was information in there that had been developed for various types of equipment. That was a big help, also. From there, it was simply a matter of "putting it all together" - which was not without incident. One of the technicians from across the hall, who'd been giving us a hand, had the misfortune to have the thick plate dropped across his toes. If the University Hospital had not (literally) been next door, it might have ended with amputations, but fortunately the ER surgeons were right there, and were able to re-attach the toes. I suppose that the finished unit weighed at least a ton, and it aroused a lot of interest from musicians all around the campus. I know it remained in our lab after I'd moved to private industry. What was really distressing to learn was that when the "old" EE building was demolished to make room for a more modern Engineering center, the Plate Reverb was not removed. Instead, it fell to the wrecking ball because at that point there was nobody present to stop that destruction from happening. It was a once-in-a-lifetime project and opportunity, and I'm pretty sure we wrote a note about the project for one of the Engineering journals - I don't have a copy, unfortunately. It was a stinkin' shame that the unit we'd fabricated was destroyed and hauled off for scrap. Quite a few people who'd been involved at that time protested strongly, but the damage was done. If we'd had to buy the wood for the large cabinet, and the steel plates (and the copper one), it would have cost a small fortune. As it was, almost all of the main pieces were "good luck windfalls." We had a lot of fun with it, as did other musicians who came over to try it out. It could be done again, if money was no object, but now that the department is run by HR rather than by an engineering researcher, such "frivolous time-wasting" could never happen. Our Faculty went from being one of the best in North America, and now is more or less a "woke joke." Certainly, Engineering is not the first focus. Thanks for sharking tis Rhett - I'd almost forgotten about the "wardrobe reverb" cabinet (dimensions 6-1/2 ft tall x 5 ft wide, about 25-30 inches deep). Quite the beast.
Awesome story, I enjoyed reading that a lot! Thanks for sharing. Sounds like a lovely memory with all the highs and lows
I love reverb!
wow thanks for sharing the history guys . great
Love Yvette Young and Covet; happy to hear the collab!
Thank you for this Video!! its amazing and every guitarist had to know this :)
Sorry to have to say this, Rhett, but as soon as Yvette started playing she stole the show. I noticed I was listening to her wonderful music and not to the different reverbs. Thank You for including her!
Yvette is a literal beast homie one of my favorite guitar players currently working
Great to see James Santiago in the video.
Fantastic insight, thank you!
Amazingly creative yet informative ad for their Heavenly Plate pedal. Who doesn't want one now!
Really cool info, nice deep dive Rhett!
Really nice jam at the end !
Excellent video mate
Plate is the king of reverb.
A-mazing video. I had no idea of any of this.
Wow! Great content!
Very cool!
Whooooo, that was so amazing!!! Like watching a photographer in an actual "lightroom" developing photos.....
I had things to do today but now all I want to do is play guitar. Great video.
This was a dope vid!
Tim is always so sharp, never misses a note, always sounds like a record. A true session man🎸🔥
I love her guitar playing. Wow!
absorbing -- thanks
Thanks! Fascinating. ❤
A perfect TH-cam video. The production, camera work and editing is impeccable. I learned something fascinating about something that interests me, and get to listen to TIm Pierce and Yvette Young play as a bonus!
I've been looking for "THE" reverb pedal and this is it! Thanks to Rhett, Tim, Yvette and the UA team for the education.
The EMT 140 truly is a legendary piece of gear. Like Tim said, we grew up listening to this! Speaking of legends, great to see Yvette, and Tim with the new Luke 4 guitar again too!
smooth AF drummer
This was probably the coolest video I've seen on TH-cam in a very long time. More stuff like this please!!!
Fantastic vid. Thx!
Such a great video, Rhett, thanks so much, and WOW! Always great to hear Yvette Young, who has such a superb way of playing that's all her own. What a treat!
I must say dude, your videos...the production, the concept's are unmatched in the online guitar world. Much respect Rhett for the great production skills man. They are a pleasure to watch.
Dude Yvette is everywhere now its so cool! Covets new album is my album of the year so far, all of the current members of Covet are amazing musicians
So i guess a bunch of us are heading out to buy ua heavenly now. Mission accomplished!
Awesome video. Love the history lesson, AND bonus Yvette Young! woo!
Thanks. That little ditty Tim played at the beginning was glorious!
I’m slowly learning that sometimes spring reverb isn’t always the answer. A good plate reverb will create some emotion and space like no other
The spring reverb drip may not be for every situation, so plate reverb comes in and gives that subtle sheen in the sound
There are tons of different reverb types. I love experimenting with different reverbs in my DAW. When playing live, I like to use a pedal with a ton of different reverb types: spring, plate, hall, chamber, room, etc. Digital reverbs that don't emulate anything specific can also be nice.
Plate reverb is ALWAYS the answer.
@@kennhern
I don’t even care about the drip.
Most musicians aren’t using a Spring reverb, to get the drip effect. It’s just a test, of how well a digital emulation, can reproduce the spring effects.
Even actual spring reverbs, from the amps that made it famous, often don’t have the surf rock drip, for which that tone was made famous.
You guys... The answer is SHIMMER reverb... 😅
Wow that jam at the end was great. I’ve never heard or seen that lady before man she is talented I’m going to have to check her stuff out. How amazing would it be to get to hang out in a place like that and just geek out on stuff with other gear nerds man o man
Tim's guitar is pure art (and his playing too :)
Pretty sure it's just a Steve Lukather model.
@@andrewbecker3700 yeah, looks so good too
@@andrewbecker3700 I have an Ernie Ball Music Man JP15 model, this is next on my list when I can find 4K free LOL
@@Smart-Alex I'm relegated to Sterlings, so I know how you feel. I've gotten pretty good at modifying them. The Cutlass CT50 HSS I bought when they first came out, is a damn good guitar for the money.
@@andrewbecker3700 my JP15 is an EBMM and it’s worth it but they are so damn expensive it’s hard to justify buying multiple
Wow best video ever on history of reverb! Informational and beautiful demonstrations! Extremely well done Rhett!
really shocked at how great the UA pedal sounds. the washy sounds at the end of the video is incredibly musical. I really love it.
9:30 Rhett plays the riff to Saigon Kick "Love Is On The Way" LOL
Tim Pierce is a true master, and his experience and insight are amazing.
My father had a tube powered EMT 140 plate reverb in his studio for ~20 years. It was a truly amazing sounding piece of equipment. There is nothing quite like the real thing.
It's always great to see and hear Tim.
Dude Yvette Young is such an inspiration.
seriously
Wow! 😊
Nice video, when it comes to reverb, I could watch for hours.
I loved Tim's intro, it had a kind of Marshal Tucker feel to it. And he was right, this is the sound we've been listening to all of our lives.
There was a lot of fun information to learn here about the history of recording reverb. The "Chambers" at Capital records is a cool story. It was also so nice to see a new talent like Ms Young bring the reverb into her style.
8:43 Nice teleportation skills.
One of my favorite videos of yours. Thanks for posting.
You need to get down in that reverb room!
Any video featuring Tim Pierce, Yvette Young, and whoever that tall beardy guy is. Is _always_ a "must watch".
8:44 Tim Pierce instantly teleports to the other side of the room 😅
Super, super cool! I really love plate reverbs! Thanks for this wonderful content!
That one cut at 8:45 where it looks like Tim teleports across the room.
Thanks to all involved in this amazing doc. Learned a lot! Great playing & a mighty fine jam at the end.
Very nice Rhett! I love it when you and Tim Pierce start brain storming to present these educational videos! There's so much information in in this video! Thanks for sharing your passion with us!
Love Yvette's style and musical ear. Could listen to her vibe on an ambient groove for hours.
best vidéo yet ? ❤️
Thank you for doing this, excellent reverb technology lesson. In the grand scheme of things the song and the players' execution always wins over a better or different effect unit.
Beautiful demonstration of all of these devices. Thank you very much. Safe to say we are living in wonderful times to have all of these effects available to us.
I LOVE REVERB!!!!!!
Tim P. commands his own unique style and sound . Great !
This makes me even more amazed at what Gilmour and Pink Floyd were able to do with sound.
Reverb is my favourite thing ever. It gives sound context. The digital reverbs, Lexicon, Eventide etc. helped put sounds and instruments into places from our imaginations rather than being limited to the environment around us
When I was in college doing the recording classes we had very little outboard gear. They got a plate after I was already done with the courses. We did have one of the early digital reverb units. I remember how limited it was. This was in the early 80's. Thanks for the video to show off this old tech and compare it to the endless amount of things that are now available to musicians and engineers.
Great video..
Such a cool video. Pleaaase do more with Tim and James Santiago! Such an immense amount of knowledge in one room. The guy who knows everything about the gear, and the guy who used it in its day.
As an aside, I really hope UA will make a Marshall-style pedal. That'd be a guaranteed purchase from me.
Damn, I could listen to that outro jam all day. That was a pleasure to hear.
This is so cool! So many of my favorite guitar players all in the same room checking out classic vintage reverb’s this is epically awesome! Thanks for this incredible treat! Rhett, Tim and Yvette!👍🎸🙏💕❤️💝🙌👏✌️👋
Wow I never thought of Reverb as anything other than a pedal effect, this is way cool to see it from this view
I just got schooled with great teachers... waaaay cool!!
This is great - love reverb!
Not going to lie this video needs to go into a guitar museum along with tim pierce , so we can study it and preserve it for future generations
Great Stuff: it just makes me think of what a great job Strymon done with the Reverbs on the Flint let alone the Sky Verbs they have done, Great Episode, Very Interesting..👍🏻❤️⭐️🌞👍🏻🎸
I bring my EMT 140 to every gig for reverb.
Plate has always been my favorite type of reverb. Nature points the way, then Engineers expand it and find new paths.
Tim's an awesome player
plate reverb + single coil = superb 😍😍😍😍
That last segment with everyone in the room playing reminded me of the ends of a practice. Everyone is stoned outta their gourds and just playing with knobs on the effects pedals and the wetter they make the signal the more everyone gelled even when it passed that threshold of total tin can suck.
Have seen quite a couple of your vids, but this one is really inspiring. Thanks!
Super cool to hear these stories, and very informative. Great vid!
Very cool, thanks for sharing! 🍻
Great! Aaaaaaaah
You just reminded me of a mechanical electronics plate chamber reverb I built myself 45 years ago. Will find it and test it with my guitar. I just restarted playing it after 20 years! Same principle, but my plate is about 40cm by 15cm, if I remember well.
8:42 two Tim Pierce's, I knew it!
So cool to see James Santiago and what he's doing these days. I hadn't known what he was doing, but just remember some of his amazing guitar demos for Voodoo Labs and such. Really cool guy.
With that opening jam i was thinking damn Rhett is sounding awesome then the camera pans to Tim.
There are far far fewer hands than more that can sound that good. It's no surprise it was our dear friend Tim Pierce!
Anyone else see Tim Pierce teleport at 08:45? 😂
Great video
I kinda wish an audio comparison between a plate and a spring had been included.
Appreciate you had Tim there.
Those guys at UA are something else!
The playing at the tail end of the video instantly reminded me of the song, I’m in love with a German film star”, by the group “The Passions”.