Poll - do you want to hear Noob Josh do more karaoke? 🤓🎤🎶 Timestamps for this lesson: 0:00 - Do You Sound “Karaoke-y”? 1:14 - Connect the Notes 4:07 - Consistent Rhythm 8:01 - Subtle Slides 10:35 - Cut For the Snare 13:01 - Downpicking
In all seriousness, those things are x10 more important then fancy stuff like slapping/tapping/playing fast. Those 'non technique' techniques are overlooked by students and teachers alike (also true for guitar as well). It's awesome that you raise awareness for such things.
@Stumble.Stop.Repeat Overlooked by both, let me tell you that much. And I call them "non technique" not cause there are not techniques, but cause people refer only to playing fast/difficult as "technique".
yeah, they're not really. Not all of them at least. The snare thing is useful, and the "micro-slide", but the other two is purely taste. Just as slapping/tapping. It depends on what you want to play and how do you want to approach it. I came to this video looking for more in-depth very technical stuff that make your "finger-tone" sound better, and I've ended up being pretty disapointed
I'd consider myself an intermediate player but I always watch all of these videos because they help me find things I do that I can still improve on. Love your content man, thank you so much.
Joe Dart of Vulfpeck would be a quite perfect modern example of sounding interesting without using fancy techniques other than proper muting and ghost notes, while still serving the song. This style comes down all the way from the early days of bass playing by the influence of James Jamerson.
It's very simple, yes... But with incredible technique, fret mastery, groove, stamina and creative note choices - all reached with incessant practicing. 😂 The guy's a damn beast.
I've been playing bass for over 20 years, and I have never really intentionally cut for the snare drum. I think I do it sort of thoughtlessly but I will keep an ear out for it now! Thanks for the tip. You're never too experienced to learn something new.
Glad that was helpful Isaac! There's a good chance you've been doing it instinctively without thinking about it, I think a lot of experienced players do.
When I played bass in bands, I always tried to stand on the hi-hat side of the drummer, having visual cues to reinforce what you are hearing really helps to "lock in" with your drummer!
It's rare to see such good "wrong takes" in a video. Often, if other teachers try to show how not to play, they exaggerate extreme. I can relatate with Josh so well.
I've been leaving a hole for the snare as long as I can remember. It never occurred to me that it's bass wisdom which should be shared and passed along. I'll get right on it. It's worth noting at the same time how Charlie Watts pulls the hats on 2 and 4.
As a beginner I just wanted to say thank you for all these videos that you make. Very glad they're so beginner friendly, I've been playing for 5 months now and would certainly get stuck and not know what to learn/do if it weren't for your videos.
Josh your lessons are memey, dorky, informative videos that keep me glued. Your skill and teaching ability is excellent and It is really helping my bass game. Keep it up!
Great video. I figured out the down-picking thing after watching Peter Hook play live; I was like "woah he does that?" and then started copying him! Really makes the Joy Division bass parts sound better and more accurate to the record.
For joy divisions Peter hook mainly did downstrokes it really does make a heavy feel that contrasts nicely with the more light feels of the songs over all. In new order I’m pretty sure he uses alternate picking Ik for a fact he did for perfect kiss cos you can see him doing it in the video. Very cool bass player very inspiring.
One song that I found excellent for practicing to cut for the snare is Clint Eastwood by Gorillaz. The bass line is pretty simple so you can concentrate on that, and it is essentially what you do for the whole song: Every second note is a long one, and you stop *just* before that snare.
Another thing that has quite a big impact on the feel: the same notes sound different on different strings. Usually the lower string is better for a steady and full sound, and the same note on a higher string is more defined and you can hear it better in the mix, but loses some of the low-end rumble.
I've started to play bass one year ago. I've been paying attention to most of all these tips instinctively from day zero. I feel well today :) Also, to not sound karaoke-ish, pay attention to your tone! Play around with your mics, volume levels, tone controls, amp settings and most important, where in the string you're picking or plucking! And use palm muting when needed. Feel the bass! I love bass... after half a century of existence, I've found my instrument.
One of the most important things is playing a line in the right position. He plays Kryptonite in the first position almost the whole time. So 2nd fret A string for B, 3rd Fret G, then Open A- makes it connect so much better. You are working 10 times harder to get the same effect.
After playing for two years now…and one year with Beginner to Badass…I CANT listen to music anymore without analyzing! Is the bass hitting it on the one? Is the bass following the kick, snare, it high hat? Is the bass being played with pick, fingers, downstroke or both?……ughhhh LOL JOSH …my wife said you have created a monster…I say you are making me a bassist ;)
I had 4 guitar teachers growing up. 3 of them taught me songs, 1 taught me how to PLAY the songs and ultimately, the instrument. When I went to learn bass the first time a decade ago I thought I already knew how so I didn't take lessons. Thanks for teaching me how wrong I've been these past couple years and showing me how to not sound like a guitarist with a bass in their hands. You're one of those special teachers that has a real gift for it. I appreciate you and the fact that you haven't ignored your talents to sell out and make reaction/gear videos.
I absolutely love the amount of detail you have in your videos. (Unlike other videos). Your videos have helped me so much and I just want to thank you so much.
Been playing bass for 20 years. I didn't know how to explain most of this stuff from a technical perspective, but it's all things I do intuitively all of the time, and absolutely necessary if you want to sound like a pro. Great video. The fast single finger plucking technique to get a downpicked feel is something I learned a few years ago, and I use it all of the time now when I want that feel. I don't see many other finger style bass players using it, but it's a great tip.
You're looking and sounding great Josh. I love the dark background in this video. I've been waiting for another video. Connecting the notes (when appropriate) is what I still struggle with. I'm happy to see you use a pick as its easier for me to play with one.
I like fingerstyle, but I'm playing a Mötley Crüe tune for my school band and a pick is mandatory for that one. Upstrokes on the in-between sixteenth notes, otherwise all downpicking 🤘🤘
Through various cultural cues, Josh communicates that newb Josh is a real dork: - "square" hair style - unfashionable button down white shirt with cardigan - silly bow tie - 1950s style thick glasses - nasal voice - ridiculous banana tattoo
As a Pick player I find myself preferring downpicking over alternate picking a lot lol. I have to break my habit to try and be a consistent alternate as well.
Thank you for using a variety of music in your examples. I feel like over in guitar world there's this heavy reliance on what I guess are supposed to be required guitar listening that aren't the songs that actually got me interested in guitar.
Mate, thanks to your videos im still picking up new things after over 14 years of loving the four strings. Thanks so much for all this interesting, deep and well thought out material. Also really love the personal style you add to it, it's all so watchable. See you at the next one!
Wow amazing! I started my music practition as a drummer and started to pick up bass a little later. I found myself instinctively doing all of these things like one finger plucking and cutting for the snare without realizing it. Its so cool to see this instinctive knowledge get put into words and not only that but also in graph form with the audio visuals. Its almost like you can feel the "correct way" to play it but its so cool to see an explanation for why that is.
Another one I like is sliding into a note, like Tim Commerford does in parts of "Be Yourself." He slides from a D# to E on the first high E of each verse. It really accentuates the "peaking" in each verse before it resets.
One song I recommend all new bass or guitar players to learn is the bass line to nirvana’s hairspray queen. It’s very simple, but that fast slide from 3rd fret to 12th over and over again is super good for getting used to transitioning from note to note quickly. When I first started playing guitar, I was terrible at sliding between notes, but after learning that bass line I found navigating the fretboard way easier. Plus it’s a great song that very few people have heard, as is most of the stuff on the incesticide ep
Great and practical tips. These are absolutely the foundations that you need to focus on and make up the vast majority of bass lines that you'll actually play. Just because it may be 'simple' doesn't mean it's boring. If it grooves, it grooves.
The bass world is so very fortunate to have instructors like you. I only wish more old guys like me had the technology and you around in the 60s and 70s when we started playing.
Like Icarus, Intermediate Josh flew too close to the sun and melted his chocolate medal, along with his dreams But he's tasted the true power of bass now...
I"d reckon consistent rhythm is the most important part here. As for the "cut during the snare" part, interesting enough I've been sessioning as a punk bass player in my friend's original band and he wants the bass to hit for both the kick and snare hits since its mostly straight chugging
straight chugs (uninterrupted eighth, sixteenth notes, etc.) don't cut for the snare, as per the video (12:07)... it's only for broken rhythms with interruptions naturally occurring on the accented beats anyway. good work regardless, keep it up! :)
This was so helpful & informative. I am a guitar player (playing many years ) and I recently bought a Bass, and I am really enjoying it. I have a Whole New Respect and admiration for bass-players. With guitar or keyboards you can get-away-with more imperfection, but with Bass you need to be Spot-On . . . all the time. oNe LovE from NYC
I learned bass by playing Rocksmith and it does an amazing job on on showing how long a sustain needs to be held something that can't be done on paper tablature
A good trick for adding slides to your playing, play on one string as much as possible. Bassists from the Britpop era, including Guy Berryman, all learned one string at a time. That’s why a lot of basslines from British bands of that period (mid ‘90s to early 00’s) sound the way they do. Nate Mendel always alternate picks, he just seems to have a really even right hand technique, compared to most players of that era. A great example of a bassist that uses strong downstrokes exclusively from the 90’s era is Paul McGuigan from Oasis, who also uses the technique of cutting off during the snare as well.
I was literally working on a bassline in guitartracks and fretting over how bad (yet technically accurate) it sounded. Should I worry that I'm being monitored, or just be happy?!
Insanely useful! I'm currently researching a bunch of stuff as I'm gonna start bass soon! I play trombone and read bass clef, so the bass is a good fit. The little details and nuances in the technique are super interesting and this is very helpful for getting the feel of a song! Good stuff, man! 😎👍🏻
I really agree with this video. My main instrument has always been guitar, but I also took up bass seriously. I migrated to bass in the 3-piece band I'm in since the lead singer is on guitar, and I've always focused on locking in with the drums (always paying attention to kick and snare) to really make us sound huge as a 3-piece.
I'm definitely no pro but are the nuances I always looked for that are making me enjoy original music. I can finally express myself and being proud of where I can bring the sound of the band I'm in.
I'm definitely at early Noob Josh level playing (temporarily stalled about half-way through the Bass Buzz program because life) and the first two points make so much sense. I can hear the difference when I play and my brain knows how it should work, but my fingers can't move fast enough or in quite the right rhythm yet. Need more practice so I can level up my DEX! (This also explains why some bass line covers I've heard don't sound quite right, despite what looks like a very skilled player.)
This was so cool and informative. Luckily I have a tuba background and am used to "locking in" with the percussion but I am happy to see that I've already been implementing these subtleties like note length, volume, plucking style, and adding some slides/variations to songs. (Going from tuba to bass means trying really freaking hard not to overdo it with slides)
Played with a drummer that also liked to do alot of jamming. At our gigs, had to listen as if we were jamming because he rarely played anything the same way. As the bassist...it was a challenge but it was a great learning experience too.
I came across one bass player that said he liked to position himself near the drummer's hi hat and lock in on that, so I started focusing on the hi hat when playing with songs and I think it helps.
Good points. I'd say another mistake is moving your hand position to play 7-3-5 on the E. Anchor that thumb and pinky 7, index 3, middle 5. It's easy even for those of us with short fingers. The more one moves for no reason, the slower and sloppier one's playing will be- and it's more work.
I think that's true for fast runs Troy, but when notes aren't changing quickly, it actually saves energy to use large muscles (shifting the arm) instead of small muscles (stretching the fingers).
@@BassBuzz You use the small muscles whenever you fret a note. If the muscles are developed, it's just as easy to fret with fingers extended as next to each other. You can play however you want, but if you give advise to other players then you shouldn't forget how important proper form is. I spent 15 years playing how I wanted, then 20 years unlearning it. My advise to other bass players is "don't be like me", learn proper form early even when it's a pain in the butt. It will pay off.
Noob Josh is intermediate now? I'm so proud of him 🥲 Hope he finds that medal soon. Josh sorry I disappeared from the forums on your site. Too busy practicing and playing music with other musicians at my local music school...and that ear training course...and that other bass course. Whew! I will always be grateful for B2BA and the community around it. I would not be doing what I'm doing now without them.
These are great tips presented in a very entertaining way. I love your channel for those reasons. The cutting for the snare thing is something I never even thought about, but this video made me realize that I do it all the time. I picked it up from a teacher that played a lot of small combo gigs on upright. He taught me that sort of slap mute kind of technique that makes a nice snare like sound for when you don’t have a drummer. I love the feel of it so much that I have to stop myself from doing it sometimes when I have a drummer and it really isn’t necessary.
I just wanted to thank you for these amazing videos!! I just bought my first bass and watching your videos has helped me a lot. Your videos are not just educational but entertaining and fun to watch!
One thing that makes smooth note transitions easier is utilizing the other strings so you don't need to constantly slide your hand up and down the neck. On that on the superman song that was being demoed, it would have been easier to play the first and third notes on the A string. There'd be no reason to change positions on the neck - you could instantaneously switch notes. I see so many young beginners playing everything on the E string and it drives me crazy. It's so much work.
Once again, awesome video. I practice locking in with the drummer on garage band all the time. I wish you had a patreon or something where I could get some feed back. A song that I think is a great example of locking in with the drums and muting with the snare is "Hey" by the Pixies. The only difference is Kim Deal plays the muted note but I think it has the same effect. It is a trick I use in so many of my songs.
![SAFEPLANET - ดาวเคราะห์ [ THE PLANET ]](http://i.ytimg.com/vi/4X1XL3I_k3c/mqdefault.jpg)
Poll - do you want to hear Noob Josh do more karaoke? 🤓🎤🎶
Timestamps for this lesson:
0:00 - Do You Sound “Karaoke-y”?
1:14 - Connect the Notes
4:07 - Consistent Rhythm
8:01 - Subtle Slides
10:35 - Cut For the Snare
13:01 - Downpicking
Hello
I'm a noob and it makes me cringe a bit to hear Noob Josh, 'cos it reminds me of my own bass playing 😂🤭🙈
It was entertaining and educational appricate the intel.
Yes please, more karaoke from Noob Josh, I'd feel less "all by myself"!
Hell yeah - Noob Josh is living his best life!
I'm just always amazed at how good Josh is at pretending to be bad at bass
It takes hours of not practicing. 🤓
@@BassBuzz if you don't put in the work, and avoid trying hard, you too can do the whatever
Who says he's pretending, haha
In all seriousness, those things are x10 more important then fancy stuff like slapping/tapping/playing fast.
Those 'non technique' techniques are overlooked by students and teachers alike (also true for guitar as well).
It's awesome that you raise awareness for such things.
100% this. Getting the feel and groove to sound consistent is WAY more important than crazy showoff skills
Everyone knows that you need to learn to walk before you learn to run, yet everyone still tries to skip right into running or at least jogging.
@Stumble.Stop.Repeat Overlooked by both, let me tell you that much.
And I call them "non technique" not cause there are not techniques, but cause people refer only to playing fast/difficult as "technique".
yeah, they're not really. Not all of them at least.
The snare thing is useful, and the "micro-slide", but the other two is purely taste.
Just as slapping/tapping.
It depends on what you want to play and how do you want to approach it.
I came to this video looking for more in-depth very technical stuff that make your "finger-tone" sound better, and I've ended up being pretty disapointed
You are 100% right.
Hey josh just wanted to say I probobly would have quit playing bass if it wasn’t for your videos to help me so keep it up and thx
Glad I could help Makai! Never quit. :)
Thx josh
@@Ndlanding You have a sad, sad, life
@@Steven-rw6zb
@@Ndlanding Sort your ego out.
My bass teacher used to say "feel the rest," and I think that was super helpful for stuff like cutting for the snare
Totally!
I like how Noob Josh is now intermediate. That’s good character development
The plot thickens!
@@BassBuzz thats one thick plot 😳
@@BassBuzz the pluck thickens! :)
I'd consider myself an intermediate player but I always watch all of these videos because they help me find things I do that I can still improve on. Love your content man, thank you so much.
You're welcome Joseph!
Noob Josh is my spirit animal.
I think ghost notes is one subtle nuances that often makes bass line sounds more pro
yes! would love a video on ghost notes Josh!
totally agree; especially when slapping.
Joe Dart of Vulfpeck would be a quite perfect modern example of sounding interesting without using fancy techniques other than proper muting and ghost notes, while still serving the song. This style comes down all the way from the early days of bass playing by the influence of James Jamerson.
It's very simple, yes... But with incredible technique, fret mastery, groove, stamina and creative note choices - all reached with incessant practicing. 😂
The guy's a damn beast.
I thought joe dart was an example of fancy techniques, thats why ive been studying his fancy techniques.....
My guy, Joe Dart is a masterclass in fancy technique.
You're really good at this. I wish there was a version of you for every instrument.
Thanks Greg!
I've been playing bass for over 20 years, and I have never really intentionally cut for the snare drum. I think I do it sort of thoughtlessly but I will keep an ear out for it now! Thanks for the tip. You're never too experienced to learn something new.
Glad that was helpful Isaac! There's a good chance you've been doing it instinctively without thinking about it, I think a lot of experienced players do.
When I played bass in bands, I always tried to stand on the hi-hat side of the drummer, having visual cues to reinforce what you are hearing really helps to "lock in" with your drummer!
that last bit about finding the subtleties that make it challenging even if it's simple is huge, and humbling
It's rare to see such good "wrong takes" in a video. Often, if other teachers try to show how not to play, they exaggerate extreme. I can relatate with Josh so well.
I've been leaving a hole for the snare as long as I can remember. It never occurred to me that it's bass wisdom which should be shared and passed along. I'll get right on it. It's worth noting at the same time how Charlie Watts pulls the hats on 2 and 4.
R.I.P. 🌹
As a beginner I just wanted to say thank you for all these videos that you make. Very glad they're so beginner friendly, I've been playing for 5 months now and would certainly get stuck and not know what to learn/do if it weren't for your videos.
You're welcome Jurica!
Yeah, your videos on this channel as well as your other channel are absolutely some of if not the best bass videos on here.
Josh your lessons are memey, dorky, informative videos that keep me glued. Your skill and teaching ability is excellent and It is really helping my bass game. Keep it up!
Thanks Jesse!
Ok - I just got the beginner to badass course - I’ll be recording the progress and let you know how it goes!!
Great video. I figured out the down-picking thing after watching Peter Hook play live; I was like "woah he does that?" and then started copying him! Really makes the Joy Division bass parts sound better and more accurate to the record.
For joy divisions Peter hook mainly did downstrokes it really does make a heavy feel that contrasts nicely with the more light feels of the songs over all. In new order I’m pretty sure he uses alternate picking Ik for a fact he did for perfect kiss cos you can see him doing it in the video. Very cool bass player very inspiring.
One song that I found excellent for practicing to cut for the snare is Clint Eastwood by Gorillaz. The bass line is pretty simple so you can concentrate on that, and it is essentially what you do for the whole song: Every second note is a long one, and you stop *just* before that snare.
I was about to go to bed but you mentioned that song and I don't know how to play that and I can't believe I haven't learned it yet
I looked it up, learnt it and played it. Thank you
Another thing that has quite a big impact on the feel: the same notes sound different on different strings.
Usually the lower string is better for a steady and full sound, and the same note on a higher string is more defined and you can hear it better in the mix, but loses some of the low-end rumble.
I just can't imagine how much work is needed to make such kind of video. So many details. So many jokes. Awesome!
I've started to play bass one year ago. I've been paying attention to most of all these tips instinctively from day zero. I feel well today :)
Also, to not sound karaoke-ish, pay attention to your tone! Play around with your mics, volume levels, tone controls, amp settings and most important, where in the string you're picking or plucking! And use palm muting when needed. Feel the bass!
I love bass... after half a century of existence, I've found my instrument.
i feel so bad for noob josh, he was so happy being intermediate josh and now he's back down... #justiceforjosh
this sounds too familiar ...
One of the most important things is playing a line in the right position. He plays Kryptonite in the first position almost the whole time. So 2nd fret A string for B, 3rd Fret G, then Open A- makes it connect so much better. You are working 10 times harder to get the same effect.
11:42 This is the first time the term "muddy" not only make sense but also gives you the mindset to fix a muddy mix. Glorious success.
After playing for two years now…and one year with Beginner to Badass…I CANT listen to music anymore without analyzing! Is the bass hitting it on the one? Is the bass following the kick, snare, it high hat? Is the bass being played with pick, fingers, downstroke or both?……ughhhh LOL JOSH …my wife said you have created a monster…I say you are making me a bassist ;)
Haha yep, hard to turn those critical ears off. Sometimes the secret is just keeping your mouth shut around significant others. :PPP
Wow as a drummer learning bass, I realised I subconsiously already played this way because it just sounded right to the ear
Yes cos synchrony makes a difference. Between a good sound and a bad sound
I had 4 guitar teachers growing up. 3 of them taught me songs, 1 taught me how to PLAY the songs and ultimately, the instrument. When I went to learn bass the first time a decade ago I thought I already knew how so I didn't take lessons. Thanks for teaching me how wrong I've been these past couple years and showing me how to not sound like a guitarist with a bass in their hands. You're one of those special teachers that has a real gift for it. I appreciate you and the fact that you haven't ignored your talents to sell out and make reaction/gear videos.
Thank you!
I absolutely love the amount of detail you have in your videos. (Unlike other videos). Your videos have helped me so much and I just want to thank you so much.
You're welcome!
Been playing bass for 20 years. I didn't know how to explain most of this stuff from a technical perspective, but it's all things I do intuitively all of the time, and absolutely necessary if you want to sound like a pro. Great video. The fast single finger plucking technique to get a downpicked feel is something I learned a few years ago, and I use it all of the time now when I want that feel. I don't see many other finger style bass players using it, but it's a great tip.
Same. It's mostly about the feels.
You're looking and sounding great Josh. I love the dark background in this video. I've been waiting for another video. Connecting the notes (when appropriate) is what I still struggle with. I'm happy to see you use a pick as its easier for me to play with one.
Thanks Judi!
I like fingerstyle, but I'm playing a Mötley Crüe tune for my school band and a pick is mandatory for that one. Upstrokes on the in-between sixteenth notes, otherwise all downpicking 🤘🤘
Through various cultural cues, Josh communicates that newb Josh is a real dork:
- "square" hair style
- unfashionable button down white shirt with cardigan
- silly bow tie
- 1950s style thick glasses
- nasal voice
- ridiculous banana tattoo
Oops that Warhol Banana is real and Pro Josh wears it too!
@@judih.8754 -- yeah, I know -- I was just ribbing him by including that on the list.
Yeah it probably isn’t an album cover or anything like that, especially one from some cool band. Doubt it.
As a Pick player I find myself preferring downpicking over alternate picking a lot lol. I have to break my habit to try and be a consistent alternate as well.
I feel the same way. I only like alternate picking if playing slower, and if I’m playing slowly plucking sounds better anyway.
Always great instruction Josh, clear, concise, accessible, relevant and fun.
Thanks Peter!
New camera? You look so pristine and professional. I love it!
Thanks Tyler!
@@BassBuzz the new lighting looks cool! You should at a backlight to make it pop!
Thank you for using a variety of music in your examples. I feel like over in guitar world there's this heavy reliance on what I guess are supposed to be required guitar listening that aren't the songs that actually got me interested in guitar.
Mate, thanks to your videos im still picking up new things after over 14 years of loving the four strings. Thanks so much for all this interesting, deep and well thought out material. Also really love the personal style you add to it, it's all so watchable. See you at the next one!
Thanks for the kind words! :)
Wow amazing! I started my music practition as a drummer and started to pick up bass a little later. I found myself instinctively doing all of these things like one finger plucking and cutting for the snare without realizing it. Its so cool to see this instinctive knowledge get put into words and not only that but also in graph form with the audio visuals. Its almost like you can feel the "correct way" to play it but its so cool to see an explanation for why that is.
Another one I like is sliding into a note, like Tim Commerford does in parts of "Be Yourself." He slides from a D# to E on the first high E of each verse. It really accentuates the "peaking" in each verse before it resets.
I love this new slightly more serious presentation. The perfect blend of information and laydbacknessness.
Thanks Tomislav!
One song I recommend all new bass or guitar players to learn is the bass line to nirvana’s hairspray queen. It’s very simple, but that fast slide from 3rd fret to 12th over and over again is super good for getting used to transitioning from note to note quickly. When I first started playing guitar, I was terrible at sliding between notes, but after learning that bass line I found navigating the fretboard way easier. Plus it’s a great song that very few people have heard, as is most of the stuff on the incesticide ep
Dude, Josh!! That explanation on consistent rhythm is amazing! ...I wish I could upload it matrix style to some of the groups I'm playing with...
Ha! Thanks Brendan!
Great and practical tips. These are absolutely the foundations that you need to focus on and make up the vast majority of bass lines that you'll actually play. Just because it may be 'simple' doesn't mean it's boring. If it grooves, it grooves.
The bass world is so very fortunate to have instructors like you. I only wish more old guys like me had the technology and you around in the 60s and 70s when we started playing.
Thanks Russell!
You’re so right. Didn’t really learn much advanced techniques on bass until I started listening to Motown/funk/rnb music in 2020
Thanks Josh from Noob Jan. Great tips for spicing things up!
bass is all about those little details that makes basslines tasty 🤤
i struggle with cutting my notes too early and this really helped me figure out how to fix it :-) thank you !!
I really loved the snare tip, thank you, I never noticed it before.
i think this video just changed my life
Another great video Josh. Would be great if you could do a video of the circle of 5ths in your style and how it applies to bass
Check out the cycle of 3rds....very helpful
Like Icarus, Intermediate Josh flew too close to the sun and melted his chocolate medal, along with his dreams
But he's tasted the true power of bass now...
I"d reckon consistent rhythm is the most important part here. As for the "cut during the snare" part, interesting enough I've been sessioning as a punk bass player in my friend's original band and he wants the bass to hit for both the kick and snare hits since its mostly straight chugging
straight chugs (uninterrupted eighth, sixteenth notes, etc.) don't cut for the snare, as per the video (12:07)... it's only for broken rhythms with interruptions naturally occurring on the accented beats anyway. good work regardless, keep it up! :)
Wow! Great advice! THANKS!
This was so helpful & informative. I am a guitar player (playing many years ) and I recently bought a Bass, and I am really enjoying it. I have a Whole New Respect and admiration for bass-players. With guitar or keyboards you can get-away-with more imperfection, but with Bass you need to be Spot-On . . . all the time. oNe LovE from NYC
The tommy the cat slide was a perfect addition
I learned bass by playing Rocksmith and it does an amazing job on on showing how long a sustain needs to be held something that can't be done on paper tablature
You are the best teacher at YT, thanks!
Thanks Stefan!
A good trick for adding slides to your playing, play on one string as much as possible.
Bassists from the Britpop era, including Guy Berryman, all learned one string at a time. That’s why a lot of basslines from British bands of that period (mid ‘90s to early 00’s) sound the way they do.
Nate Mendel always alternate picks, he just seems to have a really even right hand technique, compared to most players of that era.
A great example of a bassist that uses strong downstrokes exclusively from the 90’s era is Paul McGuigan from Oasis, who also uses the technique of cutting off during the snare as well.
always a good day when josh uploads
Really enjoyed the video, great tips! Also, I gotta say (not to sound weird or anything) - that haircut is 🔥
Thanks Eva! 💇
Josh is doing gods work!!!!
this is an amazingly well-timed video for me, I play guitar and I just picked up bass specifically to play in karaoke band in november lol
I was literally working on a bassline in guitartracks and fretting over how bad (yet technically accurate) it sounded. Should I worry that I'm being monitored, or just be happy?!
Another successful mind read!
heh. fretting.
I wasn't ready for that surprised tommy the cat loool XD
Insanely useful! I'm currently researching a bunch of stuff as I'm gonna start bass soon! I play trombone and read bass clef, so the bass is a good fit. The little details and nuances in the technique are super interesting and this is very helpful for getting the feel of a song! Good stuff, man! 😎👍🏻
God damn the production of these videos is rising fast
I really agree with this video. My main instrument has always been guitar, but I also took up bass seriously. I migrated to bass in the 3-piece band I'm in since the lead singer is on guitar, and I've always focused on locking in with the drums (always paying attention to kick and snare) to really make us sound huge as a 3-piece.
This is gold. Thanks for this.
I'm definitely no pro but are the nuances I always looked for that are making me enjoy original music. I can finally express myself and being proud of where I can bring the sound of the band I'm in.
I look forward to every new video, excellent work!!!
Thanks Levi!
I'm definitely at early Noob Josh level playing (temporarily stalled about half-way through the Bass Buzz program because life) and the first two points make so much sense. I can hear the difference when I play and my brain knows how it should work, but my fingers can't move fast enough or in quite the right rhythm yet. Need more practice so I can level up my DEX! (This also explains why some bass line covers I've heard don't sound quite right, despite what looks like a very skilled player.)
Noticing is a good starting point Dawn! Hope you can get back on the course soon. :)
What a great channel this is: relatively strait to the point, no BS and i learned a lot here - even as a seasoned player.
This was so cool and informative. Luckily I have a tuba background and am used to "locking in" with the percussion but I am happy to see that I've already been implementing these subtleties like note length, volume, plucking style, and adding some slides/variations to songs. (Going from tuba to bass means trying really freaking hard not to overdo it with slides)
Thank you for updating! Your videos are my favorite to watch and work on my bass with, I just started and you are such an inspiration.
Glad I could help!
Another great Bass Buzz video. Simple, helpful tips to improve my sound. Thank you!
You're welcome Barbara!
Played with a drummer that also liked to do alot of jamming. At our gigs, had to listen as if we were jamming because he rarely played anything the same way. As the bassist...it was a challenge but it was a great learning experience too.
Dude such a great concept for a lesson! Nicely done.
Thanks William!
I came across one bass player that said he liked to position himself near the drummer's hi hat and lock in on that, so I started focusing on the hi hat when playing with songs and I think it helps.
Yeah, I like being on the hi-hat side too! Except for jazz, reverse it for the ride cymbal. :)
Good points. I'd say another mistake is moving your hand position to play 7-3-5 on the E. Anchor that thumb and pinky 7, index 3, middle 5. It's easy even for those of us with short fingers. The more one moves for no reason, the slower and sloppier one's playing will be- and it's more work.
I think that's true for fast runs Troy, but when notes aren't changing quickly, it actually saves energy to use large muscles (shifting the arm) instead of small muscles (stretching the fingers).
@@BassBuzz You use the small muscles whenever you fret a note. If the muscles are developed, it's just as easy to fret with fingers extended as next to each other. You can play however you want, but if you give advise to other players then you shouldn't forget how important proper form is. I spent 15 years playing how I wanted, then 20 years unlearning it. My advise to other bass players is "don't be like me", learn proper form early even when it's a pain in the butt. It will pay off.
Wow thanks Josh ~ my practice tonight sounded LOADS better after some simple tweaks
Thanks man, gonna be a legend bass player someday 🤟🤟
Glad this helped L.J.!
Thanks a lot.
Nice advices, amazing quality as usual !
I feel attacked.
.
.
.
But no, I needed this so badly. Thank you Josh!!
Ha, you're welcome Sharon!
Well I hope you'll sustain the bass territory.
Always look forward to your videos. 👍
Thanks Phil!
Josh got a new camera! Looks great. Also appreciate the not so flat light.
Thanks Nate! Workin on it. :)
Great video man. Excellent breakdown of technical nuances!
Noob Josh is intermediate now? I'm so proud of him 🥲 Hope he finds that medal soon.
Josh sorry I disappeared from the forums on your site. Too busy practicing and playing music with other musicians at my local music school...and that ear training course...and that other bass course. Whew! I will always be grateful for B2BA and the community around it. I would not be doing what I'm doing now without them.
All good, glad you're playing music!
We all should appreciate Josh for these.....noon Josh clips.....I love you
Thanks Sujeet!
These are great tips presented in a very entertaining way. I love your channel for those reasons. The cutting for the snare thing is something I never even thought about, but this video made me realize that I do it all the time. I picked it up from a teacher that played a lot of small combo gigs on upright. He taught me that sort of slap mute kind of technique that makes a nice snare like sound for when you don’t have a drummer. I love the feel of it so much that I have to stop myself from doing it sometimes when I have a drummer and it really isn’t necessary.
This is the first time I noticed Noob Josh' flying fingers! I have got to check the previous ones 😆
Ah fuck I do that 😭😭
I just wanted to thank you for these amazing videos!! I just bought my first bass and watching your videos has helped me a lot. Your videos are not just educational but entertaining and fun to watch!
Paying attention and going to try apply this to my "bass" (guitar dropped an octave) on my own tracks.
JOSH!!!! finally, another video, you are helping me a lot with the bass, thank you very much......love you!
You're welcome!
You’re making perfect videos, everything is easy to understand 👍🏻👍🏻👍🏻 thank you, man!!
You're welcome!
Hi Josh, if you see this I just wanna say you're one of the most entertaining bass TH-camrs I've ever watched. Keep up the good work!
Thank you!
One thing that makes smooth note transitions easier is utilizing the other strings so you don't need to constantly slide your hand up and down the neck. On that on the superman song that was being demoed, it would have been easier to play the first and third notes on the A string. There'd be no reason to change positions on the neck - you could instantaneously switch notes. I see so many young beginners playing everything on the E string and it drives me crazy. It's so much work.
Thanks I tried the "cut for the snare" live. It really works
Once again, awesome video. I practice locking in with the drummer on garage band all the time. I wish you had a patreon or something where I could get some feed back. A song that I think is a great example of locking in with the drums and muting with the snare is "Hey" by the Pixies. The only difference is Kim Deal plays the muted note but I think it has the same effect. It is a trick I use in so many of my songs.
You can always post in the BassBuzz Forum if you want feedback! forum.bassbuzz.com/
Awesome as usual Josh!
Thanks Pam!