The "duplicate track, inverse, put on compressor" - noise gate trick is on top of my list! You made a video about it. Fantastic on drums with a lot of bleed.
The Only Guy worth Listening about music production to in my opinion ....... and i do Electronic Music which goes to show, what Warren talks about is the key and good true advice ...
I think all of us have spent a couple of hours mixing and at the end we noticed that the raw version was better and more “alive” more “natural” and less “too perfect”. Golden tips! Cheers from Brazil!!!!!!
Mixing: I worked in animation and visual effects for film and TV for 25 years. I've also worked on set and if I ever hear the phrase "Aah, we'll fix it in post" I say "Well I'm not doing it, why not solve it now?!" As Charles Babbage said "Garbage In, Garbage Out!" - also known as 'GIGO'
Yep I have heard that from so called professional mixers - Utter BS!! I am a sound designer as well as engineer and number one is to make sure that you have a great recording before any mixing takes place!!
Couple things that have helped me over the years: learn about phase/polarity and how to adjust it for the best punch. Makes a bigger difference than any eq/comp will. If it’s not right plugins won’t save you. On taking breaks: turn up the music, play the song beginning to end and leave the room, keeping the door open. You will hear how everything blends together since it’s no longer a real stereo image (just one sound wave coming through a doorway) and what’s working or not because you’re listening to the song as a whole, and can’t distract yourself by trying to fix something. While it plays I make notes. After resting your ears you can get back into mixing with a plan to follow that generally speeds up the finishing process.
This comment/advice I can attest to 100%. The nuances of the mixes when heard via non traditional listening environments definitely resonates. Kudos to thebr0wnhornet for recognizing/bringing that up.
I can add: First, get the sound right during the tracking phase of the project' change microphones, distance, placement etc...Set the monitors in mono at the beginning
So much great advice in one video. I watch too many videos that take half the time to explain nothing and the other half for one obvious bit of advice. You, on the other hand make videos packed with gems and minimal fluff and bull. I, for one really appreciate it. Thanks a lot.
I can't understand for the life of me how there would be any thumbs down on any of Warren's videos. All his experience and generosity speaks for itself. Not to mention his great personality. You thumbs down guys are a bunch of "Nowhere Men". Thank you Warren for all that you are, all that you do and frankly all that you've done and been through in your past. You are a true gentleman. 👍
One thing that really works for me, if I find myself ripping my hair out trying to make EQ decisions that don't work over and over again, is to put an EQ on the master track and filter out all the low end and high end of the entire mix so you're left just listening to the mid range. Basically all instruments should be able to be heard in the mid range, so this really helps to find the relative balance for all the instruments since you're no longer being distracted by the bass and high end.
Loving this video and the minimalistic approach. I started doing this work in 1987. On an MCI 16/24 -2" Tape machine. Mixing Rock and roll music can be done with 5 tools. A great source/musician/performance. A decent mic. A good compressor. A decent equalizer and a decent reverb. It's all about the performance/source. Really impressed with your work Warren and grateful for the info you pass on. Cheers!
Your videos are full of so many little gems - "skinnying" out the bass a little bit to save it for the chorus is such a great tip! Thanks again for all the wisdom!
Regarding your question, "What are your top free mixing tips?"; I have learned that when I hate my mix or am not sure to trust my ears at the end of a long session, I don't change it until I hear it the next day. Many times I like it with a fresh set of ears and a rested mindset. That happened to me just this week. On the other hand, when I love the mix, as you said, Warren, I sleep on it and revisit it later. More times than not, I end up revising the mix. Sometimes all it takes is a phone call to get me back on track. Just that brief interruption forces my mind to let go and make better mix decisions when the phone call is over. The better we know our strengths and weaknesses, the more we can improve and utilize our potential. Warren, I always look forward to your advice, your wit and wisdom, and the excellent interviews you do with other engineers. Thank you for this channel and for giving of yourself. I so appreciate it. I needed your channel years ago when I had nothing to lean on except trial and error - mostly error.
My kids got me a turntable for my 51st b-day and that runs through my studio set-up. On the rare occasions when I get to just simply listen, that's how I listen.
I had some really shitty speakers my grandpa gave me that were made in the 90s. I listened to all kinds of music on them, and although they were shitty speakers, I knew how songs sounded on them. When I took it to my music production about 8 years ago I was able to still make good sounding stuff because I knew how really well mixed songs sounded on them. My mixes back then were still not great because I was still new at it, but they weren’t all that bad cuz some of my most viewed and liked songs are from back then. It does matter what speakers you have, but it sometimes doesn’t. No need to stress about spending $1000+ on speakers when you can learn how to use the ones you got right there in front of you
Queen Purple these speakers had some good bass. Good enough at least. I love me some bass in all my songs. I sometimes shouldn’t use it in all my songs and some of them can do without it, but I love me some sub bass and 808s lol
Dear Warren! I think you are speaking with a lot of wisdom. I completely agree with you. Again. These tricks are more than guidelines - "Bible" would be more appropriate.. Seriously, we have to take really good care not losing ourselves in our work. And we absolutely have everything to gain by applying these simples "rules". Whenever I'm a little bit at lost, I take some time off and watch your videos. There's always some good that will come out of it. So I thank you again. And, by the way, I'm a new academy member. Not very active yet because I was toi busy recording but I will, in the future. I really like to feel like I'm part of the community. I'm very very far from L.A. (Magdalen Islands! Gosh that's far.... lol!) but there's good music everywhere, hey? Take care! And have a wonderful time..... of course. ;-)
Oh man! It is really joyful to learn not just about mixing but also the english language (Portuguese is my mother tongue) with you Warren. Much appreciated for all of this knowledge you share with us. Thank you very much and my very best to you.
Great advice. Less normally is more. Warren really hits the nail on the head. While I mix with a template, I start with everything turned off. Then judiciously select which plug ins I want to use to augment the production. When I'm done, I turn everything back off and verify I've made improvements with my processing changes.
Thanks Warren. Great info as usual. I learned a great FREE trick from a great Nashville engineer Mr. Ed Seay. He explained to me that after sitting in front of the monitors a while you can get fooled by some sound levels of elements that are panned left and right vs center. So getting up and walking out the studio door and into the hallway lets you hear the stereo mix all blended together at once in what he referred to as "Big Mono". I use this technique during breaks as you explained. Go get a cup of tea or coffee and listen in the background at a lower level down the hall. It's quite revealing. - Viva PLAP
I'm revisiting this video after a year, the advice couldn't seem more relevant today! I have a lot of my mixes on my phone, when I export them as I'm working on them, I put them on the phone so I can listen in the car. Also on three different systems at home at the time, but when I do my fairly regular 6 hour drives, I shuffle everything on my phone and play it in the car via Bluetooth. I never know what will come up on a 6 hour trip, there's enough music on my phone to last for days, but now and then, an early export of a mix will come on, and I'll think "What happened? I've been working on this song for months, and the export from the first few days sounds better than the one now, after 6 months of 'refining and improving it!". Waveform is the only DAW I'm familiar with, and it allows you to save edits as you go. I usually do this when I take a big step, like declaring the drums 'done', or applying a processing chain to an element. So you end up with a list of different saved edits for each song. It's interesting, and enlightening, to go from Edit 7, back to edit 2 or 3, and see whether you've lost your way, and hopefully, where you disappeared down the rabbit hole! Great advice here Warren, I think I need to watch this again every year! 😁👍
1. 1:19 familiarize with your equipments 2. 2:45 listen more do less 3. 6:42 don't be afraid to use Mute 4. 11:15 Automation 5. 15:11 use reference mixes 6. 18:04 take frequent breaks
Adding on to “Listen more” and “reference mixes,” I have found that the more I ask questions and listen to the artist, manager, and others, the more I am prepared before I even power up the system. If I recorded, I also take time to listen to their instrument. They chose it, built it, or set it up that way for a reason. Ifi didn’t record, I then listen to each channel, instrument, part, and vocal with little to no modification. I might even listen to previous music from the artist. They may have a particular style and sound that defines them. While they want my take and vision, or want to expand or go in a new direction, I can ruin it if I try to make it something that it wasn’t meant to be. Remember that they have a sound that they and their fans love. I have heard albums that are mixed technically well but made my beloved band or artist seem like someone else entirely. You likely can think of examples as well.
Amazing Warren! Thank you. My wife doesn't do anything with music and she loves listening to your videos. She says a lot of what you say can even be applied to normal human interaction. For example the listen to the song before going through your process is the same as listen to what people are trying to tell you before you put your two cents in.
My best top tip is for those breaks... if you can go to the ocean and let the waves crashing re-set your ears. Works like a charm. I guess running water like a river might help too but the ocean is so much more powerful.
This should everyone's first video on learning how to mix. Would have saved me a heck of a lot of time pulling my hair out and beating my head not being able to get a good mix. TY.
I've been mixing my music for 10 yrs... Today I was looking at my console view on my DAW (Cakewalk by BandLabs (free)) and noticed I have way less plugins than I had from years ago. Probably thanks to CLA's plugins and SSL Channel Strips!
Hello, I am subscribed to your channel, since you contribute interesting things, I am an "old" producer, that is, with more than 40 years of "musicality and technology" on my back. The comment that I am going to write for you is my own experience as the owner of several studios throughout my "professional" life. This profession from a technical point of view is exciting, seeing your big table, your racks full of "gizmos" and your checking account always in "red" numbers, but I have to say to all those who are excited to set up their studio "for others ", that means that you will be like another machine in the collection, to which a producer or a more or less" capricious "musician orders you to press the appropriate buttons. This is valid when the technician is just that "technical", but when you are also a musician and you try to do something more than put your finger on the mouse or give a pot one more turn, that's when you realize that the customer is that "Someone who pays" and that even if you are an incredible musician, he does not care, unless he asks you, and if he does and you see that he is not worth what you with all your passion and heart, you advise him For that song to be "according to you" a hit, you get "flustered" after a recording session and it makes you want to vomit and tell them not to come back there. What do I mean by all this? Well, some of us are not worth to be "servants" and more if we are technicians-musicians-producers ... unless, of course ... a group or singer has expressly hired you to direct the recording from beginning to end. final. I know this is sad, that it breaks your heart when you have made an investment and you see that the one that makes 10 recordings you find yourself as empty, as used. Maybe one per old person is already losing that momentum or illusion, but my advice is that if you want to be a complete musician and believe in what you do, waste your time with your music! DO NOT lose it with those of others because in the end you will lose very important opportunities for you and also the money you have spent in setting up that study "to please" your potential clients ... thanks for reading me, whoever did it.
Warren, First, Thank you for this video on your Six Free Mixing Tricks, because for me as a beginner and novice it was both educational and inspiring. And at this time in my musical life, essential. Thank You, Thank You, Thank You! After a 30 year pause in playing music I began again three years ago; relearning how to play...guitar, piano, drums, banjo. Two years ago I started writing songs again and began recording myself. I have in the past 16 months been watching you, Rick Beato, Chris Selim (I am a Cubase pro 10.5 user) to learn how to play, record, and mix. All of you have helped me get better at it. Essentially what I am saying here is I have been at this long enough now to realize how vitally important your message on the six tips is. The last two days I have been working on (and as you have said obsessing on) a new song. Yesterday at the end of the day I made the fourth trial mix mp3. When I compared it to the first one from day one it was lifeless, mush. While all the time thinking, and I even said to my wife before I played it for her last night...Oh this is it! The first trial mix had almost no plug ins, the fourth mix had one to six plugins per track. I agree with you when one obsesses, doesn't take breaks, and begins randomly processing tracks it is a recipe for achieving mediocrity. For great sounding recordings...I will follow your six tips, record more, mix less! And when at mixing stage to be extremely tactical. Again, thanks!
You're a genius. Short story. I've never used reference tracks. But just recently I decided to do a cover songs CD and wanted to get the songs as close to the originals as possible. Well, now I had no choice. Only chance I had to pull this off was to use reference tracks. Short of my vocals (I obviously don't sound like these singers) the tracks were, in many cases, almost identical to the originals. The compliments I got on this project were surprising. So now, for my own songs, I will use reference tracks if I'm trying to emulate a certain genre and want to get it just right. So yes, reference tracks are very important if not critical to getting yourself in the right ballpark. Otherwise, you're mixing in the dark. Thank you Warren.
About reference mixes- I like to use them for the volume of my bass. I'll be in my car & I'll listen to songs of the same genre & then listen to mine. My current song had the bass too loud, and it was actually giving me a headache. I couldn't tell it was too loud on my computer speakers, even with my bass booster on the floor. I adjusted it a little bit & listened to the updated version in the car the next day. It sounded so much better at a more proper level.
" The bass guitar had low end on it, some grit 3k, a bit of distortion, it was massive! " You made my day Warren haha! Thank you so much for your passion and your generous wisdom.
Great points! I was just mixing a song few days ago trying to get the distorted guitars sound right (I also made a mistake of doing stuff the guitar player/head of the band requested), and at one point realized I have 3 equalizers, MB compressor, compressor, a bunch of stuff on the track... removed everything, put Scheps omni channel and did everything there. Got a great sound by simplifying. And when it comes to reference tracks... can't tell how many times I had to explain to the band that they serve a purpose of a general sound and balance we aim for, while they often expect to get that exact sound with totally different raw tracks.
These are the very first and most important mixing techniques and will do most of the mix for you. Then it’s just tickle this and tweak that to finish. Well done!
I always prefer to record live rhythm sections when the drums, bass, rhythm guitar and scratch vocal are all tracked together. At the end of the session I do a quick dub for everyone to have. These are a 10 minute basic level mix with no plugins or much EQ. Then I go to work on the track with overdubs, edits, plugins, etc. These are for reference or to work out other parts. I can’t count how many times I’ve gone back and listened to the first dub and been shocked at how much better it sounded than the mix I was working on!
This is very true, more time listening, using less plugins, using only really necessary instruments or number of instruments in a section, and using automation to draw a picture can drastically make a track sound amazing without overworking it or destroying the initial idea of the track. Good recordings will need much less processing and are likely to result in a more natural pleasing sound that is not over processed
Just something that helps me. When you think you've got your final mix sorted, have a break and then come back and shift your listening position around a bit. This can be quite revealing.
Thank you man, I needed to hear all of this. THe biggest problem is remembering to work this way. I have to build up my memory muscles to eliminate the old ones lol
Thank you Warren , awesome tips, like you said about the mute button, it,s funny how silence in the mix seems almost forbidden these days, rather than just having a lovely piano and a vocal or something it ends up being 5 pads,synth sounds, virtual strings and a doubled guitar. it's remarkable just how much space or least amount of instruments are in older songs, more is not always better, but never say never, thanks again, all the best.
Probably the one tip that had improved mine tremendously is mixing at a quiet level. It costs nothing and not only will it save your hearing in the long run, but you will have a more consistent picture of your mix as you know what needs better balance. You'll hear the more precise changes and have better perspective on what needs a little automation to draw in the listener's attention to the performance of a part or of the part is great left alone, whether adjustments need to be subtle or more apparent. I hope that helps. Great topic! I made me reflect on the times I've heard my favorite songs for the first time and how they got my attention without anyone needing to talk it up!
Great video! Made notes. Just one tip to add since this is so relevant to the listening part of the whole process. Set up your monitors in your space properly. What you hear can change so much if you happen to have them at the wrong height, or yourself in the wrong place. Cheers
Damn, I love your honesty and talking through your struggles in mixing and recording and the pitfalls you fell into is humbling. So many producers and other musicians only speak of their successes, where you show your success and ability through your journey. It's inspiring. I'm joining the Academy today. It's time to take this seriously and stop struggling and mixing a song for 2 weeks only for it to sound exactly how you're describing all these "wall of noise" sounds. Edit: Okay, I've officially joined!
i usually use automation on a trim plugin for accentuating certain words or phrases rather than compression and having it on the plugin makes it nice and compact on one place and also bypassable
Here's a free tip that some may say is heresy but I have found it can really help: Nudge your kick drum a couple of spaces left or right from C. I'm talking tiny amounts here. Just enough to (very) slightly separate it from your bass. It will not detract from its weight or mono compatiability.
Great tips! Yeah less is more. Get the best sounds into the mic and sweeten things up after. I like your advice to just get up and take breaks often and come back fresh.
It is so wonderful to hear you share your broad life experiences. The honesty is refreshing and most welcome. I always look forward to your releases and try and make time to watch as many as I can. I am fortunate to have invested the time for this session and will embrace your wisdom! Thank you!
20:08 "...recorded better and mixed less." That has to be one of the best quotes I've ever heard. My G-rated version of an old standby cliche is "source in - source out". (Of course here in PLaP, it could be "shnizzle in - shnizzle out"). Point being, it all starts with well-tuned and maintained instruments, well performed material and accurately captured tracks. Being I don't consider myself a credible mix engineer, my goal is to hand off the best combination of the 3 that I can.
Wanting to feel important is just human nature, but it can be trouble when we unload that burden on the song. I think it's quite obvious when we get something that's been beautifully recorded. The thing almost mixes itself and the less you do the better it sounds. Good stuff, Warren.
Thank you for this video - lots of great advice. For what it's worth, I also think it can be very helpful (and free!) to start the mixing process in mono. By bringing all instruments to center, it can help you make quick/good decisions about how the frequencies fit and what issues need to be addressed. Once you have carved out the sonic space needed in a mono mix, your songs will sound that much better once you start the EQ and panning processes.
Excellent list of tips. I think tip #6 is also applicable to any task requiring an elevated level of competence, concentration and low margin for errors that aren’t necessarily artistic in nature. Taking a break often frees the mind from the insidious, fuzzy tunnel vision that seems to weasel its way into intense, time constrained or not, tasks.
set the levels from all your tracks in the mix window of your daw to around -30db (or more) so you have enough headroom to mix( in most daws there is an option to do all the tracks at the same time ) if it's to much it's always more easy to make things louder again
Great video mate. I have the advantage of writing and producing a lot of the mixes I work on but I would say that arrangement is key. A great arrangement will make the mix so much easier. I get sounds to work pretty well before I even work on a mix. Like you say automation is key Warren. It separates the men from the boys so to speak. I think that the most important key I could bring up is to mix in mono! Hit the mono button on the stereo buss and adjust levels and panning and when the levels are right put the mix into stereo and voila it will just open up and sound good. this should be done before putting any plugins on tracks. Cheers.
"Everything goes through my compressors...cut, compress, boost, cut, compress" Brilliant! Thanks for pointing out some super common practices... Warren, it's awesome when someone as respected as you admits that they do these things too... Excellent advice with a tinge of humor-- (the best kind of advice). My tip is one that I just recently started doing again--fairly obvious but I'd gotten out of the habit... Once you're doing mixdowns, Save a version (Save as w/unique file name/date) of your project each time you do a mix... this allows me to easily recall the version of my mix that actually sounded better than the 10th mix with all of the things I've done to make it "better"
in my experience, a lot of my mix issues was not so much frequency related or dynamics, it was problems with my arrangement. lack of putting certain instruments into certain voice ranges. giving the listener too much, too soon & not delaying the arrival of new instruments, opening of the stereo image, etc. the reason we love working in solo so much, is because its very easy to get a solo instrument to sound great. when you have a dozen things going, toes start getting stepped on. so i try to keep elements to a minimum, allowing only what NEEDS to be heard. 4x elements in their own space can sound MASSIVE, whereas 8x+ can sound crowded. (1x thing sounds fantastic, 2x things together sound awesome, 3x-4x things great. anything more than that, space & volume is limited) lastly, i have to keep in mind that we can only concentrate & pick out so much at once, so it doesn't really help to have more than 4x or maybe 5x main elements going at any given time.
Good talk, in my case I mix xtreme metal so it's a little easy because singer wants vocal in front, guitarist wants guitar in front, bass and drums the same; at the end its a heavy compressed sound. Just pull the faders up, i use automation on master.
The part in this video (8:25) reminds me of Metallica's production of "Sad But True" where they tracked a separate guitar JUST for the big Eb chugging parts.
Thanks for stating the obvious things that many of us had to contend with from way back in the seventies.I was told that your best resource was your ears rather than some clever bit of gear.I'm glad you brought up the "diving down the rabbit hole and ending up chasing your tail in ever decreasing circles" problem we have all been trapped by.People listen to music with their ears, so it is obvious that they don't care which processor you used, and only some engineer's chat room would care about these details, no matter how it might appeal to the ego.If may seem to be redundant to keep saying this, but as more and more equipment is developed, many forget that this gear(alone) is no way to get good results-of course it is no good to have all the equipment and not to develops good musical listeneing skills.The more gear you have, the lazier musicians and engineers tend to become!Also because of all the options available, as you correctly assert, mixing has become too big a part of the recording process.I'm sad when I see most people seduced by the endless possibilities in the mix down phase of things, to the point of lacking attentiveness in the more important phase of recording which is laying down some good initial tracks, done in a way that will require less adjustment later-after all this is what recording was first about;capturing a moment.More emphasis should be brought to bear on the production skills needed to create a good take in the first instance. because these skills cannot be replaced by a machine when you are dealing with actual human beings(or even musicians).
One tip I would give is: (1) Backup the project, (2) wipe the mixer, (3) start from scratch. Once you know roughly where you want to go with your mix, you can start fresh with new plugin chains that aren't so convoluted.
I don't have any mixing tips beyond yours, but what I can say is this stuff is invaluable. That's why I went and joint PLAP Academy! Thanks Warren, brilliant stuff.
Further on the second point, i think best advice ive heard is not just "do less". But instead of e.g. with a bass, you may focus on the bass, use five plugins, five eq bands, keep just looking at the bass?.. NO - apply one thing. And move to another track, apply one thing to that but consider how it interacts with bass, then next thing. Before you know it you are back at the bass and it needs a whole lot less because it was always about the interplay with other tracks, a related complex system of tracks you have to do a subtle bit, move on, spend more time in levels and listening . *That said, basses sound cool with lots of purposeful process like distortion and octaver, if its purpiseful.
thankyou so much for the video! i was aware of a few things you talked about but never saw it with the perspective that you showed, and never known them in that depth.
Two tips I believe in. 1. Listen to the track as low as you possibly can - turn the overall volume on your speakers way down - thats when you can really hear what is going on. 2. Play it back in mono!!
I’ve started using a lot of automation in my mixes for things like virtual pedals and so on, but have never even realised that I could automate EQs. Thanks for the tip!
thank you so much for this- I am a musician trying to learn mixing and audio engineering and recording. This is really refreshing to hear that basic arranging skills, balancing levels, etc are actually the most important. I will trust my instincts while also trying to learn about the elements that are not yet familiar. Many thanks!
Excellent as always! Not strictly mixing-related, but I have noticed that when bands every once in a while want to record to tape in our studio the focus is different: they have 24 tracks in total and they have 30+ minutes before they have to rent another tape. So everything cannot just be "fixed in the mix", they have to stay focused, they have to come prepared - and me as a technician must also stay more focused: punching in and out a bass-fix or whatever raises my pulse every damn time because if i dont do it right i mess up the recording - no undo-button! I find these to be good things, a kind of "less is more" approach to the whole recording session might often be better than 245 tracks of stuff cramped into a single song. Mute it? Even better: dont record it ;)
I really like these tips! Thanks Warren! And yes: It is really really important, what you play and how you capture it. This couldn't be more true today, as everything is virtually possible in a DAW.
I like to try and get a pretty good mono mix first before I start worrying about panning and levels and suchlike and then “stereoize” it all afterwards before looking for “pixie dust”!
Been watching a lot of your videos recently and find then ah really useful, but this one in particular spoke to me and made me want to comment, thanks for all the great vids and advice :)
You give amazing advice and it's always a joy to hear you speak on things. Your positivity is infectious even for the cynical types like me, keep being you!
For me it's,,like get it all in the centre,,Listen in mono,,treat by small levels,Volume separation,Then decide to eq,compression n finally, panning at 5% intervals for L n R feel. Listen back in stereo,n check back ,Cheers All
As always... Great job, Warren. Thanks for remind us that sometimes we forget the importance of our skill and relay to much on technology. Greetings from México
Such brilliant advice, and even though I consider myself a beginner at mixing & mastering, I really can confirm exactly what you're saying about overdoing and not resting and adding too much - all of that. I really appreciate the fact you are admitting to having made these mistakes yourself. Fantastic presentation, loved this video, big like & shared! Thank you!!
Warren, all those words are so true! I am guilty of all you mentioned so thanks for the pointers. How you think of the subject and explain so well makes me respect you so much because you truly care about the music and want us to as well. I'm getting better and as I say have been guilty of many things mainly I suppose staying too long on a mix. Now I tend to do it in smaller time frames and I think it is always a good thing apart from frequent breaks is to load another song in and work on that for a while and then go back to the previous track with renewed vigour and direction. Thank you Warren for your inspiration.
SIMPLY one of the best, relatable advice vids you, or anyone, has given IMHO. I'm now going to strip down my mix and start again. The one word/subject you didn't mention, although implied/referred to was 'Arrangement'. I do mine as I record and mix, hence the 'soup'. A huge thank you to you, kind sir.
Really liked this I’m very new, but took loads from this . Will continue to rake from this as I understand more. Some of the terminology, still eludes me.
What are your top free mixing tips?
Play it again! Cheers Warren!!
@Стефан Дянков thanks ever so much!
@@TheFeelButton haha indeed!
watch Warren Huart 's channel, nice chap and great tips
The "duplicate track, inverse, put on compressor" - noise gate trick is on top of my list! You made a video about it. Fantastic on drums with a lot of bleed.
I'm taking all of this to heart. My greatest free mixing tip: Listen to Warren Huart's every word.
Thanks ever so much Bobby!!
Well said!
The Only Guy worth Listening about music production to in my opinion ....... and i do Electronic Music which goes to show, what Warren talks about is the key and good true advice ...
I think all of us have spent a couple of hours mixing and at the end we noticed that the raw version was better and more “alive” more “natural” and less “too perfect”. Golden tips! Cheers from Brazil!!!!!!
Mixing: I worked in animation and visual effects for film and TV for 25 years. I've also worked on set and if I ever hear the phrase "Aah, we'll fix it in post" I say "Well I'm not doing it, why not solve it now?!"
As Charles Babbage said "Garbage In, Garbage Out!" - also known as 'GIGO'
Very well said Prince!! Thanks for the great comment!
After asking for different fixes and cover effects to “fix” a bad take I received the best advice I got from an engineer was “ just play it right!”.
@@PooNinja Haha yes! That works if you're recording it! Obviously Mixers don't often get that choice!
i hear that to much on these movie sets
Yep I have heard that from so called professional mixers - Utter BS!!
I am a sound designer as well as engineer and number one is to make sure that you have a great recording before any mixing takes place!!
Couple things that have helped me over the years: learn about phase/polarity and how to adjust it for the best punch. Makes a bigger difference than any eq/comp will. If it’s not right plugins won’t save you. On taking breaks: turn up the music, play the song beginning to end and leave the room, keeping the door open. You will hear how everything blends together since it’s no longer a real stereo image (just one sound wave coming through a doorway) and what’s working or not because you’re listening to the song as a whole, and can’t distract yourself by trying to fix something. While it plays I make notes. After resting your ears you can get back into mixing with a plan to follow that generally speeds up the finishing process.
Wow, I really like that idea about leaving the room while the mix is playing. Brilliant!
I also do this. It really helps me to find things that are too loud or too quiet.
This comment/advice I can attest to 100%. The nuances of the mixes when heard via non traditional listening environments definitely resonates. Kudos to thebr0wnhornet for recognizing/bringing that up.
Yes! Also mixing in Mono from time to time tells you if there's any phasing going on.
I can add: First, get the sound right during the tracking phase of the project' change microphones, distance, placement etc...Set the monitors in mono at the beginning
So much great advice in one video. I watch too many videos that take half the time to explain nothing and the other half for one obvious bit of advice.
You, on the other hand make videos packed with gems and minimal fluff and bull. I, for one really appreciate it. Thanks a lot.
I can't understand for the life of me how there would be any thumbs down on any of Warren's videos. All his experience and generosity speaks for itself. Not to mention his great personality. You thumbs down guys are a bunch of "Nowhere Men".
Thank you Warren for all that you are, all that you do and frankly all that you've done and been through in your past. You are a true gentleman. 👍
"Listen more, do less"... As a live engineer, this tip fits there just as easily as in the studio.
Fantastic! Thanks ever so much Alan!
One thing that really works for me, if I find myself ripping my hair out trying to make EQ decisions that don't work over and over again, is to put an EQ on the master track and filter out all the low end and high end of the entire mix so you're left just listening to the mid range. Basically all instruments should be able to be heard in the mid range, so this really helps to find the relative balance for all the instruments since you're no longer being distracted by the bass and high end.
Loving this video and the minimalistic approach. I started doing this work in 1987. On an MCI 16/24 -2" Tape machine.
Mixing Rock and roll music can be done with 5 tools. A great source/musician/performance. A decent mic. A good compressor. A decent equalizer and a decent reverb.
It's all about the performance/source.
Really impressed with your work Warren and grateful for the info you pass on. Cheers!
Loving the new atmosphere......much more intimate!
Thanks ever so much Mark!!
I agree, the look and atmosphere of this video is exactly right!
Same, feels like a big upgrade
Your videos are full of so many little gems - "skinnying" out the bass a little bit to save it for the chorus is such a great tip! Thanks again for all the wisdom!
You're very welcome! Glad to be able to help!
I have been preaching this for 30+ years! Well done, Sir! :)
Thanks ever so much
Regarding your question, "What are your top free mixing tips?"; I have learned that when I hate my mix or am not sure to trust my ears at the end of a long session, I don't change it until I hear it the next day. Many times I like it with a fresh set of ears and a rested mindset. That happened to me just this week. On the other hand, when I love the mix, as you said, Warren, I sleep on it and revisit it later. More times than not, I end up revising the mix. Sometimes all it takes is a phone call to get me back on track. Just that brief interruption forces my mind to let go and make better mix decisions when the phone call is over. The better we know our strengths and weaknesses, the more we can improve and utilize our potential.
Warren, I always look forward to your advice, your wit and wisdom, and the excellent interviews you do with other engineers. Thank you for this channel and for giving of yourself. I so appreciate it. I needed your channel years ago when I had nothing to lean on except trial and error - mostly error.
My kids got me a turntable for my 51st b-day and that runs through my studio set-up. On the rare occasions when I get to just simply listen, that's how I listen.
I had some really shitty speakers my grandpa gave me that were made in the 90s. I listened to all kinds of music on them, and although they were shitty speakers, I knew how songs sounded on them. When I took it to my music production about 8 years ago I was able to still make good sounding stuff because I knew how really well mixed songs sounded on them.
My mixes back then were still not great because I was still new at it, but they weren’t all that bad cuz some of my most viewed and liked songs are from back then.
It does matter what speakers you have, but it sometimes doesn’t. No need to stress about spending $1000+ on speakers when you can learn how to use the ones you got right there in front of you
As long as you still have a way to hear sub energy yes
Queen Purple these speakers had some good bass. Good enough at least.
I love me some bass in all my songs. I sometimes shouldn’t use it in all my songs and some of them can do without it, but I love me some sub bass and 808s lol
Hi Kampsy, Knowing your speakers in your room is the most important thing! Thanks ever so much for sharing
Yamaha hs 7 are great.
Pacific Base id love to get one of those when I got the money to buy them!
Dear Warren! I think you are speaking with a lot of wisdom. I completely agree with you. Again. These tricks are more than guidelines - "Bible" would be more appropriate.. Seriously, we have to take really good care not losing ourselves in our work. And we absolutely have everything to gain by applying these simples "rules". Whenever I'm a little bit at lost, I take some time off and watch your videos. There's always some good that will come out of it. So I thank you again. And, by the way, I'm a new academy member. Not very active yet because I was toi busy recording but I will, in the future. I really like to feel like I'm part of the community. I'm very very far from L.A. (Magdalen Islands! Gosh that's far.... lol!) but there's good music everywhere, hey? Take care! And have a wonderful time..... of course. ;-)
Oh man! It is really joyful to learn not just about mixing but also the english language (Portuguese is my mother tongue) with you Warren. Much appreciated for all of this knowledge you share with us. Thank you very much and my very best to you.
Great advice. Less normally is more. Warren really hits the nail on the head. While I mix with a template, I start with everything turned off. Then judiciously select which plug ins I want to use to augment the production. When I'm done, I turn everything back off and verify I've made improvements with my processing changes.
Thanks Warren. Great info as usual. I learned a great FREE trick from a great Nashville engineer Mr. Ed Seay. He explained to me that after sitting in front of the monitors a while you can get fooled by some sound levels of elements that are panned left and right vs center. So getting up and walking out the studio door and into the hallway lets you hear the stereo mix all blended together at once in what he referred to as "Big Mono". I use this technique during breaks as you explained. Go get a cup of tea or coffee and listen in the background at a lower level down the hall. It's quite revealing. - Viva PLAP
I'm revisiting this video after a year, the advice couldn't seem more relevant today!
I have a lot of my mixes on my phone, when I export them as I'm working on them, I put them on the phone so I can listen in the car. Also on three different systems at home at the time, but when I do my fairly regular 6 hour drives, I shuffle everything on my phone and play it in the car via Bluetooth. I never know what will come up on a 6 hour trip, there's enough music on my phone to last for days, but now and then, an early export of a mix will come on, and I'll think "What happened? I've been working on this song for months, and the export from the first few days sounds better than the one now, after 6 months of 'refining and improving it!".
Waveform is the only DAW I'm familiar with, and it allows you to save edits as you go. I usually do this when I take a big step, like declaring the drums 'done', or applying a processing chain to an element. So you end up with a list of different saved edits for each song. It's interesting, and enlightening, to go from Edit 7, back to edit 2 or 3, and see whether you've lost your way, and hopefully, where you disappeared down the rabbit hole!
Great advice here Warren, I think I need to watch this again every year! 😁👍
1. 1:19 familiarize with your equipments
2. 2:45 listen more do less
3. 6:42 don't be afraid to use Mute
4. 11:15 Automation
5. 15:11 use reference mixes
6. 18:04 take frequent breaks
I knew there was gonna be a Time-Stamp Champion around here... Thanks!!!
Adding on to “Listen more” and “reference mixes,” I have found that the more I ask questions and listen to the artist, manager, and others, the more I am prepared before I even power up the system. If I recorded, I also take time to listen to their instrument. They chose it, built it, or set it up that way for a reason. Ifi didn’t record, I then listen to each channel, instrument, part, and vocal with little to no modification. I might even listen to previous music from the artist. They may have a particular style and sound that defines them. While they want my take and vision, or want to expand or go in a new direction, I can ruin it if I try to make it something that it wasn’t meant to be. Remember that they have a sound that they and their fans love. I have heard albums that are mixed technically well but made my beloved band or artist seem like someone else entirely. You likely can think of examples as well.
Amazing Warren! Thank you. My wife doesn't do anything with music and she loves listening to your videos. She says a lot of what you say can even be applied to normal human interaction. For example the listen to the song before going through your process is the same as listen to what people are trying to tell you before you put your two cents in.
Wow! Thank you ever so much for the extremely kind words my friend! That means a lot and please thank your wife as well!
Wise wife!
Numbers 1,5,6 are invaluable and cannot be stressed enough. I've only been at this for a few months and this is a priceless tryptich
My best top tip is for those breaks... if you can go to the ocean and let the waves crashing re-set your ears. Works like a charm. I guess running water like a river might help too but the ocean is so much more powerful.
Possibly the most sensible and useful video on mixing I’ve ever watched on TH-cam.
This should everyone's first video on learning how to mix. Would have saved me a heck of a lot of time pulling my hair out and beating my head not being able to get a good mix. TY.
Thanks ever so much! I really appreciate it
I’m so glad to be able to help!
Warren, the look on your face of that thumbnail is absolutely priceless and thus, deserving of a thumbs up on its own!...
I can´t even say how much this channel contributed for my formation as a music professional. Thank you so much for all your content
Six is the number…! It’s easy to overlook these simple tenets and it’s great to be reminded of them.
I've been mixing my music for 10 yrs...
Today I was looking at my console view on my DAW (Cakewalk by BandLabs (free)) and noticed I have way less plugins than I had from years ago.
Probably thanks to CLA's plugins and SSL Channel Strips!
Hello, I am subscribed to your channel, since you contribute interesting things, I am an "old" producer, that is, with more than 40 years of "musicality and technology" on my back. The comment that I am going to write for you is my own experience as the owner of several studios throughout my "professional" life. This profession from a technical point of view is exciting, seeing your big table, your racks full of "gizmos" and your checking account always in "red" numbers, but I have to say to all those who are excited to set up their studio "for others ", that means that you will be like another machine in the collection, to which a producer or a more or less" capricious "musician orders you to press the appropriate buttons. This is valid when the technician is just that "technical", but when you are also a musician and you try to do something more than put your finger on the mouse or give a pot one more turn, that's when you realize that the customer is that "Someone who pays" and that even if you are an incredible musician, he does not care, unless he asks you, and if he does and you see that he is not worth what you with all your passion and heart, you advise him For that song to be "according to you" a hit, you get "flustered" after a recording session and it makes you want to vomit and tell them not to come back there. What do I mean by all this? Well, some of us are not worth to be "servants" and more if we are technicians-musicians-producers ... unless, of course ... a group or singer has expressly hired you to direct the recording from beginning to end. final. I know this is sad, that it breaks your heart when you have made an investment and you see that the one that makes 10 recordings you find yourself as empty, as used. Maybe one per old person is already losing that momentum or illusion, but my advice is that if you want to be a complete musician and believe in what you do, waste your time with your music! DO NOT lose it with those of others because in the end you will lose very important opportunities for you and also the money you have spent in setting up that study "to please" your potential clients ... thanks for reading me, whoever did it.
Warren,
First, Thank you for this video on your Six Free Mixing Tricks, because for me as a beginner and novice it was both educational and inspiring. And at this time in my musical life, essential. Thank You, Thank You, Thank You!
After a 30 year pause in playing music I began again three years ago; relearning how to play...guitar, piano, drums, banjo. Two years ago I started writing songs again and began recording myself. I have in the past 16 months been watching you, Rick Beato, Chris Selim (I am a Cubase pro 10.5 user) to learn how to play, record, and mix. All of you have helped me get better at it.
Essentially what I am saying here is I have been at this long enough now to realize how vitally important your message on the six tips is.
The last two days I have been working on (and as you have said obsessing on) a new song. Yesterday at the end of the day I made the fourth trial mix mp3. When I compared it to the first one from day one it was lifeless, mush. While all the time thinking, and I even said to my wife before I played it for her last night...Oh this is it!
The first trial mix had almost no plug ins, the fourth mix had one to six plugins per track. I agree with you when one obsesses, doesn't take breaks, and begins randomly processing tracks it is a recipe for achieving mediocrity. For great sounding recordings...I will follow your six tips, record more, mix less! And when at mixing stage to be extremely tactical.
Again, thanks!
You're a genius. Short story. I've never used reference tracks. But just recently I decided to do a cover songs CD and wanted to get the songs as close to the originals as possible. Well, now I had no choice. Only chance I had to pull this off was to use reference tracks. Short of my vocals (I obviously don't sound like these singers) the tracks were, in many cases, almost identical to the originals. The compliments I got on this project were surprising. So now, for my own songs, I will use reference tracks if I'm trying to emulate a certain genre and want to get it just right. So yes, reference tracks are very important if not critical to getting yourself in the right ballpark. Otherwise, you're mixing in the dark. Thank you Warren.
About reference mixes- I like to use them for the volume of my bass. I'll be in my car & I'll listen to songs of the same genre & then listen to mine. My current song had the bass too loud, and it was actually giving me a headache. I couldn't tell it was too loud on my computer speakers, even with my bass booster on the floor. I adjusted it a little bit & listened to the updated version in the car the next day. It sounded so much better at a more proper level.
" The bass guitar had low end on it, some grit 3k, a bit of distortion, it was massive! " You made my day Warren haha! Thank you so much for your passion and your generous wisdom.
Great points! I was just mixing a song few days ago trying to get the distorted guitars sound right (I also made a mistake of doing stuff the guitar player/head of the band requested), and at one point realized I have 3 equalizers, MB compressor, compressor, a bunch of stuff on the track... removed everything, put Scheps omni channel and did everything there. Got a great sound by simplifying.
And when it comes to reference tracks... can't tell how many times I had to explain to the band that they serve a purpose of a general sound and balance we aim for, while they often expect to get that exact sound with totally different raw tracks.
These are the very first and most important mixing techniques and will do most of the mix for you. Then it’s just tickle this and tweak that to finish. Well done!
I always prefer to record live rhythm sections when the drums, bass, rhythm guitar and scratch vocal are all tracked together. At the end of the session I do a quick dub for everyone to have. These are a 10 minute basic level mix with no plugins or much EQ. Then I go to work on the track with overdubs, edits, plugins, etc. These are for reference or to work out other parts.
I can’t count how many times I’ve gone back and listened to the first dub and been shocked at how much better it sounded than the mix I was working on!
The business is rife with stories like that. Greetings from Sunset Recording. Hope the weather isn’t baking you too bad in NM.
This is very true, more time listening, using less plugins, using only really necessary instruments or number of instruments in a section, and using automation to draw a picture can drastically make a track sound amazing without overworking it or destroying the initial idea of the track. Good recordings will need much less processing and are likely to result in a more natural pleasing sound that is not over processed
Just something that helps me. When you think you've got your final mix sorted, have a break and then come back and shift your listening position around a bit. This can be quite revealing.
Thank you man, I needed to hear all of this. THe biggest problem is remembering to work this way. I have to build up my memory muscles to eliminate the old ones lol
Thank you Warren , awesome tips, like you said about the mute button, it,s funny how silence in the mix seems almost forbidden these days, rather than just having a lovely piano and a vocal or something it ends up being 5 pads,synth sounds, virtual strings and a doubled guitar.
it's remarkable just how much space or least amount of instruments are in older songs, more is not always better, but never say never, thanks again, all the best.
I chuckled all the way through this - we've all been there! Excellent advice as always
Glad you enjoyed it! Thanks ever so much
"Listen more, do less" is fantastic advice. My drum mixes really took off when I quit doing so much crap to what was an already good sound.
I cant thank for more for sharing your pure Passion Warren! Thank you. Regards from Austria
Wow! Thanks ever so much! Danke
#3 is one of the best mixing and production tips ever, it's crazy helpful. Thank you!
Probably the one tip that had improved mine tremendously is mixing at a quiet level. It costs nothing and not only will it save your hearing in the long run, but you will have a more consistent picture of your mix as you know what needs better balance. You'll hear the more precise changes and have better perspective on what needs a little automation to draw in the listener's attention to the performance of a part or of the part is great left alone, whether adjustments need to be subtle or more apparent. I hope that helps.
Great topic! I made me reflect on the times I've heard my favorite songs for the first time and how they got my attention without anyone needing to talk it up!
Great video! Made notes.
Just one tip to add since this is so relevant to the listening part of the whole process.
Set up your monitors in your space properly. What you hear can change so much if you happen to have them at the wrong height, or yourself in the wrong place.
Cheers
Damn, I love your honesty and talking through your struggles in mixing and recording and the pitfalls you fell into is humbling. So many producers and other musicians only speak of their successes, where you show your success and ability through your journey. It's inspiring. I'm joining the Academy today. It's time to take this seriously and stop struggling and mixing a song for 2 weeks only for it to sound exactly how you're describing all these "wall of noise" sounds.
Edit: Okay, I've officially joined!
Good luck on your journey as well man
i usually use automation on a trim plugin for accentuating certain words or phrases rather than compression and having it on the plugin makes it nice and compact on one place and also bypassable
Here's a free tip that some may say is heresy but I have found it can really help: Nudge your kick drum a couple of spaces left or right from C. I'm talking tiny amounts here. Just enough to (very) slightly separate it from your bass. It will not detract from its weight or mono compatiability.
Great tips! Yeah less is more. Get the best sounds into the mic and sweeten things up after. I like your advice to just get up and take breaks often and come back fresh.
Thanks ever so much
It is so wonderful to hear you share your broad life experiences. The honesty is refreshing and most welcome. I always look forward to your releases and try and make time to watch as many as I can. I am fortunate to have invested the time for this session and will embrace your wisdom! Thank you!
20:08 "...recorded better and mixed less." That has to be one of the best quotes I've ever heard. My G-rated version of an old standby cliche is "source in - source out". (Of course here in PLaP, it could be "shnizzle in - shnizzle out"). Point being, it all starts with well-tuned and maintained instruments, well performed material and accurately captured tracks. Being I don't consider myself a credible mix engineer, my goal is to hand off the best combination of the 3 that I can.
You just changed my view on mixing. You truly opened my eyes to my mistakes. Thank you. Hope to make you proud. Love and light from South Africa 🇿🇦
Fantastic Warren my lovely.
I all to often make the mistake of complicating things. Thanks mate and
May the funk be with you
Your channel just changed my life
You’re very kind! Thanks ever so much
Wanting to feel important is just human nature, but it can be trouble when we unload that burden on the song. I think it's quite obvious when we get something that's been beautifully recorded. The thing almost mixes itself and the less you do the better it sounds. Good stuff, Warren.
These free tips & tricks are worth a million. Thanks!
Thanks ever so much!
Love your channel warren!
Thanks ever so much my friend!
Thank you for this video - lots of great advice. For what it's worth, I also think it can be very helpful (and free!) to start the mixing process in mono. By bringing all instruments to center, it can help you make quick/good decisions about how the frequencies fit and what issues need to be addressed. Once you have carved out the sonic space needed in a mono mix, your songs will sound that much better once you start the EQ and panning processes.
Excellent list of tips. I think tip #6 is also applicable to any task requiring an elevated level of competence, concentration and low margin for errors that aren’t necessarily artistic in nature. Taking a break often frees the mind from the insidious, fuzzy tunnel vision that seems to weasel its way into intense, time constrained or not, tasks.
Thanks ever so much! I’m glad to be able to help!
set the levels from all your tracks in the mix window of your daw to around -30db (or more) so you have enough headroom to mix( in most daws there is an option to do all the tracks at the same time ) if it's to much it's always more easy to make things louder again
Timeless. Thanks for sharing your wonderful wisdom. Also, thank you for sharing your passion and kindness. Always positive and inspiring!
Great video mate. I have the advantage of writing and producing a lot of the mixes I work on but I would say that arrangement is key. A great arrangement will make the mix so much easier. I get sounds to work pretty well before I even work on a mix. Like you say automation is key Warren. It separates the men from the boys so to speak. I think that the most important key I could bring up is to mix in mono! Hit the mono button on the stereo buss and adjust levels and panning and when the levels are right put the mix into stereo and voila it will just open up and sound good. this should be done before putting any plugins on tracks. Cheers.
This channel is a gem! Thank you so much for your nuggets of wisdom. Reference mixes are a great idea :)
Thanks ever so much Jobe, I really appreciate it!
"Everything goes through my compressors...cut, compress, boost, cut, compress" Brilliant! Thanks for pointing out some super common practices... Warren, it's awesome when someone as respected as you admits that they do these things too... Excellent advice with a tinge of humor-- (the best kind of advice). My tip is one that I just recently started doing again--fairly obvious but I'd gotten out of the habit... Once you're doing mixdowns, Save a version (Save as w/unique file name/date) of your project each time you do a mix... this allows me to easily recall the version of my mix that actually sounded better than the 10th mix with all of the things I've done to make it "better"
in my experience, a lot of my mix issues was not so much frequency related or dynamics, it was problems with my arrangement.
lack of putting certain instruments into certain voice ranges. giving the listener too much, too soon & not delaying the arrival of new instruments, opening of the stereo image, etc.
the reason we love working in solo so much, is because its very easy to get a solo instrument to sound great. when you have a dozen things going, toes start getting stepped on. so i try to keep elements to a minimum, allowing only what NEEDS to be heard. 4x elements in their own space can sound MASSIVE, whereas 8x+ can sound crowded. (1x thing sounds fantastic, 2x things together sound awesome, 3x-4x things great. anything more than that, space & volume is limited)
lastly, i have to keep in mind that we can only concentrate & pick out so much at once, so it doesn't really help to have more than 4x or maybe 5x main elements going at any given time.
Good talk, in my case I mix xtreme metal so it's a little easy because singer wants vocal in front, guitarist wants guitar in front, bass and drums the same; at the end its a heavy compressed sound. Just pull the faders up, i use automation on master.
i like your style Warren. i learn so much from you, you are maybe the best on TH-cam to learn about mixing & producing. thanks a bunch!
The gift that keeps on giving! thanks Warren for the awesome tips
The part in this video (8:25) reminds me of Metallica's production of "Sad But True" where they tracked a separate guitar JUST for the big Eb chugging parts.
Amazing free tricks, thanks for sharing your experience with us Warren 🤘
Thanks for stating the obvious things that many of us had to contend with from way back in the seventies.I was told that your best resource was your ears rather than some clever bit of gear.I'm glad you brought up the "diving down the rabbit hole and ending up chasing your tail in ever decreasing circles" problem we have all been trapped by.People listen to music with their ears, so it is obvious that they don't care which processor you used, and only some engineer's chat room would care about these details, no matter how it might appeal to the ego.If may seem to be redundant to keep saying this, but as more and more equipment is developed, many forget that this gear(alone) is no way to get good results-of course it is no good to have all the equipment and not to develops good musical listeneing skills.The more gear you have, the lazier musicians and engineers tend to become!Also because of all the options available, as you correctly assert, mixing has become too big a part of the recording process.I'm sad when I see most people seduced by the endless possibilities in the mix down phase of things, to the point of lacking attentiveness in the more important phase of recording which is laying down some good initial tracks, done in a way that will require less adjustment later-after all this is what recording was first about;capturing a moment.More emphasis should be brought to bear on the production skills needed to create a good take in the first instance. because these skills cannot be replaced by a machine when you are dealing with actual human beings(or even musicians).
One tip I would give is:
(1) Backup the project, (2) wipe the mixer, (3) start from scratch.
Once you know roughly where you want to go with your mix, you can start fresh with new plugin chains that aren't so convoluted.
I don't have any mixing tips beyond yours, but what I can say is this stuff is invaluable. That's why I went and joint PLAP Academy! Thanks Warren, brilliant stuff.
Further on the second point, i think best advice ive heard is not just "do less". But instead of e.g. with a bass, you may focus on the bass, use five plugins, five eq bands, keep just looking at the bass?..
NO - apply one thing. And move to another track, apply one thing to that but consider how it interacts with bass, then next thing.
Before you know it you are back at the bass and it needs a whole lot less because it was always about the interplay with other tracks, a related complex system of tracks you have to do a subtle bit, move on, spend more time in levels and listening .
*That said, basses sound cool with lots of purposeful process like distortion and octaver, if its purpiseful.
Wow this is solid foundation mindset right here.. have to make sure to absorb this.. thnx much Warren
thankyou so much for the video! i was aware of a few things you talked about but never saw it with the perspective that you showed, and never known them in that depth.
Not only are those tips free but they dont cost anything thata incredible
Thanks ever so much
Two tips I believe in.
1. Listen to the track as low as you possibly can - turn the overall volume on your speakers way down - thats when you can really hear what is going on.
2. Play it back in mono!!
Thanks for what you do!
Can’t wait to release more music!
Thanks ever so much Jonny
I’ve started using a lot of automation in my mixes for things like virtual pedals and so on, but have never even realised that I could automate EQs. Thanks for the tip!
thank you so much for this- I am a musician trying to learn mixing and audio engineering and recording. This is really refreshing to hear that basic arranging skills, balancing levels, etc are actually the most important. I will trust my instincts while also trying to learn about the elements that are not yet familiar. Many thanks!
Top mixing tip from Spitfire Audio's Christian Henson: "...Never update your system mid project..." :)
{}_{}
Of course Flux Cluster! That's a given! I can't imagine why anyone would do that! Common sense!
Let me know how you update your system (that don't cost anything!)?
And yeah, it's good advice in any other video comments section. :D
I was forced to, my apollo started wigging out.
@@Producelikeapro I use a 2010 cheesegrater Mac that I have never updated. Snow Leopard. Works beautifully.
Excellent as always! Not strictly mixing-related, but I have noticed that when bands every once in a while want to record to tape in our studio the focus is different: they have 24 tracks in total and they have 30+ minutes before they have to rent another tape. So everything cannot just be "fixed in the mix", they have to stay focused, they have to come prepared - and me as a technician must also stay more focused: punching in and out a bass-fix or whatever raises my pulse every damn time because if i dont do it right i mess up the recording - no undo-button! I find these to be good things, a kind of "less is more" approach to the whole recording session might often be better than 245 tracks of stuff cramped into a single song. Mute it? Even better: dont record it ;)
I really like these tips! Thanks Warren! And yes: It is really really important, what you play and how you capture it. This couldn't be more true today, as everything is virtually possible in a DAW.
I like to try and get a pretty good mono mix first before I start worrying about panning and levels and suchlike and then “stereoize” it all afterwards before looking for “pixie dust”!
Been watching a lot of your videos recently and find then ah really useful, but this one in particular spoke to me and made me want to comment, thanks for all the great vids and advice :)
You give amazing advice and it's always a joy to hear you speak on things. Your positivity is infectious even for the cynical types like me, keep being you!
For me it's,,like get it all in the centre,,Listen in mono,,treat by small levels,Volume separation,Then decide to eq,compression n finally, panning at 5% intervals for L n R feel. Listen back in stereo,n check back ,Cheers All
As always... Great job, Warren.
Thanks for remind us that sometimes we forget the importance of our skill and relay to much on technology.
Greetings from México
Such brilliant advice, and even though I consider myself a beginner at mixing & mastering, I really can confirm exactly what you're saying about overdoing and not resting and adding too much - all of that. I really appreciate the fact you are admitting to having made these mistakes yourself. Fantastic presentation, loved this video, big like & shared! Thank you!!
Warren, all those words are so true! I am guilty of all you mentioned so thanks for the pointers.
How you think of the subject and explain so well makes me respect you so much because you
truly care about the music and want us to as well. I'm getting better and as I say have been guilty
of many things mainly I suppose staying too long on a mix. Now I tend to do it in smaller time
frames and I think it is always a good thing apart from frequent breaks is to load another song in
and work on that for a while and then go back to the previous track with renewed vigour and direction.
Thank you Warren for your inspiration.
I'm learning mixing. And you are the brightest star on my list of teachers. Hope you're doing marvelously well 😊
SIMPLY one of the best, relatable advice vids you, or anyone, has given IMHO. I'm now going to strip down my mix and start again. The one word/subject you didn't mention, although implied/referred to was 'Arrangement'. I do mine as I record and mix, hence the 'soup'. A huge thank you to you, kind sir.
Thanks ever so much John!!
Really liked this I’m very new, but took loads from this . Will continue to rake from this as I understand more. Some of the terminology, still eludes me.
Warren, thank you for bringing your passion for music and mixing to TH-cam! Awesome stuff!