VFX Artists React to Bad & Great CGi 88
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- เผยแพร่เมื่อ 27 มิ.ย. 2024
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THIS EPISODE ►
Sam, Niko, and Wren discuss some of the best (and worst) visual effects in some of your favorite Hollywood films!
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CHAPTERS ►
00:00 Intro
01:19 Twin Peaks
06:00 Fear the Walking Dead
09:42 Wren's NeRF Experiment
10:13 Nope
15:44 Samaritan
18:40 Backdraft
23:12 Vessi Shoes
25:30 Outro - บันเทิง
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Re: Paint evaporating nukes - apparently there was an advertising deal in the 1950's where paint suppliers used nuclear tests to show that nice well painted houses would be better at surviving a nuclear attack.
_The more you know._ 🌈🌟
Our Magic Chocolate Shell drizzle will protect your ice cream from a one minute cycle in the microwave! For that perfect ooey-gooey bite every time.
Nuke proof wood paint! Now with real lead!
All I know is The Simpsons survived a french neutron bomb because of the lead paint Homer used
That's fascinating! Capitalism at its finest lol.
The thing that struck me about that Walking Dead nuke scene is how once the shockwave reaches the charred body it doesn't even flinch.
Also everything around her is completely fine ( trees and grass). But she is charred to crisp.
Her legs disappear by the time the shockwave reaches her, you can see the grass and dirt through her.
All they had to do was watch Terminator 2 and use that as reference
the body probably should have evaporated. The heat pulse hit the front of the body so it was still hot enough to char the body all the way through.
Terminator 2 was made 30 years ago and had much better version of this. They didn't even use much CGI in that scene.
Great to see you guys do a video on NOPE. I worked on the film and wanted to point out that the long POV shot at 10:36 is fully CG. The infrared technique is described on the DigialMediaWorld and MPC websites (I linked to it in my original comment here but it was removed) so I recommend searching for it if you're curious about it. The technique was also incorporated on Ad Astra.
Almost feels like how the quest pro headset takes the color camera footage and applies it to the black and white passthrough footage in real time. …sorta.
Somebody should make a D&D statblock for Jeanjacket
PLEASE cover Everything Everywhere All at Once, for what that film achieved with it’s visual effects with just a $25 million budget and a VFX team of 7 people absolutely blows my mind
that movie has a special place in my heart
I really really hope they have been putting it off only because they are getting the Daniels or someone from the vfx team to guest star and do a full episode on it.
I just watched that movie today and it's forsure a masterpiece
Samaritan’s a pretty cool popcorn movie
been waiting for this one!
Once Nope has been out for a while longer, I would love to see them come back and talk about Jean Jacket.
Absolutely. Such a cool concept and cg.
The scene with the audience would be a great breakdown
@@FishoD you're one of the only other people I've seen actually enjoy the concept. I thought it was fantastic.
@@FishoD Jordan Peele stated that he was inspired by Evangelion's look of the angel Sahaquiel.
Yes please make the guys watch it and come back for more of the shots.
Saw Nope in IMAX and sat a few rows closer than I'd usually prefer. Ended up adding so much to the experience because every time the characters were staring up at the sky, I'd have to raise my head and dart my gaze around the massive screen trying to get a glimpse too. Second favorite cinema experience of all time after Annihilation.
Sitting close to the screen in a movie theater and actually having to move your head around to see the whole scene somehow adds something immersive to the experience. Its pretty cool.
Annihilation deserves more recognition for being one of the best SciFi films in recent years.
Nope is one of my favorite movies of all time. Incredible picture, wish all three had seen it to comment further on the chimp and UFO scenes
I really wish I could've seen both in a cinema...
@@FelipeKana1 I saw NOPE in Imax! Keep an eye out, sometimes cinemas will make a re-screening of certain films.
I really wasn’t expecting to see the Nuke from Twin Peaks Season 3 Episode 8 (literally the greatest episode of television ever created) but I am VERY happy to be surprised
Oh man Backdraft was an insane movie. This movie was such a huge hit at the time, everyone was talking about it and there was even a Universal Studios ride but no one ever talks about it anymore
"but no one ever talks about it anymore"
Mostly because it's been 30 years, lol
But, I can tell you that backdraft is mentioned in EVERY conversation about SFX with fire.
It's literally used as a reference for the best on-set fire effects ever.
You guys should revisit the Harry Potter series. Seeing the evolution from maquettes + early jank cg to amazing effects with great composition is like a trip through cg history.
Good call!
It's just hilarious in retrospect how Twin Peaks nuke is like 6 billion times better than the one in Oppenheimer. So glad they finally covered it
I'm actually really happy you guys went back and gave Twin Peak's effects another shot, it's the kind of show that has terrible and great effects but both serve a fever-dream-like story that you can't get anywhere else
Twin Peaks rocks and I learned to love David Lynch's VFX, some of which he does himself(!) in After Effects - mad respect.
Twin Peaks is such a great series. Everything is just damn fine
I wanted them to check out this scene after they did the first episode looking at Twin Peaks. Lynch is always focused on your emotions. That's his filmic motivations. Nice to see them recognize that.
Speaking of bad and great effects, I'm still hoping they'll do a Doctor Who episode at some point
I love the Twin Peaks Nuke scene. It seems to me the point is to show the absolute horror and destruction it creates on a particle level. It's not just blowing up, it's tearing up reality, ripping apart our dimension allowing 'others' to come through.
is the new twin peaks worth watching?
@brennanmcdonnell9343 if you've watched the original then absolutely 👍
@@brennanmcdonnell9343it’s incredible. If you watched the first 2 seasons then it’s an absolute must watch. Plus it’s 15 hours of David Lynch goodness.
The breakdown for Nope completely explains to me how they made these scenes feel so damn uncomfortable to watch. It's not like we haven't seen plenty of night scenes in movies before, but I never quite understood what made this one so different when watching it in the cinema. Would be hilarious though if they ended up scrapping a lot of it and it was just good artistry from the people in the BTS lmao
There are also really great day for night scenes in Arrival, very pleasing visually and quiet realistic.
Yeah, it's one of those things that just works so well that you don't really think about it until someone mentions that it's day for night, because there's so many instances of day for night looking just so wrong that it feels wild when they get it right and it actually feels genuinely dark without actually making things undetailed or too hard to make out. There's so many films with bad 'dark' shots that it's kind-of crazy just how right this got it and how readable everything is.
6:40 the thing that really slays me about this nuke shot is how the character is turned to embers and yet all the vegetation is completely fine until the shockwave hits. It's like the director had a seven-year-old's understanding of nuclear bombs. "Even just the light from the blast can kill you" [but everything inanimate around you is just fine?!] It's just so dumb the more you look at it. Like, this heavy jacket is evaporated off of her back, and yet there are individual blades of grass still standing.
Holy shit 😂i didn't notice
Honestly it's hilarious in retrospect how Twin Peaks Manhattan test nuke was 6 billion times better than the wet fart in Oppenheimer hahah. I love Nolan but he shoots himself in the foot, like Dunkirk only having 10 guys on the beach instead of half a million
Fringe S.2 E.6 "Earthling" The disintegration vfx in this episode were pretty great at the time and even earned them an Emmy nomination. The show in general has so many practical VFX scenes that you guys could look at it!
yes yes yes
practical effects and visual effects are not the same thing.
@@hogwashsentinel they've literally looked at practical FX on here before
@@stillatin Reading comprehension. I never said they didn't. But "practical vfx scene" is a oxymoron
@@hogwashsentinel everybody knew what he meant. Don't be that guy!
The Twin Peaks shot is incredible, the perfect use of Threnody for the Victims of Hiroshima by Penderecki too.
EVERYTHING, EVERYWHERE, ALL AT ONCE deserves its own episode, guys, it's so awesome on every level! :-)
Yes I'm waiting for that
I love the CG animation in Nope. It was so cool!
I loved every aspect about that movie. Not a single minute in it is something that don't like
@Lynn Xo I don't think it was an alien movie at all. Jean jacket was more of a cryptid.
WAITING FOR BRAHMASTRA REVIEW PLEASE LOVE FROM INDIA ITS AVAILABLE ON DISNEY+
@Lynn Xo Mainly on greed and people's dangerous obsession for spectacles and fame. And a UFO is the perfect subject for it.
I like how you kept the Nope spoilers to a minimum as much as possible with them. I especially liked that the plot and UFO stuff wasn't spoiled. Keep up the good work :)
Personally. The trailers for nope made me think it was an action film.
@@jpettltd yeah true. I was very high energy, But I also thought that Jean Jacket was gunna be a magical hot hair balloon cause of that one shot in the trailer with the flags hanging from the sky. I also thought it might have time travel involved cause of the history lesson we get on horse films and the scary mutilated woman for some reason.
The explosion in the Fifth Element - I believe it was the largest single indoor explosion in a film at the time. The whole thing looks gorgeous, and tells its part of the story perfectly.
Which of the explosions?
@@johndododoe1411 Mangalore sticky grenade explosion in Fhloston Paradise where Korben Dallas and Ruby Rhod took cover under a pool table.
@@calaminth7705 None of those words were in the Bible.
Would love to see you guys do a VFX reaction on Van Helsing and John Carter. Both massive movies that bombed epically. I don’t have any specific scenes in mind, but perhaps take a look at the creatures/monsters/aliens.
dude i love the van helsing movie yes do that thumbs this up
The opening shot of the nuke in that Twin Peaks episode was genuinely one of the most amazing moments of television I think I've ever seen? The visuals while Threnody for the Victims of Horoshima was played on top, is probably one of the most visceral things I've ever seen in television? The entirety of season 3 is a masterpiece, I'd highly recommend watching the show if you haven't.
Where can I watch it? I’ve seen people saying it’s good and the concept seems interesting, but I can’t find anywhere to watch other than shady websites
Off-topic question: Why do you put question marks at the end of statements of your opinion? I'm just trying to understand a possible usage for that, as if you're questioning your own opinion, but you state your opinion clearly enough that it doesn't appear that you're doing that. Anyway, nit-picky, punctuation-nerd question, I know. Honestly not trying to be a jerk, just curious.
For real, I commented a long time ago about how they should watch this one. For me, one of the most memorable scenes of anything I’ve ever seen on TV
You're speaking like Ron Burgundy when he tried to off himself lmao
@@sadflix8754 Paramount+ has all of Twin Peaks now. I think HBO Max has the movie Fire Walk With Me. If you've never seen Twin Peaks you are in for a treat.
Why is the Santa skit for Vessi SO GOOD!?! Calling them boy and kid the whole time, throwing goods at them, and the giggle at the end!!! Golden!
I agree. I typically skip their advertisement, but the Santa one was good.
She should be featured more, she is funny and cute!
What accent is Jordan doing?
I remember watching Nope and thinking these night shots look really good. It's probably day for night but it's good day for night lol
I'd love to see you all laugh at some of the early 2000's Doctor Who VFX and CG! I haven't watched the more recent ones and I hope the CG elements are better but those early ones are hilarious 😂
they were simple, but as a kid, even with complete understanding of how the effects were done, some of them could be very creepy.
They really used that uncanny valley factor to good effect.
For Animators React, please take a look at The Prince of Egypt parting the Red Sea scene! It took a team of ten animators two years to finish and the final product is gorgeous.
For VFX Artists React, check out the mutts scenes from the first and fourth Hunger Games movies! I’d love to hear you opinion on them!
Loved that you guys referenced Backdraft! I was watching it recently and was noticing everything you guys pointed out….the practical effects they had to use, how fire really reacts and looks on film, how the actors looked. Probably was incredibly dangerous but man those scenes sold the movie.
There used to be a Backdraft show at Universal, it was pretty killer also, don't think people slept on the movie just suffers from being made in the early 90's
Loved the episode, really enjoyed how you dug into some of the cool stuff behind Nope without actually revealing too many of the surprises.
"Ad Astra" did the same day-for-night effect that's in "Nope." It's shot by the same DP too. There's BTS for that one explaining the technique.
Ad Astra looked great on the moon from what I remember, but it was really weird that they used 1970s moon buggies
@@bulman07 I remember that Ad Astra looked gorgeous (especially the scenes on Mars) but I really didn't like the plot much.
Looks bad because of the hard sun shadows
Episode 8 of Twin Peaks The Return is one of the most glorious hours of television ever made. The Trinity test sequence is only one of many mind-blowing moments in it.
Dougie Jones
I know in the show its meant to be the trinity test, but actually i think the inspiration used for the scene is the grable nuke cannon where they were testing shock waves. A lot of the famous nuke footage of the pine trees getting blown back and forth and the buildings/truckings bursting into flames before getting destroyed by the shockwave also comes from this test afaik
This comment. It's so cool to see it featured here like a crossover I didn't imagine. But yeah, if you folks haven't watched Twin Peaks The Return you're probably missing the most important TV show since The Wire in my opinion.
The shot in Aliens when the atmosphere processor goes boom is awesome. Very short but the displacement of the backlight clouds works very well.
Great to see you react to backdrafts practical fire stunts. Universal studios theme park had a backdraft ride that took you through the sets in this scene. They would lite this stuff on fire while explaining how some of set pieces worked. It had a Jumpscare built in! At the finale they would drop the platform everyone was standing on while the announcer would act like something had gone wrong with the set. It scared me so bad as a 11 year old I picked my dad up and carried him to the exit sign screaming. Alot of the explosions and fire effects you see are more like a reusable flame thrower and are very controllable as far as the size of the blast going off. Along with the reusable ones smaller one time explosives would be installed around to give the sense of chaos to the environment. The sets were built so you could get multiple shots even in these chaotic fire scenes.
Was not expecting a Twin Peaks reaction to that sequence, but was so pumped to see it come up!
That episode of Twin Peaks was the single greatest hour of television, ever.
Oh yeah
100000000%
I would love to see an episode where they cover hardcore Henry it's an amazing film for all ages😂😂😂
It's a really fun film and I love to see someone else that likes it.
Though it's less in terms of digital effects and more amazing cinematography.
I remember when I watched Nope I was genuinely impressed with how good all the night time shots looked. I think their process worked for me.
Now that I really think about it Nope did have some of the best night visuals in a movie. They nailed that blue moon lit hue that a pitch black, save for moonlight, night looks like.
Yes I agree, the day for night is completely unnoticed during the whole movie, for me at least
Attempt 64 Chronicle Telekinesis Scenes.
I was about to say that!!!!
How???
When I see this comment now, I just imagine the crew screaming “don’t make me do this!” “Stop!” “I don’t want to do this!” In Matt’s voice from the end of the movie.
Not gunna lie though the scene of Matt and his gf inside the car, the hospital and gas station explosions, plus the entire ending fight would be a cool analysis. I feel like most of the answers are “wires and green screen” but some scenes needed more than just that.
ANDREW!!!!!!!!!!!
I love chronicle
Lynch is so amazing because he treats every frame of his movies as a still photo which needs to contain the whole story by itself. I feel sorry for the folks who need to work so hard to make that happen but the results speak for themselves
I was always impressed with the nuclear bomb scene in the Twin Peaks sequel. I seem to remember exclaiming Wow! at the time. Maybe too early but I think the effects in Andor are the best I have ever seen in any show, movie or TV. Seamless, realistic and imaginative and surprisingly subtle.
If you have any questions about the VFX on nope, I was on the post prod vfx team. Happy to answer 🙂
I did the Backdraft ride at Universal back in the day. Even on a set for tourists that probably ran 5 times a day, those bursting barrels that shot up into the air on a fountain of fire hit me with such a blast of heat, I nearly needed to put my hands up to cover my face. Can't imagine what the stars had to go, given the difference in proximity.
Awesome recreation. I’ll never forget how the floor dropped a few inches to make everyone feel like they were going to fall in the fire.
@@donovand3359 I forgot about the floor drop! Thanks!
I lost track of my backlog of episodes and just got caught up on them. I am so happy you're acknowledging Backdraft !
The best way to do day for night is to film on a totally overcast day, so there's no directionality to the environment lighting, and no sharp shadows on the ground. Of course you can then add lighting for your foreground to simulate moonlight. Obviously, it can be difficult waiting for the weather to be just right to get a totally overcast day, but if you want the environment to look right, that's what you want to do.
“The VFX aren’t taking me out of the shot. They’re along for the ride as I go out.”
😂😂
Great line Wren.
I miss the Backdraft attraction at Universal Studios Hollywood. It use to terrify me as a kid, but I came to love it
As a 10yr old kid it was both amazing and scary. I haven't seen the movie even now but that ride is forever stuck with me
They really know Jordan is the only person that could make us watch a shoe ad
As soon as I watched Nope in theaters I waited for you guys to make a video about it. Yay!
Legend (1985) directed by Ridley Scott and starring a 23 year old Tom Cruise (directors cut only). Some amazing prosthetics and set design in this underrated fantasy masterpiece
YES. THIS. THIS. AND THIS.
Would love to see a segment on the CG in The Ritual, especially the Moder character. A dedicated horror episode would be a fun idea!
The Google Earth and Polycam tip...blowing my mind. Crazy enough there's zero tutorials on that workflow. Thanks a million!
19:48 the Fire guy. doesn't handlle the tube anymore ! They're flyin 😂😂😂😂
I really loved Nope. I’ve become so burnt out on horror movies lately that this film felt like such a breath of fresh air
Which is kinda ironic, because it totally drew from classics like Jaws and Close Encounters of the 3rd Kind. We've just forgotten how good mystery and horror works.
Seconded. I was expecting a pretty boring sci-fi horror movie. Instead it was man vs nature a lot more than anything like horror. Very well done
That movie literally made the hairs standup on my neck, such perfect timing and cinematography.
These episodes never fail to enjoy. Big props guys, yall always inspire to keep trying.
That day for night technique always leaves traces of something being off. I've lost count of how many times I've had that feeling since a teen when i first noticed that trick. Sometimes it's so obvious that it just takes me out of the movie for the entire scene because i start looking at the shadows and looking for the evidences of day light vs artificial lights
Those exploding barrels are insane. We once had an airgas plant go up in flames here in Tulsa in like 2002 and it seriously looked like that. I wish I could find the footage of it but because it was 20 years ago there is basically nothing on the internet.
That was one of the cutest and most wholesome ad segments I've ever seen.
very glad y'all talked about Nope without real spoilers, its personally my favorite movie of 2022
The effort you put in your ads 😂😂❤️
Happy to see some love to my favorite movie off all time - Backdraft. That movie has it all for me and, Hans Zimmer doing the score. And damn, Kurt Russel in the ambulance, chills every time.
Backdraft is one of my favorite movies of all time. Love to see it in here. I love how in that movie the fire is made to feel like a sentient being.
You guys are so much more accurate, when you're not worried about hurting your guests feeling.
ikr
and we learn so much more too
Couch lighting was really clean this ep!
Always looking forward to the Jordan sponsorship spots 😂 great episode as always guys
That episode of Twin Peaks with the nuke still haunts my dreams, for those who watched the rest of that episode you know…
If you know, you know.
"This is the water..."
12:30 this camera setup and filming technique was created by David Attenborough's team in order to film bio-luminescent animals 😀
I love that first nuke scene. It's all about that slow push into the cloud. Usually it's the other way round. 🤘🏾🖖🏿🖤👽
Would love to see an end of the year video of everyone's favorite VFX shots of the year, or something along the lines of that!
That shot from FTWD, sums up the quality of both shows and not just their CGI.
An extended version of Santa Jordan and that exquisite accent giving gifts to people would be nice.
More Jordan all around. She is so hot.
WAITING FOR BRAHMASTRA REVIEW PLEASE LOVE FROM INDIA ITS AVAILABLE ON DISNEY+
Damn, now I want to watch Backdraft again! The fire photography in that movie is amazing. The other one I've always loved for fire photography is Always (1989) with Richard Dreyfuss. He's a pilot who flies planes to fight forest fires, so there are all these scenes where they have to fly the plane way down low above a raging forest fire to dump the fire suppressant without it just evaporating. If you're looking for more fire scenes, that's worth checking out.
11:25
There's a famous behind-the-scenes photo of the "Nope"-house set, where they have two MASSIVE cranes hanging a lighting rig horizontally above the whole house, which is larger than the houses's footprint.
Yes, one of the rainstorm shots iirc
The *last agni kai fight from ATLA* would be perfect for for the Animators React. It's so stunning!
For the VFX series you gotta react to *Aslan from the Chronicles of Narnia!* Also at the end of second one there's a big water creature, so it might be cool to see what you think about that. Maybe also, Max Schneider's Gibberish music video, the editing kinda breaks my brain there.
And for stuntmen react It would be cool to see you react to the duel from "Potop", it's really good sword fight (tho technically it's sabers i think)
The thing about Nope is it's not really just horror. It's a lot of things that makes it hard for me to categorize it as horror. It's also sort of a nod to a whole lotta films that Jordan Peele was hugely inspired by, which explains the Akira slide. 🙂
So many great references and homages in the movie. But yeah, not fully horror. Lots of horror elements, but mostly I would say it's suspense.
I just revisited George of the Jungle.
There's some stuff worth talking about there. I'd love to hear your breakdown of the Elephant pet dog, for example.
Lots of stunts there too. Bay Bridge rope swing, for example. Apparently Brendan Fraser did the swinghimself. Twice!
Would love for you guys to take another look at ILM's de-aging stuff. They've got a de-aged Warwick Davis in the new Willow series, then there's the young Harrison Ford in the Indy trailer. Also would love for you to compare why sometimes it looks great and other times doesn't look as good (like de-aged Anakin in the Kenobi series)
For Animators/VFX Artists react, I think looking at Final Fantasy: The Spirits Within (2001, directed by Sakaguchi himself) as one of the very first full-CG photorealistic (for the time) animated films would be cool. It would be interesting to see comparisons with more modern attempts at photorealistic CG animation (e.g. modern game cutscenes).
They had huge problems at Square with that movie. The lips became a huge issue but ironically it was the production itself. They ended up learning so much that they had a hell of a time matching footage between the beginning and the end. That's why they did the Animatrix short to use all that skill learned. It was such a shame that the production killed Square and they all went away.
@@alexandermckay8594 Animatrix is still such a banging supplemental collage for the movies, I like it even more than the original Matrix movie
Westworld S03E08 (season finale) has both amazing and janky VFX. Spoilers ahead!
The scene where Caleb brings Dolores's pearl back into her original body and she then proceeds to reassemble herself looks quite visually stunning. They seem to have painted out the actress's entire body and motion tracked a 3D model of an android onto her. The lighting and the colour are really well done. She even puts her hands on like a glove, yet the transition from CG to her real hand is seamless. Worth taking a look.
And as for the jankyness, there's a finishing scene where Caleb and Maeve are standing on a bridge and the background is a city plagued with rioting people. The explosions on the skyscrapers look like a quick and dirty After Effects composite: just 2D cards of stock footage with no reactive lighting, dare I say even proper color correction. Probably a last minute decision by the producers, especially given the quality of the aforementioned scene.
I like the idea that the way they talk about the Backdraft clip, it’s not “a barrel factory that’s exploding” but a factory that producing exploding barrels
I just rewatched this movie the day this video released. What a coincidence
I think a really awesome episode idea would be to look at bad and great cgi from Doctor Who!
I can't remember if y'all covered the big battle from The Lion, The Witch And The Wardrobe but you should
yeah, that'd be pretty cool
19:39 "Action movies have to earn it" sums up in a way I didn't know how to put into words why a lot of modern action movies aren't able to pull me in.
Some Old CG and Puppets that I would love you guys to react to, are those from the “Never Ending Story” movies.
NOPE looked Beautiful either Day or Night.
Especially at Night, when a lot of other media struggle to nail those scenes. That movie was damn entertaining, but still was one thing that felt Great was Night scenes looked like Exactly from the Poster.
The ad had me cracking up especially the look on Christian's face as if he's saying "Are we really doing this?" 🤣🤣🤣
This must truly be the only channel that makes the ad segment entertaining
Know I'm commenting late, but I recently watched The Mist (2007) and was pretty impressed with how a lot of the VFX held up, and I feel like a chunk of that was a good combination of practical and CG along with good reference and knowing what they could and couldn't do, but I'd love to hear your thoughts on it, especially a lot of the fire! (There's also a flaming man stunt, which you have some personal experience with!)
Niko was extra jolly in this episode. Very fun.
That dude's always smiling. He seems like a really nice guy
Can’t believe how many episodes they can make of this. And honestly can’t wait to look back at this comment when episode 500 airs ❤
I just had a similar moment when the video ended, and TH-cam suggested the episode ft. Adam Savage... *which was episode 58*, and my brain just went "Wait, hold up a sec. How was that 30 weeks ago?"
@@The_Razielim Wait, wait, number of episodes notwithstanding, how was that 30 weeks ago at all? It doesn't seem like it's been that long!!
@@anonymousaccordionist3326 That's exactly why it kinda hurt my brain. I dunno if it's exactly 30 (if they either did 2eps in a week, or skipped any weeks)... but assuming 1/wk, 30ep difference = 30 weeks...
@@The_Razielim You people are ridiculous or can't do math. VFX React #58 was Dec 18, 2021.
I've always loved Backdraft. It's full of good SFX shots.
Caught a 25th anniversary screening of Starship Troopers this week, would be great to see a VFX breakdown of some of the shots in that film.
If there's one thing Nope has managed to do, create a level of excitement and terror both brilliantly mixed together, something Jordan Peele has often done in his works. Also, speaking of 1988's Akira, Em doing the iconic bike slide that Kaneda does in the movie isn't the only reference present to the movie. Jean Jacket's destruction mirrors that of Tetsuo, in the way they both expand and mutate, before exploding. But wait, there's more--according to Jordan Peele, the design of Jean Jacket was inspired by the mechs from Neon Genesis Evangelion. Time and again, Peele has turned down offers to direct a live-action adaptation of Akira.
I didn’t know that, thats so cool
Are you sure it's inspired by the mechs and not the angels? Because it really doesn't feel like a Unit, but it absolutely feels like Ramiel or something, right?
Also, good on him for not doing live action Akira. I'm really glad he has enough respect to avoid that, I'm sure he could do some really cool stuff for it but live action anime is stupidly hard to get right and it just doesn't feel like it'd fit in his list of credits at all. I'm super satisfied with Peele just going from comedy skits to really meaningful surreal weirdo horror films for weird people like me who enjoy reading into things.
I appreciated nope so much more after I watched the special features where they talked about making everything, so much thought and work went into everything you see in that movie.
I've been in the Universal Studios Backdraft experience twice and it was pretty amazing. It gets really hot too! Lots of respect for the effects in the movie.
Man that Twin Peaks revival is trippy AF
The Return is the best season of any TV show I've ever seen
What year is this?
@@nathansmo agreed
I think it would be cool to do a whole episode breaking down vfx and sfx from nuke-themed movies like Threads, The Day After, and Testament.
Don't forget older ones like "Sum of all fears" or the opening episode of the old TV series set in the US after nuclear war.
And don't forget the nuclear explosions in the Terminator franchise.
Very often you guys reference different styles and techniques being used to film great “reference” imagery. This episode you kind of alluded to a thought that I’ve had in the back of my head for a long time. A lot of times it feels like the term “reference imagery” almost parallels “we tried something cool, spent a lot of money, didn’t necessarily work so we’re not using it for the final cut.“ I guess the root of my real question is, when exploring new ideas and techniques for a production is there a wiggle room to explore and try new techniques without a proven outcome, a budget line for explorative fun, or do you need to prove your plan of attack in the initial pitch in order for the studio to sign on. Love you guys! Most of the time you guys are talking a foreign language, but I am on the personal journey of learning VFX, inspired by you guys.
I do love all the crew. But when you 3 get together, it's epic!
I remember they had the warehouse scene in Universal Studios and you can be inside when everything explodes...it was awhile ago but was cool to see it in person