Очень радует, что у нас стали появляться великолепные духовники. Не в последнюю очередь благодаря тому, что стали обучать с более раннего возраста, появлению интернета и хороших инструментов. Что касается Семёна, то попадание на свой инструмент 100%. Больших ему успехов и побед на конкурсах.
Молодец парень.Тимофей Александрович похвалил бы .😊Сто процентов.Главное не ленись и гордыню отбросьГлавное,что у тебя есть звук.А техника это просто работа..Больших тебе успехов.
One of the nicest performances of the Haydn I've ever heard. It's usually played on an E flat so maybe a little extra credit for using a B flat. Full rich high notes. Perfect technique and tone throughout the range. Beautiful expression and musicianship. I think I only heard two chipped notes in the Haydn, but that's OK. In one of Adolph Herseth's performances of it, he chipped a note. Very nice work by the accompanist, too.
You might notice that during the long introduction there are three places he plays. Most performers don't bother with that and start after the introduction is over. One is a long tone. Then there are two "calls" (like a hunting horn call). This piece was written for a keyed trumpet and, I think, the first piece so written. People had only heard natural trumpets until then. I think Haydn put those elements during the introduction as part of leading the listener from the idea of the natural trumpet, which was not considered a good solo instrument, to a trumpet that could play a chromatic. The long tone and the "calls" would sound familiar to people. But shortly into the concerto there is part of a diatonic scale, and then a descending chromatic. Nobody would have heard such a thing until this.
Шикарное выступление.
Какой прекрасный сочный звук! Техника замечательная. Труба - инструмент победителя. Удачи, вам, Семен!
Семен,наша семья любит тебя и желает больших успехов! 2:29 хов
Hello from France , Congratulations for this beautiful musical sharing, good luck.n° 130 like .
Браво. Потрясающе!
Помолимся Богу нашему чтобы все сложилось в будущем как можно красще, чтобы сей цветочек расцвел в полный цвет...
Прекрасный звук ,великолепная техника,стокато,легато молодец
Очень радует, что у нас стали появляться великолепные духовники. Не в последнюю очередь благодаря тому, что стали обучать с более раннего возраста, появлению интернета и хороших инструментов. Что касается Семёна, то попадание на свой инструмент 100%. Больших ему успехов и побед на конкурсах.
You are a Trumpet Legend🤝🎺👏 You will be remembered in history🎺👏
Браво 👏 ❕️
Очень круто, выступили очень достойно, браво, успехов вам Семен и новых побед. Конкурс Мориса Андрэ должен быть взят вами 😉🤝
Конкурс Мориса Андрэ дискредитировал себя
Sjećam se kad si bio u Zadru...imali smo sat i razgovor o svemu oko trube....želim Ti i dalje puno uspjeha...bravo
Молодец парень.Тимофей Александрович похвалил бы .😊Сто процентов.Главное не ленись и гордыню отбросьГлавное,что у тебя есть звук.А техника это просто работа..Больших тебе успехов.
One of the nicest performances of the Haydn I've ever heard. It's usually played on an E flat so maybe a little extra credit for using a B flat. Full rich high notes. Perfect technique and tone throughout the range. Beautiful expression and musicianship. I think I only heard two chipped notes in the Haydn, but that's OK. In one of Adolph Herseth's performances of it, he chipped a note. Very nice work by the accompanist, too.
Как Докшицер 🙄👌🎼🎵🎶🎺🙃
You might notice that during the long introduction there are three places he plays. Most performers don't bother with that and start after the introduction is over. One is a long tone. Then there are two "calls" (like a hunting horn call). This piece was written for a keyed trumpet and, I think, the first piece so written. People had only heard natural trumpets until then. I think Haydn put those elements during the introduction as part of leading the listener from the idea of the natural trumpet, which was not considered a good solo instrument, to a trumpet that could play a chromatic. The long tone and the "calls" would sound familiar to people. But shortly into the concerto there is part of a diatonic scale, and then a descending chromatic. Nobody would have heard such a thing until this.
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