💽 Track Mixing: edthorne.com/mixing 🎬 Can A DI Box REALLY Make A Difference? th-cam.com/video/HeE57eYXjF8/w-d-xo.html 🎬 Lewitt CONNECT 6 Audio Interface with DSP th-cam.com/video/sUULL3I0r5Y/w-d-xo.html 🎬 Re-Amping & Analog Mixing with the Volt 476P Audio Interface th-cam.com/video/EhecXmcyR1A/w-d-xo.html Sweetwater: imp.i114863.net/oe5E1e
Hey Ed Hope you're doing good It'll be really helpful if you do a giveaway... For people like me who couldn't afford! It will be very useful for us to make more music Thank you
5-pin MIDI is a must for people who are playing electronic music live with a number of different modules/synths. Having 5-pin MIDI on board is a major selling point for me, (one less box to bring to a gig) and one reason i’ll be picking up this interface.
I enjoy that UA is giving people tools to MAKE music and not learn mixing too much. Back in the day we used such minimal gear from just Tube amps, slow compressors and Noisy Eqs and with this harmonic content it will change how the musician hears themselves.
It's obvious how much planning you put into this comparison. I feel like every question I would have asked you already knew ahead of time, lol. Great work!
Over the years, i’ve owned alot of the entry-level/budget interfaces to use as my mobile setup when i’m travelling. I’ve owned the scarlet, audient id44, audient evo, ssl2+, and motu m2, and after hearing this demo, I’d 100% recommend the Motu out of all at this price point. Although the analog circuitry of the compressor and vintage function may seem cool, I see it more as a gimmick, similar to the 4k button on the SSL interface. There are free plugins and stock DAW plugins that are far more flexible and sound better at compression and thre “vintage” sound. If you like the sound of the interface, go for it, but dont be suckered into buying it on the vintage mode or compressor. The software bundle it comes with will get you further than those. Aim for an interface that gives you the amount if ins/outs you need, has enough good-clean preamp gain, good latency/direct monitoring, and enough juice for your monitor and headphones. I’ve been buying gear for the better part of 20 years……Dont get reeled in by the ginmicks. Just my $.02
@@DieTabbi If you absolutely want a hardware compressor, there's a ton of options, even inexpensive ones like the FMR RNC go a long way. But honestly, there are a ton of free plugins that get the job done quite nicely, even the stock ones in most DAWs perform pretty well. It's just my opinion that a compressor circuit added to an entry-level interface is not a selling point that would make me pay more over comparable interfaces. I'd rather buy an interface that performs equally as well in the primary duties of an interface, for less money, and use a free software compressor or either buy a dedicated hardware comp. I have a lot of gear in my home studio (not much that's considered budget or entry level), so I'm not trying to bash this interface, just giving my opinion since I've been down the road of getting caught up in gimmicks or hype when I was first getting into pro audio equipment.
@@tonygunz21 thank you for your kind explanation. I am new to all this stuff. I want to replace my GoXLR mini for a descent audio interface. I have a XLR and headphone planar magnetic and 250Ohm which needs more power then the GoXLR has. I don‘t know software compressors, that why I asked for suggestion.
@@DieTabbi Sure thing, no problem. I haven't used this UAD, but I see they offer a cheaper version without the compressor circuit. That may not be a bad option, but I still can recommend the Motu overall. It has all the features I needed, sounds good, and is built very solid. The SSL2+ checked pretty much all of those same boxes, but didn't have enough juice in the headphone amplifier, which was a dealbreaker. The Audient ID14 mkii is also likely one of the best contenders in the sub $300 price point. I've had the ID44 a while back and really liked it, just wanted to try other things out. I liked the Audient Evo as well, but it felt like a toy, and not having separate knobs for different controls wasn't the best for me. For what it is, it was pretty cool though, and very small so easy to take wherever. Try downloading a free LA2A style compressor to learn. That's probably the easiest style of compressor to use, just two knobs.
Great review Ed, I’m an Apollo owner but the thing you dismissed is probably the biggest selling point for me, midi ports , I’ve got a JV1080 and a Yamaha Disklavier Piano which both use old school midi, I’m looking forward to hooking them up, the piano’s in another room so it’ll be interesting to try the volt pre’s as well👍
If you have use for them then that’s a good result. UAs research suggested more people would use the feature than mine did. Glad you like the review. Thanks for watching.
@@EdThorne whilst technology moves on , “allowing” for old school I think is a good move, I mean so much love for old school analogue and tape atm , how much old gear Is kicking around not being used?
I think it’s a good sounding interface. And Vintage mode feels more real than the SSL Legacy 4k mode or Scarlett’s Air mode. You should do an aliasing comparison and destroy SSL even further 😜🤣🤣
@@EdThorne Ed: I gave them to another youtuber to review hope you don't mind, he said he'll send them back right after he's done UA: emmm OK should be fine. Whats the name of the youtuber? Ed: Paul Third UA: NOOOOOOOO!!!! 🤣🤣
I’m glad you regularly bring up the functionality of being able to adjust the mix (daw output vs mic levels). For me, this is an absolute requirement in an interface (on the hardware or in the software); my old guy ears need it. It amazes me that most reviewers fail to bring it up. It strikes the Volt off my shopping list along with the Motu M2. The M4’s got it but at another price level.
Ed Man I've been blessed with so many interfaces you wouldn't believe!!! 1 Zoom U44, 3 Zoom U-22s, The Zoom H8 RECORDER, Apollo x4, (arrived last week), the focusrite Scarlett 2i2, focusrite Scarlett 18i20 (on back order), Tascam Dr-100 Mkiii, the Zoom H6 all black, Zoom H4N Pro, Zoom H5, Sound Devices Mix Pre 6ii, and I'm positive I'm forgetting something! And we won't even talk about the 32 microphones I have acquired this year alone! Large condensers, small condensers, Dynamics, ribbons, tubes...this time last year I was in the hospital fighting for my life! So thankful to just be alive. I celebrated my 65th birthday last Monday on November 15th. I said all that to day I have my eyes on the Universal Audio Volt 276 or 476. Thank you so much for the great information I really appreciate your channel very much...
Ha, I'm in the same boat my friend. Used just about every interface under the sun from the cheapest of the cheap to the highest end. I recently changed countries and found myself stuck with a mackie onyx, so am looking to grab a volt as soon as it is available. Glad you're still around, and all the best to you and your music!
I'll stick with my Motu M2 (which I LOVE), at least until UA adds loopback, and drops the price a bit. The compressor didn't seem like it smoothed out the volume much (waveforms look identical??). Thanks for the review. :)
The waveforms are very similar. Only when you impose the fastest setting can you see a difference. The compression is a little more obvious on guitars and keys but I couldn't demo this at the time of doing this video.
just got a volt 2 to connect my computer to my mixer for audio tracks, it actually sounds really good. the output meter sucks, not much headroom on the meter, it would be nice if you hit red on the meter it would stay red for a few seconds. its hard to tell if your hitting red or just yellow, but for the money, if you dial it in it sounds really good. connects to ios too. sounds way better than bluetooth, thats why i bother rather than using bluetooth.
Just got the Volt 267 from Thomann. I thought I was having a bad product, with 100% volume in a monitor station had the signal clipping. BUT you sir made my day. The signal is NOT linier, so that makes sense, thank you for this video. Best regards
Hi Thomas, I’m glad that eased your mind. I’ll be honest, I was wondering if that was just an issue with my review unit and if I’d get hammered in the comments for it, but apparently it’s not just me. Mutual relief🙂
@@UniversalAudio Ed for the win yes, I have to come here pestering him with questions as you guys turn off the comments on your videos....wtf? Not a great look for people who might be considering your products...
Hello Ed!! Your reviews are top-notch and give me a hard to deciding on which interface to go with since you are so detailed about your reviews. I am currently a bedroom music producer making beats and recording my vocals but im looking to delve deeper into mixing. Which audio interface would suggest I get that is budget-friendly between the Volt 276 and Audient 14?? Thank you for your feedback.
Thanks, Henry. If you mix on headphones check out the Topping E2X2! The DAC/HP amp is far superior to these, however I prefer the preamps on the Audient/Volt. It’s a tough one. Maybe buy all three and see which your prefer and send the others back…
If you learn how Console works properly you will never regret your decision to buy an Apollo. 👌 This should help: th-cam.com/video/0DZM9y6tmBQ/w-d-xo.html
nice review Ed!, I bought this audio interface and i cannot be happier i just love it very well built, it doesn't move easily. I use my rode nt1 and sounds lovely, the TRS and Headphones outputs sounds just great. I'm happy with it. I'll keep it for a long long time
I'm rocking an OG Duet Firewire (with breakout box) by Apogee that I found recently at my local record store for $50. It was a pain to find its ancient software but I finally managed to get it working and connected with Logic. I dig it. It does exactly what I need it to do, which is allow me to plug in and record my guitars/bass/keys.
@@Gigmeister1 Right! I especially dig its metallic utilitarian look and feel. Especially the breakout box (which upon research was for the Duet 2). Its just cool looking. I actually changed to a Scarlett 2i2 (2nd gen) because I've upgraded my laptop. I'd like to keep the breakout box but I'm struggling to find a use for it without the main Duet interface...
Hi ed great video may I ask what headphones you are using in this video. Just got the mdr7506 for monitoring and can't stand them looking for some options outside of dt770s
I was using the Adam Audio SP5s. VERY detailed headphones but very prominent at 6 and 10kHz which is uncomfortable for recording, and inaccurate for mixing. I always default back to my Sennheiser HD300 Pros for tracking vocals, and HD600 open backs for mixing!
@@EdThorne I was gonna get the SSL 2+ but you seem to be saying that either the uA volt (476?) or audient ID44 seem to be the way forwards. Need for vocals and DI guitar / bass
I could not endure the whole demo quality and content and information was great but I can't help wondering if Mr Thorne's voice might be better suited for calling a "spurs" away game or perhaps commentating the Grand Prix it was just a little to brash for my over sensitive ear holes... at this point its Universal Audio City 1-0 to Solid State Logic Rovers ....
It seems to have a UK filter. I didn't detect any accent in your signing. Kiddin' -- I just purchased the Volt2 and am anxious to test it out - great review as always!!
Great video, Ed, thank you! I'm a voice actor, and I love me some mics and interfaces. I've tried a lot in the past (Focusrite Itrack solo, steinberg ur12, Audient ID4/ID14/ID22, but the three I'm currently using are the SPL Creon, Centrance Portcaster and MicPort Pro 2! The SPL has a similar form factor to the ID22, with a warm sounding pre that I like. The Centrance units are ultra portable, and have excellent pres as well. These new units look very promising for the price!
@@EdThorne Currently just the Sennheiser 416 and Gefell M930, but I've tried the Rode NT1, Sennheiser MK4/8, JZ Microphones J-1, CAD e100s, Lewitt LCT 440, and the Neumann TLM 103 trying to find my perfect VO mics, but I think I've found them! I'd love to try the Rode NTG 5 or Austrian Audio Mics, though. The reviews have been stellar!
@@sdaeley17 The OC818s are beautiful. A very smooth, even, modern sounding mic. The JZ V67 is THE best mic I’ve heard (give or take a U87). Can’t go wrong with an SM7b (I use one for all my videos). And check out the Earthworks ICON (a better sounding, less gain hungry Alt to th 7b)👌
MIDI 5pin } Keyboard>Volt>iPad - No need for a hub on the go although USB hub and USB Midi does supply a powering option. I also was hoping for a LUNA Lite..even an iOS version for easy import/export into LUNA desktop. How awesome would it be to capture ideas on the go..easily open the iOS file on the desktop/laptop and build out a real version of the song using the initial ideas captured on the iPad?
If you still have the volt, it would be intresting to compare the vintage pre and 76 comp with your hardware gear like neve/warm and warm audio 76 comp to see how different they are.. (or not).
Awesome work! I really enjoyed both this as well as your comparison video. I really like the idea of having an analogue compressor for colouring my tracks and I was wondering if this one could work as a mastering compressor too? Or is it just more worth paying the extra $ for a cheap beringher compressor? Also, would you consider this an upgrade in terms of recording quality, comparing to NI komplete audio?
Hi there, and thanks. I’ll be honest I didn’t like the NI when I reviewed it 2.5yrs ago. Volt is definitely one of the best sounding in this price range. I’d suggest getting a designated stereo compressor for mastering, it’s unlikely you’ll match the gains exactly on two individual preamps, and you may introduce phase shifting if their EQ curve isn’t identical. I’d also avoid anything Behringer, personally. Check out the Warm Audio Bus Comp, that’s great for the money.
Actually the midi was the selling point on this for me, as I do have midi devices and my only other soundcard that has midi is the no longer supported soundblaster extigy that I am trying to get working again. While I do have usb to midi adapter having a direct midi interface I can use with midi cables allows me to differentiate devices really this is only about a $30 value but that is still $30 of added value. The onboard compression and vintage is probably another $50 value although practically a lot of stuff is done post processing but I think for living recordings - ie streaming this then actually may allow people to give a little something extra to their sound although again vsts do allow this -- there it is though UA also has their VSTs that they include with this so if you buy vsts that is probably another $50+ of value so for 176 for instance you are about $130 ontop of a $100 soundcard and that is more or less where you are at, the wood and metal appearance on it is nice if you like the vintage look. I am someone who likes old vintage lightbulbs and wood and metal so the overall apperance is nice. While I 100% agree getting high end DSP on this with actual benefit overonboard vsts this would be a great addition like some type of analog modeling - or even just what you get with an old keyboard like echo, reverb, delay, distortion etc.. digitally provided through an interface to turn it into a preamp processor. Like my old gem wk6 keyboard has effects processor built in and it is from 1997 while it has the option for a vocal processor also. You would think you can get that into a low cost chip - you can basically fit an amiga computer on a computer chip these days so adding a lot of extra power into a input interface you would think would be low cost and routine. All that said I look forward to checking out the volt 176 I got. The apollo stuff is way out of range for most starting musicians who are looking for a cheap daw, $1000+ buyin point for a daw would be offputing since a lot of people probably pirate their first DAW anyway until they comit to buying it. It clear that the idea of this product is to provide an interface for people to use Ableton then perhaps have them switch up to Luna if their experience with UA and its plugins are well received so it comes off as a starter product, at a relatively entry level price - imo its a classy option with the "recording artist" concept tied into the classic dreamy past of recording studios. UA offers an overall package their product in any individual part does not stand out but when you combine it it offers on overalll good value for money for people getting into making music and want an interface to start recording live sound. None the less good video if anything this peaked my interest in Luna but I am basically married to FL Studio, and am a "low end" hobbiest. Still this product looks nice, literally.
Hi Ed. I'm seriously considering an exchange audio interface. I use at Present a Motu 2408 mk3. Which has served me good. It is giving trouble. Sound is dropping in and out so I suspect its the interface. I have had it from new approx 9 years. Thanks for the video. Good as usual.
Ed, I'm about to buy an audio interface next week and I'm between the Id4 MKII and the Volt 2, what would you choose? They are both very good and I want to make the best decision. Thanks for the review, your channel is amazing!
if comparing those two, I would get the volt 2 as it has midi controllers in the back (for basically the same price) if you choose to explore your musical journey more in the future. I would get what your looking for plus something extra that may come in handy in the future. Hence why I switched from Scarlett 2i2 to a motu m2
Hi Carlos. As Arto above has suggested, consider what your need are. Personally, ADAT is more useful to me than MIDI. I really like the Volt though. I’d suggest the 476 for I/O flexibility.
I hated the NI Komplete Audio, woeful interface. I don’t like Presonus stuff either (stepped gain pots is retarded). The SSL is good but personally I’d go with the Volt any day out of this list. Or as Oscar says, the iD14mkii!
@@EdThorne i do have the Volt 276 and minifuse 1 I can say without a doubt Volt is a winner, probably it doesnt have the best "Specs" but it works as it should, and has a pretty natural color, i can say it sounds "analog" and pretty warm. Definitely i like it more than my previous motu m4
@@oscarestrada2545 Let me tell you that the Motu M4 is way better than the Volt, just to point something, the converters of the Motu (ESS Sabre32) are used on expensive interfaces and the converters on the Volt are the same that Arturia use on the Minifuse (Cirrus Logic CS4272) the only thing is that UA charge you more money. The M4 destroys the Volt and many more interfaces.
I agree with you about LUNA integration -- I only use LUNA now (came from PT), and have multiple Apollo units, but would love to have a Volt in my mix room to use for overdubs as a different flavor.
@@billyhughes9776 keep me posted bro, I had a few Apollo’s in the past I have the volt 276 but thinking bout getting another apollo, which ones you have?
I’ve been using an RME FireWire 800 for about 8 years. It’s a bit of a dinosaur these days but sounds great. Upgrading to a new iMac and will be getting a new interface so I don’t have to deal with compatibility issues. Curious about this volt.
Dear Ed, I have used a MOTU Audio express for years. It still works, although some lights no longer work. The UA Volt 476p has caught my attention. Mainly because of the ability to re-amp your signal, including the 610-style preamp and the 1176-style compressor. I watched your video about this. My question is: if I switch to the Volt, will that mean a sonic upgrade for me compared to my old, trusty Audio Express? Thank you in advance for your advice!
Oh… so you need to LOWER the master level output to balance the monitoring of what you are playing… I wasn’t sure how that worked. Hmmmm…. This is a strange missing feature that’s tripping me up a bit. I wonder I’d this will be annoying… my old interface has the blend knob and not sure I can live without it. Great info!! I almost missed it! Love the purple lights btw.
These Volt devices are all USB 2.0 - that was an immediate killer for me. No idea why they made this decision, as most other interfaces in this price point support 3.0. Making the USB connection a 2.0 was not a forward-thinking / future proofing decision, and will provide longer latency times all around, unless I'm mistaken. I was considering the 276, but not with a USB 2.0 connection. would love to hear your thoughts on this!
I haven’t read anything to say that it doesn’t support USB 3.0 (in terms of power and data transfer), they are fitted with USB-C ports so they should support 3.0. The USB 2.0 “and above” reference on the website indicates it can be powered by type 2.0 supporting devices onwards, offering compatibility with pre-2016 devices. I know they had a lot of backlash with the Solo because it ONLY supported USB-C/3.0 because of its power requirements which isolated A LOT of users on older computers (inc my 2015 Mac at the time). I suspect the USB-C to A cable might be to keep costs down. Most manufacturers are supplying C-C cables with a C-A adaptor though, which would have been my suggestion.
@@EdThorne Thanks for your reply - on the specs sheet you linked in your description, it states "One USB 2.0 port (USB Type-C connector)" Forgive me if I'm mistaken, but this means it is only capable of USB 2.0 speeds. Sure, it has a USB C port and is able to be plugged into USB 3.0 ports (as all USB 2.0 cables are), but it will not be capable of USB 3.0 speeds. This is a let down in 2021, and unfortunately if I'm dropping money for a new interface I want to make sure its latency is as low as possible, and I can opt for other interfaces to achieve this. Regardless, thank you for your research and analysis on this interface, your videos are super helpful :)
"USB 3.0. As exciting as it might seem, USB 3.0 might just not be the future of audio interfaces. Of course it is faster than USB 2.0, but only in the sense that it can carry more data traffic and therefore more channels. It doesn't get the data there any quicker so there is no advantage in latency over USB 2.0." not sure how true this is but I've been reading up on these and USB 2.0 is more than enough for a home studio. unless you're recording thousand tracks at a time.
The headphone output is waaay to loud for 32 Ohm headphones and is very sensitive. And at comfortable volume levels (near 0 position) it currs off the right channel >.< Sent it back, getting a motu or arturia instead
Even the main Monitor Knob cuts off one channel when rolled to near zero level, don't like that, but I'm wondering if all units are like that or normally other Volts don't present that behaviour. Anyone knows?
I was considering on waiting for these to come out however I already purchased a Motu m2 after returning the Scarlett 2i2. Considering UA is trying to fill the gap in the lower priced audio interfaces, esp still being usb 2.0, I don't see the need for these interfaces. If I become more serious with recording, id def upgrade to the higher end UA interfaces (arrow, apollo). I just don't see the need for these esp when there are soo many other competitors out there already offering the similar thing.
UA are wanting to offer something different in this price range (built compression and definitely a vintage sound). I think it’s good fo consumer choose but I agree it’s a saturated market. I can’t recommend the Apollo’s enough if you upgrade.
To me the most important right now is how stable and/or good the drivers are with windows. I am beyond frustrated with my scarlett6i6 because the drivers are bloody awful. Great hardware but without drivers to make it work, you just have a nice doorstopper. Anybody using this on windows (7, especially)
@@sale9667 updated to 11 since the comment, as I thought the same. Drivers still suck. Not as bad but still far from being great. RME drivers have no problem on any OS. A company as hig as focusrite is should not have problems with its drivers.
If to choose for home guitar recording via line-in only, and monitoring purposes which would be best choice? 1.Scarlett 2i4 3gen 2.Universal Audio VOLT 276 3.SSL2 4.Audient iD14 MKII
They’re called Apollo’s 😜 DSP integration is expensive and it seems the Apollo Solo is as cheap as they can make it so the Volts are a non-dsp alternative for this market 🙂
Hello Ed - great video. I currently record on a 10year old scarlet 2i2 usb-Interface and want to upgrade my setup to a more professional one - have the chance to buy a used apollo solo for 400€. Would you recommend doing so (I’m a Mac user) or should I rather get a cheaper competitor (e.g. Audient Id14; SSL2+ Or AUD Volt 276) and save some money? Thank you in advance!
Do you think that the SM7b would need a cloudlifter on this interface? I’ve been debating with myself for a while if I need one when I get this audio interface. Great video btw I’ve been looking for an more in-depth user review on this device!
I recorded all the voice audio in this video with my SM7b… admittedly at full gain but I was 12” off mic and speaking rather than singing and projecting. It’s strangely got headroom and made absolutely no noise at full volume. I mentioned this in the video 🙂
@@EdThorne Cool! Do you think if you were singing into that mic rather than talking would the gain setting would be about the same or less? Thanks for the reply
@@mosesmusazi it only has 55db of gain, most interfaces in this class are 60db or higher, which is really what you need to meet that -12 threshold for the sm7b. The UA Volt is using dated tech, probably a cost saving measure but you can find better preamps if you ask me.
The volt 1 and 2 are priced the same with the Scarlett Solo and 2i2 in the US, but in Europe they're more expensive and you get better bang for your euro with something British like the Audient ID series or the SSL2.
I´m currently on a Steinberg UR44 and it´s kinda noisy. Not that it matters, my pc fans are about the same loudness so a better interface wouldn´t salvage me.
Great video. So the compressor can not be tweaked. It is just a button on and off. That seems like huge limitation. I suppose for the price it is what it is.
Thanks, Art G. There are three different compression settings with different attack and release combinations, none of which I’d have chosen personally but UA are definitely the compressor experts so I trust their judgement. For the price it definitely is what it is. I wonder if there’s scope for them releasing a model with a variable ratio function, that would be sweet!
Hey thanks for your feedback! Defently, that would totally make the Volt the best at that price range. I believe it could have been done, but frankly I believe the company is targeting the average musician or starting producer who lacks those skills, ' so they simply made it easy to plug in and record with out any hassles. Thanks man!
@@artg7909 Oh thanks for realising that.. was thinking on this for a substitute for my audient id 14... which lacks midi I/O, and im fed up with it... But.. but.. yeah.. this sounds very limiting for sure. Any recommendation? Would gravitate towards ssl then.. or just saving for an rme.
If you look at it in the sense that this isnt a compressor but just a added feature, its great. They give you 3 pre determined settings based on your souce material. The idea I think is to get you sounding good, quick and easy, especially for the less experienced... but I agree some added control over the compressor would have been a nice touch for those who want it.
Hi Ed, I bought the id14 a couple days ago based on your reviews (still returnable). I use it for my guitar and an sm7b. Which of the two would you prefer and why? Is the volt your new recommendation below 300$?
Hi Nick. To be honest, I can’t decide. I think overall, the iD14 having ADAT expandability and the iD Monitor routing app makes it more appealing to me. But the simplicity of the Volt and compression would make it a great travelling interface. They’re both great. You’ve definitely not made a bad choice 🙂
Currently using a FOCUSRITE Scarlet 2i4 (First Gen). I'm looking to dedicate it for my old Kurzweil K2000 into my current projects (It still sounds great). I love the fact that is has two inputs, midi in and out as well as USB C, all in a compact design. I'm anticipating the reviews on its DAC capabilities before I pull the trigger.
Oooh this test will have to make it into a video soon. The Volt is surprisingly clean, even at full gain, and fractionally the better of the two for an SM7b
I’m new to audio interfaces. I have no idea what converters are or any of that stuff. I just want a high quality audio interface that won’t let me down and $1000 and under is my budget. What should I get?
Hi there. The converters are the processing chips that turn an analog signal (a voltage created by the pressure of sound waves hitting a microphone capsule) into a digital signal (a series of binary code) that your computer can process. They’re often referred to as ADC (Analog to Digital Conversion), or DAC (Digital to Analog Conversion). Regarding which interface, it depends how many inputs you need, and whether you want to process your input monitoring with no latency or not?
Amazing video and review. How does the Volt compare to the Apogee Duet 2 sound quality wise? I love my Duet, but I recently decided to purchase a synthesizer and unfortunately the Apogee has limited inputs.
Thanks, Jay. The Apogee Duet is a considerably more expensive interface, likely because it has better parts and converters. The pres are flatter, I dare say lifeless - but some desire such neutrality. A better comparison would be Duet 3 (new version) VS Apollo Twin X.
@@EdThorne Aside from recording into the box, like general audio quality coming out of it for listening back to music played through my computer, would there be any difference in audio quality?
@@jayway1116 It’s likely the Duet would sound better because it will have better converters. The difference may only be minimal though. The Volt sound great regardless, it’s not a flat, lifeless interface like I find the M2 to be.
did you notice after you plug your XLR in it is impossible to pull it out? You will never have access to use that channel with TRS Quarter inch input. I have 2 Volts a 4/76 and a 2/76 my XLR cables a permanently locked in. They have no release tab.
Currently have a Tascam 1608 which I stopped using . No future support for my MacBook. So I bought an ART quad iv . Th phones out came faulty so looking at returning everything and getting the 476
Hello , thank you very much for your passion and your time given to us, that's insane ! I also own a wa-73 eq, do you think I can bypass the preamp from the interface but still use the compressor from it ? Again, thank you for this !
Both volt 1 and Audient id4 are available at same price in my country.Can you suggest me which one I should buy Id4 or volt 1?for better preamps & studio quality recording
💽 Track Mixing: edthorne.com/mixing
🎬 Can A DI Box REALLY Make A Difference? th-cam.com/video/HeE57eYXjF8/w-d-xo.html
🎬 Lewitt CONNECT 6 Audio Interface with DSP
th-cam.com/video/sUULL3I0r5Y/w-d-xo.html
🎬 Re-Amping & Analog Mixing with the Volt 476P Audio Interface
th-cam.com/video/EhecXmcyR1A/w-d-xo.html
Sweetwater: imp.i114863.net/oe5E1e
Hey Ed
Hope you're doing good
It'll be really helpful if you do a giveaway... For people like me who couldn't afford!
It will be very useful for us to make more music
Thank you
@@udaymusik2376 go on eBay and you you can get usb interfaces to get you started for next to nothing
@@Topbokelife we don't have that in India...and even if we buy those...90% product's are defective...
Great review Ed! Thanks for sharing. This is a fantastic interface that definitely gives a great coloured sound.
Thanks, Warren. I really like how this interface sounds too. I think a lot of people will enjoy using it.
@@EdThorne fantastic! Look forward to collaborating!
5-pin MIDI is a must for people who are playing electronic music live with a number of different modules/synths. Having 5-pin MIDI on board is a major selling point for me, (one less box to bring to a gig) and one reason i’ll be picking up this interface.
Cool man. If it’s useful to you, that’s a win 🙂
I enjoy that UA is giving people tools to MAKE music and not learn mixing too much. Back in the day we used such minimal gear from just Tube amps, slow compressors and Noisy Eqs and with this harmonic content it will change how the musician hears themselves.
It's obvious how much planning you put into this comparison. I feel like every question I would have asked you already knew ahead of time, lol. Great work!
Thank you! I’m glad you appreciate the thought and effort, these videos are a LOT of work!
The 5 pin midi was a godsend for me as I use analog synths and love having the flexibility of sending midi to the synth
Same for me! It was actually a selling point for me.
Over the years, i’ve owned alot of the entry-level/budget interfaces to use as my mobile setup when i’m travelling. I’ve owned the scarlet, audient id44, audient evo, ssl2+, and motu m2, and after hearing this demo, I’d 100% recommend the Motu out of all at this price point. Although the analog circuitry of the compressor and vintage function may seem cool, I see it more as a gimmick, similar to the 4k button on the SSL interface. There are free plugins and stock DAW plugins that are far more flexible and sound better at compression and thre “vintage” sound. If you like the sound of the interface, go for it, but dont be suckered into buying it on the vintage mode or compressor. The software bundle it comes with will get you further than those. Aim for an interface that gives you the amount if ins/outs you need, has enough good-clean preamp gain, good latency/direct monitoring, and enough juice for your monitor and headphones. I’ve been buying gear for the better part of 20 years……Dont get reeled in by the ginmicks. Just my $.02
You may see it as a gimmick but to my ears it sounds nice.
And which compressor should I buy for the Moto or any other without software compressor?
@@DieTabbi If you absolutely want a hardware compressor, there's a ton of options, even inexpensive ones like the FMR RNC go a long way. But honestly, there are a ton of free plugins that get the job done quite nicely, even the stock ones in most DAWs perform pretty well. It's just my opinion that a compressor circuit added to an entry-level interface is not a selling point that would make me pay more over comparable interfaces. I'd rather buy an interface that performs equally as well in the primary duties of an interface, for less money, and use a free software compressor or either buy a dedicated hardware comp. I have a lot of gear in my home studio (not much that's considered budget or entry level), so I'm not trying to bash this interface, just giving my opinion since I've been down the road of getting caught up in gimmicks or hype when I was first getting into pro audio equipment.
@@tonygunz21 thank you for your kind explanation. I am new to all this stuff. I want to replace my GoXLR mini for a descent audio interface. I have a XLR and headphone planar magnetic and 250Ohm which needs more power then the GoXLR has. I don‘t know software compressors, that why I asked for suggestion.
@@DieTabbi Sure thing, no problem. I haven't used this UAD, but I see they offer a cheaper version without the compressor circuit. That may not be a bad option, but I still can recommend the Motu overall. It has all the features I needed, sounds good, and is built very solid. The SSL2+ checked pretty much all of those same boxes, but didn't have enough juice in the headphone amplifier, which was a dealbreaker. The Audient ID14 mkii is also likely one of the best contenders in the sub $300 price point. I've had the ID44 a while back and really liked it, just wanted to try other things out. I liked the Audient Evo as well, but it felt like a toy, and not having separate knobs for different controls wasn't the best for me. For what it is, it was pretty cool though, and very small so easy to take wherever. Try downloading a free LA2A style compressor to learn. That's probably the easiest style of compressor to use, just two knobs.
I’ve waited since release for someone to do a review of this. I’ve begged all the channels I’m subscribed to for a review. You get a sub.
Many thanks. I have loads of other reviews on the channel too. Anything you’d like to see reviewed?
Great review Ed, I’m an Apollo owner but the thing you dismissed is probably the biggest selling point for me, midi ports , I’ve got a JV1080 and a Yamaha Disklavier Piano which both use old school midi, I’m looking forward to hooking them up, the piano’s in another room so it’ll be interesting to try the volt pre’s as well👍
If you have use for them then that’s a good result. UAs research suggested more people would use the feature than mine did. Glad you like the review. Thanks for watching.
@@EdThorne whilst technology moves on , “allowing” for old school I think is a good move, I mean so much love for old school analogue and tape atm , how much old gear Is kicking around not being used?
Great review mate. Not gonna lie having the option of the vintage PRE and 76 comp is a very nice addition for tracking. Quite clever from UA tbh
I think it’s a good sounding interface. And Vintage mode feels more real than the SSL Legacy 4k mode or Scarlett’s Air mode. You should do an aliasing comparison and destroy SSL even further 😜🤣🤣
@@EdThorne I think the chances of UA giving me a volt to play around with are pretty slim. More chance of me being liked on gearslutz 🤣
@@PaulThird Haha. I don’t get to keep these, have to send them back for the next reviewer. I’ll just post ‘em to you 🤣
@@EdThorne Ed: I gave them to another youtuber to review hope you don't mind, he said he'll send them back right after he's done
UA: emmm OK should be fine. Whats the name of the youtuber?
Ed: Paul Third
UA: NOOOOOOOO!!!!
🤣🤣
@@PaulThird Haha. I think you’d like it though.
I’m glad you regularly bring up the functionality of being able to adjust the mix (daw output vs mic levels). For me, this is an absolute requirement in an interface (on the hardware or in the software); my old guy ears need it. It amazes me that most reviewers fail to bring it up.
It strikes the Volt off my shopping list along with the Motu M2. The M4’s got it but at another price level.
Yeh, it’s important for me too! Audient and Evo are leading the way in this price bracket for Monitor mixing. Up from that I recommend the Apollos.
Saw you in IG, stayed on TH-cam. Keep going man! 🔥
Thanks buddy 🤘
It’s definitely a massive contender in the price range… if they spent more time on user options they could kill it
Ed
Man I've been blessed with so many interfaces you wouldn't believe!!! 1 Zoom U44, 3 Zoom U-22s, The Zoom H8 RECORDER, Apollo x4, (arrived last week), the focusrite Scarlett 2i2, focusrite Scarlett 18i20 (on back order), Tascam Dr-100 Mkiii, the Zoom H6 all black, Zoom H4N Pro, Zoom H5, Sound Devices Mix Pre 6ii, and I'm positive I'm forgetting something! And we won't even talk about the 32 microphones I have acquired this year alone! Large condensers, small condensers, Dynamics, ribbons, tubes...this time last year I was in the hospital fighting for my life! So thankful to just be alive. I celebrated my 65th birthday last Monday on November 15th.
I said all that to day I have my eyes on the Universal Audio Volt 276 or 476. Thank you so much for the great information I really appreciate your channel very much...
Hi Richard. Happy Birthday. I’m sorry you were ill, but very happy to hear you’re well again. Rock on! Wow, that’s a lot of gear purchasing, enjoy 🙂🤘
@@EdThorne thank you my friend!! That means a lot. Love your channel and your incisive comments and tutorials!!!
@@richardbailey511 Thanks, Richard. How are you finding the X4? If you learn how Console works properly it’ll be the best interface of your life!
Ha, I'm in the same boat my friend. Used just about every interface under the sun from the cheapest of the cheap to the highest end. I recently changed countries and found myself stuck with a mackie onyx, so am looking to grab a volt as soon as it is available. Glad you're still around, and all the best to you and your music!
@@GoldenDeathMusic thank you so very kindly. Glad to hear about your experience as well. Hope you and your family have a wonderful Thanksgiving!
I'll stick with my Motu M2 (which I LOVE), at least until UA adds loopback, and drops the price a bit. The compressor didn't seem like it smoothed out the volume much (waveforms look identical??). Thanks for the review. :)
The waveforms are very similar. Only when you impose the fastest setting can you see a difference. The compression is a little more obvious on guitars and keys but I couldn't demo this at the time of doing this video.
Thanks Ed for mentioning the fact that the audio interface does not have a loopback feature.
Having the 5-pin MIDI in and out was a deciding factor for me. It'll help me use some of my older gear with the Volt.
Didn’t even know there were modern non-digital alternatives lol! Thank you, great content & subbed !
Thank you for this demo. You explained it well. And you sound great!
Thanks, Elaine 😊🙏
I changed to the volt 276 studio pack from audient ID22 and i am really liking the sound.
I was looking for a interface and never heard of this. But this review really spoke out to me.
All UA stuff is great. These are their budget friendlier, non-DSP processing interfaces. Great interfaces.
I’m using a Focusrite pro 14 . The volt2 sounds mouth watering thanks for the review.
Thank you for isolated sounds and within a mix / backing track. Always useful
just got a volt 2 to connect my computer to my mixer for audio tracks, it actually sounds really good. the output meter sucks, not much headroom on the meter, it would be nice if you hit red on the meter it would stay red for a few seconds. its hard to tell if your hitting red or just yellow, but for the money, if you dial it in it sounds really good. connects to ios too. sounds way better than bluetooth, thats why i bother rather than using bluetooth.
Just got the Volt 267 from Thomann.
I thought I was having a bad product, with 100% volume in a monitor station had the signal clipping.
BUT you sir made my day. The signal is NOT linier, so that makes sense, thank you for this video.
Best regards
Hi Thomas, I’m glad that eased your mind. I’ll be honest, I was wondering if that was just an issue with my review unit and if I’d get hammered in the comments for it, but apparently it’s not just me. Mutual relief🙂
Ed for the win!!!
@@UniversalAudio Ed for the win yes, I have to come here pestering him with questions as you guys turn off the comments on your videos....wtf? Not a great look for people who might be considering your products...
Hello Ed!! Your reviews are top-notch and give me a hard to deciding on which interface to go with since you are so detailed about your reviews. I am currently a bedroom music producer making beats and recording my vocals but im looking to delve deeper into mixing. Which audio interface would suggest I get that is budget-friendly between the Volt 276 and Audient 14?? Thank you for your feedback.
Thanks, Henry. If you mix on headphones check out the Topping E2X2! The DAC/HP amp is far superior to these, however I prefer the preamps on the Audient/Volt. It’s a tough one. Maybe buy all three and see which your prefer and send the others back…
@EdThorne Thank you, Ed!!! I will go with your advice. Sounds like a good idea. Thanks for your response.
Really appreciate your work on this review; excellent.
Thanks, David. I hope it was useful 🙂
I have been using Scarlett 2i2 1st gen for years now but I’ve just upgraded to UAD Apollo Twin X and I think I’m going to enjoy the new change!
If you learn how Console works properly you will never regret your decision to buy an Apollo. 👌 This should help: th-cam.com/video/0DZM9y6tmBQ/w-d-xo.html
Congrats and welcome P Y!
nice review Ed!, I bought this audio interface and i cannot be happier i just love it very well built, it doesn't move easily. I use my rode nt1 and sounds lovely, the TRS and Headphones outputs sounds just great. I'm happy with it. I'll keep it for a long long time
Amazing. Glad it was helpful.
I'm rocking an OG Duet Firewire (with breakout box) by Apogee that I found recently at my local record store for $50. It was a pain to find its ancient software but I finally managed to get it working and connected with Logic. I dig it. It does exactly what I need it to do, which is allow me to plug in and record my guitars/bass/keys.
The best interface - is the one you have when inspiration takes you.
I have an original Apogee Duet FW and it works fantastic with my iMac running Big Sur. Their converters are hard to beat!
@@Gigmeister1 Right! I especially dig its metallic utilitarian look and feel. Especially the breakout box (which upon research was for the Duet 2). Its just cool looking. I actually changed to a Scarlett 2i2 (2nd gen) because I've upgraded my laptop. I'd like to keep the breakout box but I'm struggling to find a use for it without the main Duet interface...
Hi ed great video may I ask what headphones you are using in this video. Just got the mdr7506 for monitoring and can't stand them looking for some options outside of dt770s
I was using the Adam Audio SP5s. VERY detailed headphones but very prominent at 6 and 10kHz which is uncomfortable for recording, and inaccurate for mixing. I always default back to my Sennheiser HD300 Pros for tracking vocals, and HD600 open backs for mixing!
I may be late to the party but all of your reviews are really help as I’m upgrading my home studio for decent vocal demos.
I’m glad they’re helpful 🙂🙏 Thanks.
@@EdThorne I was gonna get the SSL 2+ but you seem to be saying that either the uA volt (476?) or audient ID44 seem to be the way forwards. Need for vocals and DI guitar / bass
Thank you for the very good presentation of these two devices!
You’re welcome. I hope it helped 🙂
I could not endure the whole demo quality and content and information was great but I can't help wondering if Mr Thorne's voice might be better suited for calling a "spurs" away game or perhaps commentating the Grand Prix it was just a little to brash for my over sensitive ear holes... at this point its Universal Audio City 1-0 to Solid State Logic Rovers ....
Ha. There will only ever be one Murray Walker🤘
I am Currently using the Black Lion 2x2 Interface. ITs a solid piece of gear! The Volt definetly has my attention.
The BLA2x2 has incredible converters and HP amp but I hated it otherwise. Love Vintage Mode and the compressor on the Volts.
It seems to have a UK filter. I didn't detect any accent in your signing. Kiddin' -- I just purchased the Volt2 and am anxious to test it out - great review as always!!
Great video, Ed, thank you! I'm a voice actor, and I love me some mics and interfaces. I've tried a lot in the past (Focusrite Itrack solo, steinberg ur12, Audient ID4/ID14/ID22, but the three I'm currently using are the SPL Creon, Centrance Portcaster and MicPort Pro 2! The SPL has a similar form factor to the ID22, with a warm sounding pre that I like. The Centrance units are ultra portable, and have excellent pres as well.
These new units look very promising for the price!
Thanks, Sean. That’s a lot of devices. What mic(s) are you using?
@@EdThorne Currently just the Sennheiser 416 and Gefell M930, but I've tried the Rode NT1, Sennheiser MK4/8, JZ Microphones J-1, CAD e100s, Lewitt LCT 440, and the Neumann TLM 103 trying to find my perfect VO mics, but I think I've found them! I'd love to try the Rode NTG 5 or Austrian Audio Mics, though. The reviews have been stellar!
@@sdaeley17 The OC818s are beautiful. A very smooth, even, modern sounding mic. The JZ V67 is THE best mic I’ve heard (give or take a U87). Can’t go wrong with an SM7b (I use one for all my videos). And check out the Earthworks ICON (a better sounding, less gain hungry Alt to th 7b)👌
@@EdThorne Awesome, thank you for the recs! Do you have a video with the V67, by chance? (EDIT: Nevermind! Found it. :D)
MIDI 5pin } Keyboard>Volt>iPad - No need for a hub on the go although USB hub and USB Midi does supply a powering option. I also was hoping for a LUNA Lite..even an iOS version for easy import/export into LUNA desktop. How awesome would it be to capture ideas on the go..easily open the iOS file on the desktop/laptop and build out a real version of the song using the initial ideas captured on the iPad?
If you still have the volt, it would be intresting to compare the vintage pre and 76 comp with your hardware gear like neve/warm and warm audio 76 comp to see how different they are.. (or not).
The 5 pin midi input was the biggest reason for buying my 276 (I use a Yamaha P-70)
Awesome work! I really enjoyed both this as well as your comparison video. I really like the idea of having an analogue compressor for colouring my tracks and I was wondering if this one could work as a mastering compressor too? Or is it just more worth paying the extra $ for a cheap beringher compressor? Also, would you consider this an upgrade in terms of recording quality, comparing to NI komplete audio?
Hi there, and thanks. I’ll be honest I didn’t like the NI when I reviewed it 2.5yrs ago. Volt is definitely one of the best sounding in this price range. I’d suggest getting a designated stereo compressor for mastering, it’s unlikely you’ll match the gains exactly on two individual preamps, and you may introduce phase shifting if their EQ curve isn’t identical. I’d also avoid anything Behringer, personally. Check out the Warm Audio Bus Comp, that’s great for the money.
@@EdThorne thanks for the advice and for taking the time to reply. Keep up the great work!
Nice review. Dude, you look like a young Toby Stephens, the English actor
Focusrite 2i2
Thank you for the great work. Please, keep it up.
All the best,
Ben.
Thanks, Ben 🙂
U didn't mention arturia mini fuse. It's a solid choice now for producers and... !
I reached out to Arturia to get a copy to review but never heard back. It literally looks identical to a Scarlett (besides the colour). Am I wrong?
ordered the 476. looking forward to it.
Awesome. Enjoy 🙂🤘
What do you think of it?
Actually the midi was the selling point on this for me, as I do have midi devices and my only other soundcard that has midi is the no longer supported soundblaster extigy that I am trying to get working again. While I do have usb to midi adapter having a direct midi interface I can use with midi cables allows me to differentiate devices really this is only about a $30 value but that is still $30 of added value. The onboard compression and vintage is probably another $50 value although practically a lot of stuff is done post processing but I think for living recordings - ie streaming this then actually may allow people to give a little something extra to their sound although again vsts do allow this -- there it is though UA also has their VSTs that they include with this so if you buy vsts that is probably another $50+ of value so for 176 for instance you are about $130 ontop of a $100 soundcard and that is more or less where you are at, the wood and metal appearance on it is nice if you like the vintage look. I am someone who likes old vintage lightbulbs and wood and metal so the overall apperance is nice. While I 100% agree getting high end DSP on this with actual benefit overonboard vsts this would be a great addition like some type of analog modeling - or even just what you get with an old keyboard like echo, reverb, delay, distortion etc.. digitally provided through an interface to turn it into a preamp processor. Like my old gem wk6 keyboard has effects processor built in and it is from 1997 while it has the option for a vocal processor also. You would think you can get that into a low cost chip - you can basically fit an amiga computer on a computer chip these days so adding a lot of extra power into a input interface you would think would be low cost and routine. All that said I look forward to checking out the volt 176 I got. The apollo stuff is way out of range for most starting musicians who are looking for a cheap daw, $1000+ buyin point for a daw would be offputing since a lot of people probably pirate their first DAW anyway until they comit to buying it. It clear that the idea of this product is to provide an interface for people to use Ableton then perhaps have them switch up to Luna if their experience with UA and its plugins are well received so it comes off as a starter product, at a relatively entry level price - imo its a classy option with the "recording artist" concept tied into the classic dreamy past of recording studios. UA offers an overall package their product in any individual part does not stand out but when you combine it it offers on overalll good value for money for people getting into making music and want an interface to start recording live sound. None the less good video if anything this peaked my interest in Luna but I am basically married to FL Studio, and am a "low end" hobbiest. Still this product looks nice, literally.
I am using the Focusrite Scarlet 2i2 4th Gen.
Hi Ed. I'm seriously considering an exchange audio interface. I use at Present a Motu 2408 mk3. Which has served me good. It is giving trouble. Sound is dropping in and out so I suspect its the interface. I have had it from new approx 9 years. Thanks for the video. Good as usual.
Thanks. I’m sorry your interface is on its last legs. The new EVO16 is a great sounding interface for the cash.
I've replaced my motu2 because the windows drivers are horrible I just ordered the volt 476p looking forward to it
Great Review! Thanks!!
Ed, I'm about to buy an audio interface next week and I'm between the Id4 MKII and the Volt 2, what would you choose? They are both very good and I want to make the best decision. Thanks for the review, your channel is amazing!
if comparing those two, I would get the volt 2 as it has midi controllers in the back (for basically the same price) if you choose to explore your musical journey more in the future. I would get what your looking for plus something extra that may come in handy in the future. Hence why I switched from Scarlett 2i2 to a motu m2
Hi Carlos. As Arto above has suggested, consider what your need are. Personally, ADAT is more useful to me than MIDI. I really like the Volt though. I’d suggest the 476 for I/O flexibility.
1. volt 276
2. SSL2+
3. PreSonus Studio 24c
4. Komplete Audio
Which one is better?
Actually the Motu M2/M4 deserves the 3rd place, the second one would he for Audient id 14 mkii
I hated the NI Komplete Audio, woeful interface. I don’t like Presonus stuff either (stepped gain pots is retarded). The SSL is good but personally I’d go with the Volt any day out of this list. Or as Oscar says, the iD14mkii!
@@EdThorne i do have the Volt 276 and minifuse 1
I can say without a doubt
Volt is a winner, probably it doesnt have the best "Specs" but it works as it should, and has a pretty natural color, i can say it sounds "analog" and pretty warm.
Definitely i like it more than my previous motu m4
@@oscarestrada2545 Let me tell you that the Motu M4 is way better than the Volt, just to point something, the converters of the Motu (ESS Sabre32) are used on expensive interfaces and the converters on the Volt are the same that Arturia use on the Minifuse (Cirrus Logic CS4272) the only thing is that UA charge you more money.
The M4 destroys the Volt and many more interfaces.
@@carlosserrano3985 probably, but i've had both and i love my volt 276 more than my motu.
I agree with you about LUNA integration -- I only use LUNA now (came from PT), and have multiple Apollo units, but would love to have a Volt in my mix room to use for overdubs as a different flavor.
sell me one of those Apollo units lol
@@JayHartMusic I was thinking about potentially upgrading to another newer unit so,....I'll let you know if I do.
@@billyhughes9776 keep me posted bro, I had a few Apollo’s in the past I have the volt 276 but thinking bout getting another apollo, which ones you have?
@@JayHartMusic If I were to sell it would be either my original silverface Apollo Quad or my 2nd gen Apollo 8.
@@billyhughes9776 how much for either?
I’ve been using an RME FireWire 800 for about 8 years. It’s a bit of a dinosaur these days but sounds great. Upgrading to a new iMac and will be getting a new interface so I don’t have to deal with compatibility issues. Curious about this volt.
Dear Ed, I have used a MOTU Audio express for years. It still works, although some lights no longer work. The UA Volt 476p has caught my attention. Mainly because of the ability to re-amp your signal, including the 610-style preamp and the 1176-style compressor. I watched your video about this.
My question is: if I switch to the Volt, will that mean a sonic upgrade for me compared to my old, trusty Audio Express?
Thank you in advance for your advice!
Oh… so you need to LOWER the master level output to balance the monitoring of what you are playing… I wasn’t sure how that worked. Hmmmm…. This is a strange missing feature that’s tripping me up a bit. I wonder I’d this will be annoying… my old interface has the blend knob and not sure I can live without it. Great info!! I almost missed it! Love the purple lights btw.
These Volt devices are all USB 2.0 - that was an immediate killer for me. No idea why they made this decision, as most other interfaces in this price point support 3.0. Making the USB connection a 2.0 was not a forward-thinking / future proofing decision, and will provide longer latency times all around, unless I'm mistaken. I was considering the 276, but not with a USB 2.0 connection. would love to hear your thoughts on this!
I haven’t read anything to say that it doesn’t support USB 3.0 (in terms of power and data transfer), they are fitted with USB-C ports so they should support 3.0. The USB 2.0 “and above” reference on the website indicates it can be powered by type 2.0 supporting devices onwards, offering compatibility with pre-2016 devices. I know they had a lot of backlash with the Solo because it ONLY supported USB-C/3.0 because of its power requirements which isolated A LOT of users on older computers (inc my 2015 Mac at the time).
I suspect the USB-C to A cable might be to keep costs down. Most manufacturers are supplying C-C cables with a C-A adaptor though, which would have been my suggestion.
@@EdThorne Thanks for your reply - on the specs sheet you linked in your description, it states "One USB 2.0 port (USB Type-C connector)" Forgive me if I'm mistaken, but this means it is only capable of USB 2.0 speeds. Sure, it has a USB C port and is able to be plugged into USB 3.0 ports (as all USB 2.0 cables are), but it will not be capable of USB 3.0 speeds. This is a let down in 2021, and unfortunately if I'm dropping money for a new interface I want to make sure its latency is as low as possible, and I can opt for other interfaces to achieve this. Regardless, thank you for your research and analysis on this interface, your videos are super helpful :)
but how would they get you to upgrade later if they gave you everything you wanted right now :p
"USB 3.0. As exciting as it might seem, USB 3.0 might just not be the future of audio interfaces. Of course it is faster than USB 2.0, but only in the sense that it can carry more data traffic and therefore more channels. It doesn't get the data there any quicker so there is no advantage in latency over USB 2.0." not sure how true this is but I've been reading up on these and USB 2.0 is more than enough for a home studio. unless you're recording thousand tracks at a time.
@@mikepawntee2425 Hm, is this true? Can you provide any sources that explain this?
Thanks for the demo! Where did you find the information for the compressor preset timings? I haven't found those numbers anywhere
Direct contact with UA
Upgrading from my old Behringer umc-204hd, because these also have MIDI out, which is great for hooking up synths for a live show.
The headphone output is waaay to loud for 32 Ohm headphones and is very sensitive. And at comfortable volume levels (near 0 position) it currs off the right channel >.< Sent it back, getting a motu or arturia instead
Even the main Monitor Knob cuts off one channel when rolled to near zero level, don't like that, but I'm wondering if all units are like that or normally other Volts don't present that behaviour. Anyone knows?
I was considering on waiting for these to come out however I already purchased a Motu m2 after returning the Scarlett 2i2. Considering UA is trying to fill the gap in the lower priced audio interfaces, esp still being usb 2.0, I don't see the need for these interfaces. If I become more serious with recording, id def upgrade to the higher end UA interfaces (arrow, apollo). I just don't see the need for these esp when there are soo many other competitors out there already offering the similar thing.
Exactly
UA are wanting to offer something different in this price range (built compression and definitely a vintage sound). I think it’s good fo consumer choose but I agree it’s a saturated market. I can’t recommend the Apollo’s enough if you upgrade.
The Volt series is USB-C, not USB-A (2.0).
To me the most important right now is how stable and/or good the drivers are with windows. I am beyond frustrated with my scarlett6i6 because the drivers are bloody awful. Great hardware but without drivers to make it work, you just have a nice doorstopper. Anybody using this on windows (7, especially)
Sounds like the problem is you are using a 13 year old operating system
@@sale9667 updated to 11 since the comment, as I thought the same. Drivers still suck. Not as bad but still far from being great. RME drivers have no problem on any OS. A company as hig as focusrite is should not have problems with its drivers.
If to choose for home guitar recording via line-in only, and monitoring purposes which would be best choice?
1.Scarlett 2i4 3gen
2.Universal Audio VOLT 276
3.SSL2
4.Audient iD14 MKII
This would have been amazing if they had included a model with a dsp so you could get into the UAD plugins
They’re called Apollo’s 😜 DSP integration is expensive and it seems the Apollo Solo is as cheap as they can make it so the Volts are a non-dsp alternative for this market 🙂
@@EdThorne this didn’t age well…now that spark is coming and the plugs going native, will volt users get access now that they don’t need dsp?
@@LennonStephens Volt users get a 30 day trial of Spark for free.
@@EdThorne wow, I figured they had to do something- thanks for the insight
No round trip latency results? That's one of the most important tests to do on an interface
I don’t play guitar so I don’t use amp sims in my Daw and only use the direct monitoring. For latency result, best check out Julian Krause’s review 🙂
Hello Ed - great video. I currently record on a 10year old scarlet 2i2 usb-Interface and want to upgrade my setup to a more professional one - have the chance to buy a used apollo solo for 400€. Would you recommend doing so (I’m a Mac user) or should I rather get a cheaper competitor (e.g. Audient Id14; SSL2+ Or AUD Volt 276) and save some money? Thank you in advance!
Hi, I’ve replied to you other comment. Thanks for watching 🙂
I still think the Motu holds up as best in class so I’d love for you to compare this directly against the M2/M4. That’d be a great shoot out.
I’ll see if I can get hold of one 👌
Love the review! Also… was beginning to think I was the only person who owned the SP-5’s. 👀
Thanks, Daniel. Yeh they’re not common, I suspect because of the price. I’ve reviewed them in this video: th-cam.com/video/UP_lwLUppHw/w-d-xo.html
Do you think that the SM7b would need a cloudlifter on this interface? I’ve been debating with myself for a while if I need one when I get this audio interface. Great video btw I’ve been looking for an more in-depth user review on this device!
I recorded all the voice audio in this video with my SM7b… admittedly at full gain but I was 12” off mic and speaking rather than singing and projecting. It’s strangely got headroom and made absolutely no noise at full volume. I mentioned this in the video 🙂
@@EdThorne Cool! Do you think if you were singing into that mic rather than talking would the gain setting would be about the same or less? Thanks for the reply
@@mosesmusazi it only has 55db of gain, most interfaces in this class are 60db or higher, which is really what you need to meet that -12 threshold for the sm7b. The UA Volt is using dated tech, probably a cost saving measure but you can find better preamps if you ask me.
The volt 1 and 2 are priced the same with the Scarlett Solo and 2i2 in the US, but in Europe they're more expensive and you get better bang for your euro with something British like the Audient ID series or the SSL2.
Technically ALL these brands are British (what a heritage in audio we have!). My money would be on the iD14mkii or Volt 276.
Been waiting for mine forever.
It’s worth the wait
just bought my volt 2 76 love it!!!!!!!!
Excellent. Congrats.
I´m currently on a Steinberg UR44 and it´s kinda noisy. Not that it matters, my pc fans are about the same loudness so a better interface wouldn´t salvage me.
Great video. So the compressor can not be tweaked. It is just a button on and off.
That seems like huge limitation.
I suppose for the price it is what it is.
Thanks, Art G. There are three different compression settings with different attack and release combinations, none of which I’d have chosen personally but UA are definitely the compressor experts so I trust their judgement. For the price it definitely is what it is. I wonder if there’s scope for them releasing a model with a variable ratio function, that would be sweet!
Hey thanks for your feedback!
Defently, that would totally make the Volt the best at that price range.
I believe it could have been done, but frankly I believe the company is targeting the average musician or starting producer who lacks those skills, ' so they simply made it easy to plug in and record with out any hassles.
Thanks man!
@@artg7909 Yeh, I think so too.
@@artg7909 Oh thanks for realising that.. was thinking on this for a substitute for my audient id 14... which lacks midi I/O, and im fed up with it... But.. but.. yeah.. this sounds very limiting for sure. Any recommendation? Would gravitate towards ssl then.. or just saving for an rme.
If you look at it in the sense that this isnt a compressor but just a added feature, its great. They give you 3 pre determined settings based on your souce material. The idea I think is to get you sounding good, quick and easy, especially for the less experienced... but I agree some added control over the compressor would have been a nice touch for those who want it.
I currently have a Peavey PV6 and that's why I'm seeing this review! I'm interested in the volt 😢
Hi Ed, dummy question... this comes with a usb c to usb a included, can I use a usb c to usb c if I have one? Yeah, right? Thanks! Sterling work!
Yes 🙂 And thanks 😊
Im using a Focusrite 2i2 gen1 atm... it's on it's last legs. Need a new one asap.
Hi Ed, I bought the id14 a couple days ago based on your reviews (still returnable). I use it for my guitar and an sm7b.
Which of the two would you prefer and why? Is the volt your new recommendation below 300$?
Hi Nick. To be honest, I can’t decide. I think overall, the iD14 having ADAT expandability and the iD Monitor routing app makes it more appealing to me. But the simplicity of the Volt and compression would make it a great travelling interface. They’re both great. You’ve definitely not made a bad choice 🙂
The Audient is way better than this Volt interfaces.
I’m running a Focusrite Scarlett 18i8 Gen 3.
A VERY popular, all-purpose interface!
Thanks for the video. Do you think the volt 1 is better than the focusrite scarlett solo 3rd generation?
Yes.
@@EdThorne thank you 😁
Currently using a FOCUSRITE Scarlet 2i4 (First Gen). I'm looking to dedicate it for my old Kurzweil K2000 into my current projects (It still sounds great). I love the fact that is has two inputs, midi in and out as well as USB C, all in a compact design. I'm anticipating the reviews on its DAC capabilities before I pull the trigger.
The Volt is supplied with relatively old converters. They still sound good, but I'm surprised they didn't go with a newer model.
Thanks this was super helpful!
Thanks, Joseph, I’m glad it was useful 🙂🙏
side by side vs Audient I’d 4 - which one is better and cleaner for Sm7b?
Oooh this test will have to make it into a video soon. The Volt is surprisingly clean, even at full gain, and fractionally the better of the two for an SM7b
I’m new to audio interfaces. I have no idea what converters are or any of that stuff. I just want a high quality audio interface that won’t let me down and $1000 and under is my budget. What should I get?
Hi there. The converters are the processing chips that turn an analog signal (a voltage created by the pressure of sound waves hitting a microphone capsule) into a digital signal (a series of binary code) that your computer can process. They’re often referred to as ADC (Analog to Digital Conversion), or DAC (Digital to Analog Conversion).
Regarding which interface, it depends how many inputs you need, and whether you want to process your input monitoring with no latency or not?
Amazing video and review. How does the Volt compare to the Apogee Duet 2 sound quality wise? I love my Duet, but I recently decided to purchase a synthesizer and unfortunately the Apogee has limited inputs.
Thanks, Jay. The Apogee Duet is a considerably more expensive interface, likely because it has better parts and converters. The pres are flatter, I dare say lifeless - but some desire such neutrality. A better comparison would be Duet 3 (new version) VS Apollo Twin X.
@@EdThorne I appreciate it man! Thanks for the advice.
@@EdThorne Aside from recording into the box, like general audio quality coming out of it for listening back to music played through my computer, would there be any difference in audio quality?
@@jayway1116 It’s likely the Duet would sound better because it will have better converters. The difference may only be minimal though. The Volt sound great regardless, it’s not a flat, lifeless interface like I find the M2 to be.
@@EdThorne I appreciate the feedback my brother. Not a lot of people take the time. 👊🏽
Great Review...
Like apollo... Does Volt have a console??
Thanks, Adina. Sadly, it does not. There’s a few features missing I talk about at the end of the video.
Have you tried the sm7b with a CloudLifter? I love the extra gain before my interface.
I have not. I’ve never needed one. I can see the appeal though 🙂
Using the Apollo Twin Silver Thunderbolt edition
Good review, however it would have been good to hear the comparison without pitch correction since that in itself colours the sound.
Thanks. Possibly. But you can still hear the difference Vintage Mode and the compressor imposes though, right?
@@EdThorne yeah - totally. It sounds like it’s adding harmonics as you said.
did you notice after you plug your XLR in it is impossible to pull it out? You will never have access to use that channel with TRS Quarter inch input. I have 2 Volts a 4/76 and a 2/76 my XLR cables a permanently locked in. They have no release tab.
No. All my Volts are fine. Sounds like bad XLR ends. Try Neutrik connectors.
I'm just getting into recording guitar and figured I can't really go wrong with the Volt 1.
It’s solid. Let us know how you get on with the software/Softtube amp sims👌
Currently have a Tascam 1608 which I stopped using . No future support for my MacBook. So I bought an ART quad iv . Th phones out came faulty so looking at returning everything and getting the 476
Ah, that’s annoying. You’ll love the 476.
I'm using a Scarlett Solo but I've had a lot of troubles with it and am looking to distance myself from it.
Sorry to hear that. What kind of troubles? PC or Mac?
Hello , thank you very much for your passion and your time given to us, that's insane !
I also own a wa-73 eq, do you think I can bypass the preamp from the interface but still use the compressor from it ?
Again, thank you for this !
Hi, Maxime, thanks for the kind words. No, this is not possible.
@@EdThorne thank you for the answer, I went for the MOTU M4, cause all I needed was good converters ;)
Both volt 1 and Audient id4 are available at same price in my country.Can you suggest me which one I should buy Id4 or volt 1?for better preamps & studio quality recording
Tough choice. iD14 for monitor mixing. Volt 1 for vintage mode.
@@EdThorne sir,I'm using headphone and i want better sound quality suggest me one from the two
the wood enclosure looks fantastic
Im still on Presonus Audiobox iTwo )))
Great review. Only thing I don't understand is WHY would they only provide one headphone output
Thanks. Most interfaces under £/$300 only come with one HP.
I'm using an Apogee duet. Considering to change it to Volt :-)
Your Apogee Duet is a superior interface. The Duet's host very neutral preamps and better quality converters (IMO).
hello sir.. which one you prefer audient id14 or volt276?
I can’t decide 🤣 I like the built in compression feature on the v276 but I like the iD monitoring app with the iD14…
ID14, way better!
Fab presentation - It's all about the target audience. No US hype and theatrics/pizzaz. Very appealing to this Aussie. Thank
Thanks, I hope the video was useful 🙂🤘
useful? most certainly - I'm buying one - all the best