The 5th Generation RODE NT1 is here, and it's got some new tricks.
ฝัง
- เผยแพร่เมื่อ 5 ส.ค. 2024
- Thanks to RODE for sharing the new NT1 5th generation with me to make this review.
Learn more:rode.com/en/microphones/studi...
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Chapters:
00:00 - Start
00:36 - 32 Bit Float
00:43 - USB MODE DEMONSTRATION
01:05 - 192khz Sample Rate
01:37 - Revolution Preamp
02:08 - Mutiple USB Mics
02:58 - Configure DAW for 32 bit FLoat
06:06 - XLR MODE Sound Test
06:52 - Specifications
09:50 - Frequency Response Graph
12:04 - Sound Comparison with NT1-A - ภาพยนตร์และแอนิเมชัน
Happy to see another mic review from the Booth Junkie himself!
Old school Booth Junkie mic review. ❤ Thanks, Mike.
I found your channel on a recommendation from YT, while searching for mic reviews. I am blowen away by just how much I have learned from just this one video. Incredibly knowledgeable, well thought out, and because of that, you just earned a new subscriber!! Great Job, Sir!! well done!!
Hey Mike! You sound nice and warm, absolutely fantastic on the upgraded NT-1 mic. Thank you for this video!
We're all booth junkies now!
Thanks for taking the time to share this, sounds like a very impressive leap forward in mic technology from R0de.
So glad to see a New Mic review. I missed them so thank you.
It was really fulfilling experience to listen to Mike review Lewitt LCT 1040. Here comes another. You simply sound so charming with this mic.
Now I can't wait for the review by Curtis and Bandrew.
This mic is amazing! Thanks for telling us about it.
Glad to see Mr Mike review another Microphone as it has been a while.
The NT1 sounds great! Awesome review!
And just like that Booth Junkie is back!
Thanks, Mike. Especially appreciate the comparison with the NT1-A.
strange, the NT1-A sounds so much better here
Darnit! I _just_ purchased the NT-USB a few months ago. Why, oh why did you take till today to post this. Why?!
Just quipping. Thank you for this. I didn't know a 5th was coming out. From the audio in this YT video at least, it seems like they paid attention to the feedback given by many about the harsh sibilance with the previous version(s) - much cleaner.
It did however, sound a _litlle_ muddy, but that could just be YT. 32bit float and XLR/USB - good stuff!
Thank you again 👍
Excellent presentation, thank you :)
Fantastic innovation. It’s great to see mic makers finding ways to make their products more useable to folks without a lot of equipment. Thanks for the video.
And at lower price too.
@@GideonStHelen You could easily find a setup comprising interface plus XLR mic for £265.
Would actually be interesting for people to compare at a later date.
For ease and functionality this thing certainly ticks a lot of boxes.
On quick note on clipping 32 FP if you do hear clipping in your DAW just turn down the audio file with clip gain (not the fader) but the actual file's level. In Pro Tools its called clip gain in Reaper its the Item Gain, in Logic it is the Gain in the inspector window and so in. This is the advantage of 32 bit floating point. But 32 bit FP will not help you if you clip the microphone's capsule (known as the analog stage before the converter) Cheers!
What's it called in cubase?
@@RealGengarTV Clip Gain on the audio file can be found if you click on the file and the square on the top-middle part of the audio track. So just click and hold on the square and you can adjust the gain of a track. Cheers.
@@joesalyers so basic file volum 🙂 thanks for the input much appreciated
@@RealGengarTV Yep that is what clip gain is and it turns the file down at the file level, before your plugin effects, like the input gain (mic/line) on a mixing console. Cheers!!
Integrated microphones and ADs are designed so that the maximum output of the mic cannot clip the analog input of the AD. This is very easy even on 24bit ADs and the reason why no professional really needs 32bit.
You’re a classic! Love your reviews.
Great video and, of course, great voice! I own my 1992 NT-1 for many many years and I never thought of changing it.
No fair!! I just got my NT1 last year after waiting so long to get it. 😩 Mike, amazing content as always!!
i feel u bro
me too, doesn’t make the nt1 any worse of a mic though!
Me too 😢 F
That Usb-c, 32bit float along with the price drop to 250 is absolutely huge for streamers, Cannot wait to get my hands on one and play with it!
Great video, love seeing Booth Junkie videos! Unfortunately the video cut off before your catch phrase of "Record something amazing!"
Wondering why they didn't catch that. Regardless, we got the most valuable parts of the review. Indeed.
Thanks Mike for this info you just sold a Rode 5th Generation this Microphone is amazing just preordered one
Great one!
Hey Mike! Thanks for the info! I want this new NT1 and a RODECaster Pro II ... 🤔 although it really does not make since as I have a NT1 and the auto clipping would be taken care of with the newest RODECaster. DANG LOGIC!!!! I suppose I will have to pass on this mic this time unless there is something I am not getting... I am new to this... That being said YOU make it look REALLY COOL and DESIRABLE.
that is so useful for podcasters and streamers - even a decent travel setup for voice actors perhaps!
Thanks! 😊
This is the video that convinced me to get the mic.
Can you get "live" sound (like for a video/Zoom call) using the USB connection, or does the 32-bit float output mean that the USB connection can only be used to record audio (which would then need to processed to other formats) in post?
If the 4dB self noise applies in usb mode, it really is an amazing evolution! Thanks for the content, Mike 🤘
Sure, for all those people that stream from a anechoic chamber its a game changer!
It is great to have as a spec but it will be meaningless for 99.99999 of people that use it :)
Actually for those who record audio books a very quiet studio is needed along with a very quiet mic. 4dba can be lower than necessary but it is helpful to have practically no noise at all coming from the mic in a situation like this. For vocals in a dense song mix you can get away with a mic that is in even the 18-20dba range but really quiet and at such a low price point is certainly nice extra.
I still love the Rode NT1A
Thanks, Mike for all you've done over the years. I bit the bullet and bought this microphone through your link hopefully you will receive some well-deserved credit. Cheers...
Thinking about swapping out my SB7b for this microphone. SM7b has too high of a noise floor. I hear the white noise in my recordings. Do you know if this microphone has the same noise floor in both USB and XLR modes?
OMG :O
As Rode NT1 Enjoyer - I hope this is also as good!
Also how's the low latency if you are plugging directly using the USB?
As someone who used whatever mic the station had us use for 24 years, I think it is funny when I hear someone say, "Oh, it's ugly!" LOL I don't care what it looks like, I just want it to hear the best qualities of my pipes, diction, & velvet when needed! :) Mike you are AWESOME!
So do you can connect the Rode nt1 to the Rode Ai 1 and monitoring this with zero latency with the dsp effects from rode nt1 as well?
Hello! One question, today with a little more use, do you see a difference in sound quality between the USB and XLR modes? thank you!
Compared to the NT1-A, the NT1 5th gen seems to have a bit less sibilance. Which is a good thing.
Agreed! Je suis d'accord!
Hey. The 32 bit Floating mode only with USB or with XLR too?
Hmm. Excuse the possible ignorance of my question but here it goes. I have an apollo twin x interface. It doesn't record at 32bit. If I connect the mic via usb, will it record my vocals on my logic session at 32bit eventhough the session is set up to rec at 24bit?
I love my first generation NT1 from the mid 90s and have resisted "upgrading." It might be time.
I already have 32bit audio interface. Should I pick Austrian Audio OC16 instead of the NT1 ?
Does the 4dB self noise still applies when you're in usb mode?
I wonder if you got the same dynamic range in xlr with a zoom f3 32bit recorder
I'd be interested if - because it doesn't clip - can you recover pops. Pops always clip and so can't really be recovered - with one of these can you normalise down the plosives so you don't have to worry about pop shields (I know it's a bit more work but it would be interesting to see if popping becomes a non-problem).
Great review. I have a question regarding the versatily offered by this USB-C connection: would you be able to plug it into an Android Smartphone, and would it be recognised and used as primary microphone by the camera app of that smartphone when recording videos?
I did test that, and you can. I don;t think any of the DSP will carry over -- that's not the intended case, but you can plug it into an Android (well, at least you can the S22 Ultra, which is the phone I tested on)
If I want to use USB and monitor that signal how big is the delay?
Great review. To my ears, XLR sounds better, and NT1a sounds slightly cuppy compared to 5th gen. I suppose NT1 signature version is XLR only, right?
I know this is an old video, but hopefully I can get some valuable advice.
Being a total newbie, I am afraid I will mess up gain when setting it up on the mic, so I was considering getting the Ride N1 5th generation and use it as USB, with the 32-bit floatt option, to have more room for error on that part, and getting an audio interface to use it as XLR later on.
Now, for about the same price, I can get the AT-2020 XLR, with an audio interface, but I believe there is no going back if I mess up the gain, right? I'm torn, all advice is appreciated.
(As a side note, I considered starting off with the AT2020USB-X, originally).
Thank you so much in advance!
The Nt-1 5th generation is much smoother to the nt1a! Great video!
The NT1 and NT1-A have always been different mics. The 1-A is notoriously sibillant.
@@Crowbar11115 I love my nt1a 😊
Ah, I may have to indulge in this one. Least it’s not a NT1-A but each their own
In the comparison between the 5th gen and the nt1a.... I literally couldn't even tell when they swapped back and forth. Sounded completely identical to me. lol
It does not have a direct monitor jack :(
This is definitively not the true Frequency Response but this mic is revolutionary
Singing wise. Is it better than the new Rode NT USB+ ?
love the sound of 5th Generation RODE NT1, but I would be using it in a untreated room- in that scenario would it be god awful? It would just be a personal use microphone, not a content creator. Other mics I was looking into were the podmic usb and the rode nt-usb. Any input you could give would be greatly appreciated.
I sold my Rode NT1 5 years ago. It seems I've to get it back for these reasons - it's made by Rode, 32 bit float & USB C :)
You don't have the all-black NT1 4th generation?
It also has the 4dB noise floor.
It is quite different from your NT1A.
you still need to be within the dynamic range of the mic but with the142db max that the capsule can withstand also the digital converters could also be an issue but they do not give the spec on it
You can contain all its dynamic range on a 32bit converter.
Great vid. Thanks. I have one in front of me.
How you would you use the USB functions of this mic...yet output to your speakers through your regular interface? How would you configure your studio monitor speaker set up at all just using this as a usb mic?
If you still want to output via an interface you either use the OS to set a different output for the speakers (your interface), or you can create a compsite device. On a Mac that is through Audio MIDI setup, not sure how to do it in windows. Can anyone help here?
Hello, I’m kinda new to audio and stuff, but isn’t 32 bit float basically just a compressor?? Or is it different.
It's more like having an "after the fact volume knob". It's essentially unlimited Headroom.
It's like having a More Cowbell knob ... that goes to 11.
Nt1 4th is definitely more natural, for 5th generation rode company says it has the same character but 5th gen it is brighter imo. Also i see the rode changed 4th's frequency response. 4th Gen for me Thank you.
Woahh I'm so glad I didn't pull the trigger on the old NT1!
Is that the old booth?
Why no comparison with the last gen NT1?
Glad I didn't get the Shure SM7B usb clone thing that shure made, the vx or whater. I think this mic is in a whole other league........the USB C thing is very cool.
This is great. Anyone know if I can use this mic to record into an older Zoom H5 and then adjust the audio gain later in a desktop DAW on the recorded file and adjust 32-bit float?
The Zoom H5 doesn't support 32 bit float. In this case you could use the USB mode to do that.
If I can listen very very hard despite my hearing impairment (I wear hearing aids), I kind of thought the NT1 has a tiny bit more low end compared to the NT1a, but overall, I cannot hear that much of a difference! I looked at the prices at Sweetwater and I would say that the NT1-A is cheaper than the new 5th-gen microphone. I do not need the USB capability.
if they can tune it darker but i still prefer dark mics I have a usb but switch back to xlr I don’t think my voice can handle the latency just too hard to talk live in game.
Hello! Has anyone tested if it works with an iPad?
I’d like to see how using a multiple mics in a usb setup will affect latency. Also, will using a single mic with built in effects create a latency issue?
I don;t have multiple 5th gen NT1s (yet), but I think you would add them in the Rode software. If I can test this out at some point, I can make a video about it.
@@BoothJunkie I’d love to see more tests on this product. It really ticks a lot of boxes with all the features it has packed into a $250 mic. I have several previous generations of the NT-1, and can’t wait for this 5th generation to go on sale.
Why haven't we had floating point interfaces before now? It seems so obvious now we've got one.
Great mic for the money
Nice
Post process reduction can not undo microphone's internal clipping and the distortion that follows it.
If you do exceed the SPL limit of the mic at a given frequency, you're right, can't overcome that!
Is it possible to make a follow up video, showing the software with its compressor etc, a liitle more? I wanted to buy a dbx 286s for my NT1-a, but now im thinking to switch directly to the 5th Generation RODE NT1.
I'm in the same boat. Just setting up a studio, first mic ordered was the Shure MV7x and was going to get the NT1-a but seems better just to jump to this 5th gen NT1. It'll also be going into a DBX 286s (And then an SSL+)
@@shahryarrizvi1 I ordered a Rode NT1 Gen5, it will arrive tomorrow. So exited :)
@@airwolf1337 nice where did you pre order from? In the US it seems b&h photo, sweetwater, and andorama. All same price so prob will do andorama since they have the most cash back offers online.
@@shahryarrizvi1 I live in germany and ordered it from a company named "thomann". It arrived, but the rode software does not find the NT1 Gen5 :(. I tried different usb-c cables and also a different computer - same result. Mic does not work (yet) with windows :(. Im very disappointed :(.
Sooo it has a 32-bit float 192khz interface built-in.
Useful for people without an interface handy.
I could see it being useful.. but.. if it's the same as the regular NT1 otherwise, I'll stick with what I've got.
It's an interesting option but I think they should've called it the NT1USB or something like that.
NT-1 5g sounds less bright than the NT1-A. Perhaps it's tonally closer to the older black NT-1?
Is it me or there is no difference in sound quality? I Dont have any, I would def buy the new one for its versatility at home XLR when travel ✈️ USB
i got one 🥰
For singing, screaming and whatnot, even 125dB SPL are easily enough headroom. But even the 4th Gen could handle 132dB SPL. So I guess that additional headroom falls under the category „nice to have.“
pfft not bad. lol
Been running 32 bit 96 for a few years now when recording, ITS SOLID! I don't use usb though, Creative Soundblaster Ae-9. :D Direct audio and zero latency pffffffffft.
I've had this mic a few days now and things are not all they may seem at first sight. I bought this for recording vocals in my DAW (Reaper). Correct me if I'm wrong, but you can't use the processing like Aphex Exciter if you are using the 32 bit Float, because Rode Central won't let you. I have two audio interfaces, one Focusrite, and one Universal Audio. When I have the NT1 5th gen ASIO working in Reaper (which you have to do if you want to use the 32 bit Float, to benefit from the 'non-clipping' feature) the driver will not recognise the Focusrite. It's fine with the Universal Audio. I contacted Rode about this and am still waiting to hear from them. Is it possible that it simply doesn't work with Focusrite interfaces? If I use the mic with and XLR connection then everything is fine... but then you don't have the benefit of the non-clipping, which is why I bought the mic.
Man I just bought a previous version of the NT1 😢
Why'd the video get cut off at the end? :P
The mic failed.
@@xyzct - hilarious :P
If I remember correctly, NT1-A is the 10th anniversary of NT1 (3rd generation), it sounds like the 5th generation is more attractive in this video!
Hello Mike, I used to have an NT1 which I had to sell to get an SM7B because I moved and my new room didn't have any furniture, so the off axys coloration (more like reverberation) was killing my recordings. I wonder if the new iteration improved anything on that regard. I current own an Earthworks Ethos, but I'm looking for a secondary mic to record my vocal and use the Ethos to record my acoustic instruments (or vice versa). Thank you!
That comes down to the pattern of the mic -- the new NT1 is also a cardioid pattern, so that reverb will still be there. Pretty much *any* cardioid pattern condenser is going to pick up that reverb.
Kinda sounds like you accidentally had a high pass filter on in the xlr test
Silver grille is a dealbreaker
New studio? Looks like you are back in the old wisper room
The 5th gen sounds abit muffled compared to the nt1-a, why tho?
The NT1-A is known to be extremely bright, which some people love. So, you might prefer that sound. That's why we have different mic for different voices!
@@BoothJunkie I noticed during your video you did not use headphones when using the NT1 5TH GEN in USB MODE. Is there a latency issue with the NT1 5TH gen in USB mode, that renders this microphone useless for voice-over work ?
I never knew there was a new NT1. Thanks for showing the frequency response graph as I couldn't find it searching for it, only ones for the older NT1-A and NT1. I have had mixed results before with NT1-A and NT1. With my voice, if certain high frequencies are boosted a bit much on a mic, that can be harsh on my voice but too flat and it can sound muffled. I found the NT1-A too bright and I couldn't EQ it to sound better on my voice and hated it. The 2014 NT1, I found the opposite, it was better but too flat and it sounded a bit muffled on my voice with no real clarity and couldn't add that with EQ. The new NT1 sounds better than the NT1-A in your test with more bass, based on listening through M-Audio BX5 monitor speakers going into a Creative Soundblaster AE-7 sound card at 32-bit 384Khz on my PC.
I like how they managed to put both an XLR and USB opeions on it as you don't usually get that, its either one or the other. What is especially good to see is that it has 32-bit and 192khz as some recorders/USB mics don't go as high as 192Khz and it is the sampling rate I normally use when recording audio. I don't record audio directly into my PC anyway as it would pick up the fan noise (I don't have a laptop only a desktop with a bunch of fans in it).
I am always amazed how low the self noise is on these. You don't event get a noise floor that low on many expensive mics. BTW, was the ending supposed to be cut off like that?
Hard to say as setups headphones all different but the mic sounds a bit too clinical to my ears.
After posting realised this still has the same capsule as previous versions so that makes sense.
I'm curious if you've ever considered making your own microphone? I've seen around TH-cam that you can make the equivalent of $600+ microphones for... about $100. And if you'd ever consider testing them
“Equivalent”
@@fluphybunny930 You can buy the exact same components of Microphones separately for like $30, so as long as you can solder, yes, Equivalent or better.
There was a pretty noticeable difference in sound between XLR and USB. XLR had less low-end and sounded a touch more tinny. Does this consistently happen in your testing or maybe the RP2 had some processing on that you forgot to turn off?
Every review so far the USB sounds worse than XLR. For me it is overly clinical. I guess you could simply use some the the software tweaks to change the tone but who knows.
@@fluphybunny930 USB sounds better if the effects are adjusted correctly. XLR sounds different because there is no processing going on outside of Post or a hardware processor.
@@DarkMatterAM I'm pretty sure a serious reviewer wouldn't compare USB vs XLR with any internal effects added to the USB version of the recording?
I disagree. I think the XLR sounded much fuller.
Thanks for the demonstration. I was worried when I heard Rode's announcement that the internal preamp would degrade the quality of the mic even when using the XLR connector (compare the Shure MV7 and MV7X). Hopefully someone out there will test the fifth generation against the many variations of the NT1 and also the U87.
I'm willing to bet that we will see something like that from Bandrew over at Podcastage within the next couple of days.
@@SLARTIBAF Exactly. I figured it would likely be Bandrew to finish this.
It looks like Rode has tuned this new mic to be brighter than the original NT-1.
The original NT1? maybe. It should be virtually the same as the previous generation of the NT1. In my listening, they are very very close.
@@BoothJunkie It appears be brighter than the black nt1 2014 but similar to the silver nt1a.
The new NT1 sounds strange to me. Muffled, or just kind of cheap sounding? I'm listening from my phone... I'll have to listen again later on my headphones