I listened carefully. Good, but the malhar ang especially komal ray was absent from your vilambit bandish. You should study the masters both in instrumental and in vocal to see how they have described the Malhar ang in this sub-raga. There must be some hidden gems waiting to be discovered there. Good luck.
@@syedalishanzaidi1 Thank you for listening in details,nowadays people don't have the tenacity and patience, so well done! The bandish or is in Raag Desh,not Desh Malhar,the fast composition too same,Raag Desh. The micro use of komal gandhar renders desh malhar to be played in Alap followed by raag Desh in bandish. Use of komal gandhar is not as prominent as miya ki or other malhars. I learnt the composition from Ustad Aashish khan, eldest son of Ustad Ali Akbar Khan. There is an you tube recording too of his live performance.
I listened carefully. Good, but the malhar ang especially komal ray was absent from your vilambit bandish. You should study the masters both in instrumental and in vocal to see how they have described the Malhar ang in this sub-raga. There must be some hidden gems waiting to be discovered there. Good luck.
@@syedalishanzaidi1 Thank you for listening in details,nowadays people don't have the tenacity and patience, so well done!
The bandish or is in Raag Desh,not Desh Malhar,the fast composition too same,Raag Desh.
The micro use of komal gandhar renders desh malhar to be played in Alap followed by raag Desh in bandish.
Use of komal gandhar is not as prominent as miya ki or other malhars.
I learnt the composition from Ustad Aashish khan, eldest son of Ustad Ali Akbar Khan.
There is an you tube recording too of his live performance.