I had the same thought about Robbie's video. It's a great exercise but felt more like technique practice. This is exactly what I've been looking for to practice my arpeggios in a musical way, I love how you incorporate bebop devices like pivots and chromatic notes. Would be cool if you could show how to extend this exercise to some standards or other common progressions.
Thanks for the feedback! One other way I would practice these is to start with a descending line for the ii-7 chord instead of ascending, giving 5 more unique lines. I can do another video on that if it’s interesting to people.
@@venusspacey9685 I'm not complaining! In fact I was a paid patreon member of Robbies for a long time. His exercise (and all his content) is valuable, I was merely saying I was also looking for something more musical.
I have a gypsy jazz lick book. I took licks and tweaked them to my liking in all five positions, then spent an hour trying to play them in all 12 keys with a bacling track. This is a great exercise. You could steal licks from your favorite players, modify, and apply in the exact same manner. This is solid advice.
We can never have too many ii-V-I’s and these have great musical appeal. Secondly, this lesson fits nicely with other CGA material. It even appealed to a pianist, Chase’s brother Kevin who is an outstanding pianist and musician.
Thank you so much for sharing this workout! Would you be able to make a video on what amps would be good for jazz? Im getting ready to move out for college and im ready to upgrade from my dads modeling amp that ive borrowed 😅 Thank you so much, you're awesome!
Glad you enjoyed it, Ben! I'd say get a Fender Hot Rod Deluxe and you're set for all genres. That's the best way to go in my opinion. But if you want an amp strictly for jazz, I've heard good things about Henriksen amps, although I haven't personally used them.
I have a Henriksen amp and it is great for jazz. However, it is expensive and Chase’s advice about a Hot Rod Delux is more practical and a better value for the dollar.@@ChaseMaddox
@@ChaseMaddox I love the chromatic approach to the G note of the G7 chord. Also, thanks for showing how the pivot chord can "wrap" around the G note of the Gm7 chord. Great stuff! Thats why I think your explanations are the best. You get to see the devices and how they are used in making melodies. You are the master melody maker! Thanks!
I had the same thought about Robbie's video. It's a great exercise but felt more like technique practice. This is exactly what I've been looking for to practice my arpeggios in a musical way, I love how you incorporate bebop devices like pivots and chromatic notes. Would be cool if you could show how to extend this exercise to some standards or other common progressions.
Thanks for the feedback! One other way I would practice these is to start with a descending line for the ii-7 chord instead of ascending, giving 5 more unique lines. I can do another video on that if it’s interesting to people.
@@ChaseMaddox Sounds great! Look forward to the video.
You shouldn't care. You should be thankful you get free material from anybody.
@@venusspacey9685 I'm not complaining! In fact I was a paid patreon member of Robbies for a long time. His exercise (and all his content) is valuable, I was merely saying I was also looking for something more musical.
I have a gypsy jazz lick book. I took licks and tweaked them to my liking in all five positions, then spent an hour trying to play them in all 12 keys with a bacling track. This is a great exercise. You could steal licks from your favorite players, modify, and apply in the exact same manner. This is solid advice.
Glad you enjoyed! 👌
This is classic Chase Jazz Memes material. Love it. Thanks Chase!
Haha glad to hear it, Nick! Thanks for watching 🙏
Outstanding and supremely useful!
Glad you think so, Michael! 🙏
We can never have too many ii-V-I’s and these have great musical appeal. Secondly, this lesson fits nicely with other CGA material. It even appealed to a pianist, Chase’s brother Kevin who is an outstanding pianist and musician.
Glad you think so, Max! 🤘
I’m sold bro! Signing up right now!
Let’s go! Look forward to working with you 🤘
This is awesome, Chase and so instructive. Thank you!
Glad it was helpful, Kyle! And thanks for the SuperThanks! Really appreciate that.
GREAT infor. Chase... thanks...
Cool musical exercise, thanks Chase!
Glad you like it! Thanks for watching 🤘
This is gold,…and what so much of playing is all about….many thanks, your awesome!
Thanks Jake, glad you dig it! 🙏
Very good lesson. Thank you
Thank you Antonio! 🙏
Good stuff! Thanks Chase! 👌🏻🎸🖖🏻
Appreciate it, Steve! 🤘
Awesome work brother! 🙌 I need a workout like this for piano 😅
Let me know how this fits on piano! 😄
Your brother is awesome and so are you. Thanks for your involvement in CGA.
Very tasteful and useful sounds! Thanks for sharing!!
Thanks Bob! Glad you found it useful!
Great idea and video - Thanks Chase!
Thanks Craig! 🤘
Thanks!
Looks great! Looking forward to getting into it.
Thanks Adam! 🙏
Thank you so much for sharing this workout! Would you be able to make a video on what amps would be good for jazz? Im getting ready to move out for college and im ready to upgrade from my dads modeling amp that ive borrowed 😅
Thank you so much, you're awesome!
Glad you enjoyed it, Ben! I'd say get a Fender Hot Rod Deluxe and you're set for all genres. That's the best way to go in my opinion. But if you want an amp strictly for jazz, I've heard good things about Henriksen amps, although I haven't personally used them.
I have a Henriksen amp and it is great for jazz. However, it is expensive and Chase’s advice about a Hot Rod Delux is more practical and a better value for the dollar.@@ChaseMaddox
Great exercise. Really appreciate your sharing this. Liked and subbed 👍
Awesome, thanks for the support! 🙏
Thanks, Chase! Question: do you use flat or round wounds on your Ibanez? Which ones? Your tone is great!! 🎸☮️
D'addario round wounds! I gig in many different styles so I like the sound and versatility. Usually I'm using .10s. *not sponsored
Good stuff! Thank U. What means pivot arpeggio ?
Thanks! A pivot arpeggio is a method of playing an arpeggio where you play the notes starting with a jump of a 6th interval.
This is a great workout. Thank you for sharing. Can you telle me what software you use to make on the same page music notation and tablature ?
Thanks for watching! It’s Musescore! 👍
@@ChaseMaddoxThank you very much
My pleasure! Couldn't recommend Musescore enough, especially as a Finale user in the past.
This is great! Kinda reminds me of a Charlie Parker / Beebop lesson. Very kewl!
Thanks for watching! 🤘
Complimenti, iscritto!
Grazie! 🤘
Where can I find out the basic shapes of 9th 11th and 13th arpeggios?
Great video. What is meant when you say a “pivot arpeggio”? I never heard that term.
Thanks Shane! Now that you're a CGA member, I'll send you the link on the 'pivot arpeggio' lesson there so you can check it out 👍
Can you create another video and pdf lesson for minor 251?
Absolutely! 👍
NICE!
Thanks John!
@@ChaseMaddox I love the chromatic approach to the G note of the G7 chord. Also, thanks for showing how the pivot chord can "wrap" around the G note of the Gm7 chord. Great stuff! Thats why I think your explanations are the best. You get to see the devices and how they are used in making melodies. You are the master melody maker! Thanks!
Pivot arpeggios are something I'm specifically working on in my own playing so I used this video to work out some of those ideas. Glad you dug it!
Tidy!
Micah 🏴
Thanks Micah! 👍
Terima kasih video
Glad you enjoyed!
Great content sir and by the way Robbie Barnby is phenomenal he's a very unique player great choice for inspiration
Thank you! Yes his video inspired this one! 🤘
Wait where’s the pdf?
I say in the video how to get it
🔝
Thanks Peppe! 👍
Need to clean your fretboard
You offering? 😄
GREAT infor. Chase... thanks...
Thanks!
Thank you! 🙏
GREAT infor. Chase... thanks...
Thanks for watching!