Pranam to all Gurus all over the world. Without you the world would be a dark place to live in. A TRUE bandish rendition of the shastriya Sangeet parampara. Guru chela.
भारतीय शास्त्रीय संगीत हमारे गुरुओं की अनमोल देन है। इसमें साधना,समर्पण,रुचि, समय सभी चीजें चाहिए। आध्यात्म के छात्रों के लिए शास्त्रीय संगीत अम्रत समान है।
डॉक्टर नंदिता ताई रागांची प्राथमिक माहिती उदा वर्ज्य स्वर, कोमल, तीव्र स्वर, जाती, थाट, गायन समय इत्यादी तुम्हीच सांगितली तर वेळ वाचेल आणि आरोह अवरोह पकड बंदिश इत्यादी पाहुण्यांकडून योग्य वाटते. गाण्याची उदाहरणे खूप सुंदर. नवीन विद्यार्थ्याना बहुमोल मार्गदर्शन आहे.
One should not make such harsh comments on Artists . The programme is not classical singing . It is on showing the beauty of a Raga with all it’s formats.
RAAG Bheemplaus well utilized in South Carnatic music. Often sung by vidwan is Mahakavi Subramanya Bharathis composition " Vellai Thamarai Poovil .Iruppal" in praise of Goddess Saraswathi.
ॐ जय यौमाता बन्दे मातरम जय गोपाल जय किसान जय नेपाल जि नमस्कार सादी बिबाह मे राग अनुसार का गीत योर किस राग सुन्ने से कोन्सा कोन्सा रोगसम ठिक होता है बव्की भेट मे जय गौमाता
No doubt this is a very educative series on classical music. But as you ask the expert to tell us about the Aaroh,avaroh and chalan,you are not enlightening us on the swaras,meaning ,which swaras are komal, or teevra in the Raga you are presenting. That leaves it incomplete.
One should not make such harsh comments on Artists . The programme is not classical singing . It is on showing the beauty of a Raga with all it’s formats.
Pranam to all Gurus all over the world. Without you the world would be a dark place to live in. A TRUE bandish rendition of the shastriya Sangeet parampara. Guru chela.
भारतीय शास्त्रीय संगीत हमारे गुरुओं की अनमोल देन है।
इसमें साधना,समर्पण,रुचि, समय सभी चीजें चाहिए।
आध्यात्म के छात्रों के लिए शास्त्रीय संगीत अम्रत समान है।
डॉक्टर नंदिता ताई रागांची प्राथमिक माहिती उदा वर्ज्य स्वर, कोमल, तीव्र स्वर, जाती, थाट, गायन समय इत्यादी तुम्हीच सांगितली तर वेळ वाचेल आणि आरोह अवरोह पकड बंदिश इत्यादी पाहुण्यांकडून योग्य वाटते. गाण्याची उदाहरणे खूप सुंदर. नवीन विद्यार्थ्याना बहुमोल मार्गदर्शन आहे.
The best site for lovers and learners of Hindustani classical music. I applaud effort and hard work gone into uploads of various ragas.
i like this nicn
nice
Wow what a passionate rendering our heart throbs to seek such bliss. Not possible without a Guru in this world.
Bhimpalas is my most favorite raga. Presented pleasingly.
गुरू बिन कैसे पार करु !!🙏🙏👌👌
Brandish presentation as well as raaga based film songs are very nice !!
Iam 70 year old woman .Iwant learn music from your guidance.Tq
The instances of Bhimpalas from Bollywood were very well rendered! :D
As also the Punjabi bandish at the end
ATI sunder.. amazed listening to this channel. Beautifully compiled by all...
Mukund sir aap bhut guni artist ho 😍😍😍mai apki awaaj ka deewana hu
Brilliant rendition by panditji!
The positivity that nandita datte has nobody has. Can anyone tell me that is she a singer?
Plz keep on this series ❤❤
🙏😀 आवडलं !
One should not make such harsh comments on Artists . The programme is not classical singing . It is on showing the beauty of a Raga with all it’s formats.
Adbhut! 🙏🏼🙏🏼🙏🏼
RAAG Bheemplaus well utilized in South Carnatic music. Often sung by vidwan is Mahakavi Subramanya Bharathis composition " Vellai Thamarai Poovil .Iruppal" in praise of Goddess Saraswathi.
ॐ जय यौमाता बन्दे मातरम जय गोपाल जय किसान जय नेपाल जि नमस्कार सादी बिबाह मे राग अनुसार का गीत योर किस राग सुन्ने से कोन्सा कोन्सा रोगसम ठिक होता है बव्की भेट मे जय गौमाता
Beautiful Songs by Paniskar jilove all yhe songs God bless you always xx
Very good and appreciable efforts by the Organisers. Wish we can get CD of these episodes in collective form. Is it available anywhere ?
दातार ताई,विजय कोपरकरच हवेत.
Nice
Awesome👍
Ye zindagi was so beautiful brought tears to my eyes .... what is the name of this young talented singer ...
Phansalkar
Original singer is talat mahmood
सर्वांचे छान सादरीकरण. सरदेशमुख कुमारजींची आठवण करून देतात.
Awesome👍 Sir
Can i know taal played in b bandish 🙏😊
first bandish was in madhya roopak and the other one was in drut teentaal
first one in madhya roopak and other one in drut teentaal
Superub
No doubt this is a very educative series on classical music. But as you ask the expert to tell us about the Aaroh,avaroh and chalan,you are not enlightening us on the swaras,meaning ,which swaras are komal, or teevra in the Raga you are presenting. That leaves it incomplete.
U r right sir. The notations may be written on the screen.
🙏🙏
Waa chhan
Do not underestimate Phansalkar, ever. Lol. He is too good too.
Wah Phansalkarji
Yah. Sab. Hame. Mukhya. Kalakarse. Sunnaa. Chahiye.
Good
Three cheers for Phansalkar!
Pansikar spoils the mood and gestalt of the Raga. Ban him, give him a seperate format to display his expertise in filmy songs, based on a raga.
Correct.
It takes out all seriousness and average standard of the program comes down.
Yeah seriously...he upended the entire session
Absolutely right. It's very embarrassing..
read other comments...to help relate audience with use of the raags in film sangeet.. it's required
dont talk non sense
RemRkablprogram
One should not make such harsh comments on Artists . The programme is not classical singing . It is on showing the beauty of a Raga with all it’s formats.