Raga Lalit - Puriya Dhanashri I Vidushi Ashwini Bhide Deshpande & Pt Sanjeev Abhyankar I BCMF 2016

#bengalclassicalmusicfestival
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On the first night of the fifth Bengal Classical Music Festival 2016, November 24, Thursday, Dhaka's music-loving audience heard Vidushi Ashwini Bhide Deshpande and Pandit Sanjeev Abhyankar's duo Khayal "Jasrangi Jugalbandi" at the Army Stadium.
Two artistes perform two distinct ragas simultaneously, set on the same bandish and taal. Vidushi Ashwini Bhide Deshpande and Pandit Sanjeev Abhyankar were the featured vocalists, who performed Jasrangi set on two ragas -- Shudh Dhaibat Lalit and Puriya Dhanashri respectively. The pancham (Pa) of Puriya Dhanashri was the Shadaj (Sa) of Shudh Dhaibat Lalit, a raga pertaining to Thaat Marwa. The most significant aspect of the performance was the application in the rendition of the artiste duo's coming on to shom on Gandhar (Ga) of Puriya Dhanashri and Madhyam (Ma) of Shudh Dhaibat Lalit. The duo's exquisite performances of vilambit bandish “Dhundhana jaoon kitahoon chhip gaye” and drut bandish “Mairi shaane shaam” coupled with a rare variation of taan presentation was fantastic with a mellifluous harmonium sangat and riveting tabla rhythms. The singer duo later performed another Jasrangi bandish “Mora re manwa tumhi san laga”, based on two ragas Bhoopali and Durga.
Recorded at Bengal Classical Music Festival on 24 Nov 2016, at Army Stadium, Dhaka:
Artists:
-Vidushi Ashwini Bhide Deshpande & Pandit Sanjeev Abhyankar (vocal)
Co-artistes:
-Ajinkya Joshi & Rohit Mujumdar (tabla)
-Milind Kulkarni & Tanmay Deochake (harmonium)
-Uzzal Kumar Malakar & Susmita Debnath Suchi (tanpura)
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Raga: Lalit - Puriya Dhanashri
Raga: Durga - Bhupali
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The Bengal Classical Music Festival organised by Bengal Foundation.The Bengal Classical Music Festival, an initiative of Bengal Foundation’s Music Programme, is the world’s largest classical music festival in terms of the number of performers on a single stage, audience capacity and duration. The Foundation introduced the Classical Music Festival back in 2012.
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Vidushi Ashwini Bhide Deshpande (born in Mumbai on 7th October 1960 ), a vocalist of the famed “Jaipur-Atrauli” Khayal Gayaki tradition, represents the new generation of veterans worthy of wearing the mantle of the old masters. She first received instruction from her mother Manik Bhide, a successful singer. This, and of course, her mother’s unstinted support, added to her own mature introspection lead Ashwini to new horizons of the ever-expanding terrain of Hindustani Classical Music. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Thoroughly grounded in the Jaipur Atrauli Khayal Gayaki tradition, Ashwini has developed into an artiste of immense public acclaim earning high praise from discerning critics and music lovers all over the globe.
Pandit Sanjeev Abhyankar, the maestro from the Mewati Gharana, is an artist of international acclaim in the field of Hindustani Classical and Devotional Music. An extremely popular artist, he is the inspiration for the young generation. With his magical singing, he has attracted the young generation towards the Indian Classical music. In a career spanning more than 25 years, he has assumed the mantle of a role model of dedication, hard work, patience and perseverance. On 5th October 1969, this child prodigy was born into a musical family. The first glimpse of his talent was seen at the age of 3. At the age of 8 , his mother thought the time ripe to start his formal training. His mother, Dr. Shobha Abhyankar, being a singer in her own right, became his first guru. Thus began Sanjeev’s journey in the field of music. Simultaneously, Sanjeev also started training under Pandit Gangadharbua Pimpalkhare , who also happened to be Sanjeev's mother's guru. Sanjeev gave his first stage performance at the age of 11. Sanjeev underwent training as per the Indian tradition of 'Guru Shishya Parampara' . He stayed with Jasrajji and accompanied him all over. Sanjeev procured the knowledge by becoming a part of his family. He underwent vigorous training in this manner for 10 long years.
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[@मनमोराचापिसारा]

जसरंगी जुगलबंदी बद्दल पंडित संजीव अभ्यंकर यांच्या मुलाखतीत अलीकडेच ऐकले, तेव्हापासून प्रत्यक्ष कधी ऐकायला मिळेल असे वाटत होते ती इच्छा आज पूर्ण झाली.. अश्विनी ताई आणि संजीव जींची ही जुगलबंदी ऐकताना अगदी मंत्र मुग्ध झाले. चिर स्मरणीय अशा या मेजवानी बद्दल मनःपूर्वक आभार..🙏🙏🙏

[@sudhirpatki2222]

डॉ.अश्विनी ताई आणि पंडित संजीव अभ्यंकर यांची जसरंगी जुगलबंदी या अगोदर पण मी पाहिली,ऐकली आहे. राग ललित आणि पुरिया धनश्री ही जुगलबंदी पण तितकीच अप्रतिम गायली आहे कान अगदी तृप्त झालेत.लाजवाब...... साथ संगत पण अगदी नितांत सुंदर.
❤🎉🎉

[@shyamal-gargi6324]

They are simply great...शत् शत् नमन 🙏⚘

[@jyotisharadbailur5369]

Unique blend of two gharanas .Artists at their best with novel idea of moorchana.

[@Aary456]

❤

[@madhurihonap1247]

दोन्ही ही अप्रतिम!👌👌👌👌👌🙏🙏🙏🌹🌹🌹🌹🌹

[@JanardanMurhekar]

Simply put, absolutely speechless... Amazing.
Such a difficult concept. The accompaniments on either sides superb.... I am happy that the key artistes gave enough space to them .. the Harmonium and Tabla.
It would be impossible to forget this unique concert ! Shall remain haunting.

[@sandipsarkar1696]

Heart touching song. Hats off to every artists

[@mruduladeodhar2674]

Wow! This is so mesmerizing! What a concept! It was such a treat to watch these two favourites singing my two favourite ragas!

[@sanjaytrivedi3949]

Very good

[@tejovatimyfav5371]

Simply great Devine experience.i had

[@Aary456]

🎉

[@vyasdeepak1969]

वाह वा

[@ruthjames7026]

Sun ke dhanya ho Gaye

[@sandipsarkar1696]

This song is impossible without blessing of Lord Krishna. I expect more songs from these legendary singers.

[@kanteshnag4781]

Honestly, it's extremely horrible to bear the pains of hearing such inexcusable performances from the so called stalwarts of Hindusthani Classical Music!