Brahms - 16 Waltzes for solo piano, Op. 39 / REMASTERED (reference recording: György Sebök)
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- เผยแพร่เมื่อ 25 ก.ค. 2024
- Johannes Brahms (1833-1897) Waltzes, Klavierstücke, & Variations by György Sebök
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16 Waltzes for solo piano, Op. 39
00:00 Waltz No. 1 in B Major (Tempo giusto)
01:02 Waltz No. 2 in E Major
02:35 Waltz No. 3 in G sharp minor
03:31 Waltz No. 4 in E minor (Poco sostenuto)
05:06 Waltz No. 5 in E Major
06:40 Waltz No. 6 in C sharp Major (Vivace)
07:45 Waltz No. 7 in C sharp minor (Poco più Andante)
10:05 Waltz No. 8 in B flat Major
11:15 Waltz No. 9 in D minor
12:39 Waltz No. 10 in G Major
13:13 Waltz No. 11 in B minor
14:51 Waltz No. 12 in E Major
16:46 Waltz No. 13 in B Major
17:29 Waltz No. 14 in G sharp minor
19:00 Waltz No. 15 in A flat Major
20:46 Waltz No. 16 in C sharp minor
Piano: György Sebök
Recorded in 1960
New mastering in 2023 by AB for CMRR
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Brahms assembled a set of sixteen Waltzes, Op. 39, in which he exploited all the multiple possibilities of the ternary form. Like those of Schubert, they constitute an astonishing mosaic of feelings and genres: noble, fast, tender, sometimes gypsy waltzes, a slow lullaby in waltz form. This opus closes Brahms' output for more than fifteen years.
This is what E. Hanslick, a friend of Brahms and dedicatee of the sixteen waltzes, wrote about them: "Brahms, the serious, taciturn, true junior of Schumann, writing waltzes! And what's more, as Nordic, as Protestant, as unworldly as he is! These are not waltzes to "dance". Some are light, Viennese, others are more robust and Nordic, and some still echo Schubertian Ländler. Brahms evoked his collection thus: "Sixteen innocent little waltzes in Schubertian form." These short pieces have very contrasting atmospheres. The writing is sparing and marked by freshness and spontaneity. There is nothing superfluous or anecdotal in this extremely popular opus by the German composer.
The first waltz serves as the opening of the collection. The character here evokes a simple, frank and vigorous joy. The 15th waltz is obviously the most famous. What can be said of this absolutely tender piece, of the caressing sway of this lullaby, which should be played without affectation or excess of sentimentality. Softness, delicacy and modesty are to be preferred. The phrasing is full of serenity and calm.
Johannes Brahms PLAYLIST (reference recordings): • Johannes Brahms (1833-... - เพลง
Johannes Brahms (1833-1897) Waltzes, Klavierstücke, & Variations by György Sebök
🎧 Qobuz bit.ly/3HiBRkd Apple Music apple.co/3ZDwp19
🎧 Amazon Music amzn.to/3QQOW7v Tidal bit.ly/3D2IX9W
🎧 Spotify bit.ly/3wjsXwk Deezer bit.ly/3XEubxU
🎧 TH-cam Music bit.ly/3D3lrK1 SoundCloud bit.ly/3XMnF8f
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
16 Waltzes for solo piano, Op. 39
00:00 Waltz No. 1 in B Major (Tempo giusto)
01:02 Waltz No. 2 in E Major
02:35 Waltz No. 3 in G sharp minor
03:31 Waltz No. 4 in E minor (Poco sostenuto)
05:06 Waltz No. 5 in E Major
06:40 Waltz No. 6 in C sharp Major (Vivace)
07:45 Waltz No. 7 in C sharp minor (Poco più Andante)
10:05 Waltz No. 8 in B flat Major
11:15 Waltz No. 9 in D minor
12:39 Waltz No. 10 in G Major
13:13 Waltz No. 11 in B minor
14:51 Waltz No. 12 in E Major
16:46 Waltz No. 13 in B Major
17:29 Waltz No. 14 in G sharp minor
19:00 Waltz No. 15 in A flat Major
20:46 Waltz No. 16 in C sharp minor
Piano: György Sebök
Recorded in 1960
New mastering in 2023 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Brahms assembled a set of sixteen Waltzes, Op. 39, in which he exploited all the multiple possibilities of the ternary form. Like those of Schubert, they constitute an astonishing mosaic of feelings and genres: noble, fast, tender, sometimes gypsy waltzes, a slow lullaby in waltz form. This opus closes Brahms' output for more than fifteen years.
This is what E. Hanslick, a friend of Brahms and dedicatee of the sixteen waltzes, wrote about them: "Brahms, the serious, taciturn, true junior of Schumann, writing waltzes! And what's more, as Nordic, as Protestant, as unworldly as he is! These are not waltzes to "dance". Some are light, Viennese, others are more robust and Nordic, and some still echo Schubertian Ländler. Brahms evoked his collection thus: "Sixteen innocent little waltzes in Schubertian form." These short pieces have very contrasting atmospheres. The writing is sparing and marked by freshness and spontaneity. There is nothing superfluous or anecdotal in this extremely popular opus by the German composer.
The first waltz serves as the opening of the collection. The character here evokes a simple, frank and vigorous joy. The 15th waltz is obviously the most famous. What can be said of this absolutely tender piece, of the caressing sway of this lullaby, which should be played without affectation or excess of sentimentality. Softness, delicacy and modesty are to be preferred. The phrasing is full of serenity and calm.
Johannes Brahms PLAYLIST (reference recordings): th-cam.com/video/LFRPpPs09xU/w-d-xo.html
Thank you so much for sharing this. Most people don't know about Sebök. Another one of the great masters. I first heard him on the album of Brahms Violin Sonatas with Arthur Grumiaux. Blew me away. The book "Words From a Master" is also wonderful -- filled with his wisdom.
Merci beaucoup de cette transmission et sincères salutations de Montréal, Qc, Canada
Greetings from Woocott, VT. This is a masterful recording. Thanks for the upload!
Tanks!
🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪JOHANNES BRAHMS:Mais um querido, amado mestre da amada ALEMANHA.
Brahms assembled a set of sixteen Waltzes, Op. 39, in which he exploited all the multiple possibilities of the ternary form. Like those of Schubert, they constitute an astonishing mosaic of feelings and genres: noble, fast, tender, sometimes gypsy waltzes, a slow lullaby in waltz form. This opus closes Brahms' output for more than fifteen years.
This is what E. Hanslick, a friend of Brahms and dedicatee of the sixteen waltzes, wrote about them: "Brahms, the serious, taciturn, true junior of Schumann, writing waltzes! And what's more, as Nordic, as Protestant, as unworldly as he is! These are not waltzes to "dance". Some are light, Viennese, others are more robust and Nordic, and some still echo Schubertian Ländler. Brahms evoked his collection thus: "Sixteen innocent little waltzes in Schubertian form." These short pieces have very contrasting atmospheres. The writing is sparing and marked by freshness and spontaneity. There is nothing superfluous or anecdotal in this extremely popular opus by the German composer.
The first waltz serves as the opening of the collection. The character here evokes a simple, frank and vigorous joy. The 15th waltz is obviously the most famous. What can be said of this absolutely tender piece, of the caressing sway of this lullaby, which should be played without affectation or excess of sentimentality. Softness, delicacy and modesty are to be preferred. The phrasing is full of serenity and calm.
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
👋
What a strange clangy piano sound - obviously not a modern Steinway. Though in better tune, it sounds more like some of the public bar Joannas that were common in my youth. A pity as Sebok was a very fine pianist and deserved better.
👍👏♥️💐