I love how beefy their tone quality is every year. They’re not hiding behind each other to create the illusion of cleanliness like some lines these days. Super old school choppy vibe. I love it
@@dogs6faces591 Boston crusaders are the main one that comes to mind. Madison scouts trend towards it and it’s pretty prevalent in wgi as well. It’s not necessarily a bad thing, it’s just not as tonally dense cuz you can hear the stroke not really bouncing off the bottom head as much. Its like relying on bounce vs stroking out each note and giving it its own space, ya know?
Very intelligently written. Not hard at all, a little choppy, and enough of “the same” to develop skills that translate all throughout the book. Written in a way to almost be automatically clean.
@@wtwrushrhythmically, no. it consists of straight 16ths and triplets which isn’t a bad thing. it just takes time to master each rudiment that repeats constantly throughout the show. i think i only saw a few fivelets and a couple metric sevenlets? but other than that, just straight 16th flams and paradiddle-diddles
All the Mc-Nutt moments are legendary
For the beats and sheets. ✊
You gotta flip it on like a switch. From calm to simply badasses!!!! 🔥💯🔥💯🔥
Ahhhh! Got myself fired up!! ❤💪💚
YOOOOOOO this an all timer Cadets line, and this is an unexpected post 💪🏿💪🏿💪🏿
I love how beefy their tone quality is every year. They’re not hiding behind each other to create the illusion of cleanliness like some lines these days. Super old school choppy vibe. I love it
Which lines these days are hiding?
@@dogs6faces591 Boston crusaders are the main one that comes to mind. Madison scouts trend towards it and it’s pretty prevalent in wgi as well. It’s not necessarily a bad thing, it’s just not as tonally dense cuz you can hear the stroke not really bouncing off the bottom head as much. Its like relying on bounce vs stroking out each note and giving it its own space, ya know?
@@jacksonhill5613 oh yeah I see what you mean, that makes sense man thanks for explaining
@@jacksonhill5613boston 😭
This channel is the 🐐 for beats&sheets
Thank you Mr. Beats. I give them a 10/10
Was just playing this two days ago!
Legendary show
Honey wake up! Learn the beats just posted!
I love the bass drum writing in this show, it would be so dope to see a full battery transcription sometime
Quality intro 🎉
I played symphony number 10 as my high school closer last year on snare, just learned this too. Common snare W
The ping quality around 7:30 till the end is mind blowing
The closer and the feature have both movement 2 as their subtitle on the sheets in the description
the end omg
🔥🔥🔥
Very intelligently written. Not hard at all, a little choppy, and enough of “the same” to develop skills that translate all throughout the book. Written in a way to almost be automatically clean.
Perfectly said. Enough of “the same” I feel a lot books lack sometimes which holds them back
mcnutt's genius
Not hard at all?
@@wtwrushrhythmically, no. it consists of straight 16ths and triplets which isn’t a bad thing. it just takes time to master each rudiment that repeats constantly throughout the show. i think i only saw a few fivelets and a couple metric sevenlets? but other than that, just straight 16th flams and paradiddle-diddles
LETS GO
The McNutt special was alive and well this year. Good times
❤️❤️❤️
3:02. In measure 195 those left hand fours are actually a left hand paradiddle.
ah, mis-clicked a single rh sticking, you got me!
@@LearnTheBeats you’re welcome
3:03
3:20
3:44
3:48
3:58
8:00
😏
hehehehehehehehehehe
Thank you
Y’all think McNutt needed new drums after that season?
0:52 okay tenors!! 👀
3:03🤘😏
8:01 Mc🥜
FINAAAALLLYYYYY
OMG
Rip
W End
Yum
End the show with 10 big notes.
Digga Digga Dock Goom
FHNSAB