This Speaker sounds INCREDIBLE!
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- เผยแพร่เมื่อ 2 ต.ค. 2024
- Be honest, can you hear a tone difference? I have no affiliation with Celestion just had to try this speaker and was not disappointed. Plus, it looks cool as could be?
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Strings I use! (11 to 56) Sometimes 10s.
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2020 Gear:
1959 Sunburst Stratocaster
1958 Mary Kaye Stratocaster
1961 Olympic White Stratocaster
1959 Bassman
1965 Super Reverb
1968 Super Reverb
1969 Dual Showman
Marshall 1974x
Don't listen to the internet and other people.. if it sounds good to you that's what matters.
That is so not true..
If other people don't like your sound.. You'll be playing for/with yourself in the bedroom the rest of your life.
@@hansemannluchter643 If you like a sound then some other people probably will too but you shouldn’t try to please everyone because you can’t either way. It takes time to craft a new sound and time for ears to adjust to it as well. That’s part of what art is about though, reflecting the present time and not just recycling the same ideas and reinforcing someone else’s truth.
@@hansemannluchter643 What a music critic said: "guitar players don't seem to know all electric guitars sound about the same"
And like WTF? sO WE'RE TTO GO AND BUY A WHOLE BUNCH OF SPAKERS TO SEE WHAT WE LIKE?
You don't think you get it. With tube amps it can be detrimental running an ohm load thats too hot or cold from what it's designed to deal with.
It's not just a matter of sound or taste
Did you get rid of your LP Junior?? That guitar was killer
I sold my junior, yes. Sadly, I have lost a passion for playing shorter scale guitars.
Oh no!That was your best sounding guitar.
@@MatthewScottmusic i wont bother with one..i had a 66 Fender Mustang that was short scale, and it was cool....but it didnt work for me...big hands, big fingers...no way.
Late, but that intro was something else man. Seriously, that was beautiful.
Just FYI, the secret to getting less hum from the reverb tank in a head, is to flip it around.
Instead of the rca racks on the tank being towards the back of the cab, flip the tank so the jacks face the grill clothe.
Built two vibroverb heads, and this is how I solved the same problem.
Yeah for me nothing can touch a celestion blue, and the gold is the same thing, just more output. The chime is heavenly
Nice content as always, Matthew. Not the same model Celestion, but I selected a G10 Vintage for my Pre-CBS blackface Princeton Reverb. I was risking hurting the original Fender-branded Oxford so after a couple wrong turns with different replacements, I settled on the G10 Vintage after seeing Jim Campilongo praise it on a TH-cam video. He's a big Princeton enthusiast and his simple assessment is that the G10 "is affordable and sounds great instantly" (exact quote). I especially liked the latter part of that description. My playing time is more limited these days and I really need something to be "right" ASAP.
I did the same speaker combination in my Dr Z MAZ18Jr 2x10" amp. It was actually first done by Matchless amplifiers where they would put in alnico speaker in a ceramic magnet speaker in the same combo amp. The effects are stunning! Great video dude and great playing as well keep up the good work! Your friend Jim from Seattle!
Nice match. I used a 1960 vibrasonic 1/15 jbl and matching reverb tank for many years. I now try to keep every amp I own down to manageable old guy weights. I just put a gold in a Tweed pro. I enjoy fender and celestion together.
There’s this sense of clarity even when dirty with those new speakers.
@@GCKelloch And when he gets to about 24 hr.break in it will sound even better.👍
@@GCKelloch Yes Sir,that's why after comparison I chose a WGS for my little Allen amp.Great stuff.And thanks for your input.👍
@@GCKelloch Yes sir the C.Didnt want to wait for the new A I believe. 🎸
@@GCKelloch Yes sir,they are awesome .I have the Classic 10,6L6 GC or EL 34 powered. 12AX7 preamp Based of the 5F2-A Fender tweed Princeton.It had a Copper head in it stock,so instead of the Ole Blue Alnico.I got the WGS 10C.It has a boost switch which eliminates the negative feedback.No reverb,but who cares this thing is great.👍🎸
Celestion Golds whether 10’s or 12’s are my favorite speakers. I have them in a Vibrolux, my Bad Cat, my Princeton Reverb, my VOX AC15 (that has the Cream Alnico) and now after this Virus thing is over and I can get to gigging, I’m going to try two Golds and two Cream ceramics in my Super Reverb. I have two friends that have been running 2 x 12’s in a their Super Reverb. It’s funny youve brought this video out when I getting ready to put the Golds in my Super. I talked with my amp tech before about it. He said that running at 4 ohms shouldn’t be a problem. If you were running four JBL’s in a Super that would be extremely heavy. Those JBL’s are close to 10 lbs each. The Gold 10’s are about 6 lbs. the Cream are about 3 1/2 pounds.
I have a Hot Rod Deville with stock Eminece 12's. After seeing this video of Matt and the Celestion Anico Gold, I'm really considering replacing them, but I also like the Cream. How did your Gold/Cream combo turn out?
The rule is {ohm x ohm} divided by (ohm + ohm). In this case you mentioned two 8 ohm speakers so:
8x8 divided by 8+8
64*16= 4 ohms- so the rule is the ohms of the power amp side (2 ohms) must be equal to or smaller than the speaker load, in this case 4 ohms (two 8 ohm speakers equals 4 ohms).
How I remember this is a river emptying into a lake. The power(2 ohms) is the river and the speakers ( 4 ohms) the lake. The lake must be equal to or larger than the river or the water (current- water current/electric current) starts to back up as it cannot empty fast enough into the lake. Let's say for example you had a 4 ohm power amp but the speakers, the lake, was only 2 ohms. The lake is smaller than the river and the power will back up the river to the head and burn up the amp. A 2 ohm river (head) flowing to a 4 ohm lake (speakers) is just fine! By the way, genius is the ability to make complex things simple! Thank you. Papa J
Excellent. Thanks
Amazing sound! (As always!)✌🏼😊
If you are going smaller combo, you just need Vibroverb with 1x15. You already have the 15" JBL.
Patrick Black the amp is in a vibroverb cabinet, he changed the 15” baffle with a 2x10...
@@dieterdeclercq Yea I don't get that but everybody has different tastes and goals. That Celestion Gold is nice. But I haven't found any 2x10's I like better than a 1x15.
Warm, yet sparkly! Nice playing🎸
Great speaker....I have a friend that has the celestion gold 10 in a Princeton reverb. Amazing tone in a little portable amp.
Sounds really good!! .. very rich and smooth sounding ✌️
Sounds killer.. I know what you mean about the sound guys not liking the big amps.. I too use a 1965 super reverb.. killer amp, but loud...
Hey Matt maybe releasing another song would make this quarantine a whole lot easier 😳😳
Good idea..
Sounds amazing
Love the sound as well as your playing as always. Since I'm "old" I will share an "old school" tip for better tone at lower volume. A bellari mp110 tube mic preamp is made for microphones, but has both xlr and 1/4 " umputs and works magic used after your pedals but just before the amp. It has gain, volume 20 db pad, phase reverse, and phantom pwr, which you won't need, but makes a sweet, controllable overdrive that will even make a solid state amp sound good. It's a cheap accessory that I will never go without since learning about it. I bought mine to use for solo gigs, so I could put a vocal mic into my amp and play alone without too much gear. Just tried it for the guitar once and blew my mind.
Cool. Thanks for the tip.
Sounds like a super cool idea!
@@GCKelloch - Rolls (Bellari) specs the instrument input impedance at 10MΩ.
rolls.com/doc/datasheets/datasheet_MP110.pdf
@@GCKelloch - The IKMultimedia AXE I/O has a continuously variable input impedance adjustment which ranges from 2.2kΩ to 1MΩ.
@@GCKelloch - Yes. Avid had that guitarpreamp/USB recording codec/multieffects which had a variable Z 1/4" guitar/instrument input. Never got to actually play with that box.
After I stumbled on hard-wire DPDT effects bypass switching in 1972, I haven't had to think much about input impedance.
Now I have a variax and I'm digital from the guitar output jack all the way through my DAW to the output of my USB desktop codec. I can digitally emulate some of the various input impedances as well as about a thousand other emulations. I can even modify the resistance of the vol and tone pots and vary the the values of the tone caps.
(enough rambling)
That's such a gorgeous sound!
Not made to be run with a mismatch. Even the external. It seems that what you created is potentially a damaging load. Dangerous to your amp head that is.
I use alnico field coil speakers myself . I have three different versions of Electro-Voice in fact. They really have an organic sound, I believe they personify the way music is meant to be heard. Not just with guitars either, with music in general. especially Even the externalHi-Fi
I agree. I have several different types of EVs myself. (Might be willing to part with a few in fact.) And myself, I think they sound fantastic and kind of like you said I think that's really more of the way that music is meant to be heard. Not just guitar either.
In fact, if you are into high-fi at all, like high-end s***. A lot of companys are going back to alnico or even field coil speakers...
I have the same speaker combo except they’re the 12” alnico gold. And 12” JBL E-120 in a twin reverb reissue i I converted to a super reverb, (new transformers , now tube rectified. Hand wired , and what a mind fuck pain in the ass but let me tell you it’s the sweetest sounding amp I’ve ever plugged into. Each of these speakers sound great on their own but they sound i amazing when paired, especially w/ single coils. You Sir are a phenomenal guitar player btw , and thank you for the videos
It's def a lot mellower sound, not as harsh. I think it's some of the best tones I've heard on this channel.
Def warmer and smoother...don't know how much it'll "hurt" the amp...
Love the sounds in this video, saw it more than a year later but better late than never. Awesome job, great playing as always and HUGE tone, man!
It sounds great!!!
Hi matt, you should try out the joyo american sound pedal. I heard that is does fender amps well for a fraction of the price. See if if would also compare to your vintage amps. Thanks!
The Deluxe Reverb is an impedance mismatch from the factory, they all still work if not abused and maintained.
They were designed like that to run either single or dual speakers at a 25% mismatch either way. A 50% mismatch going up in impedance is safe-ish, going down is asking for trouble, especially at 1ohm.
But that's a Super chassis. 2ohm.
Dean Allen it sure is a Super. I was giving an example of a well known Fender amp with capabilities spoken of by Matt.
The Concert is a perfect example,brownie,they have 3 10s with a 4 ohm transformer.
Thanks for the information!
@@Wildman9 interesting, I always just assumed those were 2.
I have Celestion Alnico speakers in every amp I own(around 10 amps..). I think Alnico Celestions are the best speakers made(some of mine are 60+ years old!).
Hey Matt, awesome tone as always!! I hear a bit more bass and much less high end (but in a pleasant way) in comparison to your previous setups. I get a feeling that at around 7:52 it sounds a bit muffled when you play that Bm chord but I'm not sure if it's because your tone knob is backed down.
I just have one question: whats the reason you prefer 10" speakers rather than 12" speakers?
Thanks for the videos, man, they just keep getting better and better!
Love the t shirt man!
Sounded balanced to my old ears, there were a couple scratchy sounds in a few places. Many people mix US/British voiced pairs, as long as you use quality speakers you should get decent results. IMO its a big bunny hole, you could find many pairs that sound really good together. So did you scrap a vibroverb cabinet and convert it to your super chassis or did you have a new cabinet built to vibroverb specs and just change the baffle? Hopefully the latter but it wasn't clear in the video. RockOn, stay safe!
Yes, no problem.
Thats what the JBL D120s were for . Smooth tone and low end . You got a good tone bud .I always wanted a Fender Twin with D120 s .
Wow, Amazing video, please make more
Matthew, you created a new sound. Beautiful warm, not so much treble. greetings from Germany 💥😎🎸⚠️☮️
Fender amps are somewhat forgiving. Generally you can half or double the speaker impedance. After all, they give you an extension speaker jack. Do not use it now. By cutting the speaker impedance in half you reduced the reflective impedance in the primary increasing current in the output tubes. This will lessen tube life a bit, lower power and decrease bandwidth. BTW, the output jack actually shorts out the transformer when the speakers are unplugged. This is to protect the transformer. Also speaker impedance varies. You can’t measure it with an ohm meter. That will give you coil resistance. I believe speaker impedance is determined at 400 hz. Research reflective impedance if you care to learn more. I learned this over 50yrs ago in trade school so I can’t get too technical. I’m surprised I remember anything at all. Sounds good. Like your demo.
Hey Greg great info...I just purchased a 1980 Fender 70watt Super Reverb. The current owner was under the impression that the 4 10's were all original. However, taking a closer look it appears there are two 8 ohm Oxfords (top) and two 16olm CTS alnico (bottom) . I'm just guessing that the CTS alnico may have come out of a Fender Bassman or something (who knows) . I'm no expert on Fender combo's but my ears love the sound, however, I'm concerned about impedance. IF you or anyone else has input let me know?
Jonathan Cowart SR uses 4 x 8 ohms in parallel. This yields a 2 ohm load. The output tranny is 2 ohms. With your set up if they are all in parallel you have 2.66 ohms which overall ok. Do you hear any speaker pair dominating?
hey matt, any tips on those extremely fast pentatonic runs? great video as always man!
EDIT: oh yeah, also a lesson on your sorta "new" style of playing which is more melodic.
Matt have to teach us his pentatonic licks on a video, I'll enjoy
I agree...Specifically that run or lick you step into when you really crank it on - I think everyone knows the one im talking about. Please please do a video on that!!!
Kevin King yes!!!
I will do some more lessons soon. Been dealing with some shit in the meantime.
Matthew Scott hope all is Well!
Alnico sounds perfect in a princeton too. Perfect low volume sound for recording and proper rehearsals. They sound even better after a few months of use. If you want to save a bit of dough the Newer Jensen Alnicos are vvv close indeed to this, they also need a "running in" period , I used my Fender proreverb with a Jensen P12Q as my "Jukebox" to speed up the running in. 2 to 3 weeks playing 1 hr a day , 20hrs maybe 30.
You play really really well. No show off just music. And the sound of corse is amazing.
Have you ever played through a Vox AC30?
Just wanted to say ive been really enjoying your playing and knowledge of vintage fender stuff!
Ive actually had a couple people tell me fender amps with greenbacks are great! definitly its own thing.. but worth trying
I do like greenbacks
I think I might have chimed in already on your Instgram feed about my experience with installing a Celestion Alnico Blue 12" speaker in my 1966 Deluxe Reverb when those speakers came out. I was simply blown away with the character of that speaker. It had an incredible bottom end , almost piano like, with a throaty midrange and a sweet top end after it got broken in. It sounded amazing at low volumes and fantastic when pushed. I had tried numerous different style 12" speakers and none had the character of the Celestion Alnico Blue.
Just took the celestion g10s out of my Allen Encore (Vibrolux reverb type amp) I like the CTS 10 inch alnico I have in there a lot more. Lighter in weight, less efficient, and more mellow with smoother highs to my ears. Great speaker!
Sounds amazing! My favorite tone from any of your videos so far! Very rich and organic tone at low volume. You can really hear the guitar and the amp and they sound so great by themselves, you can get away from the never ending need to tweak with pedals.
Love these speakers! I have a 12 inch gold in a Kingsley Bailey 30 (A hand wired el84 amplifier made up here in Canada) and it sounds amazing. Records very well too. Awesome idea Matthew! The only thing that has kept me away From super reverbs is the size and weight, but I love them when they are back lined.
For what’s its worth Matt, the amp should handle it either way but when you use the ext jack you lower the impedance load. It adds in parallel.
Omg that first tone at 3:12.. definitely “Under The Bridge” tone . Stunning.
Super Reverb 2ohm transformers, as long you don't go below 2 0hms it won't blow, the higher the ohms less headroom, more distortion, that extra speaker Jack got a lot of transformers, amp at max load then they add more speakers load drops more, then frying starts blown. Great sound
Your tone sounded sweeter with that speaker, me thinks. I use the Celestion Gold G10 with my Vox amp and it sounds great. Great speaker.
Great sound. I can't catch the lick you play all the time through your videos is starts 8:05 and end 8:11. I've tried to lower the speed on youtube settings but still it's puzzle for me.
That riff in the beginning… love it. Wish you had some tabs for it! As your tone …amazing!!!
Tune down half step. Am G, F
This is the start of the path to heavy use of a Princeton Reverb
i replicated this combination but with the 12” versions in a twin and holy schnikes
Dude! Love the tones. But how do you resolve your volume issues in your apartment? I can't go more than 3 on my Hot Rod Deluxe 3 without feeling like the police is on the way?!
@Dwight Boy Hey Dwight. Isn't this like having a master volume? I have made a similar thingy for my Hot Rod Deluxe but it is not quite the same as having a dedicated attenuator.
If this "test" is on 3 (volume control)...I would think twice about keeping this rig as is...it is already
breaking up and not in a good way IMO...
Hey! Sounds amazing! Great work!
I’m about to do the same thing and am considering the G10 Alnico. Are you still using this setup? I like the JBL E110 but I don’t think I would put that in my cab. I’m leaning more towards possibly a celestion 10” or a Warehouse or a Jensen. Not sure yet. The amp I’m using is a little Airline 6v6 5 watt. Let me know what u think
Thanks,
Brett
Sweet and bright and full and balanced. Very nice and good job on the amp too!
Very cool, mellow sounds Matthew. Looking forward to seeing the next lot of guitars.
Thanks for sharing 😀🎸
PEACE
Gosh dude. You've done it, you've conquered the perfect strat tone..
Also have you memorized the scales for all around the neck?
Yes I have!
@@MatthewScottmusic By the way.. are chords just notes of a scale combined that sound right?
@@GCKelloch And those numbers link into basically the notes of a scale from low to high but missing out the repeats (octaves and root notes)
@@GCKelloch Sound
Hey ! As far as your Ohms go, 2x the load your amp wants to see, you're safe. The tone might differ slightly from the matching combination, (Dr Z did a video on that) but for the rest, you're OK. I have a mismatch on a VOX 8 Ohms through a Celestion CreamBack 16 Ohms and it works/sounds great. When I push it, the breakup comes a bit earlier and the tone is a tad more spongy. Sounds just great ! Keep safe & peace bro ;-)
Absolutely beautiful sound! Amazing video as always Matt.
A Celestion type speaker will DEFINITELY help out a fender circuit. It adds more midrange and has less flub. Weber makes a GREAT 10” Alnico that is a cross between a P10R and a Alnico Gold,basically. It’s the 125P. I put one in an AA764 Champ build I did recently and it really made the overdrive more “solid” for lack of a better term but the cleans are still pretty much the same. It’s much less expensive speaker than an actual Celestion too. Cool video btw! I always enjoy your playing.
The speaker sounds great! I don’t think you’ll have a problem with the ohms difference. I have quite a few friends who have done this before.
This sounds like a winning combination. Sounds fantastic! Nice job!
I put a Celestion AlNiCo Gold in my Princeton Reverb RI 10 years ago and it's been my main amp ever since.
Iberville Music I have a 68 Princeton RI and really want to do the swap
@@Clarkin63481 Was well worth it on mine, a bit pricey but I've spent more on pedals I almost never use. I went with the 10" version.
Does it hold together better at high volume?
My PRRI really flubs out past 8 with the stock speaker and to get up over my band it needs to be on 10
I personally play top40 and jazz and never need to push it higher than 5 even in the loudest moments. sweet spot is around 4.5. Mind you I use pedals to boost up my volume for clean parts and get my gain sounds (I stack: Vemuram Jan Ray / Xotic BB preamp / JHS Morning Glory) and always mic the PRRI (one off-center sm57 pointed at middle of the cone)
I've tried diming it a few times for fun but am not a fan of Fender Blackface distortion sound. The Alnico has a slightly better headroom and the stock Jensen and can take the punishment, but if you really need to turn your amp up that loud I'd look into something more powerful/high wattage.
Have you tried the Alnico Creambacks? I just put one in my amp and it sounds great.
Did you remember to wire the JBL reverse phase??
Sure did🙃👍🏻
Your tone is so raspy! I love it
Very warm, like it. Like putting vintage 30s in a marshall...huge difference.
Great Philip Sayce tone!
I think you need to build your own recording studio ....vintage that is with Electro voice 642 and 666 etc microphones... Altec vintage tube boards . I think you can't build a vintage tube recording studio for around 2000 bucks
how heavy would you say your 59 strat is ?my build must be at or close to ten pounds but it sounds friggin great...am I wrong thinking 7 lbs would be a better target ....love your channel brother peace
I just scored a modern Super Reverb cab with four-Celestion G10’s for $450. Talk about lucky! They are fantastic speakers!
I’m considering putting a 12” Gold in my 1972 Traynor. It’s a Guitar Mate Reverb with the three inputs and no bright switch. Someone before me had put a Celestion Vintage 30 in it
Loved my Bassman but the thing was a beast to carry. Thought about building a 210 cabinet but had to sell the amp. What could've been...
My 2 ten combo is a Tone Tubby Red , combined with a old Fane ceramic. I think the TT is basically a hemp recone of the Gold. They are in a moyer modded CVR. Always sound good !
The Celestion Golds are probably the best thing they make ... much more complex frequencies coming out of those things (I've only heard YT comparisons). Your amp will survive the mismatch.
a very good sound!
According to Greg Gagliano in Vintage Guitar Magazine, Fender sometimes issued mismatches from the factory during transitional phases like using up the transformers from the Bassman 6G6 in the Bassman 6G6A in 1961 into 1962 and also in the 3X10 Bandmasters that shipped with 8 ohm transformers.
Fender amplifiers can tolerate a 100% impedance mismatch in either direction. So if it’s rated for 8 ohms, it can safely be loaded with 16 ohms or 4 ohms. (Source : Skip Simmons - Truth About Vintage Amps Podcast)
Do you ever consider getting a Vox amp? Or are you strictly Fender only?
How are you getting so much gain out of a Super on 3 with a strat? Shouldn't that be crystal clean at that setting?
Listen to your ear brotha....if that makes sense, but yes, your ears are telling you the truth, sounds great...hope your staying safe and healthy....🙏🏻
My opinion, sounds great. Ive considered a gold but sticking with jensen for the time being. As far as your 2ohn nominal into a 4 ohm cab, your amp is safe. I wouldn't go the other way though ever. My understanding is that the fender external speaker and speaker outputs are run parallel so you can run a second 4ohm cab and your amp will then be running at nominal 2 ohm. Personally, I build my own cabs with pine and i always use 1/2 inch birch ply for the baffles.
Jbl speakers are second to none and the celestion with it is killer good. I can hear it perfectly and i think your spot on and what about experimenting with a clean boost barely turned on? Or try a solo dallas compander?
I guess if the soundman doesn't like our loud amplifier we will have to reassure him that we will put it at the volume he prefers, we have to work with the soundman for sure and compromise in life to get along. Hopefully the soundman will appreciate our willingness to compromise and he might be willing to go a little louder than usual. I guess there's mellow crowds who like it quieter and rowdy crowds who love it loud. Hopefully the soundman knows the kind of crowd that shows up at his venue more than we do.
Can anyone help me decide between a Celestion Gold or a Vintage 30 or a Celestion Blue?
If anyone can please chime in it would be much appreciated! Thanks y’all!
So here’s what’s going on-I play burstbuckers through a boutique take on Princeton Reverb that has 35 watts, a 12” speaker, a master volume, increased headroom, mids control and a mids boost footswitch. This is to play clean tones at higher volume in a band setting AND also to be able to use more boost/overdrive/distortion-things I couldn’t/shouldn’t do with my 1966 Princeton Reverb.
The problems are the pretty bad sounding bass and mids on this boutique amp. The mids control and a mids boost footswitch are cool in theory but in practice they don’t sound so good. I want these features to live up to their potential and I want my E and A strings to sound more like my vintage amp.
My theory is the problem is the speaker- a Jensen 12Q. Switching out the Jensen from the vintage PR (a new Jensen not the original speaker) was also a big upgrade.
So which Celestion is best for this? The $ difference is not a big factor, I just sold a guitar and that money is going into fixing this problem.
Thank you Gracias and thank you again!
The G10 is such an amazing speaker. I foolishly sold it because I didn’t have a 10” cab but I’ve been wanting it since I sold it.
Find an org d110f and you'll have something, I love the d131 and d120f 12" JBL's all the greats used them..I'm pro alnico all the best music ever recorded was with them ...mud magnet ceramic is just cheaper to make ..newer eon magnets are ok and lightweight, but for music and pickups ....Alnico
I just scored 2 mint 1958 Jensen P10q speakers, saw what they are going for and am not sure if I should sell them or keep them????
Sounds awesome. I have a question I have a vibroverb 63 reissue and want to pair it with a Celestion vintage 80th anniversary. Would the gold pair well with that in the bright channel I’m low volume and don’t like things too bright. Any recommendations would be great. Russ.
Early I discovered torn speakers.They didn't last long.but fuzzzzzzzz ! Ha!
Mesa Boogie has speakers built especially for them.
Check out the 90 Black Shadows.
They're like Celestions but they're better. Try a Mesa Boogie cabinet
Plugged into a nice 50 watt Marshall, with the Vox SE tonelab pedalboard.
I like it, but I'm biased. I like the sound of AlNiCo and ceramic magnet speakers mixed, and I like the sound of AlNiCo by themselves. To my ear the AlNiCos seem to breathe better at low volumes. At high volumes some can really nasty. I like Webers for my purposes, and I run two ceramic and two AlNiCo in my Super Reverb, and one of each in my tweed Super.
That direction of mismatch is preferable to the othe way so you're good. BTW there is such a thing as a 2x10 vibroverb. Ryan McCall of BC and the Big Rig has one(hes an Okie) maybe you know him, Im sure hed be glad to chat w/ you about it.
It’s funny how the super reverb is the holy grail yet they are always for sale. Then it’s time for a 2-10 lol !
The Jenson, Jupiter, and the gold are my favourite 10’s
I appreciate your video of this speaker. I honestly didn't like the sound of it. A Jensen P12R is still my go to choice.
My opinion is subjective like everyone's but to my you playing your strat thru that Fender with JBL & Celestion Alnico Gold sounds fantastic!
sounds good,like sleepy musick,lol..we made a combo amp from some fender cab chassis an whatever you call the thing,and used a sought after jbl 15,and the amp was 68 blackface, very warm an rich...twin..an then in 68 they went to silver face maybe too...cant think of that piece we had to use,its been so many years,i was gonna buy it for 850 an i think i went with a plexi instead,i like the attack of plexis an feedback an agression more,like blackmore of course............
you play well,an fast,but we all can play fast,but cant play srv etc with your quality,o some others can too, sure..best tone i ever heard is blackmores modded marshall majors from around 1970 to early 1990,s or so before he switched to,,,engl,, which also sound good,an resemble blackface amps on clean if you adjust,while killing your ears.. listen to my favourite album of all time,an hear blackmore playing, back, beethoven,an others,an no dam body on earth can copy him back then or like20 years ago,an the marshalls started out at 200 watts,an modded to 600 or more american watts each, he would near allways stand to the side of them,an great twang an clean,also using a treble booster too. also again, billy gibbons,an his guitars with scorching hot pickups, marshall valvestate,an mojave,an magnatone an 7 gauge strings..i allways say,..listen to...velcro fly,an many many others by billy,the master of tone..hear the long version of,,lazy,,, by deep purple,,from made in japan,an you will hear a 68 strat allmost,,,talk,as he turns down an plays a little..lol...