Sondheim was always sui generis. What a pleasure to hear him here, at the brink, despite his obvious talents still only getting hired as a lyricist, but clearly determined to compose a whole score. The performers here also remind us of the style of “legit” singing, indebted to the voices of operettas, that was still popular in 1961. Finally, Sondheim spent his whole life disparaging the delightful “I Feel Pretty!”
Thanks for this - such a young Stephen and his views on his own work. And so interesting how the style of singing has changed over the years. ZT'l Stephen, you live one through your words and music.
Just WOW. What a gem to get to see and experience. How I wish this kind of excellence was far more prevalent than what passes today for the art and craft of musical theater. I am so delighted to have been able to see this and hear the gorgeous voices, and the spectacular music conducted and played so brilliantly.
Wonderful to listen to Stephen talking about how he creates such supreme lyrics, and to have the song performed by such great singers. Thank You for a glorious upload.
This is a really fascinating historical document. Pre-Funny Thing where Sondheim is already tinkering with the form of musical theater before he would re-define it completely as his mentor had with Showboat and Oklahoma. He would hold his opinions about his lyrics in Gypsy and West Side Story for a long time when, many years later, he would repeat them in his two wonderful books about lyrics. Beyond Sondheim, the host talks about the "men" who create musical theater. And it was men mostly. And then there is the totally male orchestra, mostly white. This is surely a black-and-white document of a different time when musical theater in particular was at the cusp of major changes.
This was back when high school students dressed up (ties for the boys, necklaces for the girls) because they were going to be in the audience for a TV show.
36:08 Jazz pianist Hall of Famer Hank Jones, who recorded with the greatest names in music, from Coleman Hawkins, Charlie Parker, Dizzy Gillespie, et al, was also CBS Orchestra pianist for 19 years. He worked many years in the orchestra on the Ed Sullivan Show, accompanying Barbra Streisand and other singers on ballad features when they appeared.
Great look at history here. I'm so sad that very few of these TV studios with orchestras/bands/grand pianos exist any more. But I'm also heartened that more women are involved in professional music making in orchestras and composing in the public sphere nowadays. It certainly was an era!
The "Small World" performance in this really made me wish one could watch the original Gypsy with Ethel Merman, so I went looking for it and found it! Here goes: th-cam.com/video/g4lOiej0kNw/w-d-xo.htmlsi=Sw61hbifzJY83I_9 Obviously we all knew how she sung those songs, but comparing the delivery here to, say, the incredible LuPone version from 2007/8 and it's night and day. Current versions of Gypsy are so funny and a bit more on the nose with the humour, seeing the same material performed with this classic style of acting is quite interesting, especially from Merman. "Small World" for example is such a funny song, yet in this it's played completely straight, probably because it's removed from the context of the actual show.
This one made me weep. So much gone--including the genre itself. But, fortunately, so much preserved.
Fascinating document. It’s amazing how consistent Sondheim was throughout his life in responding to similar questions
Sondheim was always sui generis. What a pleasure to hear him here, at the brink, despite his obvious talents still only getting hired as a lyricist, but clearly determined to compose a whole score. The performers here also remind us of the style of “legit” singing, indebted to the voices of operettas, that was still popular in 1961. Finally, Sondheim spent his whole life disparaging the delightful “I Feel Pretty!”
Thanks for this - such a young Stephen and his views on his own work. And so interesting how the style of singing has changed over the years. ZT'l Stephen, you live one through your words and music.
Can you believe Mr. S. took us so far? Salute Sir.
This is wonderful. I thank you too.
Just WOW. What a gem to get to see and experience. How I wish this kind of excellence was far more prevalent than what passes today for the art and craft of musical theater. I am so delighted to have been able to see this and hear the gorgeous voices, and the spectacular music conducted and played so brilliantly.
Sondheim’s words are obviously brilliant. The arranger’s insight and words of advice are brilliant. The performers’ musicianship is exquisite.
I can‘t believe how honest they are. A rare treat! ❤
Wonderful to listen to Stephen talking about how he creates such supreme lyrics, and to have the song performed by such great singers. Thank You for a glorious upload.
Thank you so much for posting this! What an enriching and interesting testament of a great artist!
This is a really fascinating historical document. Pre-Funny Thing where Sondheim is already tinkering with the form of musical theater before he would re-define it completely as his mentor had with Showboat and Oklahoma. He would hold his opinions about his lyrics in Gypsy and West Side Story for a long time when, many years later, he would repeat them in his two wonderful books about lyrics. Beyond Sondheim, the host talks about the "men" who create musical theater. And it was men mostly. And then there is the totally male orchestra, mostly white. This is surely a black-and-white document of a different time when musical theater in particular was at the cusp of major changes.
actually intelligent TV for the masses - amazing
RIP Stephen Sondheim a true musical legend
Great to hear from the orchestrator, and very interesting to hear how he thought the craft of the composer was going downhill in his time
How wonderful to have documentation there was a time our culture was elegant
This was back when high school students dressed up (ties for the boys, necklaces for the girls) because they were going to be in the audience for a TV show.
36:08 Jazz pianist Hall of Famer Hank Jones, who recorded with the greatest names in music, from Coleman Hawkins, Charlie Parker, Dizzy Gillespie, et al, was also CBS Orchestra pianist for 19 years. He worked many years in the orchestra on the Ed Sullivan Show, accompanying Barbra Streisand and other singers on ballad features when they appeared.
A raw WCBS video tape before it was edited for broadcast. Very, very rare
Great. Thank you for posting.
Great look at history here. I'm so sad that very few of these TV studios with orchestras/bands/grand pianos exist any more. But I'm also heartened that more women are involved in professional music making in orchestras and composing in the public sphere nowadays. It certainly was an era!
Thanks for the great posts John!
he's so cute 🥺🥺🥺
That Martha is wonderful! A fab singer! Why don't I know her better? PS. Ressembles Doris Day just a tad.
The "Small World" performance in this really made me wish one could watch the original Gypsy with Ethel Merman, so I went looking for it and found it!
Here goes: th-cam.com/video/g4lOiej0kNw/w-d-xo.htmlsi=Sw61hbifzJY83I_9
Obviously we all knew how she sung those songs, but comparing the delivery here to, say, the incredible LuPone version from 2007/8 and it's night and day. Current versions of Gypsy are so funny and a bit more on the nose with the humour, seeing the same material performed with this classic style of acting is quite interesting, especially from Merman. "Small World" for example is such a funny song, yet in this it's played completely straight, probably because it's removed from the context of the actual show.
"in-apropos"
FORUM to star Milton Berle!
I guess either Uncle Miltie quit or he was replaced by Zero Mostel in the original Broadway production.
Martha Wright? I have to look her up. She is great.
Today, some in the audience would be checking their phones. A different time. In some ways, better; in others, worse.
I bet it irked Steve that the opening music was Jule Styne's rather than his own. Perhaps it explains his expression the first time we see him.
At this stage, he hadn't had a show performed with his own music.. This was before A Funny Thing Happened On The Way To The Forum.