Bach: St. Matthew Passion (Karajan)
ฝัง
- เผยแพร่เมื่อ 6 พ.ค. 2014
- Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
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Music that stirs the soul , music that brings tears to your eyes, long live the memories of Js Bach and Hvk... Greatness indeed.
D'accordo con tutto ciò che è scritto,con i suoni di Bach mi sento salire nel settimo cielo.
00:00 No. 1 Chorus I & II: “Kommt, ihr Töchter, helft mir klagen”
09:21 No. 2 Evangelista: “Da Jesus diese Rede vollendet hatte”
10:14 No. 3 Chorale: “Herzliebster Jesu, was hast du verbrochen”
11:28 No. 4a Evangelista: “Da versammleten sich die Hohenpriester”
15:06 No. 5 Recitativo: “Du lieber Heiland du”
16:14 No. 6 Aria: “Buß und Reu”
21:38 No. 7 Evangelista: “Da ging hin der Zwölfen einer”
22:13 No. 8 Aria: “Blute nur, du liebes Herz!”
27:15 No. 9a Evangelista: “Aber am ersten Tage der süßen Brot”
29:54 No. 10 Chorale: “Ich bin’s, ich sollte büßen”
31:07 No. 11 Evangelista: “Er antwortete und sprach”
35:09 No. 12 Recitativo: “Wiewohl mein Herz in Tränen schwimmt”
36:58 No. 13 Aria: “Ich will dir mein Herze schenken”
41:00 No. 14 Evangelista: “Und da sie den Lobgesang gesprochen hatten”
42:16 No. 15 Chorale: “Erkenne mich, mein Hüter”
43:50 No. 16 Evangelista: “Petrus aber antwortete”
45:02 No. 17 Chorale: “Ich will hier bei dir stehen”
46:37 No. 18 Evangelista: “Da kam Jesus mit ihnen zu einem Hofe”
48:40 No. 19 Recitativo: “O Schmerz!”
50:58 No. 20 Aria: “Ich will bei meinem Jesu wachen”
56:16 No. 21 Evangelista: “Und ging hin ein wenig”
57:12 No. 22 Recitativo: “Der Heiland fällt vor seinem Vater nieder”
58:36 No. 23 Aria: “Gerne will ich mich bequemen”
1:05:38 No. 24 Evangelista: “Und er kam zu seinen Jüngern”
1:07:12 No. 25 Chorale: “Was mein Gott will, das g’scheh allzeit”
1:08:53 No. 26 Evangelista: “Und er kam und fand sie aber schlafend”
1:11:46 No. 27a Aria: “So ist mein Jesus nun gefangen”
1:15:50 Sind Blitze, sind Donner in Wolken verschwunden
1:17:08 No. 28 Evangelista: “Und siehe, einer aus denen, die mit Jesu waren”
1:20:05 No. 29 Chorale: “O Mensch, bewein dein Sünde groß”
1:27:41 No. 30 Aria: “Ach, nun ist mein Jesus hin!”
1:32:31 No. 31 Evangelista: “Die aber Jesum gegriffen hatten”
1:33:36 No. 32 Chorale: “Mir hat die Welt trüglich gericht’ ”
1:34:44 No. 33 Evangelista: “Und wiewohl viel falsche Zeugen herzutraten”
1:36:00 No. 34 Recitativo: “Mein Jesus schweigt zu falschen Lügen stille”
1:37:23 No. 35 Aria: “Geduld! Wenn mich falsche Zungen stechen!”
1:42:44 No. 36a Evangelista: “Und der Hohepriester antwortete”
1:45:05 No. 37 Chorale: “Wer hat dich so geschlagen”
1:46:21 No. 38a Evangelista: “Petrus aber saß draußen im Palast”
1:49:15 No. 39 Aria: “Erbarme dich, mein Gott”
1:56:28 No. 40 Chorale: “Bin ich gleich von dir gewichen”
1:58:06 No. 41a Evangelista: “Des Morgens aber hielten alle Hohepriester”
1:59:58 No. 42 Aria: “Gebt mir meinen Jesum wieder!”
2:03:52 No. 43 Evangelista: “Sie hielten aber einen Rat”
2:06:14 No. 44 Chorale: “Befiehl du deine Wege”
2:07:54 No. 45a Evangelista: “Auf das Fest aber hatte der Landpfleger Gewohnheit”
2:10:23 No. 46 Chorale: “Wie wunderbarlich ist doch diese Strafe!”
2:11:36 No. 47 Evangelista: “Der Landpfleger sagte”
2:11:55 No. 48 Recitativo (Soprano I): “Er hat uns allen wohlgetan”
2:13:18 No. 49 Aria: “Aus Liebe will mein Heiland sterben”
2:18:55 No. 51 Recitativo: “Erbarm es Gott!”
2:21:56 No. 52 Aria: “Können Tränen meiner Wangen”
2:31:06 No. 53a Evangelista: “Da nahmen die Kriegsknechte”
2:32:15 No. 54 Chorale: “O Haupt voll Blut und Wunden”
2:35:41 No. 55 Evangelist: “Ja, freilich will in uns das Fleisch und Blut”
2:37:21 No. 57 Aria: “Komm, süßes Kreuz, so will ich sagen”
2:44:15 No. 58a Evangelista: “Und da sie an die Stätte kamen”
2:47:57 No. 59 Recitativo: “Ach Golgatha, unsel’ges Golgatha!”
2:49:51 No. 60 Aria: “Sehet, Jesus hat die Hand”
2:53:40 No. 61a Evangelista: “Und von der sechsten Stunde an”
2:56:23 No. 62 Chorale: “Wenn ich einmal soll scheiden”
2:58:28 No. 63a Evangelista: “Und siehe da, der Vorhang im Tempel zerriss”
3:01:18 No. 64 Recitativo: “Am Abend, da es kühle war”
3:03:48 No. 65 Aria: “Mache dich, mein Herze, rein”
3:11:17 No. 66a Evangelista: “Und Joseph nahm den Leib”
3:14:13 No. 67 Recitativo: “Nun ist der Herr zur Ruh gebracht”
3:16:36 No. 68 Chorus I & II: “Wir setzen uns mit Tränen nieder”
Спасибо большое !
¿Qué pasa con el No. 50?
@@CarlosMendoza-zn5fu Yes, it´s missing!
Х
I totally agree with you. This is a blessing of God through Bach and the greatest performers.
THE MOST GREAT PIECE IN THE MUSIC HISTORY
Exactly
? ??
@ciprianoetc.etc...ipse dixit! This is only your opinion not an absolute dogma...Bach and his music are a divine expression, no doubt... but i'm not agree with you...
Amen❤❤❤. A little slower here than some others but yet that’s my life and HIS death. Still the greatest.
@@alessandromarchesini9039 no, you are wrong, and he was talking true
Only a very few conductors of the past reached the message of this masterpiece BWV 244. Unbelievable that a human being was able to compose such timeless and genius music. The St. Matthew Passion is the crown of composition and will never reached by other works.
There's sadness, grief, hurt, pain, agony, love, peace, freedom, positivity and this music comes from another universe. Space and time is endless.
This is the right word: unbelievable! Our history on the road of the cross.
The emotions which Bach discoveted in reading the Passion of Christ story, are sublime, no one ever suspected that in the Human Living Entity there coul possibly be such, POWERFUL,
richness---- regardless of whether ----
THERE IS, OR, THERE ISN'T A GOD!!!!!
In order for Humans to appreciate, to
---- NOURRISH OURSELVES FROM SUCH UNBELIEVABLE RICHNESS,
THEY---- WE---- MUST, HAVE TO, SET ASIDE, IN---- PEACE---- ALL RELIGIOUS, A-RELIGIOUS, AND,
ANTI-RELIGIOUS SQUABBLES----
REMEMBER WHAT HAPPENED IN EUROPE IN THE 15th CENTURY, ETC.!ARGUING WITH EACH OTHER IN AN
UNSIBLINGLY MANNER, SHALL,
DESTROY HUMAN CIVILIZATION AND
ALL OF OUR LOFTY DREAMS !!!!!!!!!!!!!!!
@@johannesbrahms7414 Yeah! I agree!
@@prokastinatoreThere is no valid negation that Jesus is the Almighty God. Through Him all things exist. He is God and God alone. He is the great "I Am." PRAISE GOD!!!
We have to thank Mendelson to rediscover and conduct this extreme masterpiece. Otherwise be forgotten forever!!!!! (Thanks to a wild card called Mozart)
His tempo choices are PERFECT. For some reason it seems to allow the choir, soloists, orchestra, and the listener to obtain the most natural state of being. And I believe he instinctively heard this. And as a whole it just comes together so innately, so powerfully, so masterfully, so simply. That is the beauty of von Karajan.
Bach is dead (268 years) and so is Karajan (29 years). We should be glad that these two masters cam together !
*came*
@Johannes Kunder But didn't he reincarnate ? Maybe he doesn't want to return to this shitty world... But modern music became so corrupted - that we need Bach again !! Please Bach return and sort the things out !
@Johannes Kunder Dream on or get educated.
Perfection at it´s highest level, best tempo, best arrangement. R.I.P. Bach and von Karajan
Rest In Peace, Karl Richter!
If there has been anything on Earth worth calling sublime, it´s Bach´ St. Mathew Passion.
T
I’d say you’re missing the point.
If you in all honesty and without a doubt enjoy this version than I question your taste and even understanding of music in general.
@@FriendlyCroock ,quanta presunzioneTu invece il gusto ce l'hai e anche la comprensione? Questa musica come la esegui la esegui. Arriva comunque, anche eseguita col piffero e il tamburo! In ogni caso "io" preferisco Furtwaengler e me ne frego delle idiozie filologiche.
@@FriendlyCroockGolly, what a bold, not to say superior remark. Pity you can't say it to Karajan's face I wonder how you would fare..
Bach me hace temblar, su música provoca multiples sensaciones, Bach es uno de los tantos hijos queridos que produjo este planeta, su arte es inmortal.
Sin duda alguna, nunca hubo ni habrá mayor músico que Bach.
This is utter joy and beauty beyond expression
"Erbarme dich" is one if not the most beautiful aria ever composed.
......y la versión de Julia Hamari.-
Its difficult to believe that I am of the same species of the people who could write and perform something that moving. If that had been the only piece Bach had written, he probably would have still been one of the titans; it is,, indeed, "one if not the most beautiful aria ever composed".
Gundula Janowitz is one of the most beautiful soprano voices ever
Josep Rosanas I couldn’t agree with you more !
She can sometimes sing those top notes so softly you can't hear them! Hmm............
Oh God, you are absolutely right.
She was Karajan's lover
@@davidjohnson9796 Se puede saber qué añade ese cotilleo a la excelente voz de Gundula Janowitz.
Fantastic and deep performance by Karajan on Matthäuspassion !!!!! Thank you very much Scherzo Music
Pour moi, la plus belle et la plus grandiose des interprétations de la Passion selon St Mathieu de Bach.
deep and so emotionnal music ... we are caught up by terrible feelings
The orchestral sound is fantastic. Like a big brooding cloud coming at you!
What a great analogy.!
Sebastian Bach dovrebbe essere santificato: la sua musica resterà e sarà eseguita in eterno.
karajan a toujours ete remarquable dans les grandes oeuvres religieuses ( mozart verdi et ... bach il touche la au sublime et nous livre une des references avec karl richter
Grandios! Monumental!
This is an absolute masterpiece!
Karajan + Bach = pure beauty!
Look how he connects everything together: "legato" instead of "staccato".
Perfection!!!
Completly agree
@Matthew Bluefox
His name is 'Herbert'. Remember that 'Herrgott' is the name of another institution ...
too slow karajan cant conduct baroque music
Excuse me: Is there any rule claiming that baroque music has to be conducted rapidly?
@@philosophin9893 Chapter 23 of the Royal Python Conductors handbook Pages 335 thru 408 verses 12-99. Baroque music regardless of tempo discussions held in academic authority should be conducted at a tempo of quarter note equals 138, slow works can be done at half note equals 120 but 118 is straight out! Also, you should bring a herring to each rehearsal.
Observem a amplitude da concepção, a profundidade espiritual e a beleza nesta que é uma das mais grandiosas proezas do
gênio humano. O resgate da espécie humana, codificada em uma complexa e inigualável partitura. Domínio orquestral e
vocal, conduzindo-nos aos limites do inacreditável e exibindo o "intelectual" em sua plenitude criadora, ele que foi tão vulgar
mente tratado por príncipes e reis, esses sempre medíocres. Obrigado Mestre, o pai da música ocidental.
I cieli si aprono ad ascoltare questo capolavoro della Musica Sacra.
Martino Primo, Capolavavoro della Musica e non solo sacra.
La perfección hecha música.
Masterpiiece, Gundloa, ,welche Stimme :-) Listen to her here, and wiith Karajan, e.g Die Schöphung and the 9th Symphony -- love her
❤
Einfach schön. Und berührt die Seele.
Factos:
1- Bach e Beethoven foram os dois adjuntos de Deus, enviados ao planeta Terra, para glorificar a espécie Humana através das máximas obras primas alguma vez compostas: A Paixão Segundo São Mateus e a Sinfonia Nº9;
2 - Gundula Janowitz, Christa Ludwig e Karajan foram os expoentes máximos na interpretação musical em todo o século XX;
3 - Esta interpretação de Karajan é imbatível e ficará na História, apesar de Klemperer;
4 - Quando escuto o coros inicial e final e a área "Erbarme dich mein gott" sinto-me confortado por pertencer a esta espécie, capaz de todos os males mas também do sublime. A minha alma é lavada e, enquanto escuto esta música, a minha mente viaja entre as maravilhas postas ao nosso dispor pelo telescópio Hubble ( o mais belo que existe está no fundo do mar, no espaço e na arte, em particular na música ).
Conclusões:
a - Quando eu morrer saberei que valeu a pena eu ter vivido. Porque terei escutado Bach e Beethoven centenas de vezes. Claro que não esqueço Vivaldi, Handel, Strauss, Verdi, etc,etc.
b - A "Ode to Joy" de Beethoven, a área "Erbarme dich mein Gott" ( 1:49:15 ) de Bach e as " Vier Letzte Lieder" de Richard Strauss" são os meus medicamentos de emergência. São, por vezes, a minha tábua de salvação. Já me elevaram em momentos de perdas irreparáveis. Isolei-me do mundo e coloquei auscultadores. E chorei. E ergui-me.
c - Obrigado!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Die Chöre gefallen mir am besten! 🥰
Sem dúvida tivemos o privilégio de viver na mesma época e tempo em que ficaram grandes mestres da música.
A blissful experience listening to this masterpiece - one has to fight hard not to fall into trance !
The "Sind sind Blitze sind Donner in Wolken verschwunden" Choir sequence is simply the most epic choir I have ever heard.
It really brings tears to my eyes, just the splendor and grandeur of the sound.
PETER SCHREIER ist ein herausragender Evangelist! "Da dachte Petrus an die Worte Jesu ..." - zum Weinen schön!
PETER SCHREIER is an outstanding evangelist! "Then Peter remembered the words of Jesus ..." - beautiful to weep!
PETER SCHREIER est un évangéliste hors pair! « Alors Pierre se souvint des paroles de Jésus ... » - beau à pleurer!
Sublime ❤
My favorite ❤️❤️❤️
Cada vez que lo oigo me admira más. Es una creación extraordinaria .
Desde mi humilde opinión esta obra es pura inspiración . No creo que haya nada mas grandioso , en el ámbito musical , que esta composición. Gracias J.S. Bach y gracias a Scherzo Music por bajarla.
Es verdadadero
Sublime 💖
I love Karajan. Please listen to Richter's interpretation too. Both are timeless.
Richter's interpretation
@@bigstroker1300 Richter Tempo is perfect
Richter's interpretation is light years better: the choir especially is clearer, the dynamics are better, the rythms are perfect. Karajan is really too slow, too "philarmonic". His soloists are sublime as Richter's, but the saxon Maestro is a genius with Bach.
@@bigstroker1300 Funny, I think it is just the opposite, Karajan is dragging!
Big Stroker, your reply is useless! People wants to know why!
my lord 😍😍
Tres bien, tres bien!!
Although I think Richter's the best, I am in love with the extravagantly lavish legato and sound of Karajan who brings an extra touch of pathos to this already majestic masterpiece. The music above the music. The final takes your breath away. I am not at all in favour of the much faster tempo that seems to be fashion today.
Nella musica di Bach c'è la grandiosità Dio!
Ivan Terestchenko, it has nothing to do with fashion, but science. Conductors and musicians see the value in bringing the old music closer to the original style. Old written sources provide useful information, and the sources do not confirm these slow tempi.
Magnifique
thrilling. thanks.
Karajan's Berliner Philharmoniker was the best when it comes to Bach's music; the perfect tempo and passion; other versions of St.Matthew's Pasion are too fast and, curiously, restrained. If you can, buy this version.
JJRJ
85, I am sorry for my inadequate English. Your private taste alone is not good enough to decide «correct» tempi, you also need knowlegde. A few words about the opening choir. The funny thing is that our doctors can tell us if the pace are too slow in the opening choir. The time signature is 12/8. old written sources say that they count four beat in each measure. But what kind of beat? Heart beat! Normally number of heart beat is 60-80 per minute. Some articles say 50-80. But the number of heart beat per minute in this performance is 40… Ask the doctors if an human function normally with only 40 heart beat per minutes, and they will say «hardly». Richter have 35 heart beat and Klemperer only 32. Therefore we understand that Richter and Klemperer are too slow in the opening choir. The recent performances who pay attention to old written sources, are faster, around 60 and a few even faster. So, when it comes to tempo in the opening choir, 60 + -confirms by old written sources.
Es un apoteosis de la musica de Europa por gracia de J.S. Bach.
Si Bach tiene influencia sobre toda la musica europeana, este musica queda fundamuntalmente alemania por su estructura : jamas oira una musica tan "mecanica" por su regularidad en otro país. Los slavos un los latinos, las dos otras grandas culturas europeanas, son diferentes
Thanks, meravigliossa !!!
I don't take sides between HIP's or old tradition. I learned this work from this recording. Then I had a dislike to HIP recordings. Later I got used to them. Then I started preferring them. Recently, I am sort of in love with Butt's recording for Linn. But I don't know why, at moments like 2:56:20 I find myself here, at this recording, the actual one I am listening being paused.
Karajan is now, maybe, outdated, but he certainly had his own merits and whenever there was a moment for drama, he achieved the maximum from the texture. I don't think I'll ever hear this chorale sung like this anywhere else.
Another similar appreciation I've for this recording is, among many others, because of the, for me, unbelievable phrasing of the recitative and aria "Geduld". The way it is played makes the words of the aria almost real, tangible.
Thanks for the upload.
Esta versión la tengo en LP desde hace más de 20 años, unos 35 o más y siempre me ha parecido la obra más impresionante de la música
Participe en una coral que ensayada algunas de las corales a cada cual más y más bella.
Y pensar que casi acaba como envoltorio de unos cuantos solomillos.
Almost had a heart attack at 2:09:43
lol. me too.
Giuliano Bevisangue Barabas !
Giuliano Bevisangue hahaha
HOOOOLY MOOLEY
I thought this is a part which gives goosebumps or smt, opened in full volume with headphones. Fuuuuuuck
Magnifique Musique et compositeur. Magnifique Karajan, magnifique choeur et orchestre. Comme on aimerait entendre jouer et Chanter Bach plus souvent ainsi..
Comme a son habitude Karajan étale sa suffisance et son enflure . Insupportable
Si vous avez la haine de Karajan que faîtes-vous ici ? Vous pourriez être correct et poli..
1:05
Narration from _The Story of Bach,_ part of the Vox "Introduction to the Classics" series:
As he wrote this music, which pictures the suffering and the death of the Savior, Bach himself was so deeply moved that he sat at his desk deadly pale and trembling, tears rolling down his cheeks. Nobody would have dared to disturb him during these hours!
Karajan's sound!!!!
el final de la pasión de San Mateo 3:16:36 es comparable al Lacrimosa del RequieM de Mozart. Para mi gusto dos de la piezas corales más excelsas de la música universal.
En mi opinión son dos situaciones completamente distintas :-)
Don't forget the Missa solemnis of Beethoven
requiem de Bach es uno de las mejores
@@mirrors1 Mai e poi mai 🙂
The Masterpiece ❤
Si le son a une esthétique, on est proche de la perfection.
Great!
Fantastic
Se Deus existe, anda por aqui....Belíssimo...
+Claudia Cruz certo
bj
É difícil ver algum brasileiro comentando em músicas tão elevadas como essa.
¡Divino!
E di più
as time goes by, Bach becomes Johann the Baptist
Gracias miles por bajar la que para mi, es la obra cumbre de la música clásica.
so sublime ~
The greatest musical accomplishment by the greatest composer
The best recording.. :)
1:49:15 Erbarme dich, oh my god it's so brillant !
Adélaïde Bovard, quand l'avez vous écoutée sur quel site merci c S
Eberme dich mein got
Julia Hamari es la "dueña" absoluta de esta Maravillosa aria
@@veenajamal3846 lol
É importante entender parte da contextualização histórica dessa obra colossal alemã quando a escutamos atentamente .Bach foi engenhoso ao buscar a empatia dos luteranos na época. Ele inseriu na peça um coral Luterano de 1529, que na primeira versão foi tocado nos órgãos e posteriormente foi remanejado para um coro infantil. lembrando que os corais luteranos eram o pão de cada dia musical dos fiéis, em todos os cultos de toda Alemanha se cantavam esses corais. Há, portanto, uma busca da empatia da plateia na estratégia do compositor. Na Alemanha, a reforma luterana promoveu uma limpeza estética nas igrejas. Em uma espécie de surto iconoclasta, semelhante ao que talvez estejamos vivendo hoje,ademais,foram banidas imagens e pinturas de todos os templos, e por pouco a música escapou de ser excluída dos cultos. Mas, para sorte dos músicos, Lutero era um entusiasta das artes sonoras e concluiu que não era pecado louvar o Senhor através do canto e da música instrumental. Lutero não apenas manteve a música presente nas celebrações, como também organizou uma sequência de corais para todas as ocasiões litúrgicas, esses corais ficaram conhecidos como corais luteranos. Bach conhecia profundamente essas composições, tendo escrito várias harmonizações da maioria delas e esse conhecimento foi de extrema importância na Paixão, as melodias corais vão comentando as passagens do evangelho onde representam a comunidade, já os solistas representam os sentimentos individuais.Antes da Paixão segundo São Mateus, Bach escreveu quatro outras Paixões, mas duas foram perdidas, enquanto da Paixão segundo São Marcos só sobreviveu o texto. A Paixão segundo São João, de 1724, se manteve intacta. Tem proporções mais modestas que a de São Mateus, mas também é uma obra-prima.Existe um comentário modesto do criador da obra que me chama atenção a certo tempo ''dizem que sou um compositor,mas somente escrevo as notas que Deus me cede''.Johann Sebastian Bach.
Uau! Muito obrigado por esse comentário! Não conhecia A Paixão Segundo São João
É uma pena que perdeu-se a melodia da Paixão Segundo São Marcos! Seria muito legal se algum maestro erudito no estilo barroco do nosso tempo tentasse criar uma melodia para ela!
Also, don't forget 1:11:46
Final Chorus 3:16:36.
Only Mozart's Requiem-Lacrimosa reaches it
@@jorgecarrillo2 All but the eight first measures of which were NOT written by Mozart.
2:21:56 »Können Tränen meiner Wangen« Christa Ludwig
Karl Richter und Herrgott von Karajan haben "meine" Passion (Matthew) sehr ähnlich interpretiert und auch fast die gleichen Soli gewählt, interessant. :)
Il monumento di bach paolo gentile de nittis
slowly is imposible! Karajan is an eagle but my heart is with Richter!
D'accord avec vous.
Richter is good but less perfect
@@sheldonbazinga3985 Richter est plus terrien. Karajan plus divin. C'est cela qui fait toute une différence et justifie les diverses préférences.
Terrien et divin... Les deux pôles d'attraction de Bach@@jean-pierreb5421
35:08 waaaw!!!
Se me permite o autor destas palavras, não encontro melhor forma de exprimir o que sinto ao ouvir a Paixão Segundo São Mateus, sob a direção de Karajan. Cito então, parcialmente:
"Bach e Beethoven foram os dois adjuntos de Deus, enviados ao planeta Terra, para glorificar a espécie Humana através das máximas obras primas alguma vez compostas: A Paixão Segundo São Mateus e a Sinfonia Nº9;
Esta interpretação de Karajan é imbatível, embora também tenhamos a de Karl Richter e Herrewege, se me permite acrescentar e ficará na História.
Quando escuto o coros inicial e final e a área "Erbarme dich mein gott" (também refiro Julia Hamari, na versão de Richter, se me permite e a soprano Helen Donath, que nos dão duas incontornáveis interpretações, para mim as melhores de sempre) a minha alma transporta-se a uma outra dimensão.
Quando eu morrer, saberei que valeu a pena ter vivido. Porque terei escutado Bach e Beethoven centenas de vezes. Claro que não esqueço Vivaldi, Handel, Strauss, Verdi, etc,etc.
A Música é, por vezes, a minha tábua de salvação e é a prova de que Deus existe."
Obrigada pelas suas palavras.
Il finale la passione secondo Matteo stupendo l ho scoperta con il film casinò con de Niro incomincia così il film
The tempo is perfect. This is not Beethoven, and should be slower for a religious piece, and saint's passion adding to that. I don't think there is a better performance of St.Matthew Passion than that.
Beethoven also wrote religious music. So what are you even talking about.
The only thing missing in this performance is a more symphonic approach. Some crescendos, decrescendos, climaxes but you can't expect that from karajan cause he was not a great Bach conductor.
Structurally speaking Bach's religious music is a lot more similar to Beethoven or Mendelssohn than you think. Unfortunately the authentic movement ruined late baroque. Almost the entire romantic era is inspired by late baroque.
@@FriendlyCroock To mistake symphonic with operetic approach gives up the level of your experience.
@@ledauphindebourbon6956
No, I meant both. I didn't mistake one for the other.
I mean it needs both.
Grazie Mendelsshon :-))))
Richtig!
Richter's version is the best in my opinion and Julia Hamari was stellar in the 1971 dvd version, even if Ludwig and all the soloists are also excellent here! I don't like velocity in music but really Karajan is just a bit too slow. I find Richter more 'espressivo'. Karajan sometimes is too smooth and polished.
That's right Karl Richter is the best of the best.
The others try to copy him even being better than him,but Karl Richter and his Munich Bach Orchestra and Choir will be forever the Supreme Bach and Handel Masters!!!!!!!!!
Totalmente de acuerdo.-
La version de Richter est moins parfaite et par moment fait ressentir une certain amateurisme. La version de Karajan en revanche frise la perfection et touche au sublime.
Richter's version is less perfect and at times makes one feel a certain amateurism. Karajan's version, on the other hand, borders on perfection and touches the sublime.
Choral 'Bin Ich Gleich Von Dir Gewichen' at 1:56:27 is one of the most beautiful things I have ever heard.
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Yes
I love this aria: 2:21:55
the opening is sublime though I think I love Koopman's the best his is little faster a tiny bit
This seem the only performance left which shows recognition to what the Matthews Passion is (the main contrast with the present misconceived manners is, of course, in the opening movement)
+Qama Development
Hi, could you please elaborate on your comment? I'm interested. For instance, explain on the misconception regarding the opening movement
Nonetheless, Karl Richter is the best in this Passion. I'll have it the 7th of april in my church. It's been given for 135 years . Albert Schweitzer was the organist in this church. Saint-Guillaume Strasbourg France.
Richter is good but less perfect
42:17 - 42:49, 2:05:00 -2:06:00 & 2:31:00 - 2:33:00 (the hymn is superb, though I realise Bach did' compose them)
Die tiefe Botschaft : Wascht euch das Haar mit Schauma, wascht eure Wäsche mit neuer Maschine und setzt euch an den Ikea-Tisch zum gemeinsamen Miracel-Wip-Essen und schaut euch dabei einen Marvel-Film an, zu welchem es Fanta gibt. Macht eine Flußkreuzfahrt, falls ihr doch nicht mit euren Schuldgefühlen klarkommt und genießt die Aussicht dank innovativer OP gegen grünen und grauen Star.
1:11:46 So ist mein Jesus nun gefangen. I do love it.
THX-1138
Got mind blown. Always wondered what the track was.
1:11:46 »So ist mein Jesus nun gefangen« Sopran/Alt Duett
Easily the best recording available.
Orquesta moderna con instrumentos modernos ¡Fantástico!
I think Karl Richter is better, also if this version is beautiful indeed.
Bach St Matthew Passion
Can someone please confirm if this the full St Matthew's Passion? Mendelsohn's butchered version usually lasts 1,5hrs, so I am only judging by the lenght of it, not being a Bach conoisseur.
The way of the cross is long...we became Simon of Cyrene!
SUBLIME.
oh mein Gott! qualcuno sa dirmi come posso riavere questa esecuzione ?
Il coro iniziale della passione secondo Matteo è pervaso da un arcano e mistico fermento foriero del grande evento che sta per accadere. Il coro finale corona l'evento che ha cambiato il mondo con un senso sublime di pace e di quiete.
sind blitze , sind donner part ? Estaría muy agradecido .
me encanta esa parte en especial , y mas viniendo del señor Herbert V.K. QEPD
1:15:49 ;) Una de mis partes favoritas también, de la música en general. Y la razón por la que escucho la obra completa de la Pasión.
Bax... AX!!
Wow! I had NO idea Karajan conducted this piece! That's seriously crazy. It's not nearly as awful as I thought. Still pretty bad, though. When Bach tells your singers to bark like dogs for two and a half hours, it's hard to disobey. I mean, it's Bach.
What is the albums name this was cut from?
Folks, listen to Willem Mengelberg's version. It is THE ALL TIME BEST.
+Tsotne Tsotskhalashvili so wrong I just heard it, solipsistic, breaking the flow, dug himself into a hole, catatonic, refused to let music flow
He goes right into the MEANING. Makes me CRY every time.
And you are very wrong :D
che tristezza
Bonjour