Good teaching, too many variations for someone trying to get the basics down though. I would love a video with just a basic version first. You are a great teacher! Thanks for sharing.
Hey man I’m a beginner can you do a basic version there’s to many variations of the song I counted 8 alr and I’m only 10 min into the video it’s frustrating
Hi Willoughby Ministries, So, it would be difficult to place chords to words for a song like this because it is congregational style. Lots of movements and many, many ways to express it, this is what I was trying to convey in the video. There are different ways to play it. Here is an alternative, share with me which exact place you need the chords in the song. And then we could work from there.
@@AndrewTaylorJr I think I'm just having a hard time memorizing them. I play worship from a chord sheet usually and this style is completely different for me. So, I guess these is a learning curve here. Maybe I am overcomplicating it?
@@joshuaw5516 Oh okay, I understand. Yes sir, I think you possibly may be over thinking it. So, this "style" or "type" of playing on congregational songs are truly free lance. There is no "formula" or quote on quote "structure" for it. However, there is "theory" involved. And that is just ensuring that the freelancing makes musical sense. For example, you can bounce around a minor chord, but use different octaves or inversions as you play the same chord/s. Like in the ket of F minor(F Ab C). You can play (F Ab C) (D G Bb) (C F Ab) . Play those 3 chords in that order one after the other. The 2nd chord is simply a G minor chord. The last chord is a repeat of the first chord, but a different inversion. Once you reach the last chord you can directly move back to the (D G Bb) and repeat the sequence. This is a very basic example of what I mean when I say as long as it makes musical sense you can orchestrate it how you want, in these type of songs. Does that make sense?
That is very favorite song by him I have that song on my phone I love how the song starts off.. thanks for sharing this video I really appreciate it
Thank you Andrew!
Thanks for watching!
You and I have the same name by the way😊
@@AndrewTaylorJr You're welcome no problem at all
Yes we do have the same name as well people call me drew because its better
@@andrewcrane2786 Ha! That's funny, people call me that as well.
@@AndrewTaylorJr Oh wow are you serious people call you drew oh okay cool
Good teaching, too many variations for someone trying to get the basics down though. I would love a video with just a basic version first. You are a great teacher! Thanks for sharing.
Hey man I’m a beginner can you do a basic version there’s to many variations of the song I counted 8 alr and I’m only 10 min into the video it’s frustrating
I love this, good lesson learning it now. Thanks alot
Parabens, pena que nao entendo nada do que estas ensinando mas seu som me ensina muito.
Obrigado desde o Brasil.
Brotha you are truly a blessing for this!!!! Awesome breakdown....any suggestions for Vincent Bohanan oh give thanks breakdown ?
@John Lituation_88 Thank you much!
I don't think I've ever heard the song you mentioned.
🔥🔥🔥🔥
Is there a chord sheet or could you make a chord sheet to go along with the word to help me learn this?
Hi Willoughby Ministries,
So, it would be difficult to place chords to words for a song like this because it is congregational style. Lots of movements and many, many ways to express it, this is what I was trying to convey in the video. There are different ways to play it.
Here is an alternative, share with me which exact place you need the chords in the song. And then we could work from there.
@@AndrewTaylorJr I think I'm just having a hard time memorizing them. I play worship from a chord sheet usually and this style is completely different for me. So, I guess these is a learning curve here. Maybe I am overcomplicating it?
@@joshuaw5516 Oh okay, I understand.
Yes sir, I think you possibly may be over thinking it. So, this "style" or "type" of playing on congregational songs are truly free lance. There is no "formula" or quote on quote "structure" for it. However, there is "theory" involved. And that is just ensuring that the freelancing makes musical sense. For example, you can bounce around a minor chord, but use different octaves or inversions as you play the same chord/s. Like in the ket of F minor(F Ab C). You can play (F Ab C) (D G Bb) (C F Ab) . Play those 3 chords in that order one after the other. The 2nd chord is simply a G minor chord. The last chord is a repeat of the first chord, but a different inversion. Once you reach the last chord you can directly move back to the (D G Bb) and repeat the sequence.
This is a very basic example of what I mean when I say as long as it makes musical sense you can orchestrate it how you want, in these type of songs.
Does that make sense?
What is the original song called?
I'm not sure
It’s not minor. It’s pentatonic and blues.
Hello David Madison, thanks for watching! I'm not really clear on what your comment is referring to?