I got it when I was 18-19, late 90's. I used to get music magazines still back then (internet was not cheap to use in my country). Too many mentions of them to not check them out. Got a decent condition LP of "Aja" at a used record store, as cheap as a beer. As soon as possible, I got a lot of the chord charts. Best chord workout ever, still to this day. The only thing I knew before getting this record was "Reelin' in the years" and "Kid Charlemagne". For "Kid.." I called the radio station and requested it. HAd to wait for a couple of hours. "Black Cow" got me at the very first seconds. "This is the coolest sh1t I've ever listened to EVER !!!", and Black Cow was not even halfway. And then there was the rest. Got so into it, I've played a shitty version of the whole album on the guitar (and just trying to follow the changes) and even on the drums. To get it sort of right, I went to music school for a few years for electric guitar after high school, asking questions about the chords to my teacher. It's such a cool album, you get happy when you can play it shitty, and just barely getting the chord changes on time. Learning to play ONE song out of that record, you grow as a musician, even if you still suck.
I’ve been a performing, recording musician since 1989. Signed to a major label in 1999. I do solo gigs at least 4 nights a week and jingle work as vocalist since 2002. By LEAPS AND BOUNDS, no music both challenges and delights me like Steely Dan. I do the entire AJA album at least twice a month. It is like taking multi vitamins and stem cells to my soul, I retrack everything in my studio and use my backing tracks. It gives me a sense of pride and simultaneous a huge sense of Awe at just how incredible steely Dan was and stillbis(god rest Walter) Donald Fagan is without a doubt the most inimitable musician of the last 100 years.
There is something special about that album. It's about 40 minutes of food for thought for the rest of your life. I've been playing the chords and sometimes singing the whole thing on an acoustic guitar and my shit voice. Even if I make 100 mistakes or more trying to play and sing the stuff, in a simplified shitty manner... it is still the one thing that gives me a sense of accomplishment like nothing else. Even way above stuff I know by heart inside out and that I really love. For Stelly Dan, I usually have to brush up my reading skills and interpreting the wierdo chords.
100% agree mate. When I see other so called 'artists' being lauded as rock n roll deities I just laugh. They will be holding Donald and Walter up as geniuses in all the top music schools 250 years from now while all the others will be forgotten.
Still playing Steely Dan? I started playing piano about 6 months ago, I’ve fallen in love with Donald Fagen’s music. My goal is to learn how to play this album front to back in the next 18 years haha, I’m not gonna have kids, this is gonna be my baby 🤣
I think what is often underestimated in these fascinating harmonic analyses is that the lyrics are 50% of the song. Steely Dan effortlessly create a world in each song. The catchiness of the lyricsv(and the funkiness of the beats) is what made them mainstream hits.
Here's what Donald Fagen told me about that chromatic descending motif when I interviewed him for my 33⅓ book about Aja: “I had always thought chords going down in half-steps were corny sounding, but I think I just decided I was going to do it anyway. The way I was using it I kind of liked, and I realized the reason I liked it was it reminded me of that old swing tune ‘Whispering.’ And ‘Groovin’ High’ has that downward chromatic progression. So that’s similar to the introductions to ‘Peg’ and ‘Deacon Blues.’”
Former band director here. I graduated from high school in 1977. Been a fan of Steely Dan since high school. Never tire of this sound. It's a very elegant sound in my opinion.
This my favorite album of all time….I was 21 at the time… living in Los Angeles as a working drummer…. What great times..!!! And Gadd on this album was just incredible….He was the main man at the time… I heard he did this in one or 2 takes… and soloing over the vamp.. with that Latin feel… Just never to be forgotten…
@Jim Baker Because min7#5 just sounds like an inverted add9 chord to me. The perfect 4th between the m3rd and #5 ends up making the #5 sound like the new root to my ears.
And Donald did it again over and over, such as "Babylon Sister" and "The Goodbye Look". Brilliant! The Deacon Blues changes also hark back to Giant Steps. Thanks for the vid!
This would never happen today, but it was much easier when the palette of the world was based solely on FM radio. They existed at the perfect time for their sound. A time long since gone and sadly so. Thanks for the great video!
If my wheelhouse had a wheelhouse, and the inner wheelhouse had yet another, tiny wheelhouse, this video would be the micro wheelhouse inside the tiny wheelhouse. More Steely Dan stuff, please.
Adam, if you really wanna breakdown some incredible jazz chords from the genius that is Donald Fagen, please do a practice video of his song 'Maxine' from his 1982 debut solo album, 'The Nightfly'. Some of the most incredible complex jazz harmonies I've ever heard.
@@Youman71463 In Walter’s solo work he does some really weird and cool stuff. On Surf And / Or Die he uses some really dissonant chord movements over a pedal tone G
Maxine is such an incredibly beautiful song, Aimee Nolte did a video on it and it was interesting to hear her analysis of a song I loved so much. The vocal harmonies and the parallel minor 11ths have so much character and soul to them
I remember doing stuff like this before I felt confident in my ability to create structure in more complex chords and relationships thereof... It felt like cheating, but for a few years now I've realized the potential that's there. A really cool trick to break it up is to continue a pattern but choose the bass notes and voicings in order to make it less obvious. Those in and of themselves can also follow another clear pattern, which is a cool effect for sure. The biggest trick up my sleeve is to take any full mode, say Dorian, and transpose that down an interval several times for maybe like 4 scales total, then choose bass notes and voicings, maybe a melody comes to mind before that. Maybe ommit intervals that aren't important (Depending on the context), bang, each chord in a new key. My favorite is descending in 4ths cause it's got the orderly aspect of 5ths with plenty of common tones but generally sounds cooler imo, but try all of them. A cool trick then is to imply yet another scale by carefully weaving it through the available notes across the scales over time, a blues scale can sound unusually stable over harmony when holding notes, for example. You can justify spicy scales very well this way for a climax in a solo etc., you can weave very simple scales throughout it that same way to ease people into the intervales the scales don't have in common, and most comfortably, you can lean on the more common tones to smooth it out further. That's not to mention slowly revealing your cards, or changing them out. Like with the descending 4ths example, if you strip away the notes these scales don't have in common, you can get some very nice diatonic stuff going, all in one key. Keep the chords minimal so they fit in either of these, and the freedom becomes crazy, this is then just yet another trick to go ''outside'' that applies.
About two years ago was trying to figure out how play "PEG". Thanks Adam for the tutorial. Its not really all that complicated, especially I understand what's going on. I believe I have it in me to be a good jazz piano/keyboard player. Your tutorials are helping me get there. Thank you for your help. You're and Peter are good teachers🎹🎶🎹🎶🎹🎶😀👏👏👏
After being a Steely Dan addict for nearly forty four years I noticed that kind of chord sequence from Peg can be found in the bridge of a tune called Merry go Round, just before Joe Sample takes his piano solo on the Crusaders album Images, check it out and you will hear it, after hearing Steely Dan I just got more and more addicted to Jazz and wanted to know where things came from, anyhow enjoying watching the video, great stuff big time Gracias and thank you amigo.
Great video,thank you.The Add2 (Mu) chord is indeed vital to their sound but altered chord chromaticism and tension/release parallelism are equally important-a real jazz technique/sensibility.As any long term students of Steely will know tho the hardest part is memorising the chords ;-)
I didn't just click the like button, I smashed it. One of my favorite bands and very hard for me to grasp how they do their harmony as beginner. Thanks for breaking this down!
This guy has been coming up in my TH-cam Short things, "happy practing." Good to know i have even more of a reason to follow this guy, huge Steely Dan fan.
You know, when someone asks you what your “stranded on a desert island” album would be, it’s too hard, so many (single) albums, but if you asked me what groups anthology I’d want on that island, I could definitely stay happy with Steely Dan.
I bought the record when it came out and was immediately mezmorized. I noticed "the spaces between the notes" right away. This was keyboard based music and not full of distortion guitar like Kiss and the rest. The album caught many by surprise but I had already been hearing The Royal Scam blasting out of my step brothers bedroom and I was asking "What the heck is that?!"
I got the sheet music for Peg ages ago, never could quite figure it out. It always seemed so difficult for me to go through those chord changes. You broke it down brilliantly, much thanks!
nice breakdown of the SD genius - I still can't fathom how virtually every song they composed and produced were such classics. They were the most intriguing band in rock history, and they weren't even a rock band.
In the style of slow, explained step by step repetition with patience, you show your kind of „genius“ too ❤ After about half of the video I can feel something‘s changed. The notes start to sing. Our hearts start to sing along after some relaxed but concentrated curious repetitions. After playing the same scale in most of the whole songs😢, I‘d like to find out how other ‚colours‘ integrate into the composition. ❤❤❤❤❤
I love what you are teaching! Steely Dan is one of my favorite bands simply because of their harmonic structures. Those chord structures sound somewhat like some of Moe Koffman’s progressions! Awesome!!!
I first heard their technique of leaving the top voice the same in “Caves of Altamira” from the Royal Scam. This is the song that made me a Steely Dan fanatic.
Love that Peg progression. On top of the root, 3rd, and 5th going down a half step each time and the top note going down a whole step every other chord (going from natural 9 to #9), the second note from the top is also moving a whole step every other chord (going from Major 7 to minor 7) on the chord the top note doesn't move. I feel like that makes the transition from the 7#9 chords to the Maj7 chords just a little bit more slick. The Deacon Blues progression has the same thing going on (except when the bassline jumps up a 4th). In Practice Set #1 the 7th is in the left hand, which buries the pitch a little to my ear (which is awful at hearing distinct middle voices) but still adds that same smoothness to the overall quality.
And this is just the harmonic genius - lyrically they are just as incredible and then there's the pioneering production techniques. All that before we even begin with the musicianship. They were/are the absolute best by a country mile.
The second chord of the Deacon Blue set is definitely Gmaj 9/B for me. I don’t think you can really sharpen fifths except in augmented chords. Also the relationship of the C down a fourth to G is stronger than the simple chromatic descent of the roots. I think they just don’t want to accept that inversions exist in jazz too. There are so many sheets that treat all the bass notes as roots, regardless.
You don't mean Gmaj9/B - that would have an F# in it. It's an add9 over the third. I can tell you from firsthand experience that Jay Graydon calls it G2/B, and I find that's the most decodable way to name it on a chart, too.
@@donbreithaupt4700 The F# can be assumed in a Gmaj 9 chord but it can also be omitted which is what I usually do. There also exists Gmaj7(9). I can't remember the video now but G2/B looks fine to me. Thanks for the inside information 🙂
Once you start playing the song I wish you would play it through. I know this is how you break a sing down but it's so grating to me to have to stop hearing the songs, which are so good!
I think the analysis of this just being a series of plagal cadences works best. I see the first measure as a C to a G. IV to I in the key of G. Instead of a minor with a sharp five, think of it as being the tonic of the measure with the third in the bass. Fagen does this all of the time.
Guinevere by Cosby Stills and Nash, always blows my mind... the dissonance in the riff, the harmonies. They're angelic. Love steely dan too... they don't make em like that anymore!
Cosby? Do you mean Bill Cosby? Ha ha… FYI the song Guinevere is strictly a David Crosby composition. And by the way, he tuned his guitar to an E minor sus 4
@@GuitarUniverse2013 yeah sorry my mistake - not a band i was that into till i heard this perfection - my bad--- i was too much busying myself with Can, Soft Machine, Rush, Sonic Youth, the Butthole Surfers, The Boredoms and Melt Banana to care but then i heard this and felt it angelic... forgive my ignorance!
One thing I associate with (later) Steely Dan harmony is withholding chordal resolution as long as possible. Like there's suspended chords, add9/11/13 into new unresolved chords for bars and bars. People like to talk about Steely Dan along with other “sophisticated” rock bands like Toto or Blood, Sweat and Tears, but harmonically, they're in a league of their own.
hey man, thank you so much for this video. I love the album and it's really nice to be able to practise these changes in this fashion with you. Thanks and have a great day :)
It's probably my favourite album of all time, too. Ironically, in a fit of inverted snobbery throughout the 1970s I ignored Steely Dan because everyone else thought they were the coolest band to like. Then in late 1977, working in South Wales, UK, living in Crickhowell but based in Ebbw Vale, I went to a newsagent to buy some ciggies. There I saw a 'bargain bin' of albums, all at 50p each (that's half of £1 and about £2.57 with inflation). I looked through what was there and it was almost all shite, except for Aja and Abandoned Luncheonette. So I bought both. I suppose there was little call for sophisticated jazz/pop/jazz in Ebbw Vale, then a dying town with high unemployment after the steelworks was closed. Their loss, my gain.
If I ever give up trumpet and go back to piano, I'm going to have you as my teacher. Exactly what I need to see and hear, and beautifully chosen material. Jerry
I tend to think of the m7#5 as sus2/3. Dm7#5 = Bbsus2/D I find that thinking especially useful in terms of soloing on the changes. Edit: obviously, I commented a little too soon. Lol Hats off to Adam.
All totally awesome, and skillful artists. Unfortunately they're not as popular as philistine acts like Billie Eilish and other vacuous garbage. Thundercat really is incredible tho. He's like Zappa R&B.
Such great practice session ideas. I recommend your cast to my intermediate piano enthusiasts associates. Great organized influencing powers! keep it up!
Moving top note or other notes down or other single notes is something i heard mccartny say the beatles used to do wirh chords giving them as he put ot different "permutations"
At nine minutes and 35 seconds you’re playing the famous ‘Mu” chord! One way I think about it is if you played a dominant seventh chord, it would have a flat 13 tension. Of course, you’re playing, in a sense, a major nine chord, with a third in the bass. Also, those downward sequences of the Mu chord followed by major seventh chord could, I think, be analyzed as a kind of constant structure, harmonic progression.
This is great, Adam. I agree with you that the second chord in the Deacon Blues sequence functions as a G inversion +9. Calling it bm7#5 is unnecessarily confusing.
@Jim Baker - I think because #5 implies an augmented chord which it is not.Take root position a minor triad and sharpen the 5th and you have F major 1st inversion. If you go up another half step to F#, then another to G, in that context it makes sense to call it add #5. But I agree that it’s not confusing to name it as you did. Poor choice of words on my part.
I just like the music. I've ben a Dan fan since "Reeling in the Years", and because I'm not a musician I really don't want people telling me why I like what I like. I just like it, OK?
4:54. I prefer to think of the chord as Eb7(#9). The flat confirms to my chord brain that we’re going down. 5:30. I prefer Gsus2/B, Fsus2/A, Asus2/C#, and back to Gsus2/B. These chord names reflect what we’re hearing. Maybe it’s just me; I’m not hearing minor #5 chords in this sequence.
![[#2024MAMA] ROSÉ (로제), Bruno Mars - APT. | Mnet 241122 방송](http://i.ytimg.com/vi/dgGqD28J6aQ/mqdefault.jpg)
As someone who turned 18 in 1977, the Aja album was simply incredible. I played it hundreds of times in my car.
I got it when I was 18-19, late 90's. I used to get music magazines still back then (internet was not cheap to use in my country). Too many mentions of them to not check them out. Got a decent condition LP of "Aja" at a used record store, as cheap as a beer. As soon as possible, I got a lot of the chord charts. Best chord workout ever, still to this day.
The only thing I knew before getting this record was "Reelin' in the years" and "Kid Charlemagne". For "Kid.." I called the radio station and requested it. HAd to wait for a couple of hours.
"Black Cow" got me at the very first seconds. "This is the coolest sh1t I've ever listened to EVER !!!", and Black Cow was not even halfway. And then there was the rest.
Got so into it, I've played a shitty version of the whole album on the guitar (and just trying to follow the changes) and even on the drums. To get it sort of right, I went to music school for a few years for electric guitar after high school, asking questions about the chords to my teacher. It's such a cool album, you get happy when you can play it shitty, and just barely getting the chord changes on time. Learning to play ONE song out of that record, you grow as a musician, even if you still suck.
Blown away when I bought it in 1977 at 17 years old. Still listening to it so many years later.
Aja is one incredible album its funky beautiful very jazzy and weird VERY 1970s and just good all around.
Old school
Awesome, you had a turntable in your car !
I’ve been a performing, recording musician since 1989. Signed to a major label in 1999.
I do solo gigs at least 4 nights a week and jingle work as vocalist since 2002. By LEAPS AND BOUNDS, no music both challenges and delights me like Steely Dan. I do the entire AJA album at least twice a month. It is like taking multi vitamins and stem cells to my soul, I retrack everything in my studio and use my backing tracks. It gives me a sense of pride and simultaneous a huge sense of Awe at just how incredible steely Dan was and stillbis(god rest Walter)
Donald Fagan is without a doubt the most inimitable musician of the last 100 years.
There is something special about that album. It's about 40 minutes of food for thought for the rest of your life. I've been playing the chords and sometimes singing the whole thing on an acoustic guitar and my shit voice. Even if I make 100 mistakes or more trying to play and sing the stuff, in a simplified shitty manner... it is still the one thing that gives me a sense of accomplishment like nothing else. Even way above stuff I know by heart inside out and that I really love.
For Stelly Dan, I usually have to brush up my reading skills and interpreting the wierdo chords.
100% agree mate. When I see other so called 'artists' being lauded as rock n roll deities I just laugh.
They will be holding Donald and Walter up as geniuses in all the top music schools 250 years from now while all the others will be forgotten.
Still playing Steely Dan? I started playing piano about 6 months ago, I’ve fallen in love with Donald Fagen’s music. My goal is to learn how to play this album front to back in the next 18 years haha, I’m not gonna have kids, this is gonna be my baby 🤣
Where would the world be without Fender Rhodes piano sounds?
Yes a classic, equal to the Hammond Organ.
How they managed to make something so complex so poppy/catchy is absolutely amazing. I try to put stuff like this into tunes but it never feels right.
I think what is often underestimated in these fascinating harmonic analyses is that the lyrics are 50% of the song. Steely Dan effortlessly create a world in each song. The catchiness of the lyricsv(and the funkiness of the beats) is what made them mainstream hits.
Here's what Donald Fagen told me about that chromatic descending motif when I interviewed him for my 33⅓ book about Aja: “I had always thought chords going down in half-steps were corny sounding, but I think I just decided I was going to do it anyway. The way I was using it I kind of liked, and I realized the reason I liked it was it reminded me of that old swing tune ‘Whispering.’ And ‘Groovin’ High’ has that downward chromatic progression. So that’s similar to the introductions to ‘Peg’ and ‘Deacon Blues.’”
1950s Brazilian Bossa Nova is replete with this technique. Consider Jobim's "One Note Samba" (Samba de Uma Nota So).
yep. in quite a lot of Jobims compositions the melody stays sort of on the same note for a while while the chords change underneath.
@@toughtenor yeah, jobim's ''brigas nunca mais'' and ''inutil paisagem'' have some interesting chords
Donald Fagen loves Jobim and bossa in general
There's a lot of movement when there actually isn't? somewhat paradoxical
Yes, but AC Jobim also wrote themes like Desafinado, Wave, Chega de Saudade, Felicidad, another level.
Former band director here. I graduated from high school in 1977. Been a fan of Steely Dan since high school. Never tire of this sound. It's a very elegant sound in my opinion.
AJA is STILL the modern gold standard for both pop and jazz albums EVER recorded in America.
You can’t do enough Harmonic Danalysis. Love this stuff, totally appreciate it.
The "mu" chord. Great breakdown...favorite album of all time.
This my favorite album of all time….I was 21 at the time… living in Los Angeles as a working drummer….
What great times..!!!
And Gadd on this album was just incredible….He was the main man at the time… I heard he did this in one or 2 takes… and soloing over the vamp.. with that Latin feel…
Just never to be forgotten…
I was so relieved when you called that chord Gadd9/B.
Walter also called it a mu major just like the regular add9. It doesn’t sound like a #5 chord at all to me.
Same. I've never seen a real m#5 chord, unless the #5 is part of a longer ascending chromatic line.
@Jim Baker for me, m7#5 is like calling the notes EGC an Em #5... it’s kinda correct, but it feels so much more like a C major.
@Jim Baker Because min7#5 just sounds like an inverted add9 chord to me. The perfect 4th between the m3rd and #5 ends up making the #5 sound like the new root to my ears.
@@harmonicparadox2055 To your ears and everybody’s ears.
And Donald did it again over and over, such as "Babylon Sister" and "The Goodbye Look". Brilliant! The Deacon Blues changes also hark back to Giant Steps. Thanks for the vid!
This would never happen today, but it was much easier when the palette of the world was based solely on FM radio. They existed at the perfect time for their sound. A time long since gone and sadly so. Thanks for the great video!
If my wheelhouse had a wheelhouse, and the inner wheelhouse had yet another, tiny wheelhouse, this video would be the micro wheelhouse inside the tiny wheelhouse.
More Steely Dan stuff, please.
what he said !
@@angelsrr I couldn't have said it better, awesome video
And your favorite vocalist is… Amy Wheelhouse
It's great voice leading. They took the rules of the common practice period and did their own thing with them. 🔥😏
This is EXACTLY the kind of video I love! Love Steely Dan, love Aja, and love exploring their harmony. Thanks so much and keep them coming!
Adam, if you really wanna breakdown some incredible jazz chords from the genius that is Donald Fagen, please do a practice video of his song 'Maxine' from his 1982 debut solo album, 'The Nightfly'. Some of the most incredible complex jazz harmonies I've ever heard.
Donald Fagen ~ "nobody could change a chord like Walter"
This is great, it’s also worth taking a look at Aimee Nolte discussing Maxine
th-cam.com/video/cIjDYD9oFrg/w-d-xo.html
real heads know about the Pete Christlieb and Warne Marsh album
if you're a superfan, check it out
@@Youman71463 In Walter’s solo work he does some really weird and cool stuff. On Surf And / Or Die he uses some really dissonant chord movements over a pedal tone G
Maxine is such an incredibly beautiful song, Aimee Nolte did a video on it and it was interesting to hear her analysis of a song I loved so much. The vocal harmonies and the parallel minor 11ths have so much character and soul to them
I love this video, no gimmicks no bullshit. Just straight up to the point and giving us a clear info how to practice. Perfect format
I love Steely Dan's harmonies and this is the kind of thing I've been hoping to see from Open Studio for a while. Thanks so much for doing this!
Ah yes, Steely Dan ... some of the best music ever made ...they "turned it on the world" and most people weren't even aware of what they were doing!
“…they turned the world around”. Wonder if they felt like Jesus ;)
I hope Steely Dan knows that they were champions in our eyes
I remember doing stuff like this before I felt confident in my ability to create structure in more complex chords and relationships thereof...
It felt like cheating, but for a few years now I've realized the potential that's there.
A really cool trick to break it up is to continue a pattern but choose the bass notes and voicings in order to make it less obvious. Those in and of themselves can also follow another clear pattern, which is a cool effect for sure.
The biggest trick up my sleeve is to take any full mode, say Dorian, and transpose that down an interval several times for maybe like 4 scales total, then choose bass notes and voicings, maybe a melody comes to mind before that. Maybe ommit intervals that aren't important (Depending on the context), bang, each chord in a new key. My favorite is descending in 4ths cause it's got the orderly aspect of 5ths with plenty of common tones but generally sounds cooler imo, but try all of them. A cool trick then is to imply yet another scale by carefully weaving it through the available notes across the scales over time, a blues scale can sound unusually stable over harmony when holding notes, for example.
You can justify spicy scales very well this way for a climax in a solo etc., you can weave very simple scales throughout it that same way to ease people into the intervales the scales don't have in common, and most comfortably, you can lean on the more common tones to smooth it out further.
That's not to mention slowly revealing your cards, or changing them out. Like with the descending 4ths example, if you strip away the notes these scales don't have in common, you can get some very nice diatonic stuff going, all in one key. Keep the chords minimal so they fit in either of these, and the freedom becomes crazy, this is then just yet another trick to go ''outside'' that applies.
About two years ago was trying to figure out how play "PEG". Thanks Adam for the tutorial. Its not really all that complicated, especially I understand what's going on.
I believe I have it in me to be a good jazz piano/keyboard player. Your tutorials are helping me get there. Thank you for your help. You're and Peter are good teachers🎹🎶🎹🎶🎹🎶😀👏👏👏
After being a Steely Dan addict for nearly forty four years I noticed that kind of chord sequence from Peg can be found in the bridge of a tune called Merry go Round, just before Joe Sample takes his piano solo on the Crusaders album Images, check it out and you will hear it, after hearing Steely Dan I just got more and more addicted to Jazz and wanted to know where things came from, anyhow enjoying watching the video, great stuff big time Gracias and thank you amigo.
@Uncle Creepy Stop it.
Just bought a keyboard and this is the video I needed. I’ve been a steely Dan fan since I was 12. Greatest band ever
I bought the Aja album when it came out in the late 70s. I was 13 yrs old. I loved it then and it never gets old. Timeless music.
Great video,thank you.The Add2 (Mu) chord is indeed vital to their sound but altered chord chromaticism and tension/release parallelism are equally important-a real jazz technique/sensibility.As any long term students of Steely will know tho the hardest part is memorising the chords ;-)
I didn't just click the like button, I smashed it. One of my favorite bands and very hard for me to grasp how they do their harmony as beginner. Thanks for breaking this down!
This guy has been coming up in my TH-cam Short things, "happy practing." Good to know i have even more of a reason to follow this guy, huge Steely Dan fan.
You know, when someone asks you what your “stranded on a desert island” album would be, it’s too hard, so many (single) albums, but if you asked me what groups anthology I’d want on that island, I could definitely stay happy with Steely Dan.
I bought the record when it came out and was immediately mezmorized. I noticed "the spaces between the notes" right away. This was keyboard based music and not full of distortion guitar like Kiss and the rest. The album caught many by surprise but I had already been hearing The Royal Scam blasting out of my step brothers bedroom and I was asking "What the heck is that?!"
I got the sheet music for Peg ages ago, never could quite figure it out. It always seemed so difficult for me to go through those chord changes. You broke it down brilliantly, much thanks!
Brilliant! It's like I just found the holy grail of Dan. Thank you!
nice breakdown of the SD genius - I still can't fathom how virtually every song they composed and produced were such classics. They were the most intriguing band in rock history, and they weren't even a rock band.
One of the greatest albums of all time…I’ve watched the documentary about the making of this album so many times
I never tire of Aja, one of my all-time favorites!
In the style of slow, explained step by step repetition with patience, you show your kind of „genius“ too ❤
After about half of the video I can feel something‘s changed. The notes start to sing.
Our hearts start to sing along after some relaxed but concentrated curious repetitions.
After playing the same scale in most of the whole songs😢, I‘d like to find out how other ‚colours‘ integrate into the composition.
❤❤❤❤❤
Yes. I’m really digging it. Best piano channel on TH-cam.
“Happy Practicing”
I love what you are teaching! Steely Dan is one of my favorite bands simply because of their harmonic structures. Those chord structures sound somewhat like some of Moe Koffman’s progressions! Awesome!!!
Yeah I've been constantly listening
to that in my headphones around
the house for the last three weeks
so I'm ready
thank you for making this and putting in the time. aja and royal scam are both insane masterpieces
fabulous way to teach and with a complex set of chords from the GREATEST band ever! thanks
I first heard their technique of leaving the top voice the same in “Caves of Altamira” from the Royal Scam. This is the song that made me a Steely Dan fanatic.
So, I was 20 years old when this was released. And yes...I was appropriately blown away. ✌ Still am.
Love that Peg progression. On top of the root, 3rd, and 5th going down a half step each time and the top note going down a whole step every other chord (going from natural 9 to #9), the second note from the top is also moving a whole step every other chord (going from Major 7 to minor 7) on the chord the top note doesn't move. I feel like that makes the transition from the 7#9 chords to the Maj7 chords just a little bit more slick. The Deacon Blues progression has the same thing going on (except when the bassline jumps up a 4th). In Practice Set #1 the 7th is in the left hand, which buries the pitch a little to my ear (which is awful at hearing distinct middle voices) but still adds that same smoothness to the overall quality.
Aja is still one of my personal top 10 albums, thank you
And this is just the harmonic genius - lyrically they are just as incredible and then there's the pioneering production techniques. All that before we even begin with the musicianship. They were/are the absolute best by a country mile.
The second chord of the Deacon Blue set is definitely Gmaj 9/B for me. I don’t think you can really sharpen fifths except in augmented chords. Also the relationship of the C down a fourth to G is stronger than the simple chromatic descent of the roots. I think they just don’t want to accept that inversions exist in jazz too. There are so many sheets that treat all the bass notes as roots, regardless.
You don't mean Gmaj9/B - that would have an F# in it. It's an add9 over the third. I can tell you from firsthand experience that Jay Graydon calls it G2/B, and I find that's the most decodable way to name it on a chart, too.
@@donbreithaupt4700 The F# can be assumed in a Gmaj 9 chord but it can also be omitted which is what I usually do. There also exists Gmaj7(9). I can't remember the video now but G2/B looks fine to me. Thanks for the inside information 🙂
Adam this is incredible! Do more of this!!!
Once you start playing the song I wish you would play it through. I know this is how you break a sing down but it's so grating to me to have to stop hearing the songs, which are so good!
Fitting title. Outstanding analysis. Superb material for this exercise! Absolute mastery!
I think the analysis of this just being a series of plagal cadences works best. I see the first measure as a C to a G. IV to I in the key of G. Instead of a minor with a sharp five, think of it as being the tonic of the measure with the third in the bass. Fagen does this all of the time.
Thank you, this is really great stuff! If we can make requests I’d love to see your analysis of Maxine from Donald Fagen’s Nightfly album.
From the intro, you could also be describing Queen’s News Of The World lp. 1977 was a great year in Music!
Guinevere by Cosby Stills and Nash, always blows my mind... the dissonance in the riff, the harmonies. They're angelic. Love steely dan too... they don't make em like that anymore!
Funny when people say they don’t like Jazz. Well David Crosby sure did.
Cosby? Do you mean Bill Cosby? Ha ha… FYI the song Guinevere is strictly a David Crosby composition. And by the way, he tuned his guitar to an E minor sus 4
@@GuitarUniverse2013 yeah sorry my mistake - not a band i was that into till i heard this perfection - my bad--- i was too much busying myself with Can, Soft Machine, Rush, Sonic Youth, the Butthole Surfers, The Boredoms and Melt Banana to care but then i heard this and felt it angelic... forgive my ignorance!
One thing I associate with (later) Steely Dan harmony is withholding chordal resolution as long as possible. Like there's suspended chords, add9/11/13 into new unresolved chords for bars and bars.
People like to talk about Steely Dan along with other “sophisticated” rock bands like Toto or Blood, Sweat and Tears, but harmonically, they're in a league of their own.
Love Steely Dan.... Harmonic Genius.... Brilliant Stuff 🎼🎵🎶🎶🎹🎹🎹🎧
Does anyone else's audio cut out at 4:08?
Yes
Yes
It comes back at 4:32.
Yes
This was great! Would love a follow up video featuring examples from all their other albums.
hey man, thank you so much for this video. I love the album and it's really nice to be able to practise these changes in this fashion with you.
Thanks and have a great day :)
My third child (last) and only daughter was born in 1985 and we named her Aja.
Thank you, Adam! Love it!
It's probably my favourite album of all time, too. Ironically, in a fit of inverted snobbery throughout the 1970s I ignored Steely Dan because everyone else thought they were the coolest band to like.
Then in late 1977, working in South Wales, UK, living in Crickhowell but based in Ebbw Vale, I went to a newsagent to buy some ciggies.
There I saw a 'bargain bin' of albums, all at 50p each (that's half of £1 and about £2.57 with inflation). I looked through what was there and it was almost all shite, except for Aja and Abandoned Luncheonette.
So I bought both. I suppose there was little call for sophisticated jazz/pop/jazz in Ebbw Vale, then a dying town with high unemployment after the steelworks was closed.
Their loss, my gain.
If I ever give up trumpet and go back to piano, I'm going to have you as my teacher. Exactly what I need to see and hear, and beautifully chosen material. Jerry
'Aja' is my fave record, but nobody ever dissected it for me in such a helpful way (esp. not DF & WB.) I will be parsing this stuff on gtr.
Someday listeners will have evolved and grown to love more sophisticated music. Someday.
Thanks so much for the great music and everything else.
They really valued voice leading
❤❤🔥🎼🎶🎹🎸🎺🥁❤❤ an Epic group of their time!!! 🎶💕💕
Tremendous stuff indeed!
The BEST band ever...
I tend to think of the m7#5 as sus2/3. Dm7#5 = Bbsus2/D
I find that thinking especially useful in terms of soloing on the changes.
Edit: obviously, I commented a little too soon. Lol
Hats off to Adam.
Thanks...this type of content is great!
Great content this is my favorite album of all time!!!
Me too!
Thank you for making this!
This was extremely useful!
Love this so much - thanks!
Lots of quartal harmonies!
Masterful! RIP Walter, carry on Donald!!!
Hiatus kayote , Jacob Collier, Tigran Hymasian, Thundercat, Snarky Puppy.
All totally awesome, and skillful artists. Unfortunately they're not as popular as philistine acts like Billie Eilish and other vacuous garbage.
Thundercat really is incredible tho. He's like Zappa R&B.
Almost all items in your list are declared Steely Dan fans
@@xebio6 Indeed. Snarky Puppy were inspired to be created after Michael League watched the Steely Dan 1995 Live DVD
I love this channel! Thanks for making great videos
Such great practice session ideas. I recommend your cast to my intermediate piano enthusiasts associates. Great organized influencing powers! keep it up!
FWIW I have absolutely seen sheet music for Deacon Blues where the second chord is spelled as a G add 9 over B.
What a great video and great channel you got! Subbed!
EXCELLENT!! Just what I'm looking for! I work from stacked 4ths. Leaving those 3rds behind! I will CONSUME that pdf!
Moving top note or other notes down or other single notes is something i heard mccartny say the beatles used to do wirh chords giving them as he put ot different "permutations"
Love how Jimmy Page’s favorite solo @ da time-Reelin’ N da Years SD masters Pretzel 🥨 Logic💯my fav
Is it just me or does the sound cut out around 4:10?
@Uncle Creepy I’m sorry. What?
Yep
Inexplicably so. Like he was saying something copyrighted, top secret, or wrong and didn’t want to cop to it.
At nine minutes and 35 seconds you’re playing the famous ‘Mu” chord! One way I think about it is if you played a dominant seventh chord, it would have a flat 13 tension. Of course, you’re playing, in a sense, a major nine chord, with a third in the bass. Also, those downward sequences of the Mu chord followed by major seventh chord could, I think, be analyzed as a kind of constant structure, harmonic progression.
UPTOWN BABY UPTOWN BABY FOR THE CROWN BABY WE GETS DOWN BABY…
Yes. NIGHTFLY "RUBY" and "Maxine"
Imagine the money these cords made. Amazing!
This is great, Adam. I agree with you that the second chord in the Deacon Blues sequence functions as a G inversion +9. Calling it bm7#5 is unnecessarily confusing.
@Jim Baker - I think because #5 implies an augmented chord which it is not.Take root position a minor triad and sharpen the 5th and you have F major 1st inversion. If you go up another half step to F#, then another to G, in that context it makes sense to call it add #5. But I agree that it’s not confusing to name it as you did. Poor choice of words on my part.
Steely awesomeness.
It just came to my mind that What you would to for love intro is based in the technique of Maj x Dom half step.
Really good stuff man. ty...
I just like the music. I've ben a Dan fan since "Reeling in the Years", and because I'm not a musician I really don't want people telling me why I like what I like. I just like it, OK?
I very much doubt the "raw sounding studio production" was by accident though.
4:54. I prefer to think of the chord as Eb7(#9). The flat confirms to my chord brain that we’re going down.
5:30. I prefer Gsus2/B, Fsus2/A, Asus2/C#, and back to Gsus2/B. These chord names reflect what we’re hearing. Maybe it’s just me; I’m not hearing minor #5 chords in this sequence.
Steely Dan is from the divine Ministry for Music. In direct fellowship of King David's Heavenly Music Orchestra. 🍷😘