@@pavelduda8170 0:54 for a moment 1:36 for a moment 3:06 it seems like maybe the cello and bass are a half or whole step apart at the end of that second 5:12 the Ab in the bass and the E in the violins are both very prominent and clash. I would suggest making the E softer and putting a different note on top, but idk exactly what the chord is so I could be wrong. Sounds roughly like E/Ab to me. 5:54 for a moment It seems like what these moments share is that there's a big jazz chord where there really shouldn't be. I know you like Jacob Collier so you probably are a fan of jazz so it makes sense. I try to do the same stuff haha. I think with this kind of genre, however, simpler harmony tends to work better. That's my two cents, but it's a great piece, I really enjoyed it! Edit: I want to clarify that I'm not referring to jazz influence, I'm referring to big chords. Also I'm not referring to 20th century music or orchestral music, but this type of fairytale music specifically.
Those first two parts you mentioned sound absolutely fine to my ears - 0:54 is a G D Bb E F C - and that E is probably the clash - but it resolves nicely to D on the 3rd beat, same in 1.36 - it's just F maj9/A - but the E doesn't resolve - but it I like that. 3:06 - Cello holds C - Bass starts from C and goes down - it creates a half step for a split second - no big deal.. it's just counterpoint 5:12 - That rub you hear is minor ninth between melody which is E - and other voice which is D# octave below - so it's like - G# E B D# F# B E. It is Emaj9/G#. I like that sound - minor ninths can be very beautiful - but the F# makes m9 sound smoother in here. I disagree on the last point. Yeah, I like Jacob Collier, but have you listen to some stuff from the 20th century (I know you did lol, just saying :D). There are some crazy chords - even in more traditional music. I see no reason to not include slightly "modern" chord voicings and progressions into "film music" - and they are not even really out there (like some Stravinsky etc.), they are just colourful. Thanks, glad you like it :)
WOOOOOOOW !!!!!
There were moments where the harmony and counterpoint felt off, but this was a pretty nice piece!
Where exactly? There are some delayed resolutions and stuff like that - so it might sound "different", but I like the sound of that
@@pavelduda8170 0:54 for a moment
1:36 for a moment
3:06 it seems like maybe the cello and bass are a half or whole step apart at the end of that second
5:12 the Ab in the bass and the E in the violins are both very prominent and clash. I would suggest making the E softer and putting a different note on top, but idk exactly what the chord is so I could be wrong. Sounds roughly like E/Ab to me.
5:54 for a moment
It seems like what these moments share is that there's a big jazz chord where there really shouldn't be. I know you like Jacob Collier so you probably are a fan of jazz so it makes sense. I try to do the same stuff haha. I think with this kind of genre, however, simpler harmony tends to work better.
That's my two cents, but it's a great piece, I really enjoyed it!
Edit: I want to clarify that I'm not referring to jazz influence, I'm referring to big chords. Also I'm not referring to 20th century music or orchestral music, but this type of fairytale music specifically.
Those first two parts you mentioned sound absolutely fine to my ears - 0:54 is a G D Bb E F C - and that E is probably the clash - but it resolves nicely to D on the 3rd beat, same in 1.36 - it's just F maj9/A - but the E doesn't resolve - but it I like that.
3:06 - Cello holds C - Bass starts from C and goes down - it creates a half step for a split second - no big deal.. it's just counterpoint
5:12 - That rub you hear is minor ninth between melody which is E - and other voice which is D# octave below - so it's like - G# E B D# F# B E. It is Emaj9/G#. I like that sound - minor ninths can be very beautiful - but the F# makes m9 sound smoother in here.
I disagree on the last point. Yeah, I like Jacob Collier, but have you listen to some stuff from the 20th century (I know you did lol, just saying :D). There are some crazy chords - even in more traditional music. I see no reason to not include slightly "modern" chord voicings and progressions into "film music" - and they are not even really out there (like some Stravinsky etc.), they are just colourful.
Thanks, glad you like it :)
@@AndyChamberlainMusic I don't know what you're talking about I really liked these jazzy harmonies