Johannes Brahms - Complete Liebeslieder Walzer Op. 52 and Op. 65 (1869-74)
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- เผยแพร่เมื่อ 13 มิ.ย. 2024
- Johannes Brahms (7 May 1833 - 3 April 1897) was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
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Liebeslieder Walzer, Op. 52 (1869)
1. Rede, Mädchen SATB (0:00)
2. Am Gesteine rauscht die Flut SATB (1:09)
3. O die Frauen TB (1:49)
4. Wie des Abends schöne Röte SA (3:01)
5. Die grüne Hopfenranke SATB (3:49)
6. Ein kleiner, hübscher Vogel SATB (5:46)
7. Wohl schön bewandt war es S (A) (8:11)
8. Wenn so lind dein Auge mir SATB (9:39)
9. Am Donaustrande SATB (11:07)
10. O wie sanft die Quelle SATB (13:16)
11. Nein, es ist nicht auszukommen SATB (14:09)
12. Schlosser auf, und mache Schlösser SATB (14:59)
13. Vögelein durchrauscht die Luft SA (15:39)
14. Sieh, wie ist die Welle klar TB (16:25)
15. Nachtigall, sie singt so schön SATB (17:17)
16. Ein dunkeler Schacht ist Liebe SATB (18:37)
17. Nicht wandle, mein Licht T (19:52)
18. Es bebet das Gesträuche SATB (21:48)
Neue Liebeslieder, Op. 65 (1869-74)
No. 1 Verzicht, o Herz, auf Rettung (23:13)
No. 2: Finstere Schatten der Nacht (23:57)
No. 3: An jeder Hand der Finger (25:28)
No. 4: Ihr schwarzen Augen (26:48)
No. 5: Wahre, wahre deinen Sohn (27:23)
No. 6: Rosen steckt mir an die Mutter (28:26)
No. 7: Vom Gebirge Well’ auf Well’ (29:22)
No. 8: Weiche Gräser im Revier (30:25)
No. 9: Nagen am Herzen (31:55)
No. 10: Ich kose süß mit der und der (33:00)
No. 11: Alles, alles in den Wind (34:04)
No. 12: Schwarzer Wald, dein Schatten ist so düster! (35:04)
No. 13: Nein, Geliebter, setze dich (37:44)
No. 14: Flammenauge, dunkles Haar (39:24)
Zum Schluß: Nun, ihr Musen, genug! (44:04)
BBC Singers conducted by Jane Glover
Catherine Edwards and John Alley, piano 4-hands
Liebeslieder Waltzes are distributed across two opus numbers: 52 and 65. The waltzes are a collection of love songs in Ländler style for voices and four hands piano. The lyrics for the Liebeslieder come from Georg Friedrich Daumer's Polydora collection of folk songs and love poems. While there is no concrete record indicating the exact inspiration for the Waltzes, there is speculation that Brahms' motivation for the songs was his frustrated love for pianist Clara Schumann, composer Robert Schumann's wife
Neue Liebeslieder, Op. 65 (New Love Songs), also known as Neue Liebesliederwalzer, is a collection of Romantic pieces written for four solo voices and four hands on the piano. The Neue Liebeslieder were written during the Romantic period between 1869 and 1874. The text of the songs is adapted from folk songs of various areas of Europe including Turkey, Poland, Latvia, and Sicily. The text for songs 1 through 14 were translated and compiled by Georg Friedrich Daumer in his poem series, Polydora; the text for the fifteenth and final song, entitled Zum Schluß (In Conclusion), was written by Johann Wolfgang von Goethe. - เพลง
I was the baritone on this, first work.Had no idea it had gone to TH-cam. We were were all students at RNCM. A wonderful place to study singing and all music. Rosemary Walton , accompanist, was brilliant.
Congratulations!!! 😁 I'd sing the baritone's melody of the #5 at university and I enjoyed a lot. You made a great perform. 👌🏼
awesome man thanks for this work of art this is one of my favorite interpretations
The notes state this recording was made by the BBC Singers with Catherine Edwards and John Alley as accompanists.
I mistook you for Bryn Terfel.
Im currently singing the baritone part at the university I go to. Very fun set of songs.
Brahms’s choral works are magnificent, and these are among my favorites. Thanks so much for posting them in such an enjoyable format.
My high school choir sang these with our local choral society in a joint concert and I've loved them for the almost 3 decades since. They're some of my favorite not just Brahms pieces, but classical pieces in general. Thank you for putting them here for us to enjoy. 💝🎼🎶
These gems make me appreciate Brahms even beyond the symphonies, dances, and Requiem. Thank you for uploading
Performed these in junior college. The last great thrill of my musical journey. Op. 52 maintains a special place in my heart.
Absolutely magnificent composition ! Great performance.
Having sung these years ago, but no longer having the sheet music, what fun to sing along with your video! Thank you so much for this.
The Liebeslieder Waltzes, Op. 52 are some of my favourite Brahms pieces of all. It’s Brahms unfettered by academic convention or constraints. He’s just letting his hair down. It’s the most exuberant, lyrical and smiley series of choral waltzes that you can possibly imagine. I first heard them on a recording that my teacher Nadia Boulanger made with her star pupil Dinu Lipatti. Even though she wasn’t a great fan of Brahms, her playing with Lipatti has all the right ingredients of virtuosity and enchantment - it’s just beautiful. They are the greatest fun to perform too. When we do them with the Monteverdi Choir, everyone is just beaming from ear to ear.
Sir John Eliot Gardiner, conductor
But the post in quotes. You are not Gardiner.
Read his whole post and you will see Sir John Eliot Gardiner, conductor.
who knows... lmao
Brahms was letting his hair down, Gardiner? So did Brahms normally wear it up in a french braid bun or what?
As I was reading your comment, my jaw dropped when you said you'd studied with Boulanger! 🫨 And then I got to the end and saw you were quoting Sir John Gardiner. Lol You had me going for a minute there. 😄
These are all beautiful and I really appreciate seeing the score as the pieces are played and sung; thank you!
I performed most of these (we had to cut some out for time reasons) in grad school and it was such a delight and such a thrill! I also love PDQ Bach's LIebeslieder Polkas, which are really well done parodies and great music on their own.
Cette oeuvre délicieuse est toujours un régal. Quelle joie de commencer ainsi l'année !
(Thanks a lot for this sensitive performance and to share it with us.)
Je viens de découvrir cette perle de finesse dans une interprétation superbe : énormément d'expressivité, de sensibilité et de justesse dans l'expression verbale, une amplitude de nuances formidable; une prise de son sans défaut et une image stéréophonique très bien façonnée et équilibrée. Superbe !
Et, par dessus le marché, on peut suivre le conducteur filmé et bien coordonné avec le son : du travail de pro, et je sais de quoi je parle ! Merci de ce cadeau...totalement gratuit et placé au sommet de l'Art. Chapeau ! ça c'est le bon coté d'internet... JLL
My favorite of Brahms' choral works. I first sang them as part of a quartet at a local Brahms Festival put on by conductor Joseph Kreines. I was 19 or 20, and the tenor of our quartet was (then future) Metropolitan Opera singer Mark Baker before he went to NYC and began his operatic career. A few years later, I sang them with the Florida State University Chamber Singers under the direction of the late, great Clayton Krehbiel, who was often the tenor soloist with the Robert Shaw Chorale.
Great, listen and read
also good quality of choir
thanks for sharing
Prise de son remarquable, homogénéité des voix, Bravo a tous ! Beaucoup de feeling de la musique, une grande complicité entre les choristes est ressentie. C'est vraiment une pépite !!
Superb......I had no idea......Heel erg bedankt....van Acapulco!
beautiful performance,...
Beautiful job by the tenor soloist in Op. 52 no.17
Splendid!
Beautiful ! HAPPY NEW YEAR!!
Wunderschön! Würde ich gerne mal wieder singen!!
Bravo! Gostei muito.
Muito Obrigado!
Merci. C'est un ravissement. Il rejoint "le rayon des somptueux cadeaux de la vie".
Meravigliosi
Excelente
no. 11 is at 14:09
Very Very interesting ......
14:08 through 15:32 eloquently expresses subtle theories on creating peace within chaos, and with an infinite amount of vulnerability. I recently discovered this musical passage from the movie, Little Man Tate; it was ingeniously aligned with how Dianne Weist's character (Jane) tried to repress her darkest yet unspoken childhood trauma, by recalling how cleverly she was able to think of an incredibly peaceful passage of Classical Music to distract herself from some of her most painful moments as a child prodigy; hence the vulnerable facial expressions she wears while starting to vocalize this stunning musical passage. Furthermore, I never ever loved Brahms until I was exposed to this musical peace.
op. 65 n°3 is sublime.
Op. 52- Liebslieder-waltzer: dezoito breves canções para coro misto e acompanhamento de piano. São canções em ritmo de valsa refletindo com intensidade o espírito alemão simples, como melodias cantadas em pequenas cidades alemãs por pessoas simples e alegres. Brahms as harmoniza sempre ao seu modo, usando cromatismo e modulação. Na sétima canção, de apenas 1 minuto e 22 segundos, um soprano dialoga com o coro. Na décima sétima, é a vez de um tenor.
Op. 65- Neue Liebslieder: ao todo, 15 canções nos moldes do Op. 52. Brahms compõe canções ao gosto popular, embora sua música coral seja pouco conhecida até mesmo dos apreciadores e estudiosos de sua obra. Certamente, o povo alemão a desconhece. Novamente, Brahms revela nessas canções acompanhadas por piano a simplicidade das melodias alemãs. Mas, em suas mãos, a harmonização é sempre primorosa. A voz de soprano destaca-se nas canções n° 3, 6, 9 e 11, enquanto um contralto aparece na 5º, o tenor na 10º e o baixo na 4°.
I would like to ask from which source he obtained the Op52 Brahms Liebeslieder and whether the four soloists were named,
Hello Bartje! Thanks for posting an excellent version of the Liebeslieder Waltzer. I also would like to know if you have the complete score for op 52 an op 65. If so, please send me a message, it has been very difficult to find a legible score online. Thanks! I´ll be waiting for your answer.
You can download the same score as I used from the IMSLP Petrucci library site.
No. 9 is at 11:08 in the piece
no.16 is at 18:38
11!! ❤️
no. 14 is at 16:25
Is this the Royal Northern College of Music choir from Manchester, England? Conductor?
I’m about to ask the chairman of everything Voice at my seminary if I can put together a performance of the whole work. The catch is I would need to find a peer or that professor to conduct it because I am the only bass student with any experience in professional singing. This very work was my first performance outside of the school.
6. 5:47
9. 11:07
16. 18:37
18. 21:47
Sehr schön. Nur die forte Passagen klingen etwas zu schrill, auffällig bei den Sopranstimmen.
Die Musik von Brahms gefällt mir sehr, besonders die Chorliteratur und die Sinfonien.
Originally heard an excerpt of this piece on Little Man Tate, which is what brought me here. 😎
If this doesn't break your heart, well...
2022:Thanks TH-cam Staff!
Nadia Boulangers’ told her pupil, my piano teacher (Fountainblu, FR.) of a story of Brahms who liked Walking in German Black Forrest while dating rose colored cheek girls. His passionate musical imagination motifs of yearning and pleading for 💕 love is mirrored in his phrases musically and poems used as lyrics here in Opus52/65. FYI: Two pianos accompaniment on Scores!
I later learnt- to accompany choirs, as pianist SFCM! I listen acutely and immediately stop to hear this when it is used as Film Background piece,Ie, Little Man Tate).
pleasant
Nr. 2's text is weird.
Number 3 at 1:51, Number 14 at 16:25
Muchas gràcies per la partitura...jajjajja
9.-
Am Donaustrande, da steht ein Haus,
da schaut ein rosiges Mädchen aus.
Das Mädchen, es ist wohl gut gehegt,
zehn eiserne Riegel sind vor die Türe gelegt.
Zehn eiserne Riegel das ist ein Spaß;
die spreng ich, als wären sie nur von Glas.
10.-
O wie sanft die Quelle sich
durch die Wiese windet;
O wie schön, wenn Liebe sich
zu der Liebe findet!
9.-
En las orillas del Danubio hay una casa.
Allí vive una muchachita en flor.
La muchachita está bien guardada
pues diez cerrojos cierran su puerta.
Diez cerrojos de hierro ¡qué tontería!
yo los haré saltar como si fuesen de cristal.
10.-
Cuán suavemente el riachuelo
a través de la pradera corre.
¡Cuánta dicha cuando el amor,
al amor encuentra!
stupendi
Im sorry, is this well tuned? Or Am I Brahms deaf now?
What was the question again?
I believe that Brahms has a very hard harmony here, specially in the first bars.
I really don't know if on top of the weird harmony the performers are slightly out of tune. I'm astonished.
21:48
33:01
9:40
13:17
14:10
Souper
LoVe ThE cOnTeNt SuBbEd W nOtIs
th-cam.com/video/XJZ9fgq1jgw/w-d-xo.html
sound.jp/solisten/data/990114pr/99011410.htm
11曲目って、総統閣下っぽくない？
「ちくしょうめぇぇ」とか言い出しそうな。