Why Animation’s 12 Principles Remain Unchanged After 100 Years th-cam.com/video/V7rlHwHoz6s/w-d-xo.html If you'd like to support my content consider checking out my Patreon and its perks: www.patreon.com/ManuMercurial Thanks for being here!
I secretly released my intro song! You can search for 'Manu Mercurial' on Spotify, or click here: open.spotify.com/track/6ANGBV168SqXNID3G4fgqf Xeraphine's first animated music video is coming really soon, but I wanted you to be the first one to listen to the full version since you asked before! Thank you for your patience!!
Holy moly, those studies for Lackadaisy-- I never realized the amount of prep studio animators do before even starting to animate anything. That's stunning. I absolutely loved this Manu! I learned a lot! You touched on a lot of stuff that most other creators I've seen don't mention at all when discussing similar topics.
Thank you Andreas! Honestly the prep part of learning the characters is incredibly fun to me, its like a license to draw a ton of fanart that will both improve your drawing skill + make your animaton work better down the line! Thanks for watching!!
As an animator in the Japanese animation industry, there’s usually no time to learn to draw characters, so we just learn as we draw. So what I did (can’t really speak for others) is picked up observational drawing and learnt anatomy such from bridgeman books. Once you have anatomy down and your hands and eyes are coordinated, you’ll be able to tell why certain details are designed as they are in comparison to the human body in terms of style and proportions. Eventually, you’ll find it easy to combine all the references you have to create heads that aren’t even on the reference sheets. This apples to everything from animals to humans to clothes. Also a little note, shift and trace is still largely used in the Japanese industry. I’ve received corrections from sou sakkan artists with shifted head corrections, it makes subtle character acting a thousand times easier, especially with detailed drawings
I’ve noticed this during my watch through of Dragon Ball and now I feel extra bad for the animators that had to constantly change the way they draw the series once the manga’s artstyle started shifting. Plus there was a longtime One Piece animator who came back for Super that took quite an amount of episodes to learn how to draw Dragon Ball again. I love the animation coming out of Japan but damn being part of the industry must be super hard.
@@sarcasticsuperjerk18 Oh yeah, you'll definitely pick up drawing habits from working on shows long term. At this point, I can say that being praised for good cuts from directors and studios is one of the biggest adrenaline boosts and is most likely what's keeping me around. I try to make good work, i get complimented, I get motivated, cycle repeats, we're both happy
"the faster you get those 10,00 ugly drawings outta you, the faster you'll get to the good ones" This describes my entire drawing experience lol. I've been drawing for almost 6 years and only started consistently making drawings i'm satisfied with around 6 motnhs ago. I'm now looking forward to digital illustration and maybe even animation! Because of that, videos like these help out a ton, amazing content!
No…. This is wrong. Hi, I’m a foundations drawing teacher. All you need to do is understand the foundations, then practice the lessons within those disciplines. It’s like a musician practicing their scales….. once you can learn them and understand how they are applied, you will be drawing and animating pretty quickly.
This really felt like a breathe of fresh air. Just being told that the first pass of making a character is going to suck. That hit home man. Great job love your content!
I began to lose my drawing ability once I got into an animation course as more of a technical/3D artist and saw everyone around me being so talented, but seeing this video really makes me want to at least get back to drawing some characters again. Thank you for the inspiration.
@@ManuMercurial again thank you so much, I'm drawing ichigo from every angle until i get good enough at it, and it wouldn't have been possible without you ❤️
to think this guy animated a youtube pilot about silly cats in the 1920s and also one of the most well known proper anime’s and was good at both…? he got some skill.
this is such a helpful video! I normally don't comment on these types of videos but the fact that you condensed atleast months worth of info into a 10 minute video is insane! cant wait to apply all of these~
I have done "Place and trace" without knowing it was a thing haha! Specially with head shapes and body proportions, it's really useful. Buen video mae!!!
the point you made by "drawing the emotion" is one of the most valuable pieces of art advice i have heard. it's been said a million times that it's easy to get caught up in details/proportions, but you demonstrated it on paper better than any other art youtuber i have watched. keep at it, manumercurial.
you always manage to explain things in the perfect way that allows me to grasp exactly what you're saying! I always find it hard to understand stuff so thank you
The trace and place technique and the emotions first are two things I never knew about before watching your video. Good thing too since I'm trying to start in the animation sphere
Also, I'd like to add that not every production has a lot of production materials, and good indications on their character models.... I mostly work on japanese anime and there's usually not that much infos on the sheets :') The less infos you have, the harder it is to make something cool, so it's ok if your drawings are not perfect !! 5:05 I cannot agree more with this ;_; Often when I try to be super on model, I end up having stiff drawings... But at the same time, I can't just have rough drawings, or else it'll take too much time to clean !!! Because the japanise animation style allows it, I draw my key frames very roughly, then I'll clean those (like for a head turn 2 or 3 drawings are enough) and when I'm satisfied, I'll do my breakdowns more roughly, but since my key frames are superclean, I can be more efficient. It takes time, but eventually you'll be able to draw any characters from any model sheet, without practicing it first ! It's possible throught hard work !! Good luck everyone 😎💪
I've noticed this! Settei is very succint in their poses and expressions. You kinda need to be able to draw on the production's style very accurately to be a Sakkan. I mostly get my layouts corrected to hell to fix the likeness haha, but I understand its part of the process! Hope to keep learning so I can be more accurate as well! Also Nigen is really fun to me!
@@ManuMercurial We just have to accept that our drawings still need corrections from sakkans ;_; I used to think nigen was boring but now I actually like it as well ! Well let's keep working hard !! 8)
Another great video with so many good tips and tricks! Drawing characters on model is one of the hardest things to get right, but I also like that you harp on how story and emotion should be most important. Always leave your videos feeling so inspired!! 😁
That cut-out animation segment looks really interesting. Hoping you can make a video on it, maybe go through that Gumball example step by step? dunno, up to you.
Wow Dane! Thank you so very much for your support!! I'm really glad this was helpful. I wish you the best of luck with your animation short. Let's keep working hard!!
You answered a question that I had for a long time How pro animators are able to neatly copy artstyle it's the impressive thing under our noses that at the same time, no one seems to notice Like I've seen those "_ in different artstyle challenge" videos and despite expert artists struggle to replicate the style, at the end, you can still see a glimpse of their og stile
I was not expecting that Powerpuff Girls Z mention at the beginning of the video! I'm a massive PPGZ fan, so I was happy you mentioned it! As a small correction, Powerpuff Girls Z aired in *2006*, NOT *2008*. Only the English dub aired in 2008. I don't mean to be THAT guy, but I tend to get very annoyed when people get PPGZ's air date wrong (especially with Saberspark's review of the anime).
"Only the English dub aired in 2008." isn't that what he's saying? The drawing was made when Powerpuff Girls Z joined Cartoon Network, which is an english speaking television channel
Wow the amount of times i searched the internet for this very answer! I always thought it was some kind of secret weapon on how animators make their drawings so uniform and fluid, turns out its just insane skill. Thanks for the break down, now I am satisfied!
Your presentation style makes it easy for beginners and offers valuable insights into the animator's world. Thanks for sharing this gem of a tutorial!"❤
You can copy a style, but the result is not the same for different artists. ordinary people often don’t notice this, but if the series was drawn by different artists, this is always noticeable. I also try to draw in different styles, but my style is still visible whether I want it or not🤗
I really do want to see a video on the 2D Rig, I had started to learn how to rig it and all the things about it in class, mastering it will help add to my arsenal of skills.
A job well done. Starting rough, not focusing on details and using different tricks to maintain the consistency and proportion are simple concepts that beginners struggle to understand. I myself still struggle and avoide transfer techniques, thinking of them as bad habits, but this video is a good reminder to not be too harsh on myself.
As someone learning to animate and draw their own original characters, this is the best video I've seen so far. And it isn't even directly made for this purpose. Well done.
This video is incredible, while being a artist every little good tip, even the most basic ones, helps not only at where you should practice but inspires you to work and put your skills to the next level. The way you perfectly speak and show with video editing examples of artwork about what are you saying is very didactic and refreshing. I instantly subscribed.
Thank you so much for making a video that I found more helpful and inspirational than 99% of the others I’ve been watching on TH-cam . Great stuff to help with my own projects and learning ❤
That’s the beauty of it I’m really putting my strength into 3D rn but nowdays if ur dedicated enough you really can draw in any style u want free form would be tough but with nice references n technology in animation it’s getting easier n easier
Just doodled halfway through this video. My characters were feeling stiff since I was focusing on their anatomy the most, but seeing your advice “draw emotion”. Wow, it really popped! Thank you
I love your videos. They are so practical and have good advice. I have been so caught up in improving my anatomy lately that I think I've lacked in the "acting" part of drawing. Thank you for the reminder. 😊
So glad it was helpful Heather, thanks for taking the time to watch and to comment! And honestly, same. I still struggle with the fear of pushing the acting of my poses, need a daily reminder that that's how you get good character animation. I know we'll improve with practice!!
This guide is so useful! I drew a little test animation after watching this, and I must say, using all the tips from this video, my animating skills improved a LOT
Maan it's great to see this type of behind the scenes explanation about the animation industry, topics like this are rarely made and it's really daunting for beginners who want to enter the animation industry. Story time: I remember years ago, I used to be a animation intern at a animation studio near our alumni university. A lot of us interns had to "wing" it, basically just do what we think was a 'okay' method or learn it on the fly cause we didn't know how to exactly adapt to the art style that is in done in production. And mind you we got paired with employees who doesn't like being pestered with questions so they will answer with "just draw" etc. or something along those lines, understandable cause everyone's in a lot of stress cause of the deadlines. Out of the 30 students that got in, only 3 to 5 students were able to get to be in the animation department, most of us were transfered to the CU (Clean Up), DIP (Digital Ink & Paint), Layout, and lastly BG (Background) department including me. I went thru all departments before finally settling in the BG dept. This was like back in 2013 or 2014 so there isn't much tutorials like this, thank you for providing insight and full information about the animation industry, we appreciate the time and effort you made to upload this.
I am a guy who adores drawing and animating and I've been looking to draw in another person's art style for the sake of learning. I tell you, the place and trace thing is genius. I never thought of that before and I am studying like crazy to get better. While I do have my own art style. I constantly want to learn and I always wondered how people mimic another person's art style. Well now I know. :) Anyway. Thank you for the video @ManuMercurial as it's something I was always curious about and I am so glad I learned about the existence of place and trace. Gotta love gestures. Might have applied them in my own art style but it's cool how it can work when mimicking another art style. Can't wait to try it out. That's why I love art. There is always something you can learn.
THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU , Thank you so much ! I have been looking for production guide sources and just had no luck WHATSOEVER!!! i didn't even know they were called production guides, i only found the terms "Model sheet" and " turn-arounds". seriously thank you. gonn check out that livin lines archive right now. will edit with update if it is what i'm hoping for. even if not, thank you
I think I was born to be an animator or inbetweener, I always love drawing other people’s style on model as best I could, I have no style of my own and I love animating. Love your videos, i always learn something.
Yes please manu, please do a video on cut out animation or rig character tutorial, there's not a lot of those on youtube, i'll apreciate it And your video are always very helpful, i love them, but this thing of learning how to animate a character in model seems pretty hard but not impossible! I'll start training!
I would love a video on improving cutout animation rigs. I’m interested in learning cutout/rig because it’s doable and practically the intended way for some animated software. But I want to learn how to avoid that floaty feel when it’s done badly (besides practice. obviously).
So i have been a art student for more than 10 years i can literally teach art in school to students till high school if i want but since i did engineering further in my studies i had to leave art all together now after making my name in the engineering field i came back to art although it took me some time it was like a muscle memory to me...then i wanted to try animation..its all on your art feel...if u can make a art pop out of paper sure u can pop a animation out a screen..it depends how much perspective u cam draw n how fast u can draw...learning animation has given me life back...after doing everything what society want me to do i was lost..now i have new things to learn everyday..
About having the individual animators becoming invisible, and making the studio appear as a single artist, Yoh Yoshinari's fellow director at Trigger, Hiroyuki Imaishi has on multiple occations stated that he encourages each animator to express things in their own style, and to really show off what each of them can do, and there certainly isn't a shortage of examples of unique looks and movements in the shows and episodes Imaishi directs. If you look closely at Little Witch Accademia, and Brand New Animal, (which Yoshinari is credited with direction for) then you can see hints of the same thing going on, although not quite as much as under Imaishi.
thank you! i also go for the emotion first... and u can sometimes feel the emotion through 2 or 4 line... thats how powerful and important it is... but im still not professional so i am not able to finish a project on my own but i will keep trying! thank u for this video!!
Listen, we do not keep secrets, that was uncalled for! This is coming from someone who both works in animation and teaches future animators/ but the video was very helpful, thank you!
Absolutely amazing video. I remember my dad uses to dislike seeing me watching shows on CN like Coward the Cowardly Dog because he believes the drawings are hideous. But I know it was way better than what they put out on Disney Channel at the time, not with just the story, but also the animation. It was way more expressive and fun to watch
Im sorry, but batman looking annoyed, samurai jack pondering, garfield not giving a shit, and tom looking like he has rabies is so god damn funny. Not to mention starfire looking on with very violent intentions.
9:18 "The faster you get those 10,000 ugly drawings inside of you, out there, the faster you'll get to the good ones. .. sometimes it may feel insurmountable, but in those times you need to trust in the process." I'm a super insecure artist and find myself CONSTANTLY trying to perfect even the simplest of sketches. I feel as though because of this, I have trouble improving since I'm spending too much energy on one thing and not the whole. To this day, I'm unsure why actually good advice is hard to get drilled into me, but this one actually got through to me. Thank you. ❤
Dude, you're so good, you should try to complete your intro song I swear it would be lit, but dw do as you want or take your time~~ Anyway ty for your vid and good work as always!~~
I secretly released my intro song! You can search for 'Manu Mercurial' on Spotify, or click here: open.spotify.com/track/6ANGBV168SqXNID3G4fgqf Xeraphine's first animated music video is coming really soon, but I wanted you to be the first one to listen to the full version since you asked before! Thank you for your patience!!
Nicee, another banger video that I'll probably come back to. Also about the turnaround video, is csp ex necessary to do the whole onion skin/keyframe thing? or is it possible with pro as well?
Why Animation’s 12 Principles Remain Unchanged After 100 Years
th-cam.com/video/V7rlHwHoz6s/w-d-xo.html
If you'd like to support my content consider checking out my Patreon and its perks:
www.patreon.com/ManuMercurial
Thanks for being here!
Please make a detailed video about cutout animation
Is there a link to show the image
So basically the answer is FANTA MENTOS as Alois would say. Yeaaahhh I got a long way to go…
Amazing video!, also what is the song in your intro?
I secretly released my intro song!
You can search for 'Manu Mercurial' on Spotify, or click here:
open.spotify.com/track/6ANGBV168SqXNID3G4fgqf
Xeraphine's first animated music video is coming really soon, but I wanted you to be the first one to listen to the full version since you asked before!
Thank you for your patience!!
Holy moly, those studies for Lackadaisy-- I never realized the amount of prep studio animators do before even starting to animate anything. That's stunning. I absolutely loved this Manu! I learned a lot! You touched on a lot of stuff that most other creators I've seen don't mention at all when discussing similar topics.
Thank you Andreas! Honestly the prep part of learning the characters is incredibly fun to me, its like a license to draw a ton of fanart that will both improve your drawing skill + make your animaton work better down the line! Thanks for watching!!
@@ManuMercurialmay not be an animator but I do like improving my drawing skills. So I'll use this as a guide.
Huge respect to artists and animators for being able to do this, and huge respect to you for going through the process.
As an animator in the Japanese animation industry, there’s usually no time to learn to draw characters, so we just learn as we draw. So what I did (can’t really speak for others) is picked up observational drawing and learnt anatomy such from bridgeman books. Once you have anatomy down and your hands and eyes are coordinated, you’ll be able to tell why certain details are designed as they are in comparison to the human body in terms of style and proportions. Eventually, you’ll find it easy to combine all the references you have to create heads that aren’t even on the reference sheets. This apples to everything from animals to humans to clothes.
Also a little note, shift and trace is still largely used in the Japanese industry. I’ve received corrections from sou sakkan artists with shifted head corrections, it makes subtle character acting a thousand times easier, especially with detailed drawings
I’ve noticed this during my watch through of Dragon Ball and now I feel extra bad for the animators that had to constantly change the way they draw the series once the manga’s artstyle started shifting. Plus there was a longtime One Piece animator who came back for Super that took quite an amount of episodes to learn how to draw Dragon Ball again.
I love the animation coming out of Japan but damn being part of the industry must be super hard.
@@sarcasticsuperjerk18
Oh yeah, you'll definitely pick up drawing habits from working on shows long term.
At this point, I can say that being praised for good cuts from directors and studios is one of the biggest adrenaline boosts and is most likely what's keeping me around. I try to make good work, i get complimented, I get motivated, cycle repeats, we're both happy
Not really. If u drawing cartoons anatomy is not required to learn it precisely... Maybe comic...
@@PVTParts-eu3zldont make it a standard
@@Moodboard39 if you know your anatomy, simplifying it to make your art style cartoony will help you massively
A great and useful video, thank you for entertaining:)
SIEGETALES??!!!!
Yo what’s SiegeTales doing here-
"the faster you get those 10,00 ugly drawings outta you, the faster you'll get to the good ones" This describes my entire drawing experience lol. I've been drawing for almost 6 years and only started consistently making drawings i'm satisfied with around 6 motnhs ago. I'm now looking forward to digital illustration and maybe even animation! Because of that, videos like these help out a ton, amazing content!
You literally just described me
@@CommentEnthusiast nice to see someone who relates! ;)
No…. This is wrong. Hi, I’m a foundations drawing teacher. All you need to do is understand the foundations, then practice the lessons within those disciplines. It’s like a musician practicing their scales….. once you can learn them and understand how they are applied, you will be drawing and animating pretty quickly.
@@LazarusSchell you have pretty low reading comprehension for a teacher
This really felt like a breathe of fresh air. Just being told that the first pass of making a character is going to suck. That hit home man. Great job love your content!
I began to lose my drawing ability once I got into an animation course as more of a technical/3D artist and saw everyone around me being so talented, but seeing this video really makes me want to at least get back to drawing some characters again.
Thank you for the inspiration.
It takes more creativity to create characters, not copy cats, and people claim their artist is laughable
Thank you from the BOTTOM of my heart, no one will EVER understand how much i appreciate the two production guide websites in 3:50
We need to protect them websites at all costs! haha
@@ManuMercurial again thank you so much, I'm drawing ichigo from every angle until i get good enough at it, and it wouldn't have been possible without you ❤️
to think this guy animated a youtube pilot about silly cats in the 1920s and also one of the most well known proper anime’s and was good at both…? he got some skill.
this is such a helpful video! I normally don't comment on these types of videos but the fact that you condensed atleast months worth of info into a 10 minute video is insane! cant wait to apply all of these~
Truly appreciate you taking the time both to watch the vid, and to comment! Glad it was helpful! Thanks!!
I have done "Place and trace" without knowing it was a thing haha! Specially with head shapes and body proportions, it's really useful. Buen video mae!!!
the point you made by "drawing the emotion" is one of the most valuable pieces of art advice i have heard. it's been said a million times that it's easy to get caught up in details/proportions, but you demonstrated it on paper better than any other art youtuber i have watched. keep at it, manumercurial.
you always manage to explain things in the perfect way that allows me to grasp exactly what you're saying! I always find it hard to understand stuff so thank you
7:52 We'll be interested in any topic ya make... you're like a gold mine when it comes to animation information!
7:31 As a person trying to get into 2D Cut-Out Animation this was super helpful to know. I kind of want to see the follow up video on this.
The trace and place technique and the emotions first are two things I never knew about before watching your video. Good thing too since I'm trying to start in the animation sphere
Also, I'd like to add that not every production has a lot of production materials, and good indications on their character models.... I mostly work on japanese anime and there's usually not that much infos on the sheets :') The less infos you have, the harder it is to make something cool, so it's ok if your drawings are not perfect !!
5:05 I cannot agree more with this ;_; Often when I try to be super on model, I end up having stiff drawings... But at the same time, I can't just have rough drawings, or else it'll take too much time to clean !!! Because the japanise animation style allows it, I draw my key frames very roughly, then I'll clean those (like for a head turn 2 or 3 drawings are enough) and when I'm satisfied, I'll do my breakdowns more roughly, but since my key frames are superclean, I can be more efficient.
It takes time, but eventually you'll be able to draw any characters from any model sheet, without practicing it first ! It's possible throught hard work !! Good luck everyone 😎💪
I've noticed this!
Settei is very succint in their poses and expressions. You kinda need to be able to draw on the production's style very accurately to be a Sakkan.
I mostly get my layouts corrected to hell to fix the likeness haha, but I understand its part of the process!
Hope to keep learning so I can be more accurate as well!
Also Nigen is really fun to me!
@@ManuMercurial We just have to accept that our drawings still need corrections from sakkans ;_;
I used to think nigen was boring but now I actually like it as well ! Well let's keep working hard !! 8)
Anime is overrated... Same old character...
Another great video with so many good tips and tricks! Drawing characters on model is one of the hardest things to get right, but I also like that you harp on how story and emotion should be most important. Always leave your videos feeling so inspired!! 😁
That cut-out animation segment looks really interesting. Hoping you can make a video on it, maybe go through that Gumball example step by step? dunno, up to you.
I believe this video was really helpful for me! Thank you for helping on my journey to my first Animation Short! 🙌🏾
Wow Dane! Thank you so very much for your support!! I'm really glad this was helpful.
I wish you the best of luck with your animation short. Let's keep working hard!!
Really good stuff.
Glad you enjoyed it!! Thanks for taking the time to check it out!
Thanks for the information you provided. I wanted to improve my animations. It was very helpful.❤❤❤
You answered a question that I had for a long time
How pro animators are able to neatly copy artstyle it's the impressive thing under our noses that at the same time, no one seems to notice
Like I've seen those "_ in different artstyle challenge" videos and despite expert artists struggle to replicate the style, at the end, you can still see a glimpse of their og stile
I was not expecting that Powerpuff Girls Z mention at the beginning of the video! I'm a massive PPGZ fan, so I was happy you mentioned it!
As a small correction, Powerpuff Girls Z aired in *2006*, NOT *2008*. Only the English dub aired in 2008. I don't mean to be THAT guy, but I tend to get very annoyed when people get PPGZ's air date wrong (especially with Saberspark's review of the anime).
"Only the English dub aired in 2008." isn't that what he's saying? The drawing was made when Powerpuff Girls Z joined Cartoon Network, which is an english speaking television channel
Wow the amount of times i searched the internet for this very answer! I always thought it was some kind of secret weapon on how animators make their drawings so uniform and fluid, turns out its just insane skill. Thanks for the break down, now I am satisfied!
i have mad respect for you as an artist, and even moreso since i can tell you know your stuff! awesome vid, keep up the great work!
How u define a artist? A person who copies???
If I drew anime it doesn't make me a artist
Your presentation style makes it easy for beginners and offers valuable insights into the animator's world. Thanks for sharing this gem of a tutorial!"❤
You can copy a style, but the result is not the same for different artists. ordinary people often don’t notice this, but if the series was drawn by different artists, this is always noticeable. I also try to draw in different styles, but my style is still visible whether I want it or not🤗
Nomore styles, is the backstory of the chracter...
Creativity to create different new character not copy cats
I really do want to see a video on the 2D Rig, I had started to learn how to rig it and all the things about it in class, mastering it will help add to my arsenal of skills.
A job well done. Starting rough, not focusing on details and using different tricks to maintain the consistency and proportion are simple concepts that beginners struggle to understand. I myself still struggle and avoide transfer techniques, thinking of them as bad habits, but this video is a good reminder to not be too harsh on myself.
As someone learning to animate and draw their own original characters, this is the best video I've seen so far. And it isn't even directly made for this purpose. Well done.
This video is incredible, while being a artist every little good tip, even the most basic ones, helps not only at where you should practice but inspires you to work and put your skills to the next level. The way you perfectly speak and show with video editing examples of artwork about what are you saying is very didactic and refreshing. I instantly subscribed.
Thank you so much for making a video that I found more helpful and inspirational than 99% of the others I’ve been watching on TH-cam . Great stuff to help with my own projects and learning ❤
I would love for you to make a video on "cut out" animation! I've always heard it in passing but I've never really seen anyone go in depth with it.
That’s the beauty of it I’m really putting my strength into 3D rn but nowdays if ur dedicated enough you really can draw in any style u want free form would be tough but with nice references n technology in animation it’s getting easier n easier
Just doodled halfway through this video. My characters were feeling stiff since I was focusing on their anatomy the most, but seeing your advice “draw emotion”. Wow, it really popped! Thank you
The Topics in this Video where to me even as a 3D Animator.
Thank you
great video! also tnx for the resources!
THANK YOU for this!!! I've always tried to figure out how animators stayed on model somehow, and this explains it better than anyone else has!
Can finally learn from my favorite artist
Yepie
I love your videos. They are so practical and have good advice. I have been so caught up in improving my anatomy lately that I think I've lacked in the "acting" part of drawing. Thank you for the reminder. 😊
So glad it was helpful Heather, thanks for taking the time to watch and to comment! And honestly, same. I still struggle with the fear of pushing the acting of my poses, need a daily reminder that that's how you get good character animation. I know we'll improve with practice!!
This guide is so useful! I drew a little test animation after watching this, and I must say, using all the tips from this video, my animating skills improved a LOT
love your work Manu, you explain so well! It's so cool to see animators ability to draw in so many different styles
I love you for making this video even though i didn’t watch it yet
Maan it's great to see this type of behind the scenes explanation about the animation industry, topics like this are rarely made and it's really daunting for beginners who want to enter the animation industry. Story time: I remember years ago, I used to be a animation intern at a animation studio near our alumni university. A lot of us interns had to "wing" it, basically just do what we think was a 'okay' method or learn it on the fly cause we didn't know how to exactly adapt to the art style that is in done in production. And mind you we got paired with employees who doesn't like being pestered with questions so they will answer with "just draw" etc. or something along those lines, understandable cause everyone's in a lot of stress cause of the deadlines. Out of the 30 students that got in, only 3 to 5 students were able to get to be in the animation department, most of us were transfered to the CU (Clean Up), DIP (Digital Ink & Paint), Layout, and lastly BG (Background) department including me. I went thru all departments before finally settling in the BG dept. This was like back in 2013 or 2014 so there isn't much tutorials like this, thank you for providing insight and full information about the animation industry, we appreciate the time and effort you made to upload this.
You actually answer questions i need answering, ur a genius ytuber
I found the idea of the video about Rig very interesting!! I hope you make a video! Looks promising!!
this was awesome and really eye opening for me!!!
so practice, simple shapes, thinking about the pose expression before anatomy, tracing when animating, this is really helpfull
I am a guy who adores drawing and animating and I've been looking to draw in another person's art style for the sake of learning. I tell you, the place and trace thing is genius. I never thought of that before and I am studying like crazy to get better. While I do have my own art style. I constantly want to learn and I always wondered how people mimic another person's art style. Well now I know. :) Anyway. Thank you for the video @ManuMercurial as it's something I was always curious about and I am so glad I learned about the existence of place and trace. Gotta love gestures. Might have applied them in my own art style but it's cool how it can work when mimicking another art style. Can't wait to try it out. That's why I love art. There is always something you can learn.
Doesn't make u a artist if u mimic other people art... No wonder instagram flooded with crap
Creating chracter is the most important
@@Moodboard39 True.
THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU ,THANK YOU , Thank you so much ! I have been looking for production guide sources and just had no luck WHATSOEVER!!! i didn't even know they were called production guides, i only found the terms "Model sheet" and " turn-arounds". seriously thank you. gonn check out that livin lines archive right now. will edit with update if it is what i'm hoping for. even if not, thank you
I can’t believe this is free, I’ve found gold ❤
Very insightful video, I hope you do more!
More to come! Thanks for being here!
Thank you for sharing the databases! Would definitely be interested in a video about cut-out animation.
this was such a great video!
To draw anime like a pro, just bribe a magical cat with tuna to teach you, and always remember: big eyes, spiky hair, and a serious backstory are key!
Yoh Yoshinari is so incredible its nuts. Highly recommend getting his art book to study from is awesome
I think I was born to be an animator or inbetweener, I always love drawing other people’s style on model as best I could, I have no style of my own and I love animating. Love your videos, i always learn something.
Great video, i learn a lot from your vídeos
Thank you so much for this information!
AWESOME VIDEO!
This was really interesting to watch, thanks!
Yes please manu, please do a video on cut out animation or rig character tutorial, there's not a lot of those on youtube, i'll apreciate it
And your video are always very helpful, i love them, but this thing of learning how to animate a character in model seems pretty hard but not impossible! I'll start training!
Yay he posted. Hurray!
I love your videos so much, thank you!!
I would love a video on improving cutout animation rigs. I’m interested in learning cutout/rig because it’s doable and practically the intended way for some animated software. But I want to learn how to avoid that floaty feel when it’s done badly (besides practice. obviously).
Thank you, this is exactly what I've been looking for for over a year.
You're very welcome! Truly appreciate you watching and commenting!
Really really cool video. I'm an illustrator, but I've been wanting to get into animation more seriously, and this is good motivation!
we definitely need a video about the rig animation, it is indeed intruging !
thank you so much!) This video is very relevant to me right now)
" Honey, wake up. Manu dropped a new video! "
So i have been a art student for more than 10 years i can literally teach art in school to students till high school if i want but since i did engineering further in my studies i had to leave art all together now after making my name in the engineering field i came back to art although it took me some time it was like a muscle memory to me...then i wanted to try animation..its all on your art feel...if u can make a art pop out of paper sure u can pop a animation out a screen..it depends how much perspective u cam draw n how fast u can draw...learning animation has given me life back...after doing everything what society want me to do i was lost..now i have new things to learn everyday..
good stuff, very insightful :D
Thank you so much for sharing this information. And please make a detailed video about cutout animation.
Absolutely amazing video. I loved it!
You are wonderful, thank you for sharing all this valuable information!
Thank YOU for taking the time to watch it!
Pls make a video on cut out animation if you haven't already! Thank you so much I love your videos!!!
(in my opinion) The best video you've made so far :) really useful!
this is the most helpful animation video i’ve literally ever watched
Thanks for the video, I have some struggle with simple shapes and construction, hope u make a video about cutout in the future
About having the individual animators becoming invisible, and making the studio appear as a single artist, Yoh Yoshinari's fellow director at Trigger, Hiroyuki Imaishi has on multiple occations stated that he encourages each animator to express things in their own style, and to really show off what each of them can do, and there certainly isn't a shortage of examples of unique looks and movements in the shows and episodes Imaishi directs. If you look closely at Little Witch Accademia, and Brand New Animal, (which Yoshinari is credited with direction for) then you can see hints of the same thing going on, although not quite as much as under Imaishi.
your videos are the perfect blend of education and entertainment!
0:15
I cannot express how happy I was to see Courage there.
Even if it was just a picture, I MISS HIM 😭
actually so much information I had doubt in earlier, this might let me try animating myself.
thank you! i also go for the emotion first... and u can sometimes feel the emotion through 2 or 4 line... thats how powerful and important it is... but im still not professional so i am not able to finish a project on my own but i will keep trying! thank u for this video!!
Listen, we do not keep secrets, that was uncalled for! This is coming from someone who both works in animation and teaches future animators/ but the video was very helpful, thank you!
Absolutely amazing video. I remember my dad uses to dislike seeing me watching shows on CN like Coward the Cowardly Dog because he believes the drawings are hideous. But I know it was way better than what they put out on Disney Channel at the time, not with just the story, but also the animation. It was way more expressive and fun to watch
WOWWWWW I DIDN'T KNOW MOST OF THAT STUFF WHATT?? Animators work HARDD
Really good video, keep going!!!♥
7:55 OH PLEASE PLEASE DO!!!
Pleasi make a video about it!
Man i am finally understanding animation thanks to you, you are an amazing teacher
Bob Esponja: Anota eso, anota eso!
Im sorry, but batman looking annoyed, samurai jack pondering, garfield not giving a shit, and tom looking like he has rabies is so god damn funny.
Not to mention starfire looking on with very violent intentions.
As always, thank you for sharing
7:31 RISE!!! RISE-RAPH!!!❤️❤️❤️❤️❤️
This is crazy, man 😯🤯 cool
Thank you for those websites! Such a valuable resource!
9:18
"The faster you get those 10,000 ugly drawings inside of you, out there, the faster you'll get to the good ones. .. sometimes it may feel insurmountable, but in those times you need to trust in the process."
I'm a super insecure artist and find myself CONSTANTLY trying to perfect even the simplest of sketches. I feel as though because of this, I have trouble improving since I'm spending too much energy on one thing and not the whole. To this day, I'm unsure why actually good advice is hard to get drilled into me, but this one actually got through to me.
Thank you. ❤
Dude, you're so good, you should try to complete your intro song I swear it would be lit, but dw do as you want or take your time~~
Anyway ty for your vid and good work as always!~~
It is in my priorities!! Can't wait to make more animation for the channel!
Thank you for your kind words!
@@ManuMercurial Amazing! Can't wait~~ But take your time dw 😉And thanks you for the response!
I secretly released my intro song!
You can search for 'Manu Mercurial' on Spotify, or click here:
open.spotify.com/track/6ANGBV168SqXNID3G4fgqf
Xeraphine's first animated music video is coming really soon, but I wanted you to be the first one to listen to the full version since you asked before!
Thank you for your patience!!
Thank you for the tips!! Also vey helpful for regular drawing!
Nicee, another banger video that I'll probably come back to. Also about the turnaround video, is csp ex necessary to do the whole onion skin/keyframe thing? or is it possible with pro as well?