Brilliant piece... Divine and God bless. Here is my understanding... He starts off with Brndavana Saranga (BS). Transposing Ma of BS as Sa, she elaborates in Suddha Saveri. At about 4.04, he swiftly moves to Mohanam. Transposing Pa of Mohanam as Sa, she still maintains Suudha Saveri. At about 6.15, she glides into Chandrakauns. Transposing Ma of Chandrakauns as Sa, he elaborates Sumanesa Ranjani (SR aka Madhukauns). The Swara rendering here is brilliant. For the same swarasthanas, they render different Swaras as per Chandrakauns and SR respectively. Finally, she comes back to Suddha Saveri and he too returns to BS. Wonderfully conceptualised and composed.
A wonderful combination of HINDUSTANI & CARNATIC JUGALBHANDI makes the rendition par excellence......the sheer exuberance of INDIAN CLASSICAL MUSIC is ample testimony to this beautiful concert.....god bless all ARTISTS.
One of the best pieces of IndianRaaga here, nice singing and Adithya especially holds a lot of promise. IndianRaaga is a fantastic initiative all of us back home can be proud of!
Just happened to hear this wonderful performance.. Cannot believe they are kids. Aditya is looking like Abhishek's younger version.. Voice, talent and passion.. Ditto. Shivani brings out Hindusthani type flavor in her portions and as a combo it was magical. Particularly when they migrated to madhukauns. And the swaram portion was all excellently planned. I am going to hear this over and over, fresh voices, maturity of singing, what a blend. Appreciate the accompaniments too. Big thanks to all. Love you all.
Indianraga, keep the focus of your channel to showcase upcoming talent like them. These kids deserve this platform. Growing up in a different country there are aren't too many opportunities for them
I am lost for words at the mastery of such young talent. Such clarity and control. What an inspiration to all music lovers. May I also thank Bharathy Sriram (comment directly below) for the explanation of the various Ragas incorporated. May god bless you all.
Very nice performance Adithya and Shivani. I'm impressed with this jugalbandi and me and my sister learnt it and sung in our very nxt concert after learning it😀 Thanks to the Indian raga
Excellent performance by brilliant artists. I am mesmerized every time when I watch this video. Adithya you have accomplished so much at such a young age and I know you have a very long to go. All the best and may Maa Saraswati keep showering her blessings on you.
Hey wonderful kids... What splendid kids u r all....Kudos to ur respectable parents who have given an impetus to pursue these wonderful divine art forms which are the hallmarks of our great country Bharat... God bless u all infinitely... Rock on and achieve further heights
This is incredible! No words to describe how I feel after listening to this piece for the first time. I really appreciate Indian Raga for making this happen, and providing a platform for all the performers. Like someone already said, Indian music is in good hands!
this morning old film songs in bhoopali sayonara sayonara and panchi banoon udthi phiroon mast gagan mein.these children in indianraga enthrall me tku god
Indeed I myself discovered it just days ago and it's really fascinating. Although I've only tried the mohanam, madhyamavathi, suddha saveri, hindolam graha bhedam, I really want to learn more. It's really fascinating and experimental.
I dont understand why admins leave the name of raga at "ragamalika". You are expected to provide names of all the ragas used in brackets. I was able to figure out carnatic ragas. I dont know the names of hindustani raags used. Dear IndianRaga, please look into this and make the required addition. Thanks
Very nice rendition! Congrat's for both of them!! But to me, it seems that the boy is singing a raga and the girl sings the equivalent Hindustani raag. I don't understand where the concept of GrahaBedham is... Can someone explain please?
have you listened kannada/tamil/malayalam in carnatic and sanskrit /brja /mithilie in hindustani - do not use this platform for your immature biased comment - but both kids are marvelously trained and talented - blessing both talented kids and the people whi arranged this event.
Oh, thanks! I didn't know about 'Madhukauns'! :) But I think it should be Brindavani, since one cannot have a GrahaBhedam from Brindavana Saranga to Jog. On the other hand, Brindavani to Jog and back is quite a famous GrahaBhedam.
Avinash Mohan Well, my skills are primitive based on correlation and not scientific (can't decode the tones into constituent swaras). So it sounded like the Brindavana Saranga I have heard which may be wrong technically (will be great if the singers can clarify).
anyone could, please, kindly explain why at the end of this piece she sings many same notes he sings but with changed nomes? many times she sings "sa" naming it as "pa"... or "ni" as "ma"...... Then when he sings it, he name the notes correctly.... was it wrong by her part or is there any explanation for this? It seems that she is singing the raga in another position.... Thanks
Sidharth Sivaraj wow! very interesting! I don't know if you know, in western music there's a system of study for listening perception which is called Kodaly's system that is a móbile system of singing the notes that transposes the Basic scale C,D,E,F,G,A,B changing the names tô sing the same scale in any tune... I thought that was happening here... thanks for your explanation! ॐ
This is the point of this piece. As you may or may not know, in Indian music, the first note can be aligned with any of the 12 Western classical notes and the octave is shifted accordingly. In this case, the 2 artists are singing using 2 different references. Hence, the Sa for one is Pa for the other. They are 2 different ragas with reference to their respecitive 'Sa' notes and yet, the actual frequencies of the notes match, creating a unique harmony. This is also known as Murchana in Hindustani music. This is my limited understanding on this fascinating method of collaboration.
That way of singing where the notes differ based on the relative position of the same frequency corresponding to the individual's pitch giving rise to a different raga and flavour... That is Graha bedham...
@@easwarsankar So nice!! Thanks for your contribution! I learn a lot from India... Love also the Advaita Vedanta Philosophy! Om!!! May Isvara bless you all! Lots of LOVE!
nice jugalbandi.. i think she picked up his/Carnatic version by mistake and corrected so quickly at th-cam.com/video/HQUK-U3CsaI/w-d-xo.html And that is the beauty of this.. though they follow different music traditions , they enjoy each other versions equally..
Brilliant piece... Divine and God bless. Here is my understanding...
He starts off with Brndavana Saranga (BS). Transposing Ma of BS as Sa, she elaborates in Suddha Saveri.
At about 4.04, he swiftly moves to Mohanam. Transposing Pa of Mohanam as Sa, she still maintains Suudha Saveri.
At about 6.15, she glides into Chandrakauns. Transposing Ma of Chandrakauns as Sa, he elaborates Sumanesa Ranjani (SR aka Madhukauns). The Swara rendering here is brilliant. For the same swarasthanas, they render different Swaras as per Chandrakauns and SR respectively.
Finally, she comes back to Suddha Saveri and he too returns to BS.
Wonderfully conceptualised and composed.
Thankyou so much for explaining elaborately. 👌
At 4:33, she goes into Druga though she is using same bandish words.
Very good performance by the complete team, with both the singers just outstanding
Shivani amazingly picked after a mini falter, beautifully rendered...& Kudos to Adithya....keep it guys our culture & tradition is in good hands
True.. and it shows how much she was mesmerized with Aditya's version too :)
A wonderful combination of HINDUSTANI & CARNATIC JUGALBHANDI makes the rendition par excellence......the sheer exuberance of INDIAN CLASSICAL MUSIC is ample testimony to this beautiful concert.....god bless all ARTISTS.
The best vocal renditions are jugalbandi of north and south styles, so rich and complete!
One of the best pieces of IndianRaaga here, nice singing and Adithya especially holds a lot of promise. IndianRaaga is a fantastic initiative all of us back home can be proud of!
Just happened to hear this wonderful performance.. Cannot believe they are kids. Aditya is looking like Abhishek's younger version.. Voice, talent and passion.. Ditto.
Shivani brings out Hindusthani type flavor in her portions and as a combo it was magical. Particularly when they migrated to madhukauns. And the swaram portion was all excellently planned.
I am going to hear this over and over, fresh voices, maturity of singing, what a blend.
Appreciate the accompaniments too. Big thanks to all. Love you all.
Indianraga, keep the focus of your channel to showcase upcoming talent like them. These kids deserve this platform. Growing up in a different country there are aren't too many opportunities for them
விருதுக்குரிய குரல் வளம் கொண்டவர்கள். வெகு விரைவில் வெற்றி பெற்று விருதுகள் பெறுவீர். முன்னமே வாழ்த்துக்கள்
I am lost for words at the mastery of such young talent. Such clarity and control. What an inspiration to all music lovers.
May I also thank Bharathy Sriram (comment directly below) for the explanation of the various Ragas incorporated.
May god bless you all.
This was beautifully done by Adithya and Shivani! Congratulations and keep it going!
Real confluence of the two different genres - Great Concept and executed very well by the two young artists ! Bravo !
Very nice performance Adithya and Shivani. I'm impressed with this jugalbandi and me and my sister learnt it and sung in our very nxt concert after learning it😀 Thanks to the Indian raga
Kudos to your efforts to bring artists ,that to Young new voices who prove that they are the best.thank you. Well presented the jugalbandhi.
No matter how many times I listen to them , they dont fail to impress me. Beautiful rendition.
Beautiful
Excellent. Great job. Keep it up.
Excellent performance by brilliant artists. I am mesmerized every time when I watch this video. Adithya you have accomplished so much at such a young age and I know you have a very long to go. All the best and may Maa Saraswati keep showering her blessings on you.
Brilliant..... Just brilliant team work.
Thanks to all of you for keeping the glory of Indian music intact.
Hey wonderful kids... What splendid kids u r all....Kudos to ur respectable parents who have given an impetus to pursue these wonderful divine art forms which are the hallmarks of our great country Bharat... God bless u all infinitely... Rock on and achieve further heights
This is incredible! No words to describe how I feel after listening to this piece for the first time. I really appreciate Indian Raga for making this happen, and providing a platform for all the performers. Like someone already said, Indian music is in good hands!
Very much impressed seeing young talent participate. Wish best wishes to your Gurus and you all
Thanks to Indian raga for such compositions ❤️❤️
Cant stop listening!!!!
this morning old film songs in bhoopali sayonara sayonara and panchi banoon udthi phiroon mast gagan mein.these children in indianraga enthrall me tku god
Guys wonderful! Amazing voices and instrumentalists. Great team work :)
Very few are trying *Graha Bheda* nowadays. Keep it up. 👏👏👏👍
Indeed I myself discovered it just days ago and it's really fascinating. Although I've only tried the mohanam, madhyamavathi, suddha saveri, hindolam graha bhedam, I really want to learn more. It's really fascinating and experimental.
Wow!! the brindavani alapana was just awesome....so good....keep it up guys..
excellent , super rendering sakhiya jaagela, and sajan more ghar aaya....
Marvellous performance
in love with both of their voices!!
a fantastic combination of all the artists... perfect!
Amazing
so cute and fantastic...!!
What a voice ...superb jugalbandi
OUTSTANDING PERFORMANCE...
Out standing waaw
Beautiful!
Wow. Great musical experience
Very nice.
I love it ! They're both very talented..
MonsieurPopo Le narvalo
divine... 🙏🙏
Brilliant 👏👏👍🎶
Very good team work
Outstanding performance! Dhanyavaad, nandri!
Shivani♥️
Beautiful, Cute, Talented, Young
What more could I ask for 🙏🏻
Adithya you are awesome
Really amazing
Great way of expression. Keep it up.
Grahabedam Swaram starts from 8.00 , Its acoustic listening to Aditya & Shivani
Beautifully rendered by these kids. Way to go..
ಮಧುರವಾಗಿದೆ
Excellent voice
Awesome
Young Artists Great Job Keep It Up
Wonderful !!! 👌👌
Excellent guys
Shabash, bahut khoub!
little masters!
Brilliant
Unbelievable 👍👍👏👏👏👍👍💕❤️
Mind blowing
God bless you children
Love you all
Which raag it is from 6:0 to 6:40
I dont understand why admins leave the name of raga at "ragamalika". You are expected to provide names of all the ragas used in brackets. I was able to figure out carnatic ragas. I dont know the names of hindustani raags used. Dear IndianRaga, please look into this and make the required addition. Thanks
Adithya's intro reminds me of Bandish Bandits
good fusstion
Please mention the raagas for the sake of information.
Sarma Kameshwar bhoop or deshkar not sure they are using both
Very nice rendition! Congrat's for both of them!!
But to me, it seems that the boy is singing a raga and the girl sings the equivalent Hindustani raag.
I don't understand where the concept of GrahaBedham is... Can someone explain please?
Is raagmalika vrindavani sarang?
2:46 😍
The heart of carnatic music is Telugu and Hindustani music is in Hindi jugulbandhi is excellent
venkata bharghav p
What do you mean by saying its telugu? Its rather tamil
have you listened kannada/tamil/malayalam in carnatic and sanskrit /brja /mithilie in hindustani - do not use this platform for your immature biased comment - but both kids are marvelously trained and talented - blessing both talented kids and the people whi arranged this event.
No offence meant. but its clearly Telugu.. btw.. lots of carnatic kritis in tamil, kannada, malayalam are beautiful too.
The youngsters are talented. They did a good job. However the rigour needed is mouch more intense. Best to them.
Raagas: Jog and Brindavani, Mohanam and Bhoopali, Chandrakauns (and back to Jog/Brindavani). Can someone please verify this?
Avinash Mohan Brindavana Saranga not Brindavani and Madhukauns not Chandrakauns. Rest is correct
Oh, thanks! I didn't know about 'Madhukauns'! :) But I think it should be Brindavani, since one cannot have a GrahaBhedam from Brindavana Saranga to Jog. On the other hand, Brindavani to Jog and back is quite a famous GrahaBhedam.
Also notice the N3 in Aditya's portion. Brindavana Saranga has only N2, while Brindavani (aka Malhar) has both N3 (arohanam) and N2 (avarohanam).
Avinash Mohan Well, my skills are primitive based on correlation and not scientific (can't decode the tones into constituent swaras). So it sounded like the Brindavana Saranga I have heard which may be wrong technically (will be great if the singers can clarify).
Avinash Mohan you are right
Please anyone, tell the name of ragas in the order of appearance
brindavans saranga and jog in the beginning, then its mohanam/bhoopali and then .... others..
Thanks man
anyone could, please, kindly explain why at the end of this piece she sings many same notes he sings but with changed nomes? many times she sings "sa" naming it as "pa"... or "ni" as "ma"...... Then when he sings it, he name the notes correctly.... was it wrong by her part or is there any explanation for this? It seems that she is singing the raga in another position.... Thanks
Sidharth Sivaraj wow! very interesting! I don't know if you know, in western music there's a system of study for listening perception which is called Kodaly's system that is a móbile system of singing the notes that transposes the Basic scale C,D,E,F,G,A,B changing the names tô sing the same scale in any tune... I thought that was happening here... thanks for your explanation! ॐ
This is the point of this piece. As you may or may not know, in Indian music, the first note can be aligned with any of the 12 Western classical notes and the octave is shifted accordingly. In this case, the 2 artists are singing using 2 different references. Hence, the Sa for one is Pa for the other. They are 2 different ragas with reference to their respecitive 'Sa' notes and yet, the actual frequencies of the notes match, creating a unique harmony. This is also known as Murchana in Hindustani music. This is my limited understanding on this fascinating method of collaboration.
That way of singing where the notes differ based on the relative position of the same frequency corresponding to the individual's pitch giving rise to a different raga and flavour... That is Graha bedham...
@@easwarsankar So nice!! Thanks for your contribution! I learn a lot from India... Love also the Advaita Vedanta Philosophy! Om!!! May Isvara bless you all! Lots of LOVE!
nice jugalbandi..
i think she picked up his/Carnatic version by mistake and corrected so quickly at th-cam.com/video/HQUK-U3CsaI/w-d-xo.html
And that is the beauty of this.. though they follow different music traditions , they enjoy each other versions equally..
Goodmorning
One of them is brindavani, other is Mohana.
6:22-6:40 😧😧😧 Omg
Hindi classical music
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