I am not an opera aficionado but I find this clip one of the most entertaining pieces I have ever watched of any kind of music or performance. They are great! I discovered it a couple of years ago and continue to come back to it again and again.
La prueba de que Edda Moser es la total protagonista de este video es que el 80 por ciento de los comentarios van dirigidos a ella. Positivos o negativos. Para mí es una de las mejores y en este fragmento es el auténtico centro de atención. . Me parece maravillosa en todo lo que ha hecho. Gracias Edda. Bueno, el resto también maravilloso. This is opera.
Sincé I Heard this for the first time several years ago, I have always come back to it and always found most enjoyable, fresh, entertaining, etc. Sorry for those who tackle the negative aspects. Probably they dont enjoy life........i
It may not exactly have been in Edda's fach, but she HANDED it to EVERYONE in the end! Love it! That mammoth note translates to JUST IN CASE YOU WERE WONDERING ;-)
I love the part at 8:43 where Moser unleashes The Beast and drowns out the other soloists, the choir, and the entire orchestra. Rossini may not have been her cup of tea, but by God, what a fucking voice.
@@DiomedesDioscuro There lots of soprano without weight or volumen, she got the volumen to "eat" all the voices even the low ones which is so rare in a soprano voice(Nilsson, Callas and Tebaldi did but they have bigger voices)
i love this finale!!! so much fun, but its better when there is more acting being done... i get this is a concert but seeing it in an actual production is very different!
It was televised and I sat through the entire event. My wife at the time..brought my meals to me. Didn't it run all afternoon? I've never found an entire recording of it. I wanted to hear Robert Merrill's presentation.
I could understand if you willing for asking more volume on those C's, but she was not a really spinto or dramatic soprano for that. What exactly she messed up?
Moser is terrific, and no defense is needed. This is some of the most imaginative music ever written. I guess I can see rating singers in the lesser Italian composers -- Cherubini, Bellini, Donizetti and Verdi -- but this is ROSSINI and the singers are only servants to the Master's vision.
Io trovo il tutto molto godibile e divertente e vorrei vedere quanti di quelli che sparano a zero dulle voci, la pronuncia ecc. saprebbero fare di meglio.
El Met abrió sus puertas (La Metropolitan original ya no existe, el centenario es de la compañía, no del teatro original) en 1883, lo inauguró según recuerdo haber leído hace mucho la soprano Christine Nilsson (Rival de la entonces Prima Donna mundial Adelina Patti) con el "Fausto" de Gounod
Thankfully, she has a full private voice studio and I’m blessed to be one of her students. She shines just as much as a teacher as she did as a performer. ♥️
@silvr94 perhaps, I think ive read something about that once before. Bigger voices have a tendancy to decline in their 40s somewhat, june anderson had a similar vocal decline in her 40s. However, i refuse to believe that her choices of repertoire had nothing to do with her vocal problems, listen to her recording of poppoli, the high Gs sound like shes ripping her larynx out through her nose haha
skitzo429 I put it down to faulty technique - she was definitely doing something wrong. The overblown middle got bigger and bigger and the top got progressively smaller. Singers with faulty techniques normally make it through to about 40 - hormone changes set in and unless the technique is perfect, the problems become worse. +nectenorboi09 by this time she was sounding like this even in roles that supposedly suited her......
first off, elvira is not a soubrette role, like most bel canto soprano roles, its best suited to a lyric coloratura. Her sound here is not due to "overlightening," her voice was on its way to being destroyed by this point, it had really began to decline by the time she was in her 40s. Though no one knows the actual cause, its not unlikely its from pushing her big dramatic voice into high coloratura stuff, if youve ever heard her sing poppoli di tessaglia, with the high Gs youll understand why
I love Moser but she misses the tempo and the repiration here 6:34 . And she should sing "ding, ding ding ding" as Elvira not "ah ah ah ah" like the Queen of the night.
Elle fait le show, c’est un gala. Elle domine tout le monde en tant que soprano, c’est ce qu’on lui demande. Et quand on aime Moser, on ne peut qu’apprécier cette « rareté ». Malgré les imperfections.
Beautiful, beautiful and oh Eda Moser stars as bright as the sun. I can listen to this every day.
I am not an opera aficionado but I find this clip one of the most entertaining pieces I have ever watched of any kind of music or performance. They are great! I discovered it a couple of years ago and continue to come back to it again and again.
I am so addicted to Edda Moser, love her so much
La Edda - I just love her!
La prueba de que Edda Moser es la total protagonista de este video es que el 80 por ciento de los comentarios van dirigidos a ella. Positivos o negativos. Para mí es una de las mejores y en este fragmento es el auténtico centro de atención. . Me parece maravillosa en todo lo que ha hecho. Gracias Edda. Bueno, el resto también maravilloso. This is opera.
Sincé I Heard this for the first time several years ago, I have always come back to it and always found most enjoyable, fresh, entertaining, etc. Sorry for those who tackle the negative aspects. Probably they dont enjoy life........i
Ana Pinel I bet that they take the score to an opera and tut over a wrong note, just to show how clever they are.
This is one off the most fantastic operatic performances I have ever heard.
You will certainly never hear anything to equal it now.
Exquisite diction..precise attacks and timing superb.
Your reply brought me back to watch it once more! An entertaining diversion at this time, and a toast to Anthony Fauci!
It may not exactly have been in Edda's fach, but she HANDED it to EVERYONE in the end! Love it! That mammoth note translates to JUST IN CASE YOU WERE WONDERING ;-)
OMG right? She takes her breAth before the final stretto then takes everyone to Sunday School.
I discovered this opera recently and this performance is FANTASTIC! I look at it several times a day. Wish the would have performed the whole opera
th-cam.com/video/tT_WjT3rNQc/w-d-xo.html
"Nella testa ho un campanel..." wonderful, sublime well-organized total chaos!!!
It makes me cry!!!
This is just so so great. I have watched this so many times.
BRAVO Bruscantini!!!! Un vero basso buffo! He is superb!
You’re probably taking about Ara Berberian (with the moustache). Great performance indeed
Magnifico !
I love the part at 8:43 where Moser unleashes The Beast and drowns out the other soloists, the choir, and the entire orchestra. Rossini may not have been her cup of tea, but by God, what a fucking voice.
The scene of this Elvira is mad. So she is sure.
Graça, beleza, sincronismo. Tudo digno de uma exibição de gala do MET;
Oh my, this is fabulous! wonderful - thank you so much!
MAGNIFICENT !
Super super super !!
Love
i love rossini
Thank you so much. Really grateful and so kind of you.
'Our Gal Gail' is amazing......
Bravissimi!!!!
Basically this was Moser et all 😂
I would have loved to see her drop a Callas-like trovatore bombshell E flat at the end just for fun.
Rossini was batsh*t crazy, and aren't we all the better for it!?!~
YAS~!
Absolutely agree with you. I think composers must hate singers.
Who is the very distinguished looking bass-baritone? The chap with moustache and wonderful Italian nose? Beautiful voice!
Ara Berberian
That's Ara Berberian as Mustafa.
Ну, просто легендарное исполнение!
big voice Edda, in that time Edda was sick her voice is in a clear declive but she stil getting over all sigers there
No wonder she gets over all singers, she's the soprano...
@@DiomedesDioscuro There lots of soprano without weight or volumen, she got the volumen to "eat" all the voices even the low ones which is so rare in a soprano voice(Nilsson, Callas and Tebaldi did but they have bigger voices)
@@FranzBlumVan1890 the fuck is volumen?
i love this finale!!! so much fun, but its better when there is more acting being done... i get this is a concert but seeing it in an actual production is very different!
Nice work Dad :)
I wish someone would post the quintet from Vanessa
Some people do moan, don't they? This was one of the highlights of a great event. So happy I was there.
It was televised and I sat through the entire event. My wife at the time..brought my meals to me. Didn't it run all afternoon? I've never found an entire recording of it. I wanted to hear Robert Merrill's presentation.
You were there! I was in college, watched every second!
Edda Moser really messes up, but then again she easily has the hardest part to sing. Still a lot of fun to watch all the singers.
I could understand if you willing for asking more volume on those C's, but she was not a really spinto or dramatic soprano for that. What exactly she messed up?
@zimnaya it's John Darrenkamp :)
No it’s Ara Berberian
Moser is terrific, and no defense is needed. This is some of the most imaginative music ever written. I guess I can see rating singers in the lesser Italian composers -- Cherubini, Bellini, Donizetti and Verdi -- but this is ROSSINI and the singers are only servants to the Master's vision.
Perhaps the stupidest comment on TH-cam. Verdi as a lesser composer? Amazing.
@@kbhprinsesse Only compared to Rossini. I should have made that more clear.
God, It thought we took this almost too fast at Mn Opera, but this doesn't even compare speed wise!
Edda va exploser à 8:36
hahahaha! =D i love it! and lily'z too!
@skitzo429 she said she had a hormonal disease which the doctors only recognised too late. i believe she had dangerously low oestrogen levels...
Io trovo il tutto molto godibile e divertente e vorrei vedere quanti di quelli che sparano a zero dulle voci, la pronuncia ecc. saprebbero fare di meglio.
i love the part at 7:31
Esto es del 80 aniversario, no del centenario
disculpe, cual es el nombre de esta pieza ?
El Met abrió sus puertas (La Metropolitan original ya no existe, el centenario es de la compañía, no del teatro original) en 1883, lo inauguró según recuerdo haber leído hace mucho la soprano Christine Nilsson (Rival de la entonces Prima Donna mundial Adelina Patti) con el "Fausto" de Gounod
What happened to Gail Dubinbaum?
She is the founder of the Phoenix Metropolitan Opera and teaches voice as well.
Thankfully, she has a full private voice studio and I’m blessed to be one of her students. She shines just as much as a teacher as she did as a performer. ♥️
how tall is moser??
no wonder her voice was so big...
@silvr94 perhaps, I think ive read something about that once before. Bigger voices have a tendancy to decline in their 40s somewhat, june anderson had a similar vocal decline in her 40s. However, i refuse to believe that her choices of repertoire had nothing to do with her vocal problems, listen to her recording of poppoli, the high Gs sound like shes ripping her larynx out through her nose haha
The most accepted theory is that she's a lirico-dramatico capable of coloratura.
But i'm totally with you on this. So not the part for her...
I love Bruscantini
I apreciate very much Mme. Moser's career, but rally, she was very streseed.... unfortunated nigt. 🤷🏻♂️🤯
It’s a gala: she does the show, it’s the most important. She’s very impressive and seductive even if everything is not perfect.
it was an illness she had that caused the terrible deterioration of her voice...
skitzo429 I put it down to faulty technique - she was definitely doing something wrong. The overblown middle got bigger and bigger and the top got progressively smaller. Singers with faulty techniques normally make it through to about 40 - hormone changes set in and unless the technique is perfect, the problems become worse.
+nectenorboi09 by this time she was sounding like this even in roles that supposedly suited her......
well, she did sing comprimario roles
first off, elvira is not a soubrette role, like most bel canto soprano roles, its best suited to a lyric coloratura. Her sound here is not due to "overlightening," her voice was on its way to being destroyed by this point, it had really began to decline by the time she was in her 40s. Though no one knows the actual cause, its not unlikely its from pushing her big dramatic voice into high coloratura stuff, if youve ever heard her sing poppoli di tessaglia, with the high Gs youll understand why
🇩🇿🇩🇿🇩🇿🇩🇿
I love Moser but she misses the tempo and the repiration here 6:34 . And she should sing "ding, ding ding ding" as Elvira not "ah ah ah ah" like the Queen of the night.
Lallanzinho Costa Never mind. It's just great as it is, and I doubt anyone else noticed.
Un un
this is uncomfortably fast, moser is really struggling to get all of the words out
skitzo429 But she did it.
c'est à cause d'une maladie... elle était vraiment une pauvre. je suis désolé pour elle parce qu'elle avait une voix superbe...
La seule mauvaise est, étonnement, Edda Moser; quelle horreur! Mauvaise soirée, la pauvre...On dirait qu'elle se fait égorger...
Elle fait le show, c’est un gala. Elle domine tout le monde en tant que soprano, c’est ce qu’on lui demande. Et quand on aime Moser, on ne peut qu’apprécier cette « rareté ». Malgré les imperfections.
very tall haha
ma l'italiano è orribile
poor Edda Moser, she ruined her voice, she was only 45 here but she sounds terrible
skitzo429 Really. Sounds fine to me.
Evan Just showed your comment to my partner. Said you were tone deaf and bloody stupid