Thank you. Lenses are pretty tough and can put up with much more than people give them credit for. The main issue was droplets of oil in the air putting a film on the glass but it's easy to clean off.
Thank you. I shoot RAW and deal with colour and contrast in Lightroom afterwards, but usually just basic tweaks like +10 colour, +5 vibrance maybe adjust the blacks a bit. One of the downsides to digital photography is photographers need 2 skill sets. Photography AND post production - which was always done by the lab when printing from film.
Thank you. Please help us spread the word and grow the community by 'liking' 'G+ing', sharing our videos and linking to us on photo forums, Facebook etc
Thank you. Due to popular demand I've started doing that in later vids - but I stress the settings I use almost certainly won't work for anyone else unless they happen to be in exactly the same light as I was when they take their picture.
Good point. Having worked in TV in the UK I know shots taken in public are OK unless sold for a specific marketing campaign or to a library where the clips will be re-sold. If I was in the US I'd definitely check that one out. - Mike
Thank you Fendi. Please help us spread the word about our films and grow the community by 'liking' 'G+ing', sharing them and linking to us on photo forums, Facebook etc
Hi. You can use any focal length but as you say you might need to be closer with a 50mm. I think it's often better to be closer to the action because the image is less voyeuristic. If there are people in the shot spend time to make sure you're safe to photograph them by observing them, taking photos around them so they get used to you or just ask if they mind... If they say yes take a few and come back a few mins later when they're acting more naturally.
Thank you. It's probably better to shoot digital rather than film - though i used to enjoy shooting stuff like this with B&W and printing them myself. I've found people get angry if they feel they're being spied on or because the photographer's own nervousness is infectious. It's about reading people. If you're nervous and they look kinda scary don't take a pic. It's tough and I know it can be difficult. I suggest going some place a lot to begin with so they they used to seeing you around.
Hi Irwin. Thank you for your kid words. Yes i do get distortion but that's a feature of all wide angle lenses - especially up close when the edges of the image get stretched to make them fit onto the sensor. I'd love to be able to suggest a camera but as a photographer rather than a camera expert my knowledge of what's on the market is pretty low. I suggest you look on forums and review sites like DP review or Photography Talk . com. Sorry about that. - Mike
Thank you vikrambhagi1. Please help us 'continue the good work' by 'liking' 'G+ing', sharing on Facebook etc. If you feel they are of value to you and would like to help out financially you can also make a donation on our site.
Some don't like being photographed. I often ask, take a few then come back again later when they're more likely to ignore me - but I've already asked. It's important not to feel like you're imposing or you'll come across to people that you are. If someone asks you not to do it, always respect their wishes. In the UK you can take photos of anyone in public places provided you don't sell them - then you need a signed release form.
I absolutely love your philosophy and approach to street photography, which is one of my favorite forms of this artistry. I am learning so much from your respect toward the craft and the subjects you're photographing. Your approach is very honest and honoring. This is really encouraging me to step into this form of photography more.
Thank you. A DSLR isn't the best camera for street photography in my opinion. Something small would be better and 35mm lens is good. I like to be able to change my focal length though so I'd like to have a zoom on it.
Good Point. When people help us photographers out by letting us photograph them you should always give something in return. I gave them a DVD with all the high res image files on. Thanks for posting.. Mike
Thank you - You don't need a model release signed in the UK if you're photographing in a public place provided the photos are NOT used commercially. That means you can not sell them for any purpose what so ever. I can't say what the law is in other countries. - Mike
Yes it's always worth investing time to get to know the person, ask if it's OK and come back later when they'll be more relaxed when they see you. Varog - pot sa photographiers? That's probably spelt wrong but I've learnt how to ask in many languages...
thank you Mickey! will look forward for more of your wonderful comments on some of our videos, please do share it to so we can make more! - Melissa pp Mike
:-) Yes they will tend to pose when you first ask which is why I say to ask, take a shot or two and then come back maybe an hour later and just shoot some candids whilst they're talking, working or whatever. If they gave you permission an hour ago they're less likely to object when you return. The key is to invest time with people and genuinely care about them as well as your shots.
Capturing memorable photography on the street has a lot to do with the interaction between the subject and the shooter. Here, when it involves food, most all are in a lighthearted mood, and it shows. The lovely lady working the grill is a delight, and you Mike with a positive attitude sees all your subjects in a cooperative mood. A unique style to street photography, where the subjects come to you. Thank you.
I've been binging your videos and I love your approach. Too many channels are too dialed into the technical and less on the feeling created in a single image. You continue to inspire. Thanks, Mike.
excellent video, the joy of wide angle lenses , not for fitting it all in but to bring you into the shot. Can't watch this video anymore as it makes me hungry...
Hey Jim.. My favorite camera for street life is a phone because they're very discreet :-) I never use film anymore because it's so time consuming and difficult to use compared to digital.
Thank you Uday. I'm sorry I get sent so may messages and emails I don't have time to do personal critiques. But please share some photos on our Facebook page and ask the lovely folk over there what they think. To get to our Facebook page click the pic of me next to this post to get to our channel page. There’s a little Facebook icon in the banner at the top.
You must always be careful of how people will react and that's unpredictable. I spend a lot of time hanging around places and getting to know people so they're used to seeing me and are less likely to be offended. I often ask people if they mind being photographed as well. To begin with they kind of 'pose' for the camera but after a while they forget about me and that's when the better shots happen. If they say no I thank them and move on.
Mike thanks so much for such a great series on street photography. I especially like the fact that you tell us what focal length exposure mode etc you are using. Your insights on the composition aspects really help! Caitlin
No worries Caitlin Martin happy to help. Please help me make more videos like this one by sharing it with other photographers on forums, Facebook, Flickr etc.
Certainly understand, it's not easy in our paranoid society devonbiker We did a live broadcast from Cambodia last week and it's a completely different experience over there... Have a look at link below.. MIKE th-cam.com/video/25M47qOeCIw/w-d-xo.html
WOW Mike, I'm only 8 min into your Cambodia broadcast and I can see its a completely different situation. That would be easy to photograph people. How different our cultures are. Probably our own technology in this country is making us more introverted and suspicious.
Thank you. Ha ha - Because I'm too lazy and don't enjoy spending hours wading through thousands of images trying to choose which to keep. Henri Cartier Bresson talked about choosing the 'decisive moment' to shoot so I go with that.
:-) Take care - but don't be too nervous. Most people in the world are really nice if you give them the opportunity to be. They usually get angry when they don't know what's happening or why a stranger is photographing them.
Hi Mike, great tutorial and great channel you have! Helps a lot. I just have one question: Colors in you pictures are really beautiful, they look neither dull nor fake. Do you do something special for that? Because with my camera body color preset set to normal or vivid it looks dull/flat, even at 100 ISO (even if it's better then) I usually need to play with the saturation/vibrance during post-treatment and it often looks pretty fake. If you understand what I mean, cheers
Just want to say thank you.... all the videos are just awesome.... learning a lot... I understand you, I enjoy watching, is highly educational....I been watching videos and learning all day.... thank you very much...
Hello, Mike. I very much appreciate your videos - I learn alot. Regarding Street Photography - do you have an opinion on the 'on the sidewalk, spontaneous' style of street photography? I don't refer to the 'in your face' style, but I do mean the more 'candid' style. And do you ever use more 'discreet' cameras, such as rangefinders, or film under any circumstances?
Mate, you are great! love your way of working and the way you explaine what you do, glad found i you here. that shot in 11:39 was just amazing! will sub, keep up the good work.
Excellent Video , I loved the way you broke the ice with people. Not so easy task in street photography!! and not to forget the amazing photos you got there. inspired me !! I am gonna try street photography .Can I send you some of the pictures, I want them to be critiqued if you are ok!
It is really important to be respectful of people when shooting, I am glad you stated that, It is the people who are inconsiderate that has made it hard for photographers as it is now. I was wondering, since it is public photography but people are very easily identified, is there a need for a models release to use these?
Mike great video. I like the connection you made with the people in the van etc which is needed in street photography. Do you find you get some lens distortion when taking pictures closeup with the 10mm-20mm wideangle lens. you use the nikon 300 ,which has some great features, but any suggestions for a dslr for people on a budget of 1000$ including the lens.(kit lens) Do you have any canon suggestions? Thanks!! and keep up the good work.
What do you do with all these photos though, in this day and age of digital we don't print and mount photos like we used to? Do you put them on an online gallery? Did you print and frame any of them? From somebody who is just starting out I feel that i am looking for those wonderful photos that i can display on the wall but these don't seem to fit that kind of profile. I understand with this hobby that most of the fun is taking the photos but are they wall hangers or is it just part of the hobby to take the pics for you? Would be interested to hear your thoughts. Love your vids by the way, very helpful and i really like your style of teaching me what i need to know. Am i wrong to think every picture i take needs to be award winning instead of just getting in there and taking shots? I think i have answered my own question but still interested in your thoughts. Cheers Mike.
Thanks Rob Stubbs - yes you have pretty much answered your own question. These images are only to show people how to do things. They're shot for the video and that's all. The key to great pics to pu on the wall is many hours and weeks of practising techniques like these so when you do go somewhere that excited you you'll know what to do, instead of wasting time trying to remember. When you know the techniques the next step is learning how to put them together in the correct sequence for the image you want to achieve. And that's what my 7 Building Blocks of Photography course is about. www.photographycourses.biz/courses/7-building-blocks-of-photography
I really like this kind of street photography and I am thankful for your great tips. I think one important point to mention is the legal situation in this context. I am always a little afraid to put pictures with people online, because you can not ask everyone for permission - especially if you shoot on street. It become even more problematic if you want to sell these pictures. Do you got any tips regarding this issue especially for a hobby photographer who do not want to consult a lawyer ? I am not sure, if there are any differences regarding street photography in GB and germany.
This is truly Brilliant. Thank you and yes, truly inspirational. When I hear of a "Ideal Street Camera" They usually talk about something more compact with a wide angle lens, say a 35mm ? What is your take on an ideal format for a street camera?.
Mike, Please help me in finalizing my first DSLR, my budgets fits for nikon 5100 / canon 600d . What lens should i go for . Appreciate your time to reply this query .Thanks in advance Vikram
I love it! The whole series. Thank you so much! I am though a bit shocked by the huge barrel distortion and the decrease of sharpness towards the edges. I know this isn't much of an issue if you can capture a great moment or interaction but, you know...spending my time on countless lens reviews etc. I couldn't help noticing.
But if spending time let you get that great equipment then it justifies everything. Maybe the word was not lifestyle, maybe is your filosophy, dunno, the way you watch the market and the happiness you transmitted is impressive. From a fan in Spain!
Hi @Chris Marriott. Hard question because it's never the same twice. Unusual angles we don't usually see the subject from are a good start. Considering what you want to say in then photo will help. Quiet? Lonely? Busy? Focal length makes a massive difference to composition too because of compression effect and field of view. There's two whole sections about this in my Masterclass In Photography online course. You can try 7 lessons free and it's 100% refund guaranteed. See what others say on Trustpilot and get yourself on it. It'll give you all the knowledge you need and the exercises will give you experience too. Links below my friend... MB Masterclass: www.photographycourses.biz/masterclass Trustpilot: uk.trustpilot.com/review/photographycourses.biz?search=Masterclass
Hi Mike, I stumbled upon your videos, and I love them, thanks for posting! I'd love to do more street photography like in this video, but I have a Nikkor 50mm 1:1.4 lens. Would that be suitable? I'm afraid it would be too "close" and that I'll need to be too far from the subject to properly capture the scene...
I met this unbelievable guy at Covent garden last weekend. It was a beautiful afternoon with a lot of people there. I was determined to take some good photos. But when I try to take a photo of one guy with a yellow vest (he is a member of cleaning stuff), he walk straight to me after spotting me and threaten to break my camera if I didn't delete the photo. I then got verbally abused. (Maybe I am Chinese and not as strong as you are) Anyway, I really like your videos. And I will keep trying.
I like your suggestion in part 1 about wide angle lenses.....when I can afford one I'll get one, but in the meantime I'm having so much fun photographing people...and asking them to pose too (well, 99.9999999% are women).
Hi RickBSO Mike rarely use back button focus, i think if does works better on your photography style . then you should go for it :) - MELISSA ( for Mike )
Thanks davecossey86 Don't think I got any grease that i can remember . Mind you I clean the lens several times during shoots. I mostly use single point single focus but swap it about depending on circumstances.
Hey Mike ive watched your Videos for the past two years you give some great information. What can people use if they don't have a wide angle lens? would a kit lens be ok 18-55mm ?
Hi Mike, great video, is that a D300 I have seen in your other videos? Is there a gallery where I can see your shots made with this camera ? I currently have a Nikon D200 planning on selling it as I am not at all happy with it. Highly insufficient for my needs as commercial photographer. No matter what I do images are very soft from this camera, and that is irrespective of the lens. I have tried a bunch of different lenses, tricks, but still no good shot. I am planning to buy D7000, what do you think of the D7000? I am curious to know. I like your photography very much and your philosophy of not using too expensive cameras or lenses. I would like to take you out for a lunch/dinner/drinks for discussion if ever I am in the UK. Thanks in advance. Cheers.
I don't have a gallery of D300 only images Viisshnu Vardhan sorry. However I've never had a sharpness issue from either of mine. How do you have sharpening set up in the camera? Sorry also can't tell you anything about D7000 because I've never used one. I have a D600 which takes great pics but I don't like the small AF area on it. Sorry noy much help with this...
Mike Browne I might buy a D300 soon then, 51 AF points is good enough for me. I dont think D600 can match the D300 in versatility or ruggedness. Yes its fullframe, but heck the D300 is built like a boulder comparatively. I have finetuned the sharpness on the D200 couple days back, its kinda okay now, its not a bad camera I have to accept, I was just comparing it with newer cameras. Looks like I will stick with the D200 indefinitely and also may be add a D300 into my bag.
Mike Browne so your shooting with the D300, alright? shooting happy, any quibbles? do you feel the images may be dull straight out of the camera? or alright? are the white balances good?
Nice and helpful video. I know the place were small... if I was you, I would tried to raise the camera as high as I could to give some "from above" perspective ;-)
I wonder what b/w would have looked like in some of these shots. The background church was interesting, but a more intriguing juxtaposition would have been bacon burgers dished out in front of a mosque.
Do you ever have any issues with getting permission from people to use their likeness in public presentation like a You Tube video? How about permission generally to use the photograph, say, in an exhibition or a marketing display?
There are loads of grey areas in this +Jim Park It depends on what country you are in and the use of an image. Basically, in the UK shooting in a public place is legal as is videoing for youtube. If the image was for a commission or to be sold then you need releases signed by people in them. - MIKE
Thank you. Lenses are pretty tough and can put up with much more than people give them credit for. The main issue was droplets of oil in the air putting a film on the glass but it's easy to clean off.
I've watched so many of Mike's excellent videos that now, after I've framed a shot, I hear Mike's voice in my head saying, "Just take the pick-cha" :)
Thank you. I shoot RAW and deal with colour and contrast in Lightroom afterwards, but usually just basic tweaks like +10 colour, +5 vibrance maybe adjust the blacks a bit. One of the downsides to digital photography is photographers need 2 skill sets. Photography AND post production - which was always done by the lab when printing from film.
Thank you. Please help us spread the word and grow the community by 'liking' 'G+ing', sharing our videos and linking to us on photo forums, Facebook etc
Thank you - you're welcome. Please help us make more by Liking them on Facebook and Google + and sharing them with everyone. best wishes.. Mike
Thank you. If you like them please help us spread the word by sharing them with all your photographic friends. - Mike
Thank you. Due to popular demand I've started doing that in later vids - but I stress the settings I use almost certainly won't work for anyone else unless they happen to be in exactly the same light as I was when they take their picture.
Good point. Having worked in TV in the UK I know shots taken in public are OK unless sold for a specific marketing campaign or to a library where the clips will be re-sold. If I was in the US I'd definitely check that one out. - Mike
Thank you Fendi. Please help us spread the word about our films and grow the community by 'liking' 'G+ing', sharing them and linking to us on photo forums, Facebook etc
Hi. You can use any focal length but as you say you might need to be closer with a 50mm. I think it's often better to be closer to the action because the image is less voyeuristic. If there are people in the shot spend time to make sure you're safe to photograph them by observing them, taking photos around them so they get used to you or just ask if they mind... If they say yes take a few and come back a few mins later when they're acting more naturally.
Thank you. It's probably better to shoot digital rather than film - though i used to enjoy shooting stuff like this with B&W and printing them myself. I've found people get angry if they feel they're being spied on or because the photographer's own nervousness is infectious. It's about reading people. If you're nervous and they look kinda scary don't take a pic. It's tough and I know it can be difficult. I suggest going some place a lot to begin with so they they used to seeing you around.
Hi Irwin. Thank you for your kid words. Yes i do get distortion but that's a feature of all wide angle lenses - especially up close when the edges of the image get stretched to make them fit onto the sensor. I'd love to be able to suggest a camera but as a photographer rather than a camera expert my knowledge of what's on the market is pretty low. I suggest you look on forums and review sites like DP review or Photography Talk . com. Sorry about that. - Mike
I appreciate how he explains the camera settings. Cheers.
Thank you vikrambhagi1. Please help us 'continue the good work' by 'liking' 'G+ing', sharing on Facebook etc. If you feel they are of value to you and would like to help out financially you can also make a donation on our site.
Some don't like being photographed. I often ask, take a few then come back again later when they're more likely to ignore me - but I've already asked. It's important not to feel like you're imposing or you'll come across to people that you are. If someone asks you not to do it, always respect their wishes. In the UK you can take photos of anyone in public places provided you don't sell them - then you need a signed release form.
did you remember to pick your other camera from the refrigerator ?
I absolutely love your philosophy and approach to street photography, which is one of my favorite forms of this artistry. I am learning so much from your respect toward the craft and the subjects you're photographing. Your approach is very honest and honoring. This is really encouraging me to step into this form of photography more.
I kept thinking "please don't get grease on my lens". Plus you gotta love that English weather.
Great video! I'm just starting out with photography and am enjoying your street series. Thanks for posting.
Thank you. A DSLR isn't the best camera for street photography in my opinion. Something small would be better and 35mm lens is good. I like to be able to change my focal length though so I'd like to have a zoom on it.
Good Point. When people help us photographers out by letting us photograph them you should always give something in return. I gave them a DVD with all the high res image files on. Thanks for posting.. Mike
Thank you - You don't need a model release signed in the UK if you're photographing in a public place provided the photos are NOT used commercially. That means you can not sell them for any purpose what so ever. I can't say what the law is in other countries. - Mike
Yes it's always worth investing time to get to know the person, ask if it's OK and come back later when they'll be more relaxed when they see you. Varog - pot sa photographiers? That's probably spelt wrong but I've learnt how to ask in many languages...
Very similar environment as in Ely and Bury St. Edmunds, nearby Lakenheath, England. Loved it!
God, I miss living in Bury St Edmunds, in the Apex actually. Was stationed at Mildenhall! Miss the U.K. so damn much.
Love your videos. The ones about street photography is great!!. I live in the USA and enjoy all of your videos
thank you Mickey! will look forward for more of your wonderful comments on some of our videos, please do share it to so we can make more! - Melissa pp Mike
:-) Yes they will tend to pose when you first ask which is why I say to ask, take a shot or two and then come back maybe an hour later and just shoot some candids whilst they're talking, working or whatever. If they gave you permission an hour ago they're less likely to object when you return. The key is to invest time with people and genuinely care about them as well as your shots.
Capturing memorable photography on the street has a lot to do with the interaction between the subject and the shooter. Here, when it involves food, most all are in a lighthearted mood, and it shows. The lovely lady working the grill is a delight, and you Mike with a positive attitude sees all your subjects in a cooperative mood. A unique style to street photography, where the subjects come to you. Thank you.
I've been binging your videos and I love your approach. Too many channels are too dialed into the technical and less on the feeling created in a single image. You continue to inspire. Thanks, Mike.
Thanks Tim. I appreciate that!... MIKE🙏😊
@@MikeBrowne I agree. Less techy and more hands on in real life situations.
best photography channel period
such a pleasure to watch - I keep coming back for more & more even during my work hours
This is by FARRR one of the best videos I'v ever seen!
excellent video, the joy of wide angle lenses , not for fitting it all in but to bring you into the shot. Can't watch this video anymore as it makes me hungry...
Hey Jim.. My favorite camera for street life is a phone because they're very discreet :-) I never use film anymore because it's so time consuming and difficult to use compared to digital.
They're not full frame, not sure what size they are to be honest. - Mike
Hi - none of my images are cropped :-) Mike
You have a great report with people - it's quite clear you respect them - I'm enjoying the series so far, Subscribed ;)
Thank you Uday. I'm sorry I get sent so may messages and emails I don't have time to do personal critiques. But please share some photos on our Facebook page and ask the lovely folk over there what they think. To get to our Facebook page click the pic of me next to this post to get to our channel page. There’s a little Facebook icon in the banner at the top.
You must always be careful of how people will react and that's unpredictable. I spend a lot of time hanging around places and getting to know people so they're used to seeing me and are less likely to be offended. I often ask people if they mind being photographed as well. To begin with they kind of 'pose' for the camera but after a while they forget about me and that's when the better shots happen. If they say no I thank them and move on.
Awesome tutorials, awesome equipment and awesome lifestyle.
Thank you
Mike thanks so much for such a great series on street photography. I especially like the fact that you tell us what focal length exposure mode etc you are using. Your insights on the composition aspects really help!
Caitlin
No worries Caitlin Martin happy to help. Please help me make more videos like this one by sharing it with other photographers on forums, Facebook, Flickr etc.
Hey mike, Just wanted to drop in a little thank you for these really informative videos. Love the videos, all of em. Please continue the good work.
Hi Mike, I Love your video. Photography is my new hobby. I can learn many things from your video. Great job Mike! Keep on Recording and Uploading!
Brilliant channel mike ! Very informative and inspiring
I like the last shot,they're both smiling in the photo. Great videos mike!thank you
Thank you - though the lifestyl;e looks glam most of our time is spent in an office looking at a computer. Sorry if I disillusioned you.. Mike
Photographing strangers is right out of my comfort levels.
Certainly understand, it's not easy in our paranoid society devonbiker We did a live broadcast from Cambodia last week and it's a completely different experience over there... Have a look at link below.. MIKE
th-cam.com/video/25M47qOeCIw/w-d-xo.html
WOW Mike, I'm only 8 min into your Cambodia broadcast and I can see its a completely different situation. That would be easy to photograph people. How different our cultures are. Probably our own technology in this country is making us more introverted and suspicious.
Ha Ha - yes I did. I've lost quite a bit of kit by being forgetful - but nothing as substantial as a whole camera (yet) :-)
No - I just took a few as and when the moment looked right.
Thank you. Ha ha - Because I'm too lazy and don't enjoy spending hours wading through thousands of images trying to choose which to keep. Henri Cartier Bresson talked about choosing the 'decisive moment' to shoot so I go with that.
:-) Take care - but don't be too nervous. Most people in the world are really nice if you give them the opportunity to be. They usually get angry when they don't know what's happening or why a stranger is photographing them.
Hi Mike, great tutorial and great channel you have! Helps a lot. I just have one question: Colors in you pictures are really beautiful, they look neither dull nor fake. Do you do something special for that? Because with my camera body color preset set to normal or vivid it looks dull/flat, even at 100 ISO (even if it's better then) I usually need to play with the saturation/vibrance during post-treatment and it often looks pretty fake.
If you understand what I mean, cheers
you're awesome...you make it very easy to understand. Thank you
Just want to say thank you.... all the videos are just awesome.... learning a lot... I understand you, I enjoy watching, is highly educational....I been watching videos and learning all day.... thank you very much...
Hello, Mike. I very much appreciate your videos - I learn alot. Regarding Street Photography - do you have an opinion on the 'on the sidewalk, spontaneous' style of street photography? I don't refer to the 'in your face' style, but I do mean the more 'candid' style. And do you ever use more 'discreet' cameras, such as rangefinders, or film under any circumstances?
Thank you, that's great to hear:-)
Mate, you are great! love your way of working and the way you explaine what you do, glad found i you here. that shot in 11:39 was just amazing! will sub, keep up the good work.
Thank you Brendon - Mike
love going thru your early vids mike, all still relevant, better than tele.
Excellent Video , I loved the way you broke the ice with people. Not so easy task in street photography!! and not to forget the amazing photos you got there.
inspired me !! I am gonna try street photography .Can I send you some of the pictures, I want them to be critiqued if you are ok!
Loving your video's Mike, they've inspired me to pick my camera up again and hopefully be able to use it better. Learnt a lot from you. Thank-you.
Hey my pleasure Michael - MIKE :-)
It is really important to be respectful of people when shooting, I am glad you stated that, It is the people who are inconsiderate that has made it hard for photographers as it is now. I was wondering, since it is public photography but people are very easily identified, is there a need for a models release to use these?
Thank you Bruce - it's like having a friend :-)
Mike great video. I like the connection you made with the people in the van etc which is needed in street photography. Do you find you get some lens distortion when taking pictures closeup with the 10mm-20mm wideangle lens. you use the nikon 300 ,which has some great features, but any suggestions for a dslr for people on a budget of 1000$ including the lens.(kit lens) Do you have any canon suggestions? Thanks!! and keep up the good work.
Nice explaination sir,u r cool
What do you do with all these photos though, in this day and age of digital we don't print and mount photos like we used to? Do you put them on an online gallery? Did you print and frame any of them? From somebody who is just starting out I feel that i am looking for those wonderful photos that i can display on the wall but these don't seem to fit that kind of profile. I understand with this hobby that most of the fun is taking the photos but are they wall hangers or is it just part of the hobby to take the pics for you? Would be interested to hear your thoughts. Love your vids by the way, very helpful and i really like your style of teaching me what i need to know. Am i wrong to think every picture i take needs to be award winning instead of just getting in there and taking shots? I think i have answered my own question but still interested in your thoughts. Cheers Mike.
Thanks Rob Stubbs - yes you have pretty much answered your own question. These images are only to show people how to do things. They're shot for the video and that's all. The key to great pics to pu on the wall is many hours and weeks of practising techniques like these so when you do go somewhere that excited you you'll know what to do, instead of wasting time trying to remember. When you know the techniques the next step is learning how to put them together in the correct sequence for the image you want to achieve. And that's what my 7 Building Blocks of Photography course is about. www.photographycourses.biz/courses/7-building-blocks-of-photography
Mike Browne Cheers Mike, really enjoying your vids.
Hello Mike, it is very, very nice video, and I like your creativity. But why didn't you use burst mod when shooting interactions?
I really like this kind of street photography and I am thankful for your great tips.
I think one important point to mention is the legal situation in this context. I am always a little afraid to put pictures with people online, because you can not ask everyone for permission - especially if you shoot on street. It become even more problematic if you want to sell these pictures. Do you got any tips regarding this issue especially for a hobby photographer who do not want to consult a lawyer ? I am not sure, if there are any differences regarding street photography in GB and germany.
This is truly Brilliant. Thank you and yes, truly inspirational. When I hear of a "Ideal Street Camera" They usually talk about something more compact with a wide angle lens, say a 35mm ? What is your take on an ideal format for a street camera?.
Mike,
Please help me in finalizing my first DSLR, my budgets fits for nikon 5100 / canon 600d . What lens should i go for .
Appreciate your time to reply this query .Thanks in advance
Vikram
I love it! The whole series. Thank you so much! I am though a bit shocked by the huge barrel distortion and the decrease of sharpness towards the edges. I know this isn't much of an issue if you can capture a great moment or interaction but, you know...spending my time on countless lens reviews etc. I couldn't help noticing.
Thanks +hotzeplotz - MIKE
I definitely would of had a big breakfast. I was getting hungry just watching. Eggs and bacon on a nice bun, Oh Yeah! Oh and Photography!
But if spending time let you get that great equipment then it justifies everything. Maybe the word was not lifestyle, maybe is your filosophy, dunno, the way you watch the market and the happiness you transmitted is impressive. From a fan in Spain!
What composition do you use. or any specific angle to make a good shot
Hi @Chris Marriott. Hard question because it's never the same twice. Unusual angles we don't usually see the subject from are a good start. Considering what you want to say in then photo will help. Quiet? Lonely? Busy? Focal length makes a massive difference to composition too because of compression effect and field of view. There's two whole sections about this in my Masterclass In Photography online course. You can try 7 lessons free and it's 100% refund guaranteed. See what others say on Trustpilot and get yourself on it. It'll give you all the knowledge you need and the exercises will give you experience too. Links below my friend... MB
Masterclass: www.photographycourses.biz/masterclass
Trustpilot: uk.trustpilot.com/review/photographycourses.biz?search=Masterclass
gr8 videos !! & thanks for keeping it simple to understand
Hi Mike, I stumbled upon your videos, and I love them, thanks for posting! I'd love to do more street photography like in this video, but I have a Nikkor 50mm 1:1.4 lens. Would that be suitable? I'm afraid it would be too "close" and that I'll need to be too far from the subject to properly capture the scene...
I met this unbelievable guy at Covent garden last weekend. It was a beautiful afternoon with a lot of people there. I was determined to take some good photos. But when I try to take a photo of one guy with a yellow vest (he is a member of cleaning stuff), he walk straight to me after spotting me and threaten to break my camera if I didn't delete the photo. I then got verbally abused. (Maybe I am Chinese and not as strong as you are) Anyway, I really like your videos. And I will keep trying.
What kit are you using? You seem to be using high-end stuff.
Sorry! D
idn't see Part 3 before I posted. Still interested in the camera query, tho...
I like your suggestion in part 1 about wide angle lenses.....when I can afford one I'll get one, but in the meantime I'm having so much fun photographing people...and asking them to pose too (well, 99.9999999% are women).
I love this and will have to give it a go, a friend has a coffee van
Go for it Rob ... MIKE🙏😊
I can smell the nice burger. Thanks for the great video and the tips on street photography.
thanks mike!
What is your opinion on back button focus?
Hi RickBSO Mike rarely use back button focus, i think if does works better on your photography style . then you should go for it :) - MELISSA ( for Mike )
Mike Browne Thank you for the prompt reply, i just wanted to know what were the pros and cons.
RickBSO I love it! I have never used the shutter button to focus after the moment I used the back button.
GOL DE RIVER GOL DE RIVER GOL DE RIVER GOOOOOOOOOOOOOOOOOOL
Lovely video. How much grease did you get on the lens? Did you use continuous focus?
Thanks davecossey86 Don't think I got any grease that i can remember . Mind you I clean the lens several times during shoots. I mostly use single point single focus but swap it about depending on circumstances.
Hey Mike ive watched your Videos for the past two years you give some great information. What can people use if they don't have a wide angle lens? would a kit lens be ok 18-55mm ?
Tony Hodgkinson Yes an 18 - 55 is fine..
Where is this town. It looks familiar to me? Thanks for creating a good tuition video.
No worries.. It's Lymington in Hampshire +christina farley - it's where i live... - MIKE
+Mike Browne ah, I live in Hill Head. I do know Lymington.
Would it not be easier to use Focus Lock as opposed to holding the shutter button for a length of time? Great vids though.
Hi Mike, great video, is that a D300 I have seen in your other videos? Is there a gallery where I can see your shots made with this camera ? I currently have a Nikon D200 planning on selling it as I am not at all happy with it. Highly insufficient for my needs as commercial photographer. No matter what I do images are very soft from this camera, and that is irrespective of the lens. I have tried a bunch of different lenses, tricks, but still no good shot. I am planning to buy D7000, what do you think of the D7000? I am curious to know. I like your photography very much and your philosophy of not using too expensive cameras or lenses. I would like to take you out for a lunch/dinner/drinks for discussion if ever I am in the UK. Thanks in advance. Cheers.
I don't have a gallery of D300 only images Viisshnu Vardhan sorry. However I've never had a sharpness issue from either of mine. How do you have sharpening set up in the camera? Sorry also can't tell you anything about D7000 because I've never used one. I have a D600 which takes great pics but I don't like the small AF area on it. Sorry noy much help with this...
Mike Browne I might buy a D300 soon then, 51 AF points is good enough for me. I dont think D600 can match the D300 in versatility or ruggedness. Yes its fullframe, but heck the D300 is built like a boulder comparatively. I have finetuned the sharpness on the D200 couple days back, its kinda okay now, its not a bad camera I have to accept, I was just comparing it with newer cameras. Looks like I will stick with the D200 indefinitely and also may be add a D300 into my bag.
Mike Browne so your shooting with the D300, alright? shooting happy, any quibbles? do you feel the images may be dull straight out of the camera? or alright? are the white balances good?
I shoot RAW and all RAWS are usually dull before processing Viisshnu Vardhan
Mike Browne true
Great series, Mike. Thanks.Hello from New Orleans, LA USA.
Thanks Randy - MIKE :-)
What a fun video thanks for that!
Thank you Barry! - Melissa pp Mike
Thx for this video Mike.
Great video!
I guess there was some food from Spain, seeing the flag in the background. Where were you?
In my local home town of Lymington Juan... MIKE
great video.. really nice tips...
Nice and helpful video. I know the place were small... if I was you, I would tried to raise the camera as high as I could to give some "from above" perspective ;-)
Is this the Ringwood Market Mike?
Lymington Nicholas Alcock :-)
I wonder what b/w would have looked like in some of these shots. The background church was interesting, but a more intriguing juxtaposition would have been bacon burgers dished out in front of a mosque.
loved this video
Do you ever have any issues with getting permission from people to use their likeness in public presentation like a You Tube video? How about permission generally to use the photograph, say, in an exhibition or a marketing display?
There are loads of grey areas in this +Jim Park It depends on what country you are in and the use of an image. Basically, in the UK shooting in a public place is legal as is videoing for youtube. If the image was for a commission or to be sold then you need releases signed by people in them. - MIKE