Ricchezza cromatica ai massimi livelli, composizione ardua da eseguire come in gran parte delle realizzazioni di Buxtehude, selezione dei registri molto, ma molto appropriata, fraseggio e interpretazione tecnicamente molto bene realizzata, come sempre un maestro eccezionale su un formidabile strumento
Johann Hinrich Klapmeyer organ 1727-30 The first organ in St. Nicholas Church was built in 1497 by Johannes Coci. It was a six-register instrument with eight bellows, placed near the altar. In 1577, the second manual was added, probably by Matthias Mahn. Antonius and Henricus Moitzen carried out some repairs in 1621. In 1647, the Oberwerk was enlarged by Hans Christoph Fritzsche, and in 1668, Joachim Richborn performed further repairs. Matthias Dropa, in 1698, added some registers and enlarged the two manuals. Johann Hinrich Klapmeyer worked on the instrument from 1727 to 1730, moving it above the choir loft, adding the two bass towers, a third manual and six new registers. After this, the instrument underwent some minor repairs by Dietrich Christoph Gloger in 1745, by Johann Paul Geyke in 1767, by the two Wilhelmys in 1784 and 1857 and by Johann Hinrich Röver in 1884 and 1921. The organ retained its Baroque phonic characteristics until the 20th century, comprising thirty-five registers spread over three manuals and pedalboard. In 1925, Karl Kemper carried out a restoration, followed by another, carried out by Paul Ott, in 1956-1958. Ott, however, significantly altered the phonic layout of the instrument, moving it far away from its original characteristics. In 1965-1967 Rudolf von Beckerath intervened to remedy the manipulations carried out by Ott. The most recent, philological restoration was conducted in 2003-2004 by Jürgen Ahrend, who restored the instrument to its 1730 condition. Today, the organ is entirely mechanically driven, the air is produced by four wedge bellows, the wind pressure is 77 mm in the water column, the A chorister is 478.6 Hz and the temperament is Werckmeister III.
Buxtehude influenzò molto la musica organistica di Bach e lo si capisce 🎼🎹 grande esecutore di queste musiche barocche maestro Tomadin sempre il 🔝👍👋
Ricchezza cromatica ai massimi livelli, composizione ardua da eseguire come in gran parte delle realizzazioni di Buxtehude, selezione dei registri molto, ma molto appropriata, fraseggio e interpretazione tecnicamente molto bene realizzata, come sempre un maestro eccezionale su un formidabile strumento
Tanto meravigliosa interpretazione quando spettacolare lo strumento su cui è stata eseguita. Bravo M° Tomadin!😮
Johann Hinrich Klapmeyer organ 1727-30
The first organ in St. Nicholas Church was built in 1497 by Johannes Coci. It was a six-register instrument with eight bellows, placed near the altar. In 1577, the second manual was added, probably by Matthias Mahn. Antonius and Henricus Moitzen carried out some repairs in 1621. In 1647, the Oberwerk was enlarged by Hans Christoph Fritzsche, and in 1668, Joachim Richborn performed further repairs. Matthias Dropa, in 1698, added some registers and enlarged the two manuals.
Johann Hinrich Klapmeyer worked on the instrument from 1727 to 1730, moving it above the choir loft, adding the two bass towers, a third manual and six new registers. After this, the instrument underwent some minor repairs by Dietrich Christoph Gloger in 1745, by Johann Paul Geyke in 1767, by the two Wilhelmys in 1784 and 1857 and by Johann Hinrich Röver in 1884 and 1921. The organ retained its Baroque phonic characteristics until the 20th century, comprising thirty-five registers spread over three manuals and pedalboard.
In 1925, Karl Kemper carried out a restoration, followed by another, carried out by Paul Ott, in 1956-1958. Ott, however, significantly altered the phonic layout of the instrument, moving it far away from its original characteristics. In 1965-1967 Rudolf von Beckerath intervened to remedy the manipulations carried out by Ott. The most recent, philological restoration was conducted in 2003-2004 by Jürgen Ahrend, who restored the instrument to its 1730 condition.
Today, the organ is entirely mechanically driven, the air is produced by four wedge bellows, the wind pressure is 77 mm in the water column, the A chorister is 478.6 Hz and the temperament is Werckmeister III.
Thanks for the exquisite and rich explanation!
@@digitalperformer7 you’re welcome. I just translated the description text. Cheers.