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Grandi interpreti, suono ed intonazione perfetti, acustica perfetta

The Passacaglia has not forgotten that it is actually a dance. Great. Thank you very much, also for the great Magnificat.

Que maravilhosa interpretação!!!

Magistrale interpretazione

Really a nice concert. Thanks.

👍👍👍TOP ORGANIST👏👏👏👏BRAVISSIMO👏👏👏👏👏👏👏👏👏👏👏….

Giovanni Morandi è considerato il più importante compositore italiano di musica per organo della prima metà del XIX secolo, sono di particolare interesse le Sonate per organo a quattro mani composte per il monastero di San Carlo tra il 1830 e il 1854, una vera eccezionalità nel repertorio organistico. Magistrale interpretazione a 4 mani dal panorama ottocentesco italiano, un ringraziamento è rivolto ai maestri per questa fantastica esecuzione.

Impeccabile fraseggio, magistrale interpretazione, giusto il ritmo e grande l' espressione musicale, grazie maestro

Magistrale interpretazione .

Interpretazione eccezionale veramente, articolazioni chiare ed espressive dalle molte variazioni dinamiche. Nell'interpretazione di Bach, non importa quante volte tu possa rimanere incantato ad ascoltarlo; inevitabilmente susciterà in te sempre qualcosa di sorprendentemente nuovo. Secondo il mio modesto parere questo potrebbe essere il più grande pezzo musicale mai scritto. Solo un genio della musica come Bach avrebbe potuto comporre questa Passacaglia, sentimento e armonia sono sublimi, paragonarla alla perfezione mi sembra alquanto riduttivo, andiamo ben oltre !! Musica per la delizia del cuore, dello spirito e della mente . Grazie Maestro

👍👍👍Bravissimo 👏👏👏

Magistral!!!

Sempre al top 🔝 maestro Tomadin 👍👋💪

Brilliant

i just found about this organ through your concert, this organ sounds very beautifull especially the reeds set a very bombastic tonal statement

Fantastic organ! The bellows of this organ are incredible well balanced, as usual with Ahrend organs. Nice program, well done!

Mamma mia, stupendo! 😊❤

Fantastic playing, beautifull organ❤

Sempre al top maestro Tomadin e organo stupendo 🙌👏

And great praise for the registrant, too!

A marvelous organ by a superb builder/artist, and played by a true artist. Wonderful!

Nice!

Eine schöne Erinnerung an das großartige Konzert des Orgelsommers in Neustadt an der Weinstraße. Vielen Dank für Ihre Kommen!

Wow -beautiful! Such professional playing!! 👍

Come sempre, impeccabile esecuzione di tutti i brani sotto tutti i punti di vista, ringrazio il Maestro per aver gettato luce su questo considerevole compositore "Johann Heinrich Buttstett", sicuramente un insolito autore dotato di una straordinario temperamento, ovvero personalità. Un vero peccato che questo grande artista sia stato un poco trascurato nel tempo, eppure le sue elaborate armonie sono sempre state dotate di un prodigioso talento!

Performance davvero eccezionale.

Brillante interpretazione, grazie Maestro

Eccezionale interpretazione di un pezzo straordinario su uno strumento incredibile!

Complimenti maestro Tomadin sempre un piacere ascoltare le tue registrazioni per esecuzioni e anche l’organo molto bello e con una rilevanza storica 👍🔝👋

The first organ of the church of St. Nicholas was built in 1497 by Johannes Coci. It was a six-stop instrument, equipped with eight bellows, positioned near the altar. In 1577 the second manual was added, probably by Matthias Mahn. Antonius and Henricus Moitzen, in 1621, carried out some repairs. In 1647 the oberwerk was enlarged by Hans Christoph Fritzsche, and, in 1668, Joachim Richborn carried out further repairs. Matthias Dropa, in 1698, added some stops and extended the range of the two manuals. Johann Hinrich Klapmeyer worked on the instrument from 1727 to 1730, moving it above the choir, adding the two bass towers, a third manual and six new stops. After this intervention, the instrument underwent some minor repairs by Dietrich Christoph Gloger in 1745, by Johann Paul Geyke in 1767, by the two Wilhelmys in 1784 and 1857, and by Johann Hinrich Röver in 1884 and 1921. The organ retained its Baroque sound characteristics unaltered until the twentieth century, comprising thirty-five registers divided into three manuals and pedalboard. In 1925 Karl Kemper carried out a restoration, followed by another, carried out by Paul Ott, in 1956-1958. Ott, however, significantly altered the sound setting of the instrument, distancing it far from its original characteristics. In 1965-1967 Rudolf von Beckerath intervened to remedy the manipulations carried out by Ott. The last restoration, philological, was conducted in 2003-2004 by Jürgen Ahrend, who brought the instrument back to its 1730 condition. Currently the organ has a completely mechanical transmission, the air is produced by four wedge bellows, the wind pressure is 77 mm in water column, the pitch of A corresponds to 478.6 Hz and the temperament is Werckmeister III. The phonic arrangement is as follows: I Rückpositiv CDEFGA-c3 Principahl 8' M Gedact 8' F/C Quintadöhn 8' F Octav 4' M/D Gedact 4' F Nasat 3' M Octav 2' D Blockfloit 2' M Sexquialtera II F Mixtur IV F Dulcian 16' F Kromhorn 8' F/D II Oberwerk CDEFGA-c3 Quinta döhn 16' F/C Principahl 8' F Gedact 8' F Octav 4' F Waldfloit 2' F Mixtur V F Cimbel III F Trometh 8' K

Fascinating instrument!

What a truly wonderful instrument, and so well played! Thank you!

Tanto meravigliosa interpretazione quando spettacolare lo strumento su cui è stata eseguita. Bravo M° Tomadin!😮

Ricchezza cromatica ai massimi livelli, composizione ardua da eseguire come in gran parte delle realizzazioni di Buxtehude, selezione dei registri molto, ma molto appropriata, fraseggio e interpretazione tecnicamente molto bene realizzata, come sempre un maestro eccezionale su un formidabile strumento

The registration isn't the problem, but the recording is the cause. The organ player is magnificent

Awesome! I’m just listening to your epic recordings of Krebs work, even more impressive, thank you.

Johann Hinrich Klapmeyer organ 1727-30 The first organ in St. Nicholas Church was built in 1497 by Johannes Coci. It was a six-register instrument with eight bellows, placed near the altar. In 1577, the second manual was added, probably by Matthias Mahn. Antonius and Henricus Moitzen carried out some repairs in 1621. In 1647, the Oberwerk was enlarged by Hans Christoph Fritzsche, and in 1668, Joachim Richborn performed further repairs. Matthias Dropa, in 1698, added some registers and enlarged the two manuals. Johann Hinrich Klapmeyer worked on the instrument from 1727 to 1730, moving it above the choir loft, adding the two bass towers, a third manual and six new registers. After this, the instrument underwent some minor repairs by Dietrich Christoph Gloger in 1745, by Johann Paul Geyke in 1767, by the two Wilhelmys in 1784 and 1857 and by Johann Hinrich Röver in 1884 and 1921. The organ retained its Baroque phonic characteristics until the 20th century, comprising thirty-five registers spread over three manuals and pedalboard. In 1925, Karl Kemper carried out a restoration, followed by another, carried out by Paul Ott, in 1956-1958. Ott, however, significantly altered the phonic layout of the instrument, moving it far away from its original characteristics. In 1965-1967 Rudolf von Beckerath intervened to remedy the manipulations carried out by Ott. The most recent, philological restoration was conducted in 2003-2004 by Jürgen Ahrend, who restored the instrument to its 1730 condition. Today, the organ is entirely mechanically driven, the air is produced by four wedge bellows, the wind pressure is 77 mm in the water column, the A chorister is 478.6 Hz and the temperament is Werckmeister III.

Buxtehude influenzò molto la musica organistica di Bach e lo si capisce 🎼🎹 grande esecutore di queste musiche barocche maestro Tomadin sempre il 🔝👍👋

Oh my god, we all must consider ourselves to be lucky to have had the chance to listen to this.

Beautiful camera angle and such talented playing of Scheidemann!

Well done. Thank you.❤

The tuning makes that last chord really spicy

Sempre un piacere ascoltare questi compositori del barocco tedesco eseguiti su questi organi bellissimi sempre il top 🔝 maestro manuel Tomadin 🎼🎹

How nice that this organ has won it´s voice back in 2020. Perfect Bach organ, wonderfull work of the builders. The C major Prelude and Fugue has always been one of my favourite pieces! Thank you!

The probability of reaching this video just 8 hours after it was uploaded is quite low, taking into account how small the organ music community is on TH-cam. Excellent interpretation, it is somewhat more relaxed and moderate

Quanti accoppiamenti al pedale! Originali? Che ne pensi Maestro degli organi olandesi in confronto a quelli tedeschi che hai suonato? 🙂

Preludio assolutamente sorprendente, lo stile di questo brano mi ricorda vagamente J. L.Krebs; sopratutto la cromatica del preludio e il finale dalla fuga, interpretazione veramente entusiasmante, grazie maestro per questa Vostra eccezzionale performance.

Perfect playing

zeer fraai allemaal!!!!!!!

Thank you for your brilliant concert Manuel, we will never forget!!