Wistful and dreamy indeed. "In the clear white circles of morning wonder..." evokes in me many dawns from my military service when we would stand in 'neat little rows', all 'slightly discoloured' by camouflage, ready to march to our place by the 'Lord of the Hills' ... Misty morning light bathing us all in its chilly haze.
Expertly played as usual Stewart! And yes, I too wish this part would last 10-15 minutes. Feel free to ramble on any time you like. The insightful ramblings are quite fascinating and even though I can't play, I learn so much about the inner workings of Anderson's mind and that would never be possible without you. I think you'll have lots of company going down with the thought of Ian being the best rock acoustic guitarist of all time. It's not even close.
I, indeed, truly enjoyed the after-song "ranting", which this time is longer than the cover itself. And the cover - fantastic as always (maybe even more)!. Thank you again Stewart!
Great video Stewart. In the unlikely event that you run out of Tull material to perform, please consider doing in-depth tutorials on how you play your favourite Tull tunes.
An erudite discourse and a spot- on rendition. Yes, Anderson's acustic chops are remarkable and it's never discussed, perhaps because Anderson himself is so dismissive of his efforts. He embodies a singular blend of self depreciation and arrogance mixed with a healthy dose of irreverance. He's perhaps not the best judge of the merits of his efforts, but thankfully, we have you.
Yes! I think Mr Anderson's guitar style (as you say, particularly the right-hand) goes with his general stage demeanour of, well, doing what he likes. Dance like no one's watching. Play like no one's listening. Both ideas, of course, mean he cares little for criticism. Also, many an evening during the early 90s was wiled away playing dungeons & dragons with Jethro Tull on in the background. Their quintessential englishness providing the perfect feel for our adventures. Great playing and lovely insight from you. I'm now off to purchase a premium bond!
Much appreciation to you Stewart. I love your enthusiasm about the music & art of the UK. My life as a yank raised on The Beatles Jethro Tull & the sounds of the 60’s invasion, gives me so much joy & peace daily. Do you feel overwhelmed with goosebumps & almost tears while listening or playing music ? It’s my church , My God.
Wonderful playing and singing. And your comments are spot on. My two alltime favourite bands are Tull and Genesis both with their best work in the seventies. They are in many aspects very different, but I think they share this englishness you mentioned. If you don't know it, consider to take a listen to " Blood on the rooftops" of " Wind & Wuthering"
Truly amazing performance and an absolutely brilliant choice! Further, loved the commentary at the end. You're a real treasure, Stewart. Many thanks, indeed.
As always, Stewart, beautifully done. TAAB is a magical album, start to finish. It’s as if Ian didn’t consciously sit down to write it - it’s more like he was channeling it from some other plane. And I agree that Ian has very few peers on the acoustic guitar, if any at all. It’s almost a shame that most of the world only knows him for his flute playing. How many musicians can be considered the best in the business on two such different instruments?
This is magnificent! It's my favourite bit of TAAB as well. Ian's fantastic voice, and the subtle little flute highlights make it very nearly perfect. But you're version is very nearly as good. Totally agree. Ian Anderson is a stellar acoustic guitarist.
Yes I enjoyed this piece. After being away from the guitar for about 30+ years I've started what I first thought of as a refresher course in guitar but actually as I get into the course I'm engaging the course as starting anew & as new life. It's fun. I really enjoy & appreciate your insight as you breakdown the pieces of music plus the England you knew. I understand as I'm across the pond in the land of nuts & fruit's that, well, I want to keep my day running in a positive direction because if I get into anything government I'll make us sick as I would complain about the sickness that's screwing up the World by destabilizing everything. And We The People didn't even vote these demons.
Brilliant as ever Stewart, I’m sure you know but some of your fans might not “good old Ernie” was the machine that picked the premium bond winners, (Electronic Random Number Indicator Equipment “. I totally agree about Ian’s acoustic playing, if I hadn’t seen him live I wouldn’t believe it was one guitar. Keep up the good work 🎸
I almost like your post-song chats more than your covers--not because your music isn't so enjoyable--it is--but because what you have to say is so interesting and informative! I've learned many English (as in from England) expressions from Jethro Tull and I love that aspect of them. Thanks for being a native docent to some of that in this song!
Excellent playing and singing, Stewart. As with the fiddle, ( violin), which I play, the special sounds come mostly from the dominant hand. I love playing along with Tull and learning some choice riffs.
Thank you Stewart for your explanations here and you're doing a great job with your guitar work. Someday there will be a JT tribute band that tours the world. Maybe it'll be you on guitar and vocals. Check out "The Old Grey Mouse" from Brazil. They've really nailed the Tull sound.
Another thought, and question on your end comments. Is Jethro Tull moreover an English band or a British band? Ask me and they are a greater art expressing themselves via primarily music, regardless of any place of origin.
It is a good point David. I think they're very English in their most proggy phase, but of course the Scottishness creeps in then too (The Third Hurrah eg) and then becomes quite prominent in the late 1970s/early 1980s. So yes: a very British band.
My favorite bit from my favorite song. Thanks.
Same!
Wistful and dreamy indeed. "In the clear white circles of morning wonder..." evokes in me many dawns from my military service when we would stand in 'neat little rows', all 'slightly discoloured' by camouflage, ready to march to our place by the 'Lord of the Hills' ... Misty morning light bathing us all in its chilly haze.
Expertly played as usual Stewart! And yes, I too wish this part would last 10-15 minutes. Feel free to ramble on any time you like. The insightful ramblings are quite fascinating and even though I can't play, I learn so much about the inner workings of Anderson's mind and that would never be possible without you. I think you'll have lots of company going down with the thought of Ian being the best rock acoustic guitarist of all time. It's not even close.
I love your channel.
Yes, putting on side 2 of Thick as a Brick was always a special moment. You nailed the guitar part too, you must have too much spare time. X
I, indeed, truly enjoyed the after-song "ranting", which this time is longer than the cover itself. And the cover - fantastic as always (maybe even more)!. Thank you again Stewart!
That was excellent sir. Bravo. Thank you.👍👍
Great video Stewart. In the unlikely event that you run out of Tull material to perform, please consider doing in-depth tutorials on how you play your favourite Tull tunes.
100% Agreement with your opening comments! And finest performance! And thereafter 100% agreement with your concluding comments!
An erudite discourse and a spot- on rendition. Yes, Anderson's acustic chops are remarkable and it's never discussed, perhaps because Anderson himself is so dismissive of his efforts. He embodies a singular blend of self depreciation and arrogance mixed with a healthy dose of irreverance. He's perhaps not the best judge of the merits of his efforts, but thankfully, we have you.
That is the absolute best description of Ian Anderson that I've ever read. Brilliant, and thank you for recognizing what makes him so unique.
Yes! I think Mr Anderson's guitar style (as you say, particularly the right-hand) goes with his general stage demeanour of, well, doing what he likes. Dance like no one's watching. Play like no one's listening. Both ideas, of course, mean he cares little for criticism. Also, many an evening during the early 90s was wiled away playing dungeons & dragons with Jethro Tull on in the background. Their quintessential englishness providing the perfect feel for our adventures. Great playing and lovely insight from you. I'm now off to purchase a premium bond!
Much appreciation to you Stewart. I love your enthusiasm about the music & art of the UK. My life as a yank raised on The Beatles Jethro Tull & the sounds of the 60’s invasion, gives me so much joy & peace daily. Do you feel overwhelmed with goosebumps & almost tears while listening or playing music ? It’s my church , My God.
Absolutely fabulous acoustic cover.
Pleasantly dark at times !
Many thanks for posting.
One of Tull's finest moments. Goosebumps. It definitely is an example of music that seems to have been channeled from Heaven. Well done Stewart!
Excellent guitar work!Yes, Ian Anderson can do many things in the same moment! 😜👍
Splendid Stuart. Wonderful job again. I second the motion of Ian’s place in rocks pantheon of Acoustic Guitarists. Thank you.
Hello I am here again watching and listening to your beautiful voice and nice song. Thanks for sharing. Take care and God bless.
Wonderful playing and singing. And your comments are spot on. My two alltime favourite bands are Tull and Genesis both with their best work in the seventies. They are in many aspects very different, but I think they share this englishness you mentioned. If you don't know it, consider to take a listen to " Blood on the rooftops" of " Wind & Wuthering"
Truly amazing performance and an absolutely brilliant choice! Further, loved the commentary at the end. You're a real treasure, Stewart. Many thanks, indeed.
As always, Stewart, beautifully done. TAAB is a magical album, start to finish. It’s as if Ian didn’t consciously sit down to write it - it’s more like he was channeling it from some other plane. And I agree that Ian has very few peers on the acoustic guitar, if any at all. It’s almost a shame that most of the world only knows him for his flute playing. How many musicians can be considered the best in the business on two such different instruments?
Amen
Amen from me too.
This is magnificent! It's my favourite bit of TAAB as well. Ian's fantastic voice, and the subtle little flute highlights make it very nearly perfect. But you're version is very nearly as good.
Totally agree. Ian Anderson is a stellar acoustic guitarist.
Yes I enjoyed this piece. After being away from the guitar for about 30+ years I've started what I first thought of as a refresher course in guitar but actually as I get into the course I'm engaging the course as starting anew & as new life. It's fun. I really enjoy & appreciate your insight as you breakdown the pieces of music plus the England you knew. I understand as I'm across the pond in the land of nuts & fruit's that, well, I want to keep my day running in a positive direction because if I get into anything government I'll make us sick as I would complain about the sickness that's screwing up the World by destabilizing everything. And We The People didn't even vote these demons.
Brilliant as ever Stewart, I’m sure you know but some of your fans might not “good old Ernie” was the machine that picked the premium bond winners, (Electronic Random Number Indicator Equipment “. I totally agree about Ian’s acoustic playing, if I hadn’t seen him live I wouldn’t believe it was one guitar. Keep up the good work 🎸
Ahh, that makes a little more sense, then--ERNIE is now that (subject) that does the "coughing up" of the tenner...thanks
ERNIE still picks the numbers today - though three generations on from the 1972 version.
Jethro Tull is my favorite band and I'm so happy I found your channel. You keep this music alive, Love it!
@@riac5388 Thank you very much. I am really glad you found the channel too. Hope you enjoy it
Fascinating performance and very fine description of why IA's unique acoustic style and techniques set him apart. Thank you, Stewart.
I almost like your post-song chats more than your covers--not because your music isn't so enjoyable--it is--but because what you have to say is so interesting and informative! I've learned many English (as in from England) expressions from Jethro Tull and I love that aspect of them. Thanks for being a native docent to some of that in this song!
I ABSOLUTELY love the ending… taking the time to delve into the finer points of the music and music theory.
Magnificent!!
I am indebted to you Thank you!
Beautiful once again Stuart. Love how you explain these things too....Keep them comin!!!
Bravissimo steward, pezzo immortale
Would love a guitar lesson version of this great guitar part!
I stood one very cold morning in formation as the sun rose. The chill breeze the slight swaying of troops at attention……. Transformative.
Nice one Stewart, with great analysis thanks so much
Love it!
Thank you Stewart.
Love your analysis and commentary
Excellent playing and singing, Stewart. As with the fiddle, ( violin), which I play, the special sounds come mostly from the dominant hand. I love playing along with Tull and learning some choice riffs.
Love the explanation, as ever, Stuart. Thanks very much. I must improve my playing of TAAB!
Excellent
Wow ..beautiful guitaring 🎸..
Brilliant as always cheers
Music is great as well as the commentary. Well done!
Brilliant - been looking forward to this (as well as more from TAAB) since our ‘chat’ at the online D. Soskice birthday …
Ps - love the analysis of the tune and it’s chord structure
Lovely to hear from you Martin.
Cheerio! One of my favorite lines "Coughed up a tenner on a premium bond win".
Brilliant, as always, and great insight too!
You made my evening sir..!!
More discussion on ian’s acoustic style of playing…good stuff
Thank you Stewart for your explanations here and you're doing a great job with your guitar work. Someday there will be a JT tribute band that tours the world. Maybe it'll be you on guitar and vocals. Check out "The Old Grey Mouse" from Brazil. They've really nailed the Tull sound.
wow thank you as always
¡Genial versión! Gracias por ensalzar la música de Jethro Tulll con tu sensibilidad y trabajo. Un saludo desde Madrid.
Прекрасная интерпретация, спасибо!
These versions you do are just wild. This channel is absolutely suicide-prevention for me.
Brilliant! Love it.
Well spoke!
Stewart ... Fantastic! That was great.
Of course side 2 how could I forget.
IA and Greg Lake could do more with a simple arpeggio than most can do with a whole orchestra!!!
Do you have a tab of this? Great work!
Hi Stewart--Really exquisite! You play those first three notes of the opening arpeggio DOWN, UP, DOWN, right?
Hey will you do Jethro toll's working John working Joe off the a album and make sure and put your lift and close to the camera
Hello. Yes I've already done Working John, Working Joe - th-cam.com/video/Qpi3l0UCHlg/w-d-xo.htmlsi=mXdcneSO3vZrbZLj
Another thought, and question on your end comments. Is Jethro Tull moreover an English band or a British band? Ask me and they are a greater art expressing themselves via primarily music, regardless of any place of origin.
It is a good point David. I think they're very English in their most proggy phase, but of course the Scottishness creeps in then too (The Third Hurrah eg) and then becomes quite prominent in the late 1970s/early 1980s. So yes: a very British band.
@@DailySporran and then add in the the mostly Celtic folk memory which has been enhanced often and progressively by folk from the outer worlds.