Phantastic work, outstanding explanations and a wonderful way of explaining, this applies to all your videos. Far away from all other channels. Many thanks
I really like your channel, usually for the thousand meter philosophical, inside industry insights. There are a million nuts and bolts tutorials and gear reviews, this was a nice change of pace for you.
I appreciate your honesty. I knew as soon as you started shooting, you didn't have enough light. The moody, high contrast, low-key shots you were taking were fine but the lighting would have been insufficient for most editorial, fashion, or wedding photos. I also appreciated your talk regarding the camera. I hate the fact that so many photographers are pushing micro 4/3rds camera these days. They are totally insufficient for professional work. The larger the sensor, the more megapixels, the better quality.
I'm curious on your thoughts about how much light editorial, fashion, or wedding photos would need? In my experience, every job is different - some need more light but some need less. I've shot tons of moody, high contrast commercial and editorial (especially editorial) jobs
Possibly you are known for that type of work and hired for the look. It is my experience when shooting fashion that the client is more interested in showcasing the garments rather than capturing a mood. Editorial gives you more latitude, but the subject is still the no1 priority. I don't shoot weddings, but I find it hard to believe that a couple would want their entire wedding shot in low-key. That's just my opinion.@@ThePhotographyRebuttal
Hi There, certainly enjoyed your video, which I purely happened to by chance. I'm not one for TH-cam even though I have a lot of projects there, and am certainly not inspired by many of the so called professional photographers, as they seem to lack the diversity and ability to CRAFT imagery. From my perspective, phone manufacturers are creating technology to create softlight imagery, so "US" photographers should be about creating drama and shape, not just emulating what technology supports. Keep up the great work.!!!
Great video! I shoot both photo and video and use constant light for both. You talked about over sampling to reduce noise. Can you explain how you do that? Is it done in LR or PS?
Thank you for watching! Oversampling to reduce noise is a technique where you capture images or footage at a higher resolution and then downscale it. This can help eliminate noise and improve overall quality. I simply down res in Photoshop and then apply noise reduction (if necessary).
Would love to hear more about the oversampling technique! Thanks for all the hard work and insights using LED lights for photography! Appreciate your approach!
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Howdy! I'll be around during the 1st hour or so to chat.
Phantastic work, outstanding explanations and a wonderful way of explaining, this applies to all your videos. Far away from all other channels. Many thanks
Many thanks!
I really like your channel, usually for the thousand meter philosophical,
inside industry insights. There are a million nuts and bolts tutorials and
gear reviews, this was a nice change of pace for you.
Glad to mix it up and keep things spicy! Who needs nuts and bolts when you have philosophical insights, right?
I appreciate your honesty. I knew as soon as you started shooting, you didn't have enough light. The moody, high contrast, low-key shots you were taking were fine but the lighting would have been insufficient for most editorial, fashion, or wedding photos.
I also appreciated your talk regarding the camera. I hate the fact that so many photographers are pushing micro 4/3rds camera these days. They are totally insufficient for professional work. The larger the sensor, the more megapixels, the better quality.
I'm curious on your thoughts about how much light editorial, fashion, or wedding photos would need? In my experience, every job is different - some need more light but some need less. I've shot tons of moody, high contrast commercial and editorial (especially editorial) jobs
Possibly you are known for that type of work and hired for the look. It is my experience when shooting fashion that the client is more interested in showcasing the garments rather than capturing a mood. Editorial gives you more latitude, but the subject is still the no1 priority. I don't shoot weddings, but I find it hard to believe that a couple would want their entire wedding shot in low-key. That's just my opinion.@@ThePhotographyRebuttal
Thank you for sharing your knowledge! You really add so much value to this platform!
Most welcome and thanks for watching!
Hi There, certainly enjoyed your video, which I purely happened to by chance. I'm not one for TH-cam even though I have a lot of projects there, and am certainly not inspired by many of the so called professional photographers, as they seem to lack the diversity and ability to CRAFT imagery. From my perspective, phone manufacturers are creating technology to create softlight imagery, so "US" photographers should be about creating drama and shape, not just emulating what technology supports. Keep up the great work.!!!
Thank you!
Great video! I shoot both photo and video and use constant light for both. You talked about over sampling to reduce noise. Can you explain how you do that? Is it done in LR or PS?
Thank you for watching! Oversampling to reduce noise is a technique where you capture images or footage at a higher resolution and then downscale it. This can help eliminate noise and improve overall quality. I simply down res in Photoshop and then apply noise reduction (if necessary).
Would love to hear more about the oversampling technique! Thanks for all the hard work and insights using LED lights for photography! Appreciate your approach!
More to come and thanks for watching! I'll probably do another video about oversampling since I'm getting similar requests.
No cars?! 😂
Still photo related!