I wish! I have no idea why TH-cam removed that function. The best remedy I could come up with is to post images of the annotations on my blog here: lvbandmore.blogspot.com/p/color-analysis-beethoven-concertos.html and here: lvbandmore.blogspot.com/p/color-analysis-snapshots-index.html
@@lvbandmore Alright, I'll make do. ;) I really appreciate your analysis of LvB. Btw, you write on your website: "1st theme (can be several smaller themes but in the same key, ending in authentic cadence)" This has always tripped me up -- several themes under one theme. When I listen I just note the change in mood and presumably that is the second theme. Would that be a safe bet? Otherwise, no way I could pinpoint where one "mini-theme" ends and another begins. Sometime I'd like to ask you about Scherzo repeats, in particular for the 9th which is in like sonata form and really gets trippy. I find Scherzo repeats harder to follow, strangely enough. Thank you! :)
@@NN-df7hl I wouldn't worry too much about individual smaller themes. It's more like a technical thing when I mention key changes and cadences. But when key changes happen (especially when they go up) I always get this "revving up" feeling. It's just another way of leaning into the curves... :)
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This interpretation is very nice with Beethoven Spirit!
Transition means "transition section". 1a means first part of first theme, 1b is 2nd part of 1st theme. Hope that helps.
I have tried specifically to get this version on Spotify or else where and I can't seem to find it : (
Very useful! Thank you! Now I can compose a concerto haha :D
you put some work into it, thanks !
Anybody recognize the wonderful, lush Movement 1 cadenza? Or the movement 3 cadenza, for that matter? Not Kreisler, I think.
3:00
Any way to bring back the annotations feature? It's terrible we can see what's what as it happens. Thanks for these vids, btw.
I wish! I have no idea why TH-cam removed that function. The best remedy I could come up with is to post images of the annotations on my blog here: lvbandmore.blogspot.com/p/color-analysis-beethoven-concertos.html and here: lvbandmore.blogspot.com/p/color-analysis-snapshots-index.html
@@lvbandmore Alright, I'll make do. ;) I really appreciate your analysis of LvB. Btw, you write on your website: "1st theme (can be several smaller themes but in the same key, ending in authentic cadence)"
This has always tripped me up -- several themes under one theme. When I listen I just note the change in mood and presumably that is the second theme. Would that be a safe bet? Otherwise, no way I could pinpoint where one "mini-theme" ends and another begins.
Sometime I'd like to ask you about Scherzo repeats, in particular for the 9th which is in like sonata form and really gets trippy. I find Scherzo repeats harder to follow, strangely enough. Thank you! :)
@@NN-df7hl I wouldn't worry too much about individual smaller themes. It's more like a technical thing when I mention key changes and cadences. But when key changes happen (especially when they go up) I always get this "revving up" feeling. It's just another way of leaning into the curves... :)
Thank for for this. What does Trans. mean? Also what do 1a, 1b etc. mean? Is there a page that describes how to interpret these notations?
Le soir ... pour rever ...
THE MUSIC IS GREAT BUT I DON'T UNDERSTAND THIS COLOR THING!!!!
I find the tempo of this version a tiny fraction too fast