Can't agree less with the comment suggesting that there is something wrong with choice of instrument or tonality. It's all about a music to search and explore and your take on this one is pure gold. Love how you arranged it for single instrument - one just feels beat behind it and beautiful funky solo up front. It's not an easiest thing to do to achieve something like that. I was searching for a good interpretation of this piece because I want to adopt it for my Yamaha Reface CP (only 3 octaves). I think I'm gonna take your version. I will make some small tweeks and maybe try wurlitzer and see how it goes. Thanks for the astounding job! p.s. I would really like to here more funky stuff from you arranged for keys only. Maybe Jamiroquai? What do you think? ;-) All the best.
at points there is a Steely Dan vibe going on with this. If Stevie were singing it would at the point where he'd sing, "and you believe in things that you don't understand then you suffer superstition ain't the way" that is how exactly how I'd imagine Donald Fagan playing it.
It's a "NICE" tutorial; but nevertheless there still are some open questions/comments: Stevie Wonder played/used a "Clavinet" (sound), the sharpness of the "Clavinet-" sound makes this song outstanding and even more "groovy" !!! Using a Fender Rhoades sound is like playing "Smoke on the water" on an acoustic guitar! Well... and what's about the key? Unfortunately I am far from beeing "pitch perfect", but for MY UNTRAINED ears the ´song was played in "C-sharp" or "D-flat". While the "original" key isn't really THAT important, it's the SOUND of the "keyboard" Stevie used on this recording that really started the "FUNK-THING" Changing the key of a tune means adopting a given song to the voice-range of the singer(s), but there is more to a key than the voice range of a singer! Different keys are reflecting different "moods"!
First of all, thank you for your thoughtful comments. To answer your questions First, I didn't put much thought into choosing an instrument. Your comments will broaden my musical horizons. Secondly, The Key of the original song is Eb minor, but it was changed to E minor for the convenience of the performer. Anyway, even though you and I are far apart geographically, I think these conversations will make us good musical friends. Have a nice day!
악보구매(국내): www.mapianist.com/sheet/114844
Buy Sheet: www.mymusicsheet.com/video/171657
this is giving me persona 5 vibes. beautiful
Can't agree less with the comment suggesting that there is something wrong with choice of instrument or tonality. It's all about a music to search and explore and your take on this one is pure gold.
Love how you arranged it for single instrument - one just feels beat behind it and beautiful funky solo up front. It's not an easiest thing to do to achieve something like that.
I was searching for a good interpretation of this piece because I want to adopt it for my Yamaha Reface CP (only 3 octaves). I think I'm gonna take your version. I will make some small tweeks and maybe try wurlitzer and see how it goes.
Thanks for the astounding job!
p.s. I would really like to here more funky stuff from you arranged for keys only. Maybe Jamiroquai? What do you think? ;-)
All the best.
at points there is a Steely Dan vibe going on with this. If Stevie were singing it would at the point where he'd sing, "and you believe in things that you don't understand then you suffer superstition ain't the way" that is how exactly how I'd imagine Donald Fagan playing it.
너무 좋은데여
너무 감사드려요!
It's a "NICE" tutorial; but nevertheless there still are some open questions/comments:
Stevie Wonder played/used a "Clavinet" (sound), the sharpness of the "Clavinet-" sound makes this song outstanding and even more "groovy" !!! Using a Fender Rhoades sound is like playing "Smoke on the water" on an acoustic guitar!
Well... and what's about the key? Unfortunately I am far from beeing "pitch perfect", but for MY UNTRAINED ears the ´song was played in "C-sharp" or "D-flat". While the "original" key isn't really THAT important, it's the SOUND of the "keyboard" Stevie used on this recording that really started the "FUNK-THING"
Changing the key of a tune means adopting a given song to the voice-range of the singer(s), but there is more to a key than the voice range of a singer!
Different keys are reflecting different "moods"!
First of all, thank you for your thoughtful comments. To answer your questions
First, I didn't put much thought into choosing an instrument. Your comments will broaden my musical horizons.
Secondly, The Key of the original song is Eb minor, but it was changed to E minor for the convenience of the performer.
Anyway, even though you and I are far apart geographically, I think these conversations will make us good musical friends.
Have a nice day!
FUNKY
Amazing!!
Where can I download the sheet music?
please leave your e-mail address. Thank you
Excellent, what software do you use for transcribing?
@@MauroLongplays Thank you. I use sibelius for transcribing.