This movie features a wealthy person's idea of poverty, a stupid person's idea of intelligence, a sociopath's idea of empathy, and a mall ninja's idea of tactics.
@@paperheartzz you know, the guy that buys all their tactical gear at the mall, but never uses it. The guy who uses a plate carrier to carry their cell phone and their Leatherman tool that they've never used to do anything except to open up bags of chips. The guy that has 15 swords hanging up on his wall and doesn't know how to use a single one.
@@paperheartzz someone who is into "martial arts" but mostly buys swords and ninja stars from a place in the third best mall in town called Cursed Cutlery
Say what you will, but it's an incredible achievement in character writing to make a movie about a child dying of brain cancer where the audience ends up rooting for the cancer.
@TheChrisUmstadter Some time ago, I've heard that the buyer not getting any accessories with their gun is a red flag, because it suggests they'll most likely kill themselves with it or something. Maybe that was the intention, both in-universe and out. Of course this purchase is sus for a few other reasons and I am overthinking a badly-written movie, but hey ho.
@TheChrisUmstadter that would actually make sense if the final part of the plan wasn't throwing the gun away. Having 3 extra clips but no gun that match the spent casings of what killed Glen is a massive red flag
Draugyr i haven’t watched Big Bang Theory, but I have seen enough clips to know that Sheldon is an emotionally vacant nerd who, honestly, probably couldn’t think his way out of a wet paper bag unless it had an incorrect Star Trek reference written on it, whereas John Kramer (the original Jigsaw killer) had an actual backstory as to why he was who he was involving the death of his unborn child and his own imminent death to cancer, so it was an emotionally driven man who, through a twisted mirror, wanted to help those he tortured.
@@davidspring4003 "i haven’t watched Big Bang Theory, but I have seen enough clips to know that Sheldon is an emotionally vacant nerd who, honestly, probably couldn’t think his way out of a wet paper bag unless it had an incorrect Star Trek reference written on it" you ought to be in some sort of quotation book for that one
If Henry's such a genius, why didn't he realize he could just tell Susan to hire an accountant after he died? There was absolutely no reason for him to try to teach her finances. She can pay someone to do that for her, and she won't risk screwing things up that way. And for that matter, I fail to see how a sniper rifle in the tree fort is a better idea for the murder than just hiding behind a tree until Glenn's back was turned and shooting him with a handgun. So much less evidence to dispose of that way, and you have plausible deniability if you get caught with the gun before the murder. Admittedly, this sort of overengineering does seem like the kind of thing a child prodigy without a lot of practical experience would come up with, but the movie seems to show no self-awareness that it's a sign of immaturity, not genius.
So what if the movie is seen through Henry's eyes. He is right, he is not condescending, and he is the only one that can fix it. When Susan deviates from the script, she stops seeing the world through that same immature lense the tapes convinced her it was. This doesn't fix everything, but it does resolve some of the tonal issues.
In that case, all the shortcomings of the grown ups should have to be exaggerated, as the video stated. If Henry sees bruises, the girl has to have bruises. If Henry thinks his mom is negligent, then the framing has to show us that. In Henry's eyes, the world's apathy is screaming, and if the movie tells a story through his eyes, it has to show that. Instead, as the video stated, they were scared to paint any characters in actual bad light, or even with severe faults.
I dunno which is worse, supplanting your dead brother as Enchilada #1 because he died or staying Enchilada #2 as a constant reminder you'll never be better than your dead brother who died.
probably staying Enchilada #2, because someone might ask, "So who's number one?" and you get to consistently be reminded of your dead brother. at least, if YOURE #1, nobody's gonna ask. although if they ask who's #2 (which is slightly less likely) you'll have to say, "Yeah, that's also me." so.
"I'm a child who talks and thinks like a 40 year old divorcee with no social skills" is the worst trope ever made. That's problem #1 with the film imho
I don't have any proof of that, but the suspiscion, that this is a trope applied exclusively by male writers onto male characters (boys). This would propably somewhat go hand in hand with UlvenAspiration calling this "baby Jordan Peterson", as Peterson very often talks about his perception of masculinity.
I find it fascinating that a script from a professional screenwriter that was in the making for 18 years is worse with this trope than a freaking Harry Potter fanfic literally called "Methods of Rationality". That fic starts off seemingly portraying the trope straight. Then it start a sublot about team competitions (between Him, Draco and Hermione). The narrative hypes up the the first one as a battle between him and Draco. An ideological clash of "creative chaos vs. strict order" Only for them both to lose to Hermione. Because she was humble enough to ask her team for their opinions, listened to them, learned their strength/weaknesses and worked from there. Unlike two self-proclaimed geniuses who based their entire plan on proving their points on "chaos vs. order" debate. And just an icing on the cake - before the competition even started, "rational" Harry was unironically: "Harry was slightly annoyed by the way the Boy-Who-Lived had been demoted from supreme dominance to one of three equal rivals just by entering the contest, but he expected to get it back soon". Which adds so much satisfaction to the moment when his "I'm smart so I'm better than you at everything"-view clashed with reality. "Book of Henry" author seems to share his character worldview instead of concerning himself with such boring things as reality. Henry is a genius = he is always correct and is physically can't not exceed average "non-geniuses" with decades of experience. So of course he beats janitor at checkers with one move. Of course he can buy an untraceble car and have it delivered wherever he wants without raising any questions. Of course, he traded for millions of dollars ("600k in stocks and more in bonds"+money he spent on the freaking car) while being 11 years old (how much time had he had to trade?) and while having all of his market knowledge from newspapers. Of course, he explains his own diagnosis to his neurosurgeon AND IS CORRECT. I think that is an actual problem. And trope "11 years old genius who acts like a 40 year old divorcée with no social skills" can be extremly entertaing if used tastefully like "Methods of Rationality" does. Honestly comparison between the two can be turned into a case study of "how not to do and how it could be done". (And I wrote huge wall of text for 3 more points, but realized that nobody is gonna read about every little detail. If you are curious to read more, just tell me. But here I'll leave only main point) The best indicator of good writing is the way characters around "the genius" are written: Are they just punching bags for him to prove superiority or have a solid ground to stand on? In MoR the further you go the more you realize that the characters Harry is being dissmisive jerk towards, have their reason to do "irrational" things. And the attitude "I am the protagonist of the universe" have got Harry easily manipulated by some of the adults with their own agendas. Contrast it with adults like the checkers lady, the teacher who asks "why are you in this class" and dammit Janysse. And since you can't expect a character to have an empathy when the author has none, the writing of genius's peers is even more important. if Henry, treats dodgeball kid and everyone else in the class as just a punching bag to feel superiour to, then it can be a good character flaw. But it requires author to not feel the same way. MoR at the second half sometimes jumps to the POV of normal 11 olds who are double dissmissed by "rational" Harry. And that are some of the best chapters in the entire fic. For me, it perfectly reacreates early books' comfy vibe "kids meddling around their madhouse of a school in a passionate search for adventures to inflict upon themselves". Book of Henry's author, on the other hand, doesn't care even about plot-crucial characters like Christine So I believe him if he says that he tried to give Henry as much emotional maturity as he could imagine. But I'm still fascinated that after 18 years of a writing career and making decent enough connections to to make his dream movie, he isn't more in touch with reality than a lonely fanfic writer
@@ar1i_k Oh I happened to read that fanfiction actually! But yeah, I think the trope is not about child geniuses, but geniuses in general being good at everything. I think that's one of the major flaws of "Good Will Hunting", Matt Damon's character is just TOO genius, too good at everything, it breaks the immersion. It would in fact have added an extra layer of psychological depth to have him be crazy excellent at math, but just okay at the rest, in such a way that he has an intellectual comfort zone and there actually are things that challenge him intellectually. Would he get out of his comfort zone? How does he deal with a bruised ego by thinking himself smarter than he is? That creates a much richer character I think, because superintelligence in everything is just a superpower, not something that works well in storytelling that aims to be rather naturalistic.
Just want to point out that the same kid Henry makes fun of is the kid shown being bullied during Henry’s opening monologue. What a likable protagonist.
See if there was a character who just said “when I die. Take my ashes onstage. And throw me at people. Say it’s art.” I would probably unironically love that character. That’s fuckin great
Am I the only person who thinks there's kind of an idea for a horror movie here? A terrifying bad seed type continues to control his sheeplike, unstable and grieving mother to carry out his will even after his death?
It's funny(ish) how suicide at the end of a movie always means "guilt confirmed, no further questions", even though suicide at the *start* of a movie almost always means "investigate the shit out of this because it's never just suicide".
This is more just a consequence of structure than a particular flaw in this movie. If something happens at the start of a movie, the movie should be about that thing. If something happens at the end of the movie, it's a resolution. Not saying you're wrong but just adding more context.
@@midn8588 - Yeah, I'm just imagining a really weird Narrative Forensics department whose job it would be to determine whether we're at the start or the end of a story so they can decide whether the police should care or not.
@@FTZPLTC oh that's easy, if credits that follow the suicide are on a black background - then: case closed. If they are accompanied by a stylized music video, then it's investigatin' time!
As a teacher, I need to say that Goddamnit Janice doesn't need any kind of concrete evidence. In fact we're trained to report any form of suspected abuse no matter why we think there may be abuse. Making a report that turns out isn't true has absolutely no repercussions.
This probably isn't explored in the film, but the claim that it has "absolutely no repercussions" seems a bit naive when we're talking about a police commissioner whose brother also works for family services and is apparently in a position with so little oversight that he's the one who's assigned to respond to CPS calls on his own family members. Maybe there are no "official" repercussions, as per mandated reporting, but many people would be wary (rightfully so) of drawing the ire of an obviously politically connected high ranking policeman.
You could make an anonymous report, but the kind a school would generate is not iirc. It would also be relitively easy to figure out who made the complaint based on the evidence presented. The statement "without any repercussions" bothers me in the other way as well. There are lots of repercussions, just not necessarily for the reporter.
"LET'S GO SCREW!!!" Whoops! I had a flashback of audience participation in a midnight showing of a different movie. With the name being pretty similar to Janice. Sorry.
Here's a nitpick. The writers seem to like using the word "contingency" to sound smart, but obviously have no idea what it actually means. A contingency is an unlikely future event that can be accounted for and mitigated. So while "accounting for contingencies" is a real concept, the movie doesn't actually understand what that means, just that it's something smart people say. For instance: A Rube Goldberg machine works because it is completely deterministic. Although it may have the appeance of being "random" and working anyway, the beauty of one is how it highlights the predictable nature of, say, how far a ball will travel in the air when you control for every other variable when you launch it. You don't set a "contingency" for when it lands somewhere else, because you know it won't. The idea that "accounting for every contingency" in a Rube Goldberg machine is therefore self-defeating nonsense dialogue. Similarly, Henry doesn't actually have any contingencies in his plan, aside from "things will just work out perfectly anyway because the writers are hacks", which is what happens in the end when he fails to account for the contingency of his mom not having the heart to shoot someone. In fact they set up scenes the way you would if you were trying to convey "the planner is such a genius here that complex human behaviour is reduced to predictable clockwork", like if you were shooting a prison break movie and you showed characters lifting a manhole just as the guards both turn away during a shift change. TL;DR the writer is a the worst kind of moron, the pseudo-intellectual type.
Wow, thank you for taking the time to actually write down a detailed explanation, I didn't actually know what a Rube Goldberg machine was and I appreciate the improved ability to see how linguistically absurd this movie is.
The contingency thing bothered me, too. If you've planned for contingencies, you've created room for error. Anyone claiming to be a strategist who says "You must plan for every contingency" is...going to die of an anxiety induced heart attack, not brain cancer, but their plans would produce enormous room for error.
movies like this baffle me not just because they're bad but because they could SO EASILY be fixed. And with 18 years to write the script it- boggles the mind. Just get rid of the mom. Mom abandons kids. Henry, a child prodigy, is now the Adult of the house. He cannot call CPS on his neighbor because then they might look into him and his brother's situation and he's terrified of the two of them being separated. He makes money in order to keep their house and the appearance of hard working parents who can never be around. His notes on this "perfect murder" aren't instructions, they're the reflections of a kid who is angry, forced to grow up much too soon, and can't figure out how everyone seems to ignore kids suffering. After his death his younger brother finds the notes and takes them to be instructions because he's a tiny kid grieving the loss of his only parental figure whom he thought the world of. Guess I'll just have to save this script for Home Alone 9: This Time He's Got A Sniper Rifle.
@@freddiekruger3339 colin trevorow was supposed to, not only direct, but to write ep 8, but then this movie comes out, he gets fired immediately and they have to run around and find someone to replace trevorow, so they throw in rian johnson, but he has a pretty short amount of time to write a new script and they have no time to do substantial rewrites, there is no time to iron out the fucked up script, and them movie turns out to be a complete disaster.
Y'know, something just occurred to me: isn't it kind of contradictory to have a character who is presented as a Christ allegory while also being obsessed with material wealth?
VirtualBoy500 Yeah. It’s the same lack-of-insight that leads to people owing solid gold crucifix necklaces, and that one Nazi dying in the Last Crusade.
Wouldn’t have minded a mention of the doctor who is seemingly pursuing a romantic relationship with the traumatized mother of a patient who died in her arms days earlier.
Teacher: "why don't you go to the advanced classes?" Henry: "Cause it's important for my psycho-social development." *proceeds to not have any healthy interaction with his peers at school*
That's semi-believable though, in terms of that presumably being the system's justification for mainstreaming him despite it being to no actual benefit.
@@DStecks But they don’t want to mainstream him. The teacher is trying to get him into a gifted program/school where he could actually be challenged by the material, and that’s his excuse for resisting her.
I think that line is potentially character-revealiing. In 'regular' classes, it's basically guaranteed that he's the smartest kid in the room, and he's not particularly challenged. If he goes to advanced classes, his ego and self-identity as 'the smartest person' might take a serious hit. From what we see he doesn't care for the social side, but being recognised by his peers as intellectually superior clearly matters.
@@DStecks The system doesn't typically mainstream kids out of advanced classes, that's usually a parent's decision and in this case was probably Henry's as well. Schools forcibly mainstreaming kids for social reasons is usually something that happens to special needs kids, not "gifted" kids.
i interpreted it as: some higher-up in the school gave that as a reason why he wouldn't be allowed to skip a grade or something, and he repeated it sarcastically.
The reason the Christina subplot feels so soulless is because it is. He didn't write about child abuse because he had a compelling story about it to tell, he did it to immediately flatten the moral complexity of the movie. At the end of the day, this is a movie that just really, really wants to show off a child's Rube Goldberg murder scheme playing out in real time... but murder is a heavy thing to get an audience on-board with, and that's why he needed Christina. Child abuse flips a primal switch in the minds of most people, and it's one of the few crimes a person can commit for which the lion's share of people, regardless of background or circumstance, will immediately be open to the possibility of murder in retaliation. Throw in a little of that, and boom! Now 98% of the runtime can be spent on what the director actually cares about. No need for Christina to feature past that, because she's already filled her purpose. It's all just so... mercenary. I'll decline to make moral judgements of a man I've never met, but this isn't the kind of movie that reflects particularly warmly upon its writer.
@@arthropodqueen That, or like go into the fact he's a police commissioner, show him being a corrupt tyrant! I know "wanting to hurt a cop" is probably too much for the author to handle, but still the setup was there.
@@hogandthezoomer8041Yeah, why make him a cop if it's not gonna play part In the narrative? The Mom already took a pause when realizing her instructions are from a vindictive twelve year olds!
This movie is begging to be a comedy. Could you imagine how genuinely funny it could be if the premise was "Psychopathic child writes out a needlessly complex plan to kill someone that their parent(s) have to enact", except that it doesn't have the weight of child rape on the other end, instead something like "created a minor inconvenience for me once", it would be brilliant. Sorry if he makes this point, haven't finished watching yet.
One of the weirdest things about this is that I am certain Henry being a child prodigy stock trader is a reference to William Gaddis' 1975 novel J.R., which… again, this would make sense if this movie were *supposed* to be a black comedy or a satire (as J.R. is), but just feels like a really weird allusion to make in a movie playing a premise this deranged this straight.
It's been years and I finally watched this movie. I'm really disappointed that no one ever mentioned the best part of this entire thing. When Susan is frantically driving to go shoot Glenn, dramatic music in the background, and it intercuts with clips of a child burping the alphabet on stage.
Katy133 I'm gonna have to backhandedly support MacGyver here by saying anyone that decided to make this reboot at least once in their life was mentally screened for possible brain damage. And saw original MacGyver thought that was good and needed to redo it as more cerebral.
The biggest, most obvious thing to me is: COLLABORATE! If you're a writer for a tv show or movie, then how arrogant and stupid and selfish do you have to be to not want to involve the other creative people? Hire actors who have an opinion and get them involved in the process and you'll end up with much deeper, stronger characters than if you simply write them all yourself, no matter how good of a writer you are. Your story will be populated with well-developed characters if each actor has the chance to shape who he or she is portraying. I've long fantasized about being in the film industry so that I could work with people and tell good stories together. I can't imagine being so arrogant as to think that I didn't need help, or so dumb to think that soliciting input from the people you are working with won't result in a better story (and in actors who are more investing in their characters).
God, watching this, I half-expected a scene where Susan would be driving back to the talent show, and put on a CD, which would play music before being interrupted with Henry's voice: "Don't worry, Mom. I knew you couldn't do it. In fact, I was hoping you wouldn't. The creek wouldn't have washed away his body, anyway. I'm sure you told him off in a way that will ensure that he finishes the job, himself. That's right, mom; I hope you have those custody papers, because Glen should be killing himself right about now. Thank you for being a good person." I'm actually amazed this DIDN'T happen, in the movie! What a load of garbage.
@@hardcut799 I agree. It would have addressed the "emotionally intelligent" part atleast a little bit. Whatever tho. Bad movie, has some good ideas but doesnt play them out fully.
Yeah I choose to believe Henry knew everything she would do. Maybe they're saving that scene for the sequel, where Henry reveals in said recording he built a computer that can connect to the internet many bakers dozens of years in the future and downloaded some of their medical journals, and she cures not only the kind of terminal brain cancer Henry had but all other forms of cancer. And AIDS. He would have done it himself but he ran out of time and spent the rest of his life coming up with this outrageous plan.
Brb gonna go write a screenplay about Tommy, the kid who grew up to play dodgeball so hard that the Olympics added the sport to their lineup. And people said he was foolish to dream. You'll show em all, Tommy.
Right down to the details like the foolproof audio distraction, the sniper rifle smuggled into the tree house, and hiding the body in a creek, this sounds like a murder plan I'd come up with if I played Hitman for 72 hours straight and then took a briefcase to the head.
@@youtube-kit9450 You've also got me tempted now to see if I can lure him over to the creek edge and snipe him in, ideally maintaining silent assassin. It's probably going to mean a lot of unconscious bystanders, but that's what empty houses are for.
I've found the exact opposite to be true in my career in the film industry. There's a hard limit to what you can learn in terms of what not to do. But there's no end to the lessons you can learn from the masters of the craft.
They all fall into the same basic categories though, once you learn those there's nowhere else to go with it. Plus, there's a mountain of content on youtube in which people crap on bad movies, that's why I focus on talking about what makes good movies good on my channel. Most youtubers tend towards talking about bad movies because it gets more views and it's easier to do. But my channel isn't monetised and I like to challenge myself.
I think a lot of the time it is easier to learn things from bad and mediocre movies than really good ones, because you often don't notice how things are done when they are done well.
It's definitely super awesome when a female rape victim is created for, and exists solely for, motivating a male character. And super original too. Good job guys!
@Ironclad tortilla chips Specifically, that's what Jordan Peterson taught this rancid sack of dildos of a man, as in his biography it's stated that he was a student of his and he had INFLUENCED HIS WRITING
Dirt Dauber - Seriously? Jordan Peterson taught him that? Like, he explicitly says that Peterson taught him that one should write female rape victim characters that only exist to motivate a male character?
Adding to the "atm withdrawals" thing, I work at a bank. Rapid withdrawals of smaller, even amounts is viewed as a red flag on probably a dozen different training modules
@@BARMN89 Henry's plan wouldn't work. The arms dealer wouldn't just respond to someone name dropping Dominick, because that's the quickest way to get busted by an undercover cop. He'd have pretended not to know what she was talking about, and the second she left the store Dominick's guys would follow her home and take her out.
@@trtx84 oh I thought of Dominique more as a paraphrase than an actual person. The store clerk doesn't seem coded as a "one cog in the mafia" kind of corrupt so much as a "I want an extra buck or two" kind of corrupt
I'd imaginet that goes double if they're at different ATMs. $1500 cash isn't suspicious especailly for an account that's apparently worth almost a million dollars, but $1500 at $100 intervals split between 15 ATMs is gonna raise all kinds of red flags
Henry is the worst kind of "precocious child" character -- the one that the writer doesn't realize is basically just a tiny, abusive adult. I've never wanted a child to die of brain cancer more.
He’s so annoying, but honestly I hate how when it comes to characters if you’re smart you have to be a completely sociopath, that or a least a jerk. Why do “smart” characters always have to be so full of themselves
Number Five from The Umbrella Academy is a funny subversion of this, because he is actually in-universe a 50-year-old hitman trapped in a 13-year-old's body.
@@XiaoIsMyHusbandBTW to be fair, it checks out in the case of a prodigious 11 year old. His attitude reminds me of my days in gifted kid programs back in elementary and middle school.
I know this is kind of a minor point in the grand scheme... But does anyone else notice the amount of technological inconsistencies in this movie? Henry buys and sells stocks over the payphone based on what he reads in the financial pages of the newspaper and records his master plan on a Walkman, but does the family's financial planning on his Apple laptop while Susan plays Gears of War on their XBox? This isn't really a narrative problem, but it is heavily indicative of the way this guy had certain parts of the plot set in stone early on and just never changed them; lots of editing little pieces happened, but there was never a real overhaul of the whole story to make it consistent.
Payphones stuck around a lot longer than you might think and the first two, three Gears of War games came out long enough ago that both would have existed in many towns at the same time. Apple laptops haven't changed in their general design aesthetic much if at all in the past 20 years, and as for the Walkman, maybe Henry just likes tapes? As far anachronisms go, this is all pretty mild, and even that is generous
Imagine how good this film would be if it were a comedy. Midway through the movie, we find out that Glen's daughter is named Kate, and Christina (whose safety Henry is worried about) is actually a houseplant. Susan is under the impression that Henry is a completely average kid. "Doesn't your son trade the stock market yet?" Henry secures the gun himself. The gun store owner lies to him about what kind of gun it is. Susan shoots Glen with a paintball gun. Glen, still alive and splattered with paint, points out all the holes in Henry's plan. "Wait, what river? You mean the creek? This creek?"
The paintball joke would be the best climax this kind of movie could have. When Henry gets the gun and stores it in the treehouse, the audience wonders why it looks so fake and plasticky. Even if they can't give a real gun to a child actor, couldn't they get a more convincing fake? It fades from their mind, and the climactic scene is too dark to clearly see the prop Susan is using. But then, when Glen is shot with a bright _splat_ instead of a loud _boom,_ we flash back to the gun shop and are reminded of the fake plastic gun prop, _which was a paintball gun with the orange 'this isn't a real gun' thingy sawed off!_
honestly i would love to watch a rube goldberg murder plot concieved by a child to play out in a comedic tone. this movie was way too serious for what it is lmao edit: just realized this is what the home alone movies kind of are
Dude, write some dialogue and fucking do it already! There's ass upon ass upon franchise upon franchise upon remake upon remake stacked to the ceilings clogging mainstream theaters every year, go pitch "book of Henry but funny" and give us a ray of sunlight down here!
An important note about the grocery store scene: Henry is wrong, Susan is right, don’t jump in. In cases of abuse, you should NEVER accuse or tell off the abuser in any way, unless you are DAMN SURE you can protect the victim from that point forward. Because you aren’t the one who is going to pay for it in the end, the victim is.
Something tells me that the screenwriter and director have never known anybody in an abusive relationship, and would be the type of people to say “if it’s so bad she should just leave!” 🙄
To be fair to Susan's flower-as-a-metaphorical-Jesus/Henry story, Henry's death DID make things better. Specifically, it allowed Goddammit Janice to enjoy a quiet lunch for the first time in years
@@ryancampbell8645 He’s somehow both her kid and the WORST boyfriend ever. One who has bought in wholesale to the pickup artist BS and needs to constantly neg her to make her feel terrible about herself.
Anyone who's struggled with poverty knows how expensive it is to be poor. - James Baldwin I'm sure it is cheaper to pay for things up front. No need to deal with interest or financing. Most Americans can't handle a sudden $500 expense. For them, $1500 isn't even shit happens money, it's we're fucked money. Still, it's relative, and if Susan has 680k sitting in a checking account, a $1500 withdrawal is nothing.
Yeah, a sudden $1500 expense would screw a lot of people over, but in the abstract $1500 isn't an extreme value, even for poor people. Cars, appliances, home repairs, it's just not a huge amount of money in the scope of things.
Thanks for pointing out the absolute raw deal Susan gets for being an actual human being reacting to her child's death. Especially in the hospital scenes, where you can clearly see she is going through textbook stages of grief while "emotionally intelligent" Henry ignores her pain. It becomes even worse when you realize that Henry could have recorded all the financial info for his mom to deal with later, like, oh I dunno, in a notebook and maybe some tapes that he would want to make sure she got? I mean, You would think stuff like that would be super important, and therefore worth more effort than a few lectures from his hospital bed WHILE SHE IS STILL DEALING WITH HIM DYING.
I know, right? Like, lmao, she supposedly "grows up" by the end of the movie, but in the hospital she clearly has her priorities straight: deal with the grief of traumatic, terminal illness and not some stupid stocks and bonds.
If anything, Henry comes across as a cold individual, who has "some" sympathy towards his brother, but is kinda passive aggressive towards his mother - some unresolved emotional issues seems the most likely issue, but also a lack of a father figure role model for him to identify with. I'd probably say he's over-compensating "as the man of the house" trying to make sure everything is running well financially, making sure things run smoothly within the household and taking care of his brother and mom. It seems unclear if this behavior is learned or if it is his interpretation of what he "needs" to do to ensure a good life for his family?
I could forgive it if it was handled somewhat differently (he's 11 and therefore unaware of others, their feelings, and what unintentional pain he might cause them to a full extent, as often kids are pretty unaware of more subtle stuff like that, and moreover unaware of what death and dying means as anything more than an abstract concept he hasn't experienced in his sphere of influence yet enough to learn to apply that to himself, but attempting to cope with it all the same and, overwhelmed by it because he's 11 and this is all happening super fast, lands right in the strategy we call 'denial', preferring to distract himself with more concrete notions like numbers and accounting), but of course that's not the case and it becomes another weird symptom in this weird movie.
Just playing devil's advocate, but maybe Henry thought if he made a series of notebooks and recordings with financial advice his mom would be unwilling or unable to read/listen to them out of a combination of grief and lack of interest in the subject. I don't know if the director thought that far or anything though.
To add to the 'they're not really poor" argument. they don't have a grocery list or coupons, they just wander the store, the kids are able to just pick up items off the shelf and put them into the cart.
But they child wants a shiny new car to compensate for his low self esteem. You're not really an 11 year old man when you drive an old rust bucket. That's the only sign of poverty, the mome refuses to buy a better car.
@@lagg1ebeing able to afford a new car but not doing so because the old one still works is just reasonable financing for a family in that situation. "But we can afford it" is not good enough reason to buy something like a new car
@@itayeldad3317 I mean, if you have $600k just sitting around not even invested, you *can* 100% afford to buy a new car, even if the old one still works. Perhaps if he actually explained this to her instead of being a dick, she would have bought the damn car and he could quit whinging about it.
@@orestes0883 Probably no. He comes across as someone who if you took away a source of whinging, they will fill it with another. There is no winning with it.
@@RoryRichardBrown The worst part is that we don’t get to see any real transgressions-not even the “bruises”-to make Glen actually villainous; we literally have to take Hank & Susan’s word for it
That too... was freaking weird. I knew the movie was so down the Mr Rodgers "make believe" tunnel that there was no point in stopping but it all wrapped up with a bow you couldn't help but say: "wat"?
If Henry was an actual adult it would be terrifying. Like imagine if Henry was her husband who controlled all her finances and secretly hid money from her (written in her name), and his plan was to adopt the neighbor kid and kill her allegedly abusive step dad.
@@CNWhatImSaiyan It genuinely would. Where a father indoctrinates his family to commit murder and kidnapping after his death. I would watch that, here's a pitch for a Netflix series alright.
but he made all the money himself and when a kid makes money from working they don’t owe it to their parent. makes no sense to flip it to be about a married couple who are legally required to merge their finances & should be honest about money with each other in case the other needs it - as the video says, the mom doesn’t seem to need Henry’s money. not even when he needed brain surgery.
Here’s an issue I had- Dammit Janice doesn’t need to have “concrete proof”- all she needs to have is a suspicion. And, she HAS to report that suspicion, legally. Because she’s a goddamn mandatory reporter. Dammit Janice!
Katie H It’s breaking my suspension of disbelief that she DIDN’T immediately get suspicious. My kid brother is about ten years old now, and when he was even younger he played soccer on the weekends in the local park. We would get calls home if he came to school with bruises on his legs from playing soccer. School administrators have a freaking HAIR TRIGGER when it comes to stuff like this, and justifiably so.
Not that this movie deserves the benefit of the doubt, but I bet the logic of writers was that he's the Commisioner or Chief of Police or whatever. She's probably more scared of reporting someone like that just for suspicions.
One of my favorite takeaways from the education classes I took in college is that it’s not your job as a mandatory reporter to decide if something is tangibly worth intervention, it’s your job to tell the people who make that choice. You never know what people have already been reported for in their files, what you’re witnessing might be part of an established pattern of behavior that makes it worth stepping in.
I think my “favorite” part of this movie is that genius boy Henry doesn’t even actually understand Rube Goldberg Machines. It’s not about covering contingencies, it’s about being in complete control of what’s happening. There aren’t choices you need to plan for you create the only path that can be taken which is a far more apt metaphor for what the movie is trying to accomplish and they still manage to flub it
Sometimes I worry about trying to write "intelligent" characters because of the complaints that people make about the Big Bang Theory (supposedly the characters don't really act smart, just awkward while using esoteric language from "geeky things" - though clearly the truly biggest problem with it is that everyone in the series is a misanthropic caricature, just like almost every other sitcom). Watching this review (I refuse to watch the film), I suddenly feel much more confident in my capacity to write smart characters. 😂
@@M4TCH3SM4L0N3 it's much easir to write intelligent characters if you don't need to show their thinking more than once or twice.(A Hermione insteat of a Harry Potter)
@@guilhermetheodoro5759I think that's honestly kind of the problem. Creators keep writing characters who are broadly intelligent in multiple subjects, rather than with specialized intelligence. If you write a character with a single thing that they're good at, but they're just kind of your average person in every other aspect, then the author only has to be as smart as the character in that particular area. It's way easier to do some quick Google research about coding than it is to have a character who is just broadly good with "technology". And if you have a story like Harry Potter where the thing they're smart at is completely fictional, then the author can literally make the character as smart as they want because they not only right that character, but they also make the rules of the fictional thing. I think it's just part of that weird kind of God worship that people have for "geniuses" where they assume if you're good at one thing, you must be good at everything. It's kind of a strange trope.
@@guilhermetheodoro5759 I feel like it's easier to write an intelligent character when you're writing from their perspective actually, you can go through their thought process and rationale, because intelligence is more than just having information, it's having a logical, rational and reasonable analytical mind. It's only harder if the author doesn't want to do research xP Edit: Unless you mean the act of hiding the plan until it's dramatically appropriate, in which case, well yeah? But that's the same no matter whether the character is supposed to be intelligent or not...
I really want to grab Henry and shake him; PLANNING FOR CONTINGENCIES IS YOUR ROOM FOR ERROR! If you've planned for "every" contingency, you have enormous room for error, by definition.
I always point to Malcolm in the Middle as a good example of how to write a "smart" kid. Malcolm is a genius but he's also impulsive, rebellious, and immature.
ytmoog Neither do I really, but I was kinda creeped out by how the movie itself never addresses it. Like, why put the scene there in the first place? How is the audience supposed to interpret it? Is it part of the whole Jesus metaphor somehow? Just... WHY?
That whole scene before the kiss and the weird way Susan treats Henry as basically her dad/husband is pretty disturbing. I guess they're trying to make him "the adult" but it just comes off...really creepy.
La Esmeralda Apparently a lot of people find kissing children normal as long as there’s no tongue involved. I still think it’s really weird, but, cultural differences? Or maybe my friends secretly have pedo relatives. :/
What if, in the end, it was revealed that Glen wasn't actually abusive. What seemed like abuse was actually just emotional arguments between the two after the passing of Christina's mom. The reason she puts emphasis on "step-dad" is because after losing her birth father and then her mom, she has difficulty accepting Glen as her father, not because she doesn't love him but because she's developed an irrational fear of becoming close to anyone, because she doesn't want to lose anyone else. Glen, meanwhile, has difficulty connecting Christina and is completely at a loss for what to do, which leads to occasional fits of rage at the situation as a whole. When Susan goes to shoot Glen, she overhears a conversation he's having with his brother through the walkie-talkie, where he's venting about the situation, and suddenly it all clicks into place. The bruises Henry see's aren't from Glen, they're from Christina, who has begun to self-harm to stop herself from crying. That's also why the bruises aren't visible, because she's making an active effort to hide them. Glen didn't just get a pass because his brother was in CPS, there genuinely wasn't anything wrong. That being said, the stress of being accused of abusing his child lead to a fit of depression. Christina caught onto this, and also became depressed at not being able to do anything. Glen isn't a perfect person, but he's trying his best despite the poor situation he's in. This leads to Susan's ultimate revelation. Henry was wrong. Dangerously wrong. By trying too hard to be smart, he actively made the situation worse. By never talking to Christina, he failed to realize the true core of the problem. In the end, despite his intelligence, he made the same assumptions any child would. His friend is sad and he overhears yelling, she must be abused. She doesn't like to talk about it? She must be too sad and needs to be saved. And of course, if Glen is an abuser, he needs to die. There is no other resolution. This would also tie back to the scene in the grocery store. Henry wanted to interfere with the couple, despite knowing nothing about the situation, because he felt that he knew better. But, like what would have happened with the couple, by interfering in the situation without taking the time to learn the whole scope of the situation, by playing hero, Henry made things worse. Realizing this, Susan decides to just walk away from it all. Instead of shooting Glen, she knocks on his door, talks him into coming to the talent show, and offers a lift. After the talent show, Glen and Christina hug, and it's implied that they're going to hash things out. And then, final scene. Susan visits Henry's grave. Finally, a concrete visual indicating Henry's death, showing Susan finally accepting the reality that she's never going to have this person in her life anymore. The moment is quiet, no dialogue. She stares for a bit, before placing something at the foot of the grave. It's Henry's notebook. The shot rests on the gravestone as we hear Susan walk away, her footsteps fading into the distance. A few seconds pass, when suddenly a new set of footsteps approach. A shadow is cast over the stone, and they seem to have something in their hands. A ball? They begin tossing and catching the ball with one hand, the rubbery impact revealing what it is. A dodgeball. "I told you, didn't i? I'm going to be the most awesomenest dodgeball player, and no one can stop me." Cut to black. The end?
I like that idea, though I do think that the scene we see at the store was unambigiously domestic abuse, so someone jumping in to save that girl would have been a good thing even without knowing all the information about them.
On rewatch, jeez, the author seems to have issues with women and really feels an absurd need to make sure his self insert Henry explains every women how to do her job and live her life. It's almost the most coherent theme in the movie O.o
The Henry-Edward paradox: While Robert Pattinson portrays Edward in twilight intentionally as poorly as possible and makes it worse, Jaeden Martell plays Henry as accurately as possible and ends up making it worse because of that
"You have to ask your eleven-year-old?" "Twelve...he's almost twelve." WHICH MEANS RIGHT NOW HE'S ELEVEN!! WHY DO YOU NEED TO CORRECT BOBBY MOYNAHAN WHEN HE WAS ALREADY RIGHT ABOUT YOUR SON'S AGE!?
Because the joke is that she's trying to seem less 'crazy' (for lack of a better word) for taking advice from him by pretending he's a year older. The joke is obviously 1 year doesn't make a difference and he's 11 anyway. That isn't difficult to see and you make yourself look like you are just manufacturing your own outrage. Or you're stupid it doesn't seem too hard to understand.
@Lola Montez I think you missed the point of bringing that up. The point was that the reveal of her having a bunch of money stowed away wasn't actually a big reveal because they clearly had enough money already. If she thought they were poor, she would've been worrying about insurance coverage or lack thereof.
It’s the same with the military. Our budget for this year was 760 billion. Where does all that money go? Why, into our own pockets in the form of government contract jobs. It’s a subsidy for our own economy. And we have to stop. Both our military and our healthcare are both artificial means of boosting our economy in ways which hurt ourselves and others. It’s gonna hurt in the short term. But if we ever want to be better as a country, it’s gotta happen
Another thing that's worth mentioning is how little Henry and Christina interact. They share three brief conversations together and that's it, with each one consisting of "You okay?" "Yeah" and one just having Henry being "You're nice, thanks". There's no relationship apart from a one-sided "You're a victim, and I have to save you" motive. Out of all the things that they should have focused on in the story, this was easily the most important one. If I have no clue what these two characters think of each other, then why should I care about their relationship?
It's also worth mentioning that Maddie Ziegler is not a good actor, but that's probably due to her lack of characterisation and screen-time. Even if you couldn't get/didn't want to get an experienced child actor, at least have the courage to let them act.
"Oh Jesus they think they nailed it." - I had coffee in my mouth, I almost spit it of laughter all over my screen. Thanks for that. Very nice work, thank you !!
The amazing irony is that The Royal Ocean Film Society did a whole video essay on The Book of Henry recently, and the main thing they pointed out was the film's tone being all wrong. XD
Bad storytelling is bad, but from what you've shown this movie isn't just bad - it's repulsive. Henry is point by point the emotionally abusive husband of his mother who pictures himself as a martyr hero of sorts. That is objectively repulsive. The fact that an adult man has been working on this for almost two decades is beyond repulsive - it's terrifying.
Thanks for articulating what I was thinking halfway through this video... beyond just the flaws of the film, it is creating some sort of twisted vigilante justice narrative. Which, if in the end it was all explained through a more interesting plot and allowed Henry to preserve some innocence, would be ... maybe ok? But ultimately the characters are all unbelievably unsympathetic and it makes one wonder what the author really was trying to say with all this. A childhood revenge fantasy that is tonally messed up?
I mean, it's a shit movie for sure. imo you take it a bit far in your comment tho. That's a very uncharitable reading (not that the film deserves charitability, but still).
Nah, it's shite writing, but I don't think writing a garbage script is grounds to be a 'terrifying' person. I don't even think Hurwitz cared about it anymore. He put out a crap script in the 90's, everyone kinda looked at, said "yeah, that sure is a crap script" and it just sorta sat there. Then Treverrow picks it up for inscrutable Treverrow reasons, and Hurwitz has to pretend like he still cared about his old garbage script. In movie business, if you don't hype whatever project you're attached to at the time, you get labeled as poor sport, even if, after the fact, everyone agrees it was garbage. Producers do not want people who won't play ball. Also, a lot of the issues are issues of tone or omission, aka the errors that are likeliest to come from the director or cinematographer. If Henry actually, you know, emoted, that would change *so* much of how the movie feels.
LOL, this guy just wrote a shitty script about a child's vigilante fantasy and in the end, the child was proven wrong as the mom realized it. Sure, it's a shit story but you don't have to attack the writer's person. lmao
Jeez. That film should be re-titled “We need to talk about Henry” and reshot as a horror where an innocent man is murdered by his genius, delusional kid neighbour and his co-dependant mother 😱
Other horrible flaws with Henry's plan: Susan whistling in a walkie-talkie to lure Glenn relies on: 1. Glenn following the noise to the walkie-talkie by the river, rather than to the one in her hand where she's whistling, both of which are basically the same distance from Glenn's house. 2. Glenn or any of the neighbors having not heard any of her sniper rifle practice the day beforehand, despite that she was practicing from the same spot that her whistling is clearly audible from. 18 years spent writing this movie script caused it to forget that now in the present day, Henry could've just recorded a cell phone video of Glenn abusing Christina and sent it to the cops. And yet we clearly see them both using modern cell phones and then Polaroid cameras?? Did they forget to edit the old camera from the script, or establish any character reason Henry would use an old camera?
Also, incredible monologue by this movie at the end about how all it takes to tell a good story is to "get the moral right. Nothing else matters." Sure, tell me how to make a good movie, oh earner of a 21% Rotten Tomatoes score.
This would've been a plothole even in the 90's, since most people still had cameras and camcorders at home back then. Glen's abuse of Christina was so easy to see from Henry's window, he could've easily grabbed his old camera and snapped a dozen photos of it and then taken it to God-dammit-Janice's office as the "concrete evidence" she needed. Glen might have a connection to social services, but I don't think he could bribe a judge .
Unimportant, but why record your postmortem instructions on a cassette recorder when you can use your phone (with a shirt-based pop filter if you want to be semiprofessional) to record it all without tech that wouldn't be easy for a kid to get his hands on? Besides, MP3s are a lot easier to navigate, store, etc than cassettes.
This is something I think about every time I rewatch this review: The script seems to constantly forget that Henry is a child. Henry wanting to protect a random stranger from another random stranger in the supermarket isn't noble, it's a misguided recipe for getting punched in the face. Henry getting a kiss from Sheila on his deathbed isn't romantic or a subtle hint of a long-unresolved love triangle, it's a MASSIVE RED FLAG. And of course, as you point out, the plan literally doesn't work if he lives because he's a CHILD.
I think my least favorite part of the kiss from Sheila is that this is framed as a positive thing, but is also in a movie where a girl is being sexually abused by her stepfather. Like, if we reversed the genders, this would be seen as such a horrifying thing, but because Henry is a boy the movie just brushes it off.
I know this is a year later, but maybe the Sheila kiss is supposed to be a metaphor for her being Judas? I'm not too well-versed in Christian script, but if this whole thing's a Jesus metaphor, maybe that has something to do with it?
@@garyparker9657 Sheila would have to like, actively be the reason he's dying for that to be the case, and the kiss would also need to basically serve as his death knell.
@@garyparker9657I do think it's supposed to be part of the Jesus metaphor, but I think she's supposed to represent Mary Magdalene kissing Jesus when she repents. Which is a whole different can of worms to open.
Henry-the kid "Oh, crap, this child is going to grow up into a sociopath with a backyard full of corpses." Henry, the adult and abusive husband "Right...so...Susan's afraid to be seen in public and does everything in her power to keep Peter quiet in the attic bedroom because the stock didn't do well and...and he's now fixated on the neighbor girl..."
I’m coming back after learning that Christina’s actress is Maddie Ziegler, aka the girl who plays the titular character in Sia’s “Music”. Damn she needs a better agent. Hope this trend of being a prop character in a misguided attempt at inspiration p*rn doesn’t become a pattern for her.
I always winced at the mother figurative relationship Sia has with her. Nowadays, I feel like us not really seeing any form of physical abuse on screen was because she wouldn’t allow any “harm” to her “treasure”…🤢
@@CNWhatImSaiyan I have a sinking feeling this is going to grow beyond some internet speculation in a decade or so and there will be some sort of revealing documentary...
i heard she deadass got groomed by sia also heard she feels absolutely terrible about "music," and was embarrassed even during filming like, jesus. poor kid :(
You know I thought that maybe Disney was being too harsh on Colin with regards to what seems like a situation where he was handed an unworkable script but seeing these interviews where he mangles the definition of phrases like 'emotional intelligence' made me realise that Disney was 110% right.
The problem is that the directors also play a big part in the scripts. J.J. Abrams and Rian Johnson contributed a good deal to the stories of Episodes VII and VIII and based on clips shown in this very video, it's possible that Colin Trevorrow did the same with Book of Henry. I had my doubts on him from the beginning, but after watching this film, I'm truly relieved he is no longer directing Episode IX.
@@michaelkopischke8072 I'm not so sure, Gregg Hurwitz had worked on the script since 1998, Trevorrow was really a studio choice to direct. Hurwitz had also co-wrote the panned Sweet Girl for Netflix.
if you want an answer that's concrete on this and haven't seen it btw: his script leaked and includes a script note verbatim saying that Hux was sad that "He lost the Star War."
What a self-important wish-fufilment fantasy. With that said it would gain a lot more depth if Henry was changed to be her neurotic lay-about husband who spends all of his time belittling his wife and staring at the neighbor girl. All of his lines would work much better from a middle aged man.
That would be a more interesting movie actually. Really mess with the reliability of viewpoint - school is really work, kid is really adult, etc. Really go "Fight Club" on it. The have main character be "not dead" and get home from a biz conference. B) "You did what? Based on my delusional scrap book? Noooooo!"
@@jamesf2013 Or when TH-cam reaction videos pop up criticizing the "toxic masculinity" of Fight Club? And you go "that's the entire point of the movie"! LOL
I find it mildly hilarious that Henry thinks apathy is the worst thing despite him being dismissive of his own mom's feelings and opinions, and anything other than what matters to him. Mom is clearly attached to the car they have, and I haven't seen anything about it being too crap to drive, but Henry doesn't care. It's an Old Car, and not a New Car, therefore they should get a New Car. Maybe the car was a gift from someone Susan cared about who is now gone like a parent, maybe it's the first car she bought herself and it's a pride thing, fuck maybe she just like some arbitrary features in the model that are kinda hard to find. Does not matter because it's an Old Car. Susan does not need to work to support the family, especially with Henry doing stocks and shit on the side,but Susan does seem to enjoy herself a bit. She's definitely not burnt out or hates it, she's doing because at least in part, she wants to. She'd rather be a picture book author, but she seems pretty happy working in the diner. Maybe she really likes her coworkers, or getting out of the house to do things for a few hours a week, maybe she just really likes the work, maybe it has inexplicably good insurance, maybe a rich relative said "okay I'll help you cover your finances so your kids don't starve but you have to have a job" and she just picked a part time thing. She has the financial stability to do a (presumably) low paying job that she likes without worrying about money, which is a dream in and of itself. Every job is someone's dream job, but a large portion of those just don't pay enough to support oneself financially, so they need to either do something else entirely or in conjunction with the low pay job. For an example of this, please cast your eyes towards teachers. None of that matters, because in Henry's brain, there is no possible reason to justify doing a job that you do not have to do. Susan having a girl's night with Sheila is bad because according to Henry Sheila has a drinking problem. Putting aside that I doubt Henry could point out actual alcoholism if it slapped him in the face due to him being fucking 11, Susan needs to spend time with other adults, ideally in more than just a work capacity. Devoting all your social time to your children is just not good for you. You and your kid will need a break from each other. And as far as video games go, we all need hobbies. Something fun to blow of steam or relax or whatever. I don't even know why Henry has a problem with this. Is it the game she's playing? Would he be fine if it was fucking Farmville? Does he even give a reason for not liking video games? But no, Susan is not allowed a job, or friends, or hobbies that are not Henry approved. She isn't allowed to make decisions on what car she drives, even though she is, ya know, the driver and had it not been for cancer, Henry wouldn't be driving it for a few years anyway. Goddamn
Things wrong with the 'genius' plan: - The gun is going to make plenty of noise. Yes, even with a suppressor. Police ask around, "Hey, did you notice anything weird last night when the commissioner was shot?" "Yeah, there was a weird lady whistling noise in the woods somewhere, then a sound like muffled fireworks, then a thud sound and some splashing." - It is not likely to be hard for the police to discover that the lady who had oddly extracted money from a bunch of different ATMs in a short span of time bought a sniper rifle. Presumably Dominic is either an organized crime figure or an informant, for example, and that's an obvious likely source for information to leak out. Even aside from that, alibi with regards the pageant or not, someone is probably going to have seen her buy the gun & someone could probably identify her new car heading away from the pageant (people do notice when you get a new car). - The motive for the killing is incredibly obvious and connecting the murder with the forged custody papers would be incredibly trivial. I mean, how quickly do you think a cold blooded prosecutor would be able to get a confession from the sexually abused young girl about Glen's abuse during an interrogation? "Oh... and Glen was just going to sign away custody of his sex toy? HM. THIS IS NOT SUSPICIOUS." - All of the idiotic 'prep' work done in the woods would almost certainly be a forensic team's fever dream. "Oh wow! She left us all this great, clear evidence of tampering & hilariously failing to cover-up a crime. Look at how brazenly pre-meditated this all must have been. Look at all her fingerprints & shoe prints & marks we can easily trace to her garden tools all over everything! This is amazing!" - Even if Henry had not somehow mistaken his backyard creek for a rushing river, and the body was truly going to fall into white rapid and vanish... people tend to notice that someone has disappeared. "Oh Glen disappeared, and then 'he' signed off his custody coincidentally to his sexually abused daughter that we all kinda know he abused, then his body was later discovered down river. Gee whiz how incredibly not suspicious at all, we definitely aren't going to investigate this obvious link to his disappearance." I'm not much of one for trying to 'fix' this kind of thing, but... why bother with any sort of Rube Goldberg plan here? If Henry is going to die anyway and he feels radical action must be taken and he considers himself a martyr figure... who not directly confront Glen in a straight-up shoot out? Glen dies, Christina goes into new custody, Henry dies for a noble (?) cause, film can deal with family attempting to adopt Christina or something. I dunno. If nothing else, at least that would be an interesting subversion of a traditional American blaze of glory trope.
I just can’t get over how stupid this plan is! The first thing the police would do when they find a body of a man killed with an unusual bullet is interview all the local gun stores. No way is an anonymous gun store employee going to cover for Susan, no matter how many code words she uses. Also, the talent show is supposed to be her alibi.. but she leaves the show! Someone would’ve noticed she was missing for twenty minutes. Usually when a movie character needs to establish an alibi, they’ll pretend they’re in a closed room that no one sees them leave, or they build a dummy à la Ferris Bueller. But no, she just leaves, in full view of several dozen witnesses. At the very least, one of the dozens of cameras along her route home would’ve seen her speeding through traffic.
Not to mention that the entire plan hinges on the idea of social anonymity, and the suburbs of a small town is not a great place for that. In a big city with hundreds of thousands of faces, people might not be able to pick you out of a crowd, but here the other parents at the school and the neighbors probably know who Susan is, so if anyone saw her leaving the talent show or driving around during that time, they would easily be able to identify her and crack her alibi. Plus, Dominic and the gun store owner probably know who actually works for Dominic, and the cute blonde who works at the diner seems like someone the cashier would easily be able to recognize as an outsider.
I also don't see how having a new car would help her alibi. Her beat up car is a lot more familiar and conspicuous, which would make it the *better* car to use for establishing an alibi. It'd be one thing if she'd never brought the new car home and kept it in the school parking lot just to use for the race back to kill Glen, because then everyone in town would have seen her conspicuous old car leave her house and *remain* in the school parking lot. But even that's sketchy because then the new car being at her house would be suspicious and someone might notice it. Also, I'm pretty sure most new cars have computers and GPS and things that like log your recent trips? All it would take is a cop being like "cool, let's just verify your alibi and check your car logs" or whatever to see that she was very much driving around during the talent show.
I live in New Mexico, which is covered in tiny creeks. Even our Rio Grande (Literally "Big River" in Spanish) is a tiny stream to anyone from parts of the world with decent amounts of water. Now, thanks to Dan, EVERY SINGLE ONE of those will be a "Hey, boss, we found a body down by the creek" creek for the rest of my life. Still worth it.
Hell, the river completely up and disappears near Presidio! The only reason it even exists along the border after that is because of the Conches feeding into it.
I remember when my family would take the dog to the Rio Grande to run around when I was a kid living in Texas. I learned about it in school before I ever saw it (Texas education looooves Texas) and the first time we went, I literally thought "That's it?" It's just a really gross, moderate river, neither wide nor deep. It smells and the ducks are aggressive. You could dump a body there but better fill the pockets with rocks and do it under the bridge. And the get out of town because it'll still be found in like a week.
32:48 This was so bizarre to me, that the administrator doesn't consider visible bruises cause enough to at minimum /investigate/ the situation. I played rugby in high school and came to school with visible bruises and almost every time some administrator stopped me in the hallway and asked if I needed to talk to anyone. I had a friend who played field hockey who was brought into the principal's office because of the bruises on her legs that they suspected were from getting beaten by a parent/guardian. The idea that a school admin wouldn't take bruises as seriously as they did in my high school is ludicrous, it's one of the most obvious red flags!
Midnight Screening pointed this out in their review of the movie, but this also bring up the question of... what if Henry was wrong about Christina? She does ballet, so what if she got bruises from dancing and Henry just jumped to conclusions? Because we, the audience, never see Glen outright do anything to her (she just looks upset while turning a flashlight on and off in her room) and Christina herself says she's okay (though granted, she seems upset about something). Midnight Screenings genuinely thought "Henry being wrong" was going to be a plot twist at the end of the movie!
When I was in the theatre I totally considered it as a possible outcome, too. Since the movie shows so little substantive evidence it wouldn't have been a far reach to say that Henry misread the situation. Honestly if that had been the case, and Susan then figured that out before it was too late, the movie would be vastly superior, since that actually tells a, you know, story.
Yes, it wouldn't have solved everything, but at least it would have Susan accepting that her son wasn't Jesus or omnipotent. It's so problematic to turn the genius kid into this infallible creature who isn't even afraid of dying from brain cancer (and it's a nice clean cancer too-- he doesn't whither up or lose himself as it eats away at him).
Not to mention that due to her profession, Principal Goddamnit Janice is most likely a mandated reporter. Meaning she is required by law to report ANY suspicion of child abuse.
Something that Dan only lightly touches on that stands out to me - despite ostensibly having a revelation that listening to even an abnormally intelligent 11 year old who advocates murdering Mr Neighbour Man because it is The Only Way might be a be a bad idea, the movie ultimately validates Henry. It all works out - immense psychological issues for all involved notwithstanding - because Glenn ends up shot in the head and Christina goes to Susan, thanks to Henry's plan anyway. If she hadn't followed the plan to the letter, then there would be no forged custody papers and no confrontation with Glenn that facilitated his death. It's having your cake and eating it, the equivalent of a female lead in rom-com realising that her self worth comes from within and she doesn't need a man, immediately followed by Mr Right and her getting together after all. This leads to me to suspect that Susan going against the plan was, in fact, a very late addition in the 18-year process of the writing of the script. And the worst part is, it wouldn't be that hard to make it work significantly better. If Susan caught on to the myriad of the flaws in the flawless plan, that would set up her realisation that Henry was not an omnipotent demigod but a smart kid with an inflated ego a lot more naturally. The realisation falls flat because the movie is in denial that either Henry or his plan has any flaws at all. Deciding not to kill Glenn is framed as morally right, but intellectually Henry is still presented as sub textually winning, since his end goal was saving Christina via forgery before Glenn's head going boom. In the end, Christina is saved thanks to forgery, before Glenn's head goes boom. TLDR: Susan's decision to go against the plan is hollow, because by the internal logic of the movie, the plan was fine. It's fine. It's fine. It's FIIIIINE.
There is a simple answer to this: Henry planned for all contingencies, being the child prodigy that he is, and thus even when Mom fails to shoot Glen, it's following Henry's plan. Which is why his goal still gets accomplished.
I recently had major surgery and, while heavily doped up in recovery, saw this movie in the On Demand list. In my drug-addled state all I could remember was that I'd heard the name before so I watched it. Turns out I'd heard the name before from *this video*. I am at least comforted in knowing that I wasn't hallucinating from oxycodone overdose; the movie really was that terrible.
Also, minor thing, but the smart-sounding line “plywood is about as thick as the human skull” makes no sense. In America, plywood comes in many thicknesses, from eighth of an inch to a full inch, and greater custom. It’s a nit-pick, but you’d think that someone on set, one of the techies, would have pointed this out, or perhaps the art department when they apparently illustrated the concept of plywood-skull-thickness with what appears to be a section of manufactured flooring, not plywood.
also, isn't dansity more important? Is plywood density compared to human skull's? Does it matter when you use a sniper, a weapon developed tomake headshots from afar?
Also, the whole thing about Henry's plan to withdrawal money from different ATMs (within an hour) to get around withdrawal limits... is not a thing. ATMs don't work like that.
Your point about the techies speaking up about the plywood/skull thickness is actually a question of filmmaking centralization and dissemination. These crew members I'm assuming were tasked with "make us a target to shoot at" and "edit this dialogue into the scene." Yes, when you look at the full picture, it makes no sense. But really, their job is not to look at the big picture as it is to perform the tasks they were hired for. In the end, it is again an oversight on the centralized creators' part i.e. director screenwriter and producers, and this extremely perceptive observation for which you should receive some kind of award is a microcosm of the shodiness of the top level creators. I mean seriously. This kind of shit should not be getting made nowadays
I just came back to this comment section after four years, and there's quite a lot of interesting fixes and fanfics since then. Wonder if the video got linked somewhere.
Wow, what hilariously awful looking movie. Also, ATM withdrawal limits are linked to the card, not the ATM. Oops. And yes, as a former BSA/AML officer, I can tell you that multiple cash withdrawals from different institutions, as opposed to one withdrawal of the same amount is absolutely suspicious. I'd look at the person who took out $1,000/day for 5 days, as opposed to someone who just took out $5,000. It's not the amount, it's the activity that is suspicious.
Seriously. If I'm making a legitimate $5000 purchase, why would I go to different ATM's on different days? Insanely inconvenient if you aren't trying to avoid large withdrawals...
@@harpoonlobotomy Your card has 2 limits, one for cash and one for electronic transfer (cashless). When you make a purchase at a store/market/whatever, it comes off the purchase limit side, which can be up to $10,000. The cash limit is much lower, since once the withdrawal is done, the cash is gone. Hope that answers your question.
@@harpoonlobotomy Also, if you're making a $5000 cash purchase, you just need to go into a branch if you're doing it same day. I pay my rent in cash, which is just over my card limit...so either I go into a branch, use multiple accounts, or hit the ATM two separate days. The bottom line is that banks aren't comfortable having a larger amount of cash getting taken from a machine. ATM fraud is still pretty frequent and when the cash is gone, it's gone.
@@sydhamelin1265 Yes, if you're making a $5k cash purchase you just need to go into a branch, and avoiding visiting a branch is part of why multiple large withdrawals at an ATM is suspicious. I do understand how bank cards work...
@@harpoonlobotomy A lot of people don't know about the 2 different limits for cash and purchase; I wasn't trying to talk down to you or anything. I probably just missed your point entirely. It happens.
I'm so glad I wasn't the only one thinking that every single time he said "God damnit Janice" I was finishing it with "I love you!" Or the less PC midnight showing version every single time.
Let's face it, this movie exists because the writer thinks he's come up with a brilliant, foolproof method to kill someone and not get caught, and was honestly so proud of himself that he wrote the single most contrived, nonsensical story around it just to justify putting that plan in the script. Gregg Hurwitz wants to be Henry. An emotionally manipulative, smug, inherently violent would-be murderer is the kind of person he thinks everyone should aspire to. Wow.
This reminds me heavily of a story I tried writing when I was 12. It was supposed to be grounded in reality despite the fact that I was a preteen with no friends in the middle of nowhere. Throughout my teen years I kept changing the story and making additions to it until I realized the entire foundation of the story was flawed in the first place, which I realized before I even graduated high school. How did an adult write this? I could imagine this working if it had a comedic bent that played up how utterly ridiculous the plot is, but it's played completely straight?
I see what you mean, it could've worked brilliantly as an edgier Home Alone-style movie if Henry didn't have cancer in both brain and attitude, or had the commisioner never got killed either way...
sockpuppetkingdom I wrote some SUPER immature wish-fulfillment fanfic in college that makes me cringe now. I kinda wanna go back and edit it to make it so that it’s supposed to be, like, POV from the kid-character, but in the adult years, they get hit with the realization that, actually, THEY were in the wrong and super immature... I cannot figure out HOW, though, so I leave it be and don’t try to send it to publishers and humiliate myself.
The whole movie would have been so much better if Henry would have been caracterized as the typical child prodigy, who longs to do something with his skills, but can't find anything worth his time. So as a result, he imagines his neighbor being abused. For example, in the scene in which he saw his neighbor with a flashlight, and then her dad entering the room, what really happened was her just staying up past her bedtime and her dad yelling at her. Henry would proceed to spin a more and more elaborate web of possibilities, ending up obsessed with the neighbor family, until every action and non-action becomes "evidence" to Henry that he is right. At the same time, Susan can be shown as a loving and caring mother, who feels like she can never quite help Henry live the life that she wanted for him. She can see he has no friends, and blames herself for it. She can see he can't find anything productive to do with his time, and blames herself for it. And then, when Henry dies, she inadvertently also takes the blame. When she discovers his notes about Glen being a rapist, she buys into it like a conspiracy theory, fueled by grief and a desperate wish for redeption. She ends up following through with the plan that Henry has made, only to end up killing an innocent man. Glen, in this version, was no rapist. He was simply a father who, on occassion, had a fight with his rebellious teenage daughter. Henry, in this version, was so obsessed with showing the world what a genius he was, how he could solve the case that nobody knew even existed, that he let himself be blinded from his own brilliance. Susan was desperate for a different kind of validation; the validation that she was a good mother, that she did what she could for Henry. And through her struggle for validation, she ended up buying into the conspiracy theory of an obsessive teenager - ultimately destorying the lives of everyone involved.
I watched this shit heap with a friend of mine who is the chief detective in the homicide squad of our local pd and he told me that a murder like this would've been very easily solved in real life by even the most inept of homicide detectives because of the shockingly obvious suspicious behavior of the next door neighbor of the dead man.
This is a fantastic reimagining that is actually interesting and true to human behavior. Unfortunately, this would require the writer to have some self awareness that he simply does not have. Because he's shoehorned himself into the Henry character it would also disrupt his bizarre misogynistic Jordan Peterson inspired fantasy to show Henry in any light besides this male genius savior of all women. And in decades of chewing on this story the writer still didn't see this laughably narrow understanding of human psychology. Just plowed ahead with his delusion, and in that way he is exactly like Henry. Just not in the way he thinks he is.
Why did you have a full mouth of ice cream at the end of the video? Did you begin to eat it near the end? Or maybe you ate so much stuff, that it took you 40 minutes to get to the dessert? Or did you skip to the end? Or did you dropped the video and then continued watching from some point? Or did you hold it in your mouth for so long, and still called that cream ice cream? Or was it a metaphore? Or was it a lie? It is important
What confuses me most about Peter's magic trick as shown in this video is that... it's just not a magic trick. I genuinely don't understand what the audience is supposed to be fooled into thinking. It's not like he showed the chest to be empty beforehand or anything vaguely illusion-y. It's just a chest filled with fake snow and a big fan. It's not even a failed magic trick, because even with a failed magic trick, I can at least see what I am _supposed_ to be thinking, even if I can see through it. This just seems to be exactly what it looks like which is fake snow and a big fan.
Mightnight screenings actually made a good point on this. They said it's entirely possible the ONLY reason Peter got a stand ovation and won was because he played the "Dead Brother" card.
"The movie is super judgmental about her not spending 100% of her time with her kids." The director of this is the same guy who directed Jurassic World, right?
Yeah, I wrote a big chunk, but it involved pulling in so much material from the Jurassic World script that I just moved the BoH-relevant stuff over to there instead.
Seeing how many 90s/early 00s films castigated father figures for not committing 100% of their time to their kids (e.g., the "sorry I missed *one* of your baseball games son, but I had an important meeting at work" characterization), I'm not surprised a script that's been percolating since that time would be as harsh if not more so to a mother character. Even though she's not working 60+ hour weeks to provide for her family--all she does is take a little me-time after all her parenting and housekeeping responsibilities are done. I used to guess this was a combination of the lazying aping of early Spielberg and Hollywood creative types' trauma or guilt over their own childhoods or involvement with their own children. I also noticed this trope diminishes a lot after the 2008 economic downturn. E.g., Scott Lang in ANT-MAN realizes his daughter is being well-cared and provided for by her mother and new stepfather, and as long as he can still be involved with her upbringing, and models good behaviour for her, it's okay if he's not the most reliable provider.
honestly, i'm so glad that trope is dead in movies. My dad was a long-haul truck driver so I would only really see him on the weekends, and yeah it sucked, but we liked living in a house with food to eat, you know?
@@gwendolynstata3775 On a cinematic related note, would you consider living a harder life, if it meant that you got to see your dad more and got to spend more time with him and have him as a more involved individual in homework, questions about boys and relationships, etc. ? That would make an infinitely richer story for filmmakers to focus on, rather than focusing on previous tropes and cliches, and other recycled elements. :)
Seriously. The only point in the movie where it MIGHT have worked was when Susan put Peter in the tub, then went downstairs to play a video game -- if the implication was that she was endangering her kid by not watching him while he was taking a bath and could've drowned. But there would've needed to be some conflict for that to work -- a scream from upstairs, or even 'emotionally intelligent' Henry calling her out for it and saying that Peter could slip and fall. As is -- she could've been playing candy crush on her phone while in the bathroom, for as much as it mattered.
Honestly it's not even the same trope, those movies were critical of fathers who spent literally no time with their kids, the takeaway being that they can still work/have hobbies etc. as long as they spend any more than 0% of time with the family. Susan clears that bar comfortably - she's clearly an active participant in her kids' lives, so while that was clearly the dynamic the creators were going for, it was not what they actually showed.
"It breaks all the rules of screenwriting." Gee it's almost as if those "rules" are there for an actual reason..... (they're actually just rough guidelines but whatevs). Dog Day Afternoon is an example of a film that throws out the screenwriting books. And Colin Trevorrow ain't no Sidney Lumet, that's for damn sure.
The problem with people who want to "break all the rules" is that they rarely UNDERSTAND why there would be reasons to do so. Students don't understand the rules. Experts excel within the rules. Only true masters can go beyond the rules. Guess where the screenwriters fell within this spectrum!
Silver Dragon are you telling me that someone who got a little bit of buzz in the 90s and then somehow spent 18 years rewriting a script about Dr Evil as a kid isn't the best screenwriter?
I wouldn't dare speculate that Hollywood big studio executives are anything less than True Seers of our age and Cassandras, unheeded in their infallible wisdom. I certainly wouldn't imply that their judgement in who is a good scriptwriter is a massive load of shit so fetid that it stains the good name of useful farming manure so useful in growing delicious food.
I find it really ironic how Henry spends this movie white knighting for abuse victims while spending the entire runtime emotionally abusing his mother.
You know, it's weird, but the way Henry condescends to Susan throughout the film, telling her to buy a better car, constantly belittling what she does in her free time and her creative expressions, chiding her for not acting grown-up enough and telling her to quit her job sounds a lot like the sort of things an emotionally abusive and possessive boyfriend/girlfriend or husband/wife would say. And in addition to making Henry look even more like a dick, carries with it slew of disturbing connotations for both Henry as a character and the writer himself.
@@commandernomad2817 Well gee, that's all the evidence one needs, right? No one could possibly be a Jordan Peterson fan AND a good person, it's just completely incomprehensible!
@@ZZ-sb8os You're rambling hyperbole because you don't like the implication that maybe being a Jordan Peterson fan can give context to this kind of horrifying writing. Not a good look.
@@ZZ-sb8os Given the fact that Peterson's influence is all over the writing of this movie... I'm gonna go ahead and say that no one should be surprised. Also, it's worth noting that Peterson peddles a bunch of incel bullshit. He either believes what he's saying or he's a grifter. Either one of those things make him an asshole and if you're a fan that's a bit of a yikes.
There was a point you reiterated several times that stuck out to me, which was that the movie thinks that God Damnit Janice needs some kind of "proof" before she can call CPS on Glenn. That is not only a really awful convenience to avoid directly placing the blame on any of the characters, it's completely incorrect. Much like counselors and medical professionals, teachers are mandated reporters. The fact that any of Christina's school authorities felt confident that she was being abused and never said anything is damning because they're required to report suspected abuse or neglect regardless of proof. The movie already had an excuse in place for why Glenn wouldn't be seriously investigated, so leaving Henry to be the only person to report him until the very end really only serves to make every other adult interacting with Christina negligent
Seriously! Dude, in middle school, they pulled me to the guidance counselor’s and asked me if there was any trouble at home for shoddy drawing of a bandaged guy. Nothing was going on, I just wanted to test out my red pen. It was annoying at the time , but in hindsight, I do appreciate the lengths they went to make sure. Point being, if they have even a sneaking suspicion that someone’s being abused, they will LOOK TF INTO IT as they are required by law. Reporting? Reporting MULTIPLE TIMES??? Forget about it...
I remember seeing the trailer for this film and I wanted to see it because it looked like a single mom pushed to murdering her neighbor when she discovered he was abusing his daughter. I was under the impression it was going to be over-worked single mom goes Die-Hard and that sounded awesome. Then I saw the movie and I was so disappointed that the perfect angel kid did everything and it sucked.
Honestly, Dan's original vlog about it made it sound like a botched attempt at a black comedy satirising the sorts of precocious kids films it draws upon, which also would have been kind of amazing if done right, but seeing these clips, the visual language only speaks to this accidentally, which is *such* a letdown.
I just looked up and found that the screenwriter is a huge Jordan Peterson fan, and has publiclly said his teaching influenced most of his writing. He studied under him. I wonder if this informs anything.
This movie features a wealthy person's idea of poverty, a stupid person's idea of intelligence, a sociopath's idea of empathy, and a mall ninja's idea of tactics.
Truth.
Great summary, but wtf is a mall ninja?
@@paperheartzz you know, the guy that buys all their tactical gear at the mall, but never uses it. The guy who uses a plate carrier to carry their cell phone and their Leatherman tool that they've never used to do anything except to open up bags of chips. The guy that has 15 swords hanging up on his wall and doesn't know how to use a single one.
@@paperheartzz someone who is into "martial arts" but mostly buys swords and ninja stars from a place in the third best mall in town called Cursed Cutlery
That is the perfect description 😁
Say what you will, but it's an incredible achievement in character writing to make a movie about a child dying of brain cancer where the audience ends up rooting for the cancer.
That cancer was only on-screen for a short time but it had a lot of development. Truly impressive.
Colin Trevorrow moment
That cancer bravely fought that boy to a draw and died. I didn't even know he was sick
@jamesconlin5099You’re, but I’m also curious what exactly you mean by this. Who is slow? Why?
"3 extra 10-round detachable mags" It's incredibly funny to me that Henry thinks Susan will need to take 40 SHOTS to kill Glen.
@TheChrisUmstadter Some time ago, I've heard that the buyer not getting any accessories with their gun is a red flag, because it suggests they'll most likely kill themselves with it or something. Maybe that was the intention, both in-universe and out.
Of course this purchase is sus for a few other reasons and I am overthinking a badly-written movie, but hey ho.
@TheChrisUmstadter that would actually make sense if the final part of the plan wasn't throwing the gun away. Having 3 extra clips but no gun that match the spent casings of what killed Glen is a massive red flag
It makes sense, 40 rounds is NOT that much to carry and you rather have them and not need them than the other weay around.
@@michalsoukup1021she’s going to possibly reload up to 3 times in the course of taking out a single target in a stealth situation?
@@iggykidd no plan survives first contact aith the enemy.
"he's not going to sell a gun to an 11 year old" Dan he's ALMOST TWELVE
Clearly Dan has never played Persona 5; kids get sold guns all the time!
@@JeanMarceaux Guns, swords, axes, bdsm equ- I mean whips, more swords, rocket launchers, etc.
@@dominikgonciarz3755 does Morgana count as a bdsm device or is it just a torture tool?
@@JeanMarceaux Honestly, there is very little difference between the two.
@@dominikgonciarz3755 true, true.
"I wanted to give Henry emotional intelligence."
*Proceeds to write a character* *that's half Sheldon Cooper, half* *Jigsaw.*
so just full jigsaw
i feel like saying Sheldon is half Jigsaw, is giving him too much credit...
I actually scroll down to chuckle at this every time I watch the video
Draugyr i haven’t watched Big Bang Theory, but I have seen enough clips to know that Sheldon is an emotionally vacant nerd who, honestly, probably couldn’t think his way out of a wet paper bag unless it had an incorrect Star Trek reference written on it, whereas John Kramer (the original Jigsaw killer) had an actual backstory as to why he was who he was involving the death of his unborn child and his own imminent death to cancer, so it was an emotionally driven man who, through a twisted mirror, wanted to help those he tortured.
@@davidspring4003 "i haven’t watched Big Bang Theory, but I have seen enough clips to know that Sheldon is an emotionally vacant nerd who, honestly, probably couldn’t think his way out of a wet paper bag unless it had an incorrect Star Trek reference written on it" you ought to be in some sort of quotation book for that one
If Henry's such a genius, why didn't he realize he could just tell Susan to hire an accountant after he died? There was absolutely no reason for him to try to teach her finances. She can pay someone to do that for her, and she won't risk screwing things up that way. And for that matter, I fail to see how a sniper rifle in the tree fort is a better idea for the murder than just hiding behind a tree until Glenn's back was turned and shooting him with a handgun. So much less evidence to dispose of that way, and you have plausible deniability if you get caught with the gun before the murder. Admittedly, this sort of overengineering does seem like the kind of thing a child prodigy without a lot of practical experience would come up with, but the movie seems to show no self-awareness that it's a sign of immaturity, not genius.
So what if the movie is seen through Henry's eyes. He is right, he is not condescending, and he is the only one that can fix it. When Susan deviates from the script, she stops seeing the world through that same immature lense the tapes convinced her it was. This doesn't fix everything, but it does resolve some of the tonal issues.
Simple dude , Henry was clearly doing insider trading and embezzling funds . Like the video said, Henry is a dick.
In that case, all the shortcomings of the grown ups should have to be exaggerated, as the video stated. If Henry sees bruises, the girl has to have bruises. If Henry thinks his mom is negligent, then the framing has to show us that. In Henry's eyes, the world's apathy is screaming, and if the movie tells a story through his eyes, it has to show that. Instead, as the video stated, they were scared to paint any characters in actual bad light, or even with severe faults.
also, if he's such a fucking genius why doesn't he take a good camera and films the abuse? The movie shows that Henry can see it from his damn window.
Also the scriptwriter went to HARVARD. For all aspiring writers, take this as a sign of hope, institutions don't make great writers, hard work does.
I dunno which is worse, supplanting your dead brother as Enchilada #1 because he died or staying Enchilada #2 as a constant reminder you'll never be better than your dead brother who died.
Trick question, worst is becoming Butterfly #2
I’d prefer to be burrito #1, enchilada #1 is corny anyways
"Why do I have to be enchilada #3?"
"Because your new sister/possibly abused girl who's dad I was going to kill is now enchilada #2"
I'm Enchilada #1 now. Say it. Say it!
probably staying Enchilada #2, because someone might ask, "So who's number one?" and you get to consistently be reminded of your dead brother. at least, if YOURE #1, nobody's gonna ask. although if they ask who's #2 (which is slightly less likely) you'll have to say, "Yeah, that's also me." so.
"I'm a child who talks and thinks like a 40 year old divorcee with no social skills" is the worst trope ever made. That's problem #1 with the film imho
He's baby jordan peterson
I don't have any proof of that, but the suspiscion, that this is a trope applied exclusively by male writers onto male characters (boys). This would propably somewhat go hand in hand with UlvenAspiration calling this "baby Jordan Peterson", as Peterson very often talks about his perception of masculinity.
I find it fascinating that a script from a professional screenwriter that was in the making for 18 years is worse with this trope than a freaking Harry Potter fanfic literally called "Methods of Rationality".
That fic starts off seemingly portraying the trope straight. Then it start a sublot about team competitions (between Him, Draco and Hermione).
The narrative hypes up the the first one as a battle between him and Draco.
An ideological clash of "creative chaos vs. strict order"
Only for them both to lose to Hermione. Because she was humble enough to ask her team for their opinions, listened to them, learned their strength/weaknesses and worked from there.
Unlike two self-proclaimed geniuses who based their entire plan on proving their points on "chaos vs. order" debate.
And just an icing on the cake - before the competition even started, "rational" Harry was unironically: "Harry was slightly annoyed by the way the Boy-Who-Lived had been demoted from supreme dominance to one of three equal rivals just by entering the contest, but he expected to get it back soon".
Which adds so much satisfaction to the moment when his "I'm smart so I'm better than you at everything"-view clashed with reality.
"Book of Henry" author seems to share his character worldview instead of concerning himself with such boring things as reality.
Henry is a genius = he is always correct and is physically can't not exceed average "non-geniuses" with decades of experience.
So of course he beats janitor at checkers with one move.
Of course he can buy an untraceble car and have it delivered wherever he wants without raising any questions.
Of course, he traded for millions of dollars ("600k in stocks and more in bonds"+money he spent on the freaking car) while being 11 years old (how much time had he had to trade?) and while having all of his market knowledge from newspapers.
Of course, he explains his own diagnosis to his neurosurgeon AND IS CORRECT.
I think that is an actual problem. And trope "11 years old genius who acts like a 40 year old divorcée with no social skills" can be extremly entertaing if used tastefully like "Methods of Rationality" does.
Honestly comparison between the two can be turned into a case study of "how not to do and how it could be done".
(And I wrote huge wall of text for 3 more points, but realized that nobody is gonna read about every little detail. If you are curious to read more, just tell me. But here I'll leave only main point)
The best indicator of good writing is the way characters around "the genius" are written:
Are they just punching bags for him to prove superiority or have a solid ground to stand on?
In MoR the further you go the more you realize that the characters Harry is being dissmisive jerk towards, have their reason to do "irrational" things. And the attitude "I am the protagonist of the universe" have got Harry easily manipulated by some of the adults with their own agendas. Contrast it with adults like the checkers lady, the teacher who asks "why are you in this class" and dammit Janysse.
And since you can't expect a character to have an empathy when the author has none, the writing of genius's peers is even more important.
if Henry, treats dodgeball kid and everyone else in the class as just a punching bag to feel superiour to, then it can be a good character flaw.
But it requires author to not feel the same way.
MoR at the second half sometimes jumps to the POV of normal 11 olds who are double dissmissed by "rational" Harry. And that are some of the best chapters in the entire fic. For me, it perfectly reacreates early books' comfy vibe "kids meddling around their madhouse of a school in a passionate search for adventures to inflict upon themselves".
Book of Henry's author, on the other hand, doesn't care even about plot-crucial characters like Christine
So I believe him if he says that he tried to give Henry as much emotional maturity as he could imagine.
But I'm still fascinated that after 18 years of a writing career and making decent enough connections to to make his dream movie, he isn't more in touch with reality than a lonely fanfic writer
@@ar1i_k Oh I happened to read that fanfiction actually! But yeah, I think the trope is not about child geniuses, but geniuses in general being good at everything. I think that's one of the major flaws of "Good Will Hunting", Matt Damon's character is just TOO genius, too good at everything, it breaks the immersion. It would in fact have added an extra layer of psychological depth to have him be crazy excellent at math, but just okay at the rest, in such a way that he has an intellectual comfort zone and there actually are things that challenge him intellectually. Would he get out of his comfort zone? How does he deal with a bruised ego by thinking himself smarter than he is? That creates a much richer character I think, because superintelligence in everything is just a superpower, not something that works well in storytelling that aims to be rather naturalistic.
Perfectly put.
Just want to point out that the same kid Henry makes fun of is the kid shown being bullied during Henry’s opening monologue. What a likable protagonist.
I want THAT kid's story. He seemed like a sweet, funny normal little boy.
My heart just broke for a fictional tertiary character
@Zleep God, Now I wanna give that poor child a hug and encourage him to follow his dream despite what stupid Henry thinks of it. 😣
@@sadtitties222 Yeah! Maybe this kid will MAKE dodgeball an Olympic sport! You don't know shit, Henry.
Totally Nameless Thats a comedy Id watch.
"It was my brother's dying wish that his ashes be disposed of by being thrown at random people. He was kind of a dick like that"
This made me giggle.
My dying wish is to have my mortal remains thrown in Jeff Bezos' face.
I didn't say anything about being cremated
😂😂😂 I needed that laugh, thank you
See if there was a character who just said “when I die. Take my ashes onstage. And throw me at people. Say it’s art.” I would probably unironically love that character. That’s fuckin great
@@CaptainCathode _THUNPP_ *man screaming*
Am I the only person who thinks there's kind of an idea for a horror movie here? A terrifying bad seed type continues to control his sheeplike, unstable and grieving mother to carry out his will even after his death?
I'm convinced this is a Brian De Palma or David Lynch script that was accidentally produced as a "heartwarming" kids' movie.
"You must sent a bad man to the cornfield."
@@arturoaguilar6002 There's a children of the corn reference waiting to be born in that sentence? ;) :P
It's like an inverse Norman Bates.
More like a Saw prequel.
It's funny(ish) how suicide at the end of a movie always means "guilt confirmed, no further questions", even though suicide at the *start* of a movie almost always means "investigate the shit out of this because it's never just suicide".
This is more just a consequence of structure than a particular flaw in this movie. If something happens at the start of a movie, the movie should be about that thing. If something happens at the end of the movie, it's a resolution.
Not saying you're wrong but just adding more context.
@@midn8588Yeah it's just the difference between a call to action and a resolution of said action.
@@midn8588 - Yeah, I'm just imagining a really weird Narrative Forensics department whose job it would be to determine whether we're at the start or the end of a story so they can decide whether the police should care or not.
@@FTZPLTC oh that's easy, if credits that follow the suicide are on a black background - then: case closed. If they are accompanied by a stylized music video, then it's investigatin' time!
@@ELEKTROSKANSEN The idea of diegetic credits that everyone nearby sees whenever a narrative begins or ends is really funny to me.
As a teacher, I need to say that Goddamnit Janice doesn't need any kind of concrete evidence. In fact we're trained to report any form of suspected abuse no matter why we think there may be abuse. Making a report that turns out isn't true has absolutely no repercussions.
This probably isn't explored in the film, but the claim that it has "absolutely no repercussions" seems a bit naive when we're talking about a police commissioner whose brother also works for family services and is apparently in a position with so little oversight that he's the one who's assigned to respond to CPS calls on his own family members. Maybe there are no "official" repercussions, as per mandated reporting, but many people would be wary (rightfully so) of drawing the ire of an obviously politically connected high ranking policeman.
David Neely That is a good point and true in the context. However, I believe these reports are also anonymous.
LexieDi If a kid were to get bruises on their legs from fucking SOCCER PRACTICE schools would immediately assume the worst.
@@ruskerdax5547 but later Goddamnit Janice just calls someone and solves everything no questions asked
You could make an anonymous report, but the kind a school would generate is not iirc. It would also be relitively easy to figure out who made the complaint based on the evidence presented.
The statement "without any repercussions" bothers me in the other way as well. There are lots of repercussions, just not necessarily for the reporter.
A grown man writing this and seeing Henry as "emotionally intelligent" is horrifying.
Physically that man's an adult, but mentally he's forever a disturbed child.
Narcissists invariably mistake sociopathy with emotional intelligence. Or "you need to sacrifice for me" confused with "i am capable of self respect"
He's like one of those people that constantly berates their SO, and then passes it off as caring
@@MalleeMateTheir s.o.?
@@erikbihari3625 significant other (boyfriend/girlfriend/husband/wife/partner)...
*G O D D A M M I T J A N I C E*
*H E S C A T T E R S H E N R Y'S A S H E S O V E R T H E C R O W D*
"LET'S GO SCREW!!!" Whoops! I had a flashback of audience participation in a midnight showing of a different movie. With the name being pretty similar to Janice. Sorry.
How dare they do Tonya Pinkins like that. Why were so many good actors in this terrible movie?
P A U L
@@SpeedyXGunz I just looked through WAY too many comments to find this.
Here's a nitpick.
The writers seem to like using the word "contingency" to sound smart, but obviously have no idea what it actually means. A contingency is an unlikely future event that can be accounted for and mitigated. So while "accounting for contingencies" is a real concept, the movie doesn't actually understand what that means, just that it's something smart people say. For instance:
A Rube Goldberg machine works because it is completely deterministic. Although it may have the appeance of being "random" and working anyway, the beauty of one is how it highlights the predictable nature of, say, how far a ball will travel in the air when you control for every other variable when you launch it. You don't set a "contingency" for when it lands somewhere else, because you know it won't. The idea that "accounting for every contingency" in a Rube Goldberg machine is therefore self-defeating nonsense dialogue.
Similarly, Henry doesn't actually have any contingencies in his plan, aside from "things will just work out perfectly anyway because the writers are hacks", which is what happens in the end when he fails to account for the contingency of his mom not having the heart to shoot someone. In fact they set up scenes the way you would if you were trying to convey "the planner is such a genius here that complex human behaviour is reduced to predictable clockwork", like if you were shooting a prison break movie and you showed characters lifting a manhole just as the guards both turn away during a shift change.
TL;DR the writer is a the worst kind of moron, the pseudo-intellectual type.
+
Wow, thank you for taking the time to actually write down a detailed explanation, I didn't actually know what a Rube Goldberg machine was and I appreciate the improved ability to see how linguistically absurd this movie is.
The contingency thing bothered me, too. If you've planned for contingencies, you've created room for error. Anyone claiming to be a strategist who says "You must plan for every contingency" is...going to die of an anxiety induced heart attack, not brain cancer, but their plans would produce enormous room for error.
movies like this baffle me not just because they're bad but because they could SO EASILY be fixed. And with 18 years to write the script it- boggles the mind. Just get rid of the mom.
Mom abandons kids. Henry, a child prodigy, is now the Adult of the house. He cannot call CPS on his neighbor because then they might look into him and his brother's situation and he's terrified of the two of them being separated. He makes money in order to keep their house and the appearance of hard working parents who can never be around. His notes on this "perfect murder" aren't instructions, they're the reflections of a kid who is angry, forced to grow up much too soon, and can't figure out how everyone seems to ignore kids suffering. After his death his younger brother finds the notes and takes them to be instructions because he's a tiny kid grieving the loss of his only parental figure whom he thought the world of.
Guess I'll just have to save this script for Home Alone 9: This Time He's Got A Sniper Rifle.
But that would require actual tragedy. We need Henry Mary Sue to make everything work out to a happy ending, that's how movies go!
There's actually a webcomic called Humor Me that has a similar setup to what you described and it is in fact much better
@@Talisguy I blame this movie for the last jedi
@@murciadoxial8056 lolwut?
@@freddiekruger3339 colin trevorow was supposed to, not only direct, but to write ep 8, but then this movie comes out, he gets fired immediately and they have to run around and find someone to replace trevorow, so they throw in rian johnson, but he has a pretty short amount of time to write a new script and they have no time to do substantial rewrites, there is no time to iron out the fucked up script, and them movie turns out to be a complete disaster.
Y'know, something just occurred to me: isn't it kind of contradictory to have a character who is presented as a Christ allegory while also being obsessed with material wealth?
Nah, total subversion of your pre-conceived expectations. You know, like that TLJ? ;)
Not if it's GOP Jesus.
Also murder
Verily, verily, I say unto you, you need to buy a new car, for I speak not of my own Accord
VirtualBoy500 Yeah. It’s the same lack-of-insight that leads to people owing solid gold crucifix necklaces, and that one Nazi dying in the Last Crusade.
"Hey-boss,- we-found-your-body-down-at-the-creek creek"
17:18
@@IrvingIV "Your" because he's the police commissioner, ie the boss
@@LostieTrekieTechie
And, of course, because he'd be dead.
Down along the heybosswefoundadeadbodyalong the creek, I remember something.
*Heeyyy boss we found ya bady down at the creek bada bing bada boom*
Wouldn’t have minded a mention of the doctor who is seemingly pursuing a romantic relationship with the traumatized mother of a patient who died in her arms days earlier.
Yeah, that's in the movie too...and I have no idea why it's in the film because that subplot goes nowhere...
@@tomhur1 All these non-Henry & Susan characters are just a bunch of Schrodinger’s Cats, in this movie
ncuti gatwa is doing what?
oh nvm misread that
Teacher: "why don't you go to the advanced classes?"
Henry: "Cause it's important for my psycho-social development."
*proceeds to not have any healthy interaction with his peers at school*
That's semi-believable though, in terms of that presumably being the system's justification for mainstreaming him despite it being to no actual benefit.
@@DStecks But they don’t want to mainstream him. The teacher is trying to get him into a gifted program/school where he could actually be challenged by the material, and that’s his excuse for resisting her.
I think that line is potentially character-revealiing. In 'regular' classes, it's basically guaranteed that he's the smartest kid in the room, and he's not particularly challenged. If he goes to advanced classes, his ego and self-identity as 'the smartest person' might take a serious hit. From what we see he doesn't care for the social side, but being recognised by his peers as intellectually superior clearly matters.
@@DStecks The system doesn't typically mainstream kids out of advanced classes, that's usually a parent's decision and in this case was probably Henry's as well. Schools forcibly mainstreaming kids for social reasons is usually something that happens to special needs kids, not "gifted" kids.
i interpreted it as:
some higher-up in the school gave that as a reason why he wouldn't be allowed to skip a grade or something, and he repeated it sarcastically.
I can´t belive this movie actually has a "and then everyone clapped scene"
Oh snap! I wrote the original story that meme comes from!
@@likethebookshop are you joking, or is that true?
@@DerAnanasKing we will never know
"Yay! We're inhaling the remains of a dead kid! Maybe he's blessing us!"
@@likethebookshop
I remember that.
I was there.
Everyone clapped.
"Oh Jesus, they think they nailed it."
DYING
Still wondering if that pun was intentional
The reason the Christina subplot feels so soulless is because it is. He didn't write about child abuse because he had a compelling story about it to tell, he did it to immediately flatten the moral complexity of the movie.
At the end of the day, this is a movie that just really, really wants to show off a child's Rube Goldberg murder scheme playing out in real time... but murder is a heavy thing to get an audience on-board with, and that's why he needed Christina. Child abuse flips a primal switch in the minds of most people, and it's one of the few crimes a person can commit for which the lion's share of people, regardless of background or circumstance, will immediately be open to the possibility of murder in retaliation. Throw in a little of that, and boom! Now 98% of the runtime can be spent on what the director actually cares about. No need for Christina to feature past that, because she's already filled her purpose.
It's all just so... mercenary. I'll decline to make moral judgements of a man I've never met, but this isn't the kind of movie that reflects particularly warmly upon its writer.
should have made glen a landlord instead
@@arthropodqueen Based and good
@@arthropodqueen That, or like go into the fact he's a police commissioner, show him being a corrupt tyrant! I know "wanting to hurt a cop" is probably too much for the author to handle, but still the setup was there.
@@hogandthezoomer8041Yeah, why make him a cop if it's not gonna play part In the narrative? The Mom already took a pause when realizing her instructions are from a vindictive twelve year olds!
@@erikbihari3625 I think the purpose of him being a cop in the story is to explain away the "why don't they just call the police" issue
"Oh, and we can't forget the scene where Henry, cop on the edge, bursts into God-dammit-Janice's office and threatens to turn in his badge."
For real that scene felt like he's Serpico.
Should have burst in with a LMG and said "GoddamnitJanice, say hello to my little friend!"
As soon as I started reading this the video played the same thing
"Dirty Henry"
One of my all-time favorite lines from Dan
This movie is begging to be a comedy.
Could you imagine how genuinely funny it could be if the premise was "Psychopathic child writes out a needlessly complex plan to kill someone that their parent(s) have to enact", except that it doesn't have the weight of child rape on the other end, instead something like "created a minor inconvenience for me once", it would be brilliant.
Sorry if he makes this point, haven't finished watching yet.
It WAS going to be a comedy. The film was originally gonna be a black comedy but apparently, the director didn't wanna make one so we got this mess.
Reading this I literally laughed out loud
i think you just described home alone
Directed by Wes Anderson lol
Psychopathic? Do you even know what that means? This comment section is just disgusting
Henry: "violence isn't the worst thing ever, Apathy is."
Also Henry: Trades stocks on the phone instead of protecting Peter from getting beaten up.
Plot spoiler: Henry wasn't Jesus, he was actually John Galt.
you would dare to question the Lord and His Prophet?
Wall Street 3: Money Has A Strict Bedtime
Man's not apathetic about his stocks, you got to give him that
One of the weirdest things about this is that I am certain Henry being a child prodigy stock trader is a reference to William Gaddis' 1975 novel J.R., which… again, this would make sense if this movie were *supposed* to be a black comedy or a satire (as J.R. is), but just feels like a really weird allusion to make in a movie playing a premise this deranged this straight.
It's been years and I finally watched this movie. I'm really disappointed that no one ever mentioned the best part of this entire thing. When Susan is frantically driving to go shoot Glenn, dramatic music in the background, and it intercuts with clips of a child burping the alphabet on stage.
Oh man I've seen the movie and I completely forgot about that part...
The dodgeball kid also did a rap song with the word “shiznitz” and a mic drop.
Standing Ovation.
I still can't believe this isn't a comedy
@@consentclub8431 Plot twist: It was prior to Trevorrow. 😅
Reading this comment alone made me genuinely laugh aloud. I need to get my hands on the film as soon as humanly possible.
The biggest lesson I learned from this: as a writer never think you're smart, because that's when things fall apart
That literally sums up EVERY problem I have with the 2016 MacGyver reboot. XD
I had no idea the 2016 MacGyver reboot was a thing, so I'm assuming you're completely right.
Katy133 I'm gonna have to backhandedly support MacGyver here by saying anyone that decided to make this reboot at least once in their life was mentally screened for possible brain damage. And saw original MacGyver thought that was good and needed to redo it as more cerebral.
Hey it rhymes.
The biggest, most obvious thing to me is: COLLABORATE!
If you're a writer for a tv show or movie, then how arrogant and stupid and selfish do you have to be to not want to involve the other creative people? Hire actors who have an opinion and get them involved in the process and you'll end up with much deeper, stronger characters than if you simply write them all yourself, no matter how good of a writer you are. Your story will be populated with well-developed characters if each actor has the chance to shape who he or she is portraying.
I've long fantasized about being in the film industry so that I could work with people and tell good stories together. I can't imagine being so arrogant as to think that I didn't need help, or so dumb to think that soliciting input from the people you are working with won't result in a better story (and in actors who are more investing in their characters).
God, watching this, I half-expected a scene where Susan would be driving back to the talent show, and put on a CD, which would play music before being interrupted with Henry's voice: "Don't worry, Mom. I knew you couldn't do it. In fact, I was hoping you wouldn't. The creek wouldn't have washed away his body, anyway. I'm sure you told him off in a way that will ensure that he finishes the job, himself. That's right, mom; I hope you have those custody papers, because Glen should be killing himself right about now. Thank you for being a good person." I'm actually amazed this DIDN'T happen, in the movie! What a load of garbage.
I would've at least respected the ridiculous lengths the film goes to if it went this far. As it is, there's just nothing of worth or respect here.
@@hardcut799 I agree. It would have addressed the "emotionally intelligent" part atleast a little bit. Whatever tho. Bad movie, has some good ideas but doesnt play them out fully.
Yeah I choose to believe Henry knew everything she would do. Maybe they're saving that scene for the sequel, where Henry reveals in said recording he built a computer that can connect to the internet many bakers dozens of years in the future and downloaded some of their medical journals, and she cures not only the kind of terminal brain cancer Henry had but all other forms of cancer.
And AIDS.
He would have done it himself but he ran out of time and spent the rest of his life coming up with this outrageous plan.
Alternative version: What you describe happens, except that she did shoot him.
@@CatCheshireThe ooooh. I likey
Brb gonna go write a screenplay about Tommy, the kid who grew up to play dodgeball so hard that the Olympics added the sport to their lineup. And people said he was foolish to dream. You'll show em all, Tommy.
(make it a rock opera too)
Ever since he was a young boy, he played the dodgeball
@@mechamonkeymancityboat7785 that deaf dumb and blind kid, sure played a mean dodgeball
I'd watch the shit out of that!
@@mechamonkeymancityboat7785with the critically acclaimed song "Dodgeball Wizard"
This feels like the plot of an Adam Sandler movie. Not a dis, I love Adam Sandler’s movies unironically.
Right down to the details like the foolproof audio distraction, the sniper rifle smuggled into the tree house, and hiding the body in a creek, this sounds like a murder plan I'd come up with if I played Hitman for 72 hours straight and then took a briefcase to the head.
Loool, shooting an old man from a treehouse at a (Whittleton) creek is literally a feat in hitman II, I can't fucking even
@@youtube-kit9450 Well done 47, now that Janus is out of the way, we can adopt Lucas Grey with these forged papers.
@@youtube-kit9450 You've also got me tempted now to see if I can lure him over to the creek edge and snipe him in, ideally maintaining silent assassin. It's probably going to mean a lot of unconscious bystanders, but that's what empty houses are for.
Lmao expanding the comment and seeing the punchline was awesome
I so desperately want to see "detective reviews the murder plot in Book of Henry"
I love learning about storytelling technique from bad movies. It's like an educational autopsy.
And often more educational than seeing things done right.
I've found the exact opposite to be true in my career in the film industry. There's a hard limit to what you can learn in terms of what not to do. But there's no end to the lessons you can learn from the masters of the craft.
idk, there are A LOT of ways things can be done wrong
They all fall into the same basic categories though, once you learn those there's nowhere else to go with it. Plus, there's a mountain of content on youtube in which people crap on bad movies, that's why I focus on talking about what makes good movies good on my channel. Most youtubers tend towards talking about bad movies because it gets more views and it's easier to do. But my channel isn't monetised and I like to challenge myself.
I think a lot of the time it is easier to learn things from bad and mediocre movies than really good ones, because you often don't notice how things are done when they are done well.
It's definitely super awesome when a female rape victim is created for, and exists solely for, motivating a male character. And super original too.
Good job guys!
@Ironclad tortilla chips Specifically, that's what Jordan Peterson taught this rancid sack of dildos of a man, as in his biography it's stated that he was a student of his and he had INFLUENCED HIS WRITING
Dirt Dauber - Seriously? Jordan Peterson taught him that? Like, he explicitly says that Peterson taught him that one should write female rape victim characters that only exist to motivate a male character?
I wonder if it was difficult for Susan to adopt a little girl when she's constantly inside of a refrigerator.
@@Markunator Maybe not directly, but the worldviews and philosophies that Peterson teaches would beget such ignorant story crafting.
Kig V2 - How so? And also, was Trevorrow a student of Peterson’s?
Adding to the "atm withdrawals" thing, I work at a bank. Rapid withdrawals of smaller, even amounts is viewed as a red flag on probably a dozen different training modules
Makes you wonder if their legal team made them change it so people wouldnt want to follow Henry's plans
@@BARMN89 Henry's plan wouldn't work. The arms dealer wouldn't just respond to someone name dropping Dominick, because that's the quickest way to get busted by an undercover cop.
He'd have pretended not to know what she was talking about, and the second she left the store Dominick's guys would follow her home and take her out.
@@trtx84 oh I thought of Dominique more as a paraphrase than an actual person. The store clerk doesn't seem coded as a "one cog in the mafia" kind of corrupt so much as a "I want an extra buck or two" kind of corrupt
I'd imaginet that goes double if they're at different ATMs. $1500 cash isn't suspicious especailly for an account that's apparently worth almost a million dollars, but $1500 at $100 intervals split between 15 ATMs is gonna raise all kinds of red flags
Henry is the worst kind of "precocious child" character -- the one that the writer doesn't realize is basically just a tiny, abusive adult. I've never wanted a child to die of brain cancer more.
low bar I hope
He’s so annoying, but honestly I hate how when it comes to characters if you’re smart you have to be a completely sociopath, that or a least a jerk. Why do “smart” characters always have to be so full of themselves
Number Five from The Umbrella Academy is a funny subversion of this, because he is actually in-universe a 50-year-old hitman trapped in a 13-year-old's body.
@@LeoMajors I'M THE DADDY HERE!
@@XiaoIsMyHusbandBTW to be fair, it checks out in the case of a prodigious 11 year old. His attitude reminds me of my days in gifted kid programs back in elementary and middle school.
I know this is kind of a minor point in the grand scheme... But does anyone else notice the amount of technological inconsistencies in this movie? Henry buys and sells stocks over the payphone based on what he reads in the financial pages of the newspaper and records his master plan on a Walkman, but does the family's financial planning on his Apple laptop while Susan plays Gears of War on their XBox? This isn't really a narrative problem, but it is heavily indicative of the way this guy had certain parts of the plot set in stone early on and just never changed them; lots of editing little pieces happened, but there was never a real overhaul of the whole story to make it consistent.
Yeah apparently the script first started being written in the 90s
Also the fact that new cars in the 2010s had GPS with logs that could show she went home during the talent show.
@@erraticonteuseSo a strong reason to not pester the Mom about upgrading her car
Payphones stuck around a lot longer than you might think and the first two, three Gears of War games came out long enough ago that both would have existed in many towns at the same time. Apple laptops haven't changed in their general design aesthetic much if at all in the past 20 years, and as for the Walkman, maybe Henry just likes tapes?
As far anachronisms go, this is all pretty mild, and even that is generous
oh my god.. i never noticed that. thats insane.
Imagine how good this film would be if it were a comedy.
Midway through the movie, we find out that Glen's daughter is named Kate, and Christina (whose safety Henry is worried about) is actually a houseplant.
Susan is under the impression that Henry is a completely average kid. "Doesn't your son trade the stock market yet?"
Henry secures the gun himself. The gun store owner lies to him about what kind of gun it is. Susan shoots Glen with a paintball gun.
Glen, still alive and splattered with paint, points out all the holes in Henry's plan. "Wait, what river? You mean the creek? This creek?"
The paintball joke would be the best climax this kind of movie could have. When Henry gets the gun and stores it in the treehouse, the audience wonders why it looks so fake and plasticky. Even if they can't give a real gun to a child actor, couldn't they get a more convincing fake?
It fades from their mind, and the climactic scene is too dark to clearly see the prop Susan is using. But then, when Glen is shot with a bright _splat_ instead of a loud _boom,_ we flash back to the gun shop and are reminded of the fake plastic gun prop, _which was a paintball gun with the orange 'this isn't a real gun' thingy sawed off!_
"Look, I'm on the east bank, I'm on the west bank. It isn't exactly the Mississippi!"
honestly i would love to watch a rube goldberg murder plot concieved by a child to play out in a comedic tone. this movie was way too serious for what it is lmao
edit: just realized this is what the home alone movies kind of are
Oh god yes.
This would be amazing
Dude, write some dialogue and fucking do it already! There's ass upon ass upon franchise upon franchise upon remake upon remake stacked to the ceilings clogging mainstream theaters every year, go pitch "book of Henry but funny" and give us a ray of sunlight down here!
An important note about the grocery store scene: Henry is wrong, Susan is right, don’t jump in. In cases of abuse, you should NEVER accuse or tell off the abuser in any way, unless you are DAMN SURE you can protect the victim from that point forward. Because you aren’t the one who is going to pay for it in the end, the victim is.
But he's got eMoTiOnAl iNtElLiGeNcE
Something tells me that the screenwriter and director have never known anybody in an abusive relationship, and would be the type of people to say “if it’s so bad she should just leave!” 🙄
What is to be done then
@@bastiancu2365not much you can do besides involve the authorities, unfortunately.
To be fair to Susan's flower-as-a-metaphorical-Jesus/Henry story, Henry's death DID make things better. Specifically, it allowed Goddammit Janice to enjoy a quiet lunch for the first time in years
And spared Susan from his incessant nagging for the rest of her life
Yeah 😂😂😂
@Riddle13 My God, the incessant nagging is just unbearable for me 😭
Now she can finally get around to finishing Gears of War
@@ryancampbell8645 He’s somehow both her kid and the WORST boyfriend ever. One who has bought in wholesale to the pickup artist BS and needs to constantly neg her to make her feel terrible about herself.
For anyone unsure, $1500 is replacing a household appliance money, "our fridge died" kind of money.
Lee Kalba yeah, Maytag money as we call it on the street
To be the kind person who has $1500 lying around as appliance money.
It's a hit for sure, but if you need a fridge, it's cheaper to buy outright than to finance. It's not "appliance money", it's "shit happens" money.
Anyone who's struggled with poverty knows how expensive it is to be poor. - James Baldwin
I'm sure it is cheaper to pay for things up front. No need to deal with interest or financing. Most Americans can't handle a sudden $500 expense. For them, $1500 isn't even shit happens money, it's we're fucked money. Still, it's relative, and if Susan has 680k sitting in a checking account, a $1500 withdrawal is nothing.
Yeah, a sudden $1500 expense would screw a lot of people over, but in the abstract $1500 isn't an extreme value, even for poor people. Cars, appliances, home repairs, it's just not a huge amount of money in the scope of things.
Thanks for pointing out the absolute raw deal Susan gets for being an actual human being reacting to her child's death. Especially in the hospital scenes, where you can clearly see she is going through textbook stages of grief while "emotionally intelligent" Henry ignores her pain.
It becomes even worse when you realize that Henry could have recorded all the financial info for his mom to deal with later, like, oh I dunno, in a notebook and maybe some tapes that he would want to make sure she got? I mean, You would think stuff like that would be super important, and therefore worth more effort than a few lectures from his hospital bed WHILE SHE IS STILL DEALING WITH HIM DYING.
I know, right? Like, lmao, she supposedly "grows up" by the end of the movie, but in the hospital she clearly has her priorities straight: deal with the grief of traumatic, terminal illness and not some stupid stocks and bonds.
If anything, Henry comes across as a cold individual, who has "some" sympathy towards his brother, but is kinda passive aggressive towards his mother - some unresolved emotional issues seems the most likely issue, but also a lack of a father figure role model for him to identify with. I'd probably say he's over-compensating "as the man of the house" trying to make sure everything is running well financially, making sure things run smoothly within the household and taking care of his brother and mom. It seems unclear if this behavior is learned or if it is his interpretation of what he "needs" to do to ensure a good life for his family?
@@sigmacademy If this is so, that makes Henry and his patronizing ass even creepier than before, ESPECIALLY if he came up with the idea on his own.
I could forgive it if it was handled somewhat differently (he's 11 and therefore unaware of others, their feelings, and what unintentional pain he might cause them to a full extent, as often kids are pretty unaware of more subtle stuff like that, and moreover unaware of what death and dying means as anything more than an abstract concept he hasn't experienced in his sphere of influence yet enough to learn to apply that to himself, but attempting to cope with it all the same and, overwhelmed by it because he's 11 and this is all happening super fast, lands right in the strategy we call 'denial', preferring to distract himself with more concrete notions like numbers and accounting), but of course that's not the case and it becomes another weird symptom in this weird movie.
Just playing devil's advocate, but maybe Henry thought if he made a series of notebooks and recordings with financial advice his mom would be unwilling or unable to read/listen to them out of a combination of grief and lack of interest in the subject.
I don't know if the director thought that far or anything though.
To add to the 'they're not really poor" argument. they don't have a grocery list or coupons, they just wander the store, the kids are able to just pick up items off the shelf and put them into the cart.
But they child wants a shiny new car to compensate for his low self esteem. You're not really an 11 year old man when you drive an old rust bucket. That's the only sign of poverty, the mome refuses to buy a better car.
@@lagg1ebeing able to afford a new car but not doing so because the old one still works is just reasonable financing for a family in that situation. "But we can afford it" is not good enough reason to buy something like a new car
@@itayeldad3317 I mean, if you have $600k just sitting around not even invested, you *can* 100% afford to buy a new car, even if the old one still works. Perhaps if he actually explained this to her instead of being a dick, she would have bought the damn car and he could quit whinging about it.
@@orestes0883 Probably no. He comes across as someone who if you took away a source of whinging, they will fill it with another. There is no winning with it.
@@fleshhunter8703 Oh, I didn't mean he'd quit whinging entirely, only that he'd stop whinging about the car in particular 🤣
I also love how Christine is just perfectly fine at the end, as if she has magically healed from enduring constant sexual abuse for her entire life.
It’s not like anything else about her existed, anyways
@@CNWhatImSaiyan sadly. I hate it when writers create female characters just to be sexual assault props.
@@RoryRichardBrown The worst part is that we don’t get to see any real transgressions-not even the “bruises”-to make Glen actually villainous; we literally have to take Hank & Susan’s word for it
The movie should have been ABOUT her. Cut out all the child genius nonsense and give that screentime to her.
That too... was freaking weird. I knew the movie was so down the Mr Rodgers "make believe" tunnel that there was no point in stopping but it all wrapped up with a bow you couldn't help but say: "wat"?
If Henry was an actual adult it would be terrifying. Like imagine if Henry was her husband who controlled all her finances and secretly hid money from her (written in her name), and his plan was to adopt the neighbor kid and kill her allegedly abusive step dad.
That would actually make an entertaining thriller romp, but alas
Henry is basically an emotionally abusive and controlling husband except as an 11 year old kid.
@@CNWhatImSaiyan It genuinely would. Where a father indoctrinates his family to commit murder and kidnapping after his death. I would watch that, here's a pitch for a Netflix series alright.
at least the hospital kiss scene with Sheila would be slightly less creepy?
but he made all the money himself and when a kid makes money from working they don’t owe it to their parent. makes no sense to flip it to be about a married couple who are legally required to merge their finances & should be honest about money with each other in case the other needs it - as the video says, the mom doesn’t seem to need Henry’s money. not even when he needed brain surgery.
Here’s an issue I had- Dammit Janice doesn’t need to have “concrete proof”- all she needs to have is a suspicion. And, she HAS to report that suspicion, legally. Because she’s a goddamn mandatory reporter.
Dammit Janice!
Katie H It’s breaking my suspension of disbelief that she DIDN’T immediately get suspicious.
My kid brother is about ten years old now, and when he was even younger he played soccer on the weekends in the local park. We would get calls home if he came to school with bruises on his legs from playing soccer.
School administrators have a freaking HAIR TRIGGER when it comes to stuff like this, and justifiably so.
Not that this movie deserves the benefit of the doubt, but I bet the logic of writers was that he's the Commisioner or Chief of Police or whatever. She's probably more scared of reporting someone like that just for suspicions.
One of my favorite takeaways from the education classes I took in college is that it’s not your job as a mandatory reporter to decide if something is tangibly worth intervention, it’s your job to tell the people who make that choice. You never know what people have already been reported for in their files, what you’re witnessing might be part of an established pattern of behavior that makes it worth stepping in.
@@sweetcaroline9596 exactly! It’s just not her call to make.
*Goddamnit Janice.
“It’s really great how you enable her alcoholism.” - Henry, emotionally intelligent savant
I think my “favorite” part of this movie is that genius boy Henry doesn’t even actually understand Rube Goldberg Machines. It’s not about covering contingencies, it’s about being in complete control of what’s happening. There aren’t choices you need to plan for you create the only path that can be taken which is a far more apt metaphor for what the movie is trying to accomplish and they still manage to flub it
Sometimes I worry about trying to write "intelligent" characters because of the complaints that people make about the Big Bang Theory (supposedly the characters don't really act smart, just awkward while using esoteric language from "geeky things" - though clearly the truly biggest problem with it is that everyone in the series is a misanthropic caricature, just like almost every other sitcom). Watching this review (I refuse to watch the film), I suddenly feel much more confident in my capacity to write smart characters. 😂
@@M4TCH3SM4L0N3 it's much easir to write intelligent characters if you don't need to show their thinking more than once or twice.(A Hermione insteat of a Harry Potter)
@@guilhermetheodoro5759I think that's honestly kind of the problem. Creators keep writing characters who are broadly intelligent in multiple subjects, rather than with specialized intelligence. If you write a character with a single thing that they're good at, but they're just kind of your average person in every other aspect, then the author only has to be as smart as the character in that particular area. It's way easier to do some quick Google research about coding than it is to have a character who is just broadly good with "technology". And if you have a story like Harry Potter where the thing they're smart at is completely fictional, then the author can literally make the character as smart as they want because they not only right that character, but they also make the rules of the fictional thing.
I think it's just part of that weird kind of God worship that people have for "geniuses" where they assume if you're good at one thing, you must be good at everything. It's kind of a strange trope.
@@guilhermetheodoro5759 I feel like it's easier to write an intelligent character when you're writing from their perspective actually, you can go through their thought process and rationale, because intelligence is more than just having information, it's having a logical, rational and reasonable analytical mind. It's only harder if the author doesn't want to do research xP
Edit: Unless you mean the act of hiding the plan until it's dramatically appropriate, in which case, well yeah? But that's the same no matter whether the character is supposed to be intelligent or not...
I really want to grab Henry and shake him; PLANNING FOR CONTINGENCIES IS YOUR ROOM FOR ERROR! If you've planned for "every" contingency, you have enormous room for error, by definition.
I always point to Malcolm in the Middle as a good example of how to write a "smart" kid. Malcolm is a genius but he's also impulsive, rebellious, and immature.
And gets dunked on by everyone.
*Henry from his grave* : Well Actually
WELLAKSHUALLY
@@LawrenceofCanadia Peter & Mom: *break out the ouija board*
The Board:
So... Sheila casually kissing a dying 11 year old is never brought up again? We're just... going to ignore that?
K then.
ytmoog Neither do I really, but I was kinda creeped out by how the movie itself never addresses it.
Like, why put the scene there in the first place? How is the audience supposed to interpret it? Is it part of the whole Jesus metaphor somehow? Just... WHY?
That whole scene before the kiss and the weird way Susan treats Henry as basically her dad/husband is pretty disturbing. I guess they're trying to make him "the adult" but it just comes off...really creepy.
It's especially poignant and weird given that this _is_ a story that condemns child molesters to death. Except there, I guess?
La Esmeralda Apparently a lot of people find kissing children normal as long as there’s no tongue involved. I still think it’s really weird, but, cultural differences? Or maybe my friends secretly have pedo relatives. :/
Well, it's one thing if you give your mom and dad kisses, they're family. But Sheila's not his mom soooooo
The way Henry acts about his mom's video games, he's like the world's youngest boomer.
he's supposed to be acting like her parent so yeah, henry is doing the screenwriter's version of GREAT parenting
"this were better back when i was 6"
You could say he was a _baby boomer._
(Hope the joke lands)
So, if the little psychopath had survived, this could have been a prequel to "Henry: Portrait of a Serial Killer"?
Nah, this is where Diane went after Mulholland Drive.
@@troyschulz2318 Dick Laurent is dead...
Wait, wrong movie.
What if, in the end, it was revealed that Glen wasn't actually abusive. What seemed like abuse was actually just emotional arguments between the two after the passing of Christina's mom. The reason she puts emphasis on "step-dad" is because after losing her birth father and then her mom, she has difficulty accepting Glen as her father, not because she doesn't love him but because she's developed an irrational fear of becoming close to anyone, because she doesn't want to lose anyone else. Glen, meanwhile, has difficulty connecting Christina and is completely at a loss for what to do, which leads to occasional fits of rage at the situation as a whole. When Susan goes to shoot Glen, she overhears a conversation he's having with his brother through the walkie-talkie, where he's venting about the situation, and suddenly it all clicks into place. The bruises Henry see's aren't from Glen, they're from Christina, who has begun to self-harm to stop herself from crying. That's also why the bruises aren't visible, because she's making an active effort to hide them. Glen didn't just get a pass because his brother was in CPS, there genuinely wasn't anything wrong. That being said, the stress of being accused of abusing his child lead to a fit of depression. Christina caught onto this, and also became depressed at not being able to do anything. Glen isn't a perfect person, but he's trying his best despite the poor situation he's in.
This leads to Susan's ultimate revelation. Henry was wrong. Dangerously wrong. By trying too hard to be smart, he actively made the situation worse. By never talking to Christina, he failed to realize the true core of the problem. In the end, despite his intelligence, he made the same assumptions any child would. His friend is sad and he overhears yelling, she must be abused. She doesn't like to talk about it? She must be too sad and needs to be saved. And of course, if Glen is an abuser, he needs to die. There is no other resolution. This would also tie back to the scene in the grocery store. Henry wanted to interfere with the couple, despite knowing nothing about the situation, because he felt that he knew better. But, like what would have happened with the couple, by interfering in the situation without taking the time to learn the whole scope of the situation, by playing hero, Henry made things worse.
Realizing this, Susan decides to just walk away from it all. Instead of shooting Glen, she knocks on his door, talks him into coming to the talent show, and offers a lift. After the talent show, Glen and Christina hug, and it's implied that they're going to hash things out. And then, final scene. Susan visits Henry's grave. Finally, a concrete visual indicating Henry's death, showing Susan finally accepting the reality that she's never going to have this person in her life anymore. The moment is quiet, no dialogue. She stares for a bit, before placing something at the foot of the grave. It's Henry's notebook. The shot rests on the gravestone as we hear Susan walk away, her footsteps fading into the distance. A few seconds pass, when suddenly a new set of footsteps approach. A shadow is cast over the stone, and they seem to have something in their hands. A ball? They begin tossing and catching the ball with one hand, the rubbery impact revealing what it is. A dodgeball.
"I told you, didn't i? I'm going to be the most awesomenest dodgeball player, and no one can stop me."
Cut to black.
The end?
Wow...SO Much better.
Someone make this movie
Holy shit that ending! I did not see that coming!
You can’t hear or see it, but I’m recreating that one clapping scene from Citizen Kane in my bedroom, at 3:30 in the AM.
I like that idea, though I do think that the scene we see at the store was unambigiously domestic abuse, so someone jumping in to save that girl would have been a good thing even without knowing all the information about them.
On rewatch, jeez, the author seems to have issues with women and really feels an absurd need to make sure his self insert Henry explains every women how to do her job and live her life. It's almost the most coherent theme in the movie O.o
@Charmiskit THE REDDEST OF FLAGS.
I mean at least Susan decides to go against Henry's words.
The author is a big Jordan Peterson fan so... yeah. Not surprising at all.
@@maxxvii2037 “You see, Lobsters are the best and most homicidal at age almost twelve.”
@@maxxvii2037 THAT'S WHO THE KID REMINDS ME OF!
What's really annoying is that the kid who plays Henry is actually a really good actor. Henry's an awful character, but he plays him to perfection.
The Henry-Edward paradox: While Robert Pattinson portrays Edward in twilight intentionally as poorly as possible and makes it worse, Jaeden Martell plays Henry as accurately as possible and ends up making it worse because of that
He really is a good actor. I haven't seen him in stuff for a while, I hope he doesn't disappear (unless it's his choice to quit acting).
"You have to ask your eleven-year-old?"
"Twelve...he's almost twelve."
WHICH MEANS RIGHT NOW HE'S ELEVEN!! WHY DO YOU NEED TO CORRECT BOBBY MOYNAHAN WHEN HE WAS ALREADY RIGHT ABOUT YOUR SON'S AGE!?
This is hilarious
ZeroSum23 He's almost 30, if you don't think 18 years is very long.
Yeah, he's almost 40% done, the 60% left isn't much at all.
Because the joke is that she's trying to seem less 'crazy' (for lack of a better word) for taking advice from him by pretending he's a year older. The joke is obviously 1 year doesn't make a difference and he's 11 anyway. That isn't difficult to see and you make yourself look like you are just manufacturing your own outrage. Or you're stupid it doesn't seem too hard to understand.
I feel like the original commenters point was ridiculous that entire scene was.
Henry is an abusive husband/father/brother/friend/son. He is the omni-abuser.
I'm d e a d.
@@lucascattai9447 You're dead because Henry killed you. RIP.
And student! 🙃
He has become Death: Abuser of Worlds.
imho his relationship with peter is actually really sweet and healthy... unlike his relationship with every other person in his life ofc
"Henry has brain surgery and no one is concerned about how they're going to pay for it." Wait, why would they worry about... oh, yeah, United States!
The number one factor for personal bankruptcy is not being able to pay health care or health care debt.
USA NUMBA ONEEEE
@Lola Montez I think you missed the point of bringing that up. The point was that the reveal of her having a bunch of money stowed away wasn't actually a big reveal because they clearly had enough money already. If she thought they were poor, she would've been worrying about insurance coverage or lack thereof.
@Lola Montez Why wasn't such an obvious flaw noticed early on? We know universal healthcare is possible so what did Obamacare miss?
It’s the same with the military. Our budget for this year was 760 billion. Where does all that money go? Why, into our own pockets in the form of government contract jobs. It’s a subsidy for our own economy. And we have to stop. Both our military and our healthcare are both artificial means of boosting our economy in ways which hurt ourselves and others. It’s gonna hurt in the short term. But if we ever want to be better as a country, it’s gotta happen
Any issue of money in this movie is resolved by Henry's magical big brain money making powers.
"At Harvard, he [Gregg Hurwitz] was a student of psychologist Jordan Peterson who influenced his writing."
- Wikipedia
LMAO
Bruuuh💀
That explains... *so* much.
No shit, really? Lol
Certified lmao moment, to say the least
that explains the extremely unhealthy way he views "geniuses" as surperior people who are always right
Another thing that's worth mentioning is how little Henry and Christina interact. They share three brief conversations together and that's it, with each one consisting of "You okay?" "Yeah" and one just having Henry being "You're nice, thanks". There's no relationship apart from a one-sided "You're a victim, and I have to save you" motive. Out of all the things that they should have focused on in the story, this was easily the most important one. If I have no clue what these two characters think of each other, then why should I care about their relationship?
It's also worth mentioning that Maddie Ziegler is not a good actor, but that's probably due to her lack of characterisation and screen-time. Even if you couldn't get/didn't want to get an experienced child actor, at least have the courage to let them act.
Henry is a psychotic simp.
"Oh Jesus they think they nailed it." - I had coffee in my mouth, I almost spit it of laughter all over my screen. Thanks for that.
Very nice work, thank you !!
Just tear out those first three chapters.
Hahaha yeah, they should have read these chapters before tearing them off.
The amazing irony is that The Royal Ocean Film Society did a whole video essay on The Book of Henry recently, and the main thing they pointed out was the film's tone being all wrong. XD
This was the most relatable line in the video.
Bad storytelling is bad, but from what you've shown this movie isn't just bad - it's repulsive. Henry is point by point the emotionally abusive husband of his mother who pictures himself as a martyr hero of sorts. That is objectively repulsive. The fact that an adult man has been working on this for almost two decades is beyond repulsive - it's terrifying.
Thanks for articulating what I was thinking halfway through this video... beyond just the flaws of the film, it is creating some sort of twisted vigilante justice narrative. Which, if in the end it was all explained through a more interesting plot and allowed Henry to preserve some innocence, would be ... maybe ok? But ultimately the characters are all unbelievably unsympathetic and it makes one wonder what the author really was trying to say with all this. A childhood revenge fantasy that is tonally messed up?
I mean, it's a shit movie for sure. imo you take it a bit far in your comment tho. That's a very uncharitable reading (not that the film deserves charitability, but still).
Yeah, age him about 10 years and suddenly all that condescending shit is NOT cute at all.
Nah, it's shite writing, but I don't think writing a garbage script is grounds to be a 'terrifying' person. I don't even think Hurwitz cared about it anymore. He put out a crap script in the 90's, everyone kinda looked at, said "yeah, that sure is a crap script" and it just sorta sat there. Then Treverrow picks it up for inscrutable Treverrow reasons, and Hurwitz has to pretend like he still cared about his old garbage script. In movie business, if you don't hype whatever project you're attached to at the time, you get labeled as poor sport, even if, after the fact, everyone agrees it was garbage. Producers do not want people who won't play ball.
Also, a lot of the issues are issues of tone or omission, aka the errors that are likeliest to come from the director or cinematographer. If Henry actually, you know, emoted, that would change *so* much of how the movie feels.
LOL, this guy just wrote a shitty script about a child's vigilante fantasy and in the end, the child was proven wrong as the mom realized it.
Sure, it's a shit story but you don't have to attack the writer's person. lmao
Jeez. That film should be re-titled “We need to talk about Henry” and reshot as a horror where an innocent man is murdered by his genius, delusional kid neighbour and his co-dependant mother 😱
Other horrible flaws with Henry's plan:
Susan whistling in a walkie-talkie to lure Glenn relies on: 1. Glenn following the noise to the walkie-talkie by the river, rather than to the one in her hand where she's whistling, both of which are basically the same distance from Glenn's house. 2. Glenn or any of the neighbors having not heard any of her sniper rifle practice the day beforehand, despite that she was practicing from the same spot that her whistling is clearly audible from.
18 years spent writing this movie script caused it to forget that now in the present day, Henry could've just recorded a cell phone video of Glenn abusing Christina and sent it to the cops. And yet we clearly see them both using modern cell phones and then Polaroid cameras?? Did they forget to edit the old camera from the script, or establish any character reason Henry would use an old camera?
Also, incredible monologue by this movie at the end about how all it takes to tell a good story is to "get the moral right. Nothing else matters." Sure, tell me how to make a good movie, oh earner of a 21% Rotten Tomatoes score.
They could have also set the movie 18 years or so in the past, where the technology used would match what was available.
...holy shit thats why he's "watching the tech stocks"
This would've been a plothole even in the 90's, since most people still had cameras and camcorders at home back then. Glen's abuse of Christina was so easy to see from Henry's window, he could've easily grabbed his old camera and snapped a dozen photos of it and then taken it to God-dammit-Janice's office as the "concrete evidence" she needed. Glen might have a connection to social services, but I don't think he could bribe a judge .
Unimportant, but why record your postmortem instructions on a cassette recorder when you can use your phone (with a shirt-based pop filter if you want to be semiprofessional) to record it all without tech that wouldn't be easy for a kid to get his hands on? Besides, MP3s are a lot easier to navigate, store, etc than cassettes.
This is something I think about every time I rewatch this review: The script seems to constantly forget that Henry is a child. Henry wanting to protect a random stranger from another random stranger in the supermarket isn't noble, it's a misguided recipe for getting punched in the face. Henry getting a kiss from Sheila on his deathbed isn't romantic or a subtle hint of a long-unresolved love triangle, it's a MASSIVE RED FLAG. And of course, as you point out, the plan literally doesn't work if he lives because he's a CHILD.
I think my least favorite part of the kiss from Sheila is that this is framed as a positive thing, but is also in a movie where a girl is being sexually abused by her stepfather.
Like, if we reversed the genders, this would be seen as such a horrifying thing, but because Henry is a boy the movie just brushes it off.
I know this is a year later, but maybe the Sheila kiss is supposed to be a metaphor for her being Judas? I'm not too well-versed in Christian script, but if this whole thing's a Jesus metaphor, maybe that has something to do with it?
@@garyparker9657 Sheila would have to like, actively be the reason he's dying for that to be the case, and the kiss would also need to basically serve as his death knell.
@@garyparker9657I do think it's supposed to be part of the Jesus metaphor, but I think she's supposed to represent Mary Magdalene kissing Jesus when she repents. Which is a whole different can of worms to open.
Henry-the kid "Oh, crap, this child is going to grow up into a sociopath with a backyard full of corpses."
Henry, the adult and abusive husband "Right...so...Susan's afraid to be seen in public and does everything in her power to keep Peter quiet in the attic bedroom because the stock didn't do well and...and he's now fixated on the neighbor girl..."
there is a reason why the mother was fairly ok with losing her son. even she just wanted to be rid of that prick.
I’m coming back after learning that Christina’s actress is Maddie Ziegler, aka the girl who plays the titular character in Sia’s “Music”. Damn she needs a better agent. Hope this trend of being a prop character in a misguided attempt at inspiration p*rn doesn’t become a pattern for her.
I always winced at the mother figurative relationship Sia has with her. Nowadays, I feel like us not really seeing any form of physical abuse on screen was because she wouldn’t allow any “harm” to her “treasure”…🤢
@@CNWhatImSaiyan I have a sinking feeling this is going to grow beyond some internet speculation in a decade or so and there will be some sort of revealing documentary...
@@OfficialROZWBRAZEL totally agree. first abby, now sia. i’m honestly worried for her
i heard she deadass got groomed by sia
also heard she feels absolutely terrible about "music," and was embarrassed even during filming
like, jesus. poor kid :(
Oh god, poor Maddie 😳! I hope she can start to forge her own path, and that she never has to do another similarly icky project again!
"it breaks basically all rules of screenwriting"
he got that right at least.
whatthe Fanfic Bear in mind, this fucker went to HARVARD.
@@theoneandonlymichaelmccormick Money can buy education but it can't buy intelligence, empathy, or taste
@@cam4636 I’m well aware. This stands as a testament to the artifice that is prestigious education institutions.
Rules exist for a reason.
The fact that he said he broke all the rules of screenwriting without an ounce of hesitation or self awareness really tells you all you need to know
You know I thought that maybe Disney was being too harsh on Colin with regards to what seems like a situation where he was handed an unworkable script but seeing these interviews where he mangles the definition of phrases like 'emotional intelligence' made me realise that Disney was 110% right.
What's he gonna do? Shit talk a film he was hired to direct?
The problem is that the directors also play a big part in the scripts. J.J. Abrams and Rian Johnson contributed a good deal to the stories of Episodes VII and VIII and based on clips shown in this very video, it's possible that Colin Trevorrow did the same with Book of Henry. I had my doubts on him from the beginning, but after watching this film, I'm truly relieved he is no longer directing Episode IX.
I wonder how long into the closing credits of this movie's first showing did Disney fire him?
@@michaelkopischke8072 I'm not so sure, Gregg Hurwitz had worked on the script since 1998, Trevorrow was really a studio choice to direct. Hurwitz had also co-wrote the panned Sweet Girl for Netflix.
if you want an answer that's concrete on this and haven't seen it btw: his script leaked and includes a script note verbatim saying that Hux was sad that "He lost the Star War."
What a self-important wish-fufilment fantasy. With that said it would gain a lot more depth if Henry was changed to be her neurotic lay-about husband who spends all of his time belittling his wife and staring at the neighbor girl. All of his lines would work much better from a middle aged man.
That would be a more interesting movie actually. Really mess with the reliability of viewpoint - school is really work, kid is really adult, etc. Really go "Fight Club" on it. The have main character be "not dead" and get home from a biz conference. B) "You did what? Based on my delusional scrap book? Noooooo!"
@@jamesf2013 Or when TH-cam reaction videos pop up criticizing the "toxic masculinity" of Fight Club? And you go "that's the entire point of the movie"! LOL
you know, the movie is really just that tbh.
I find it mildly hilarious that Henry thinks apathy is the worst thing despite him being dismissive of his own mom's feelings and opinions, and anything other than what matters to him. Mom is clearly attached to the car they have, and I haven't seen anything about it being too crap to drive, but Henry doesn't care. It's an Old Car, and not a New Car, therefore they should get a New Car. Maybe the car was a gift from someone Susan cared about who is now gone like a parent, maybe it's the first car she bought herself and it's a pride thing, fuck maybe she just like some arbitrary features in the model that are kinda hard to find. Does not matter because it's an Old Car. Susan does not need to work to support the family, especially with Henry doing stocks and shit on the side,but Susan does seem to enjoy herself a bit. She's definitely not burnt out or hates it, she's doing because at least in part, she wants to. She'd rather be a picture book author, but she seems pretty happy working in the diner. Maybe she really likes her coworkers, or getting out of the house to do things for a few hours a week, maybe she just really likes the work, maybe it has inexplicably good insurance, maybe a rich relative said "okay I'll help you cover your finances so your kids don't starve but you have to have a job" and she just picked a part time thing. She has the financial stability to do a (presumably) low paying job that she likes without worrying about money, which is a dream in and of itself. Every job is someone's dream job, but a large portion of those just don't pay enough to support oneself financially, so they need to either do something else entirely or in conjunction with the low pay job. For an example of this, please cast your eyes towards teachers. None of that matters, because in Henry's brain, there is no possible reason to justify doing a job that you do not have to do. Susan having a girl's night with Sheila is bad because according to Henry Sheila has a drinking problem. Putting aside that I doubt Henry could point out actual alcoholism if it slapped him in the face due to him being fucking 11, Susan needs to spend time with other adults, ideally in more than just a work capacity. Devoting all your social time to your children is just not good for you. You and your kid will need a break from each other. And as far as video games go, we all need hobbies. Something fun to blow of steam or relax or whatever. I don't even know why Henry has a problem with this. Is it the game she's playing? Would he be fine if it was fucking Farmville? Does he even give a reason for not liking video games? But no, Susan is not allowed a job, or friends, or hobbies that are not Henry approved. She isn't allowed to make decisions on what car she drives, even though she is, ya know, the driver and had it not been for cancer, Henry wouldn't be driving it for a few years anyway. Goddamn
had brain cancer not claimed henry he would've grown up to work for The Daily Wire.
Henry was an utter hypocrite because he was written by a guy with low emotional intelligence.
Things wrong with the 'genius' plan:
- The gun is going to make plenty of noise. Yes, even with a suppressor. Police ask around, "Hey, did you notice anything weird last night when the commissioner was shot?" "Yeah, there was a weird lady whistling noise in the woods somewhere, then a sound like muffled fireworks, then a thud sound and some splashing."
- It is not likely to be hard for the police to discover that the lady who had oddly extracted money from a bunch of different ATMs in a short span of time bought a sniper rifle. Presumably Dominic is either an organized crime figure or an informant, for example, and that's an obvious likely source for information to leak out. Even aside from that, alibi with regards the pageant or not, someone is probably going to have seen her buy the gun & someone could probably identify her new car heading away from the pageant (people do notice when you get a new car).
- The motive for the killing is incredibly obvious and connecting the murder with the forged custody papers would be incredibly trivial. I mean, how quickly do you think a cold blooded prosecutor would be able to get a confession from the sexually abused young girl about Glen's abuse during an interrogation? "Oh... and Glen was just going to sign away custody of his sex toy? HM. THIS IS NOT SUSPICIOUS."
- All of the idiotic 'prep' work done in the woods would almost certainly be a forensic team's fever dream. "Oh wow! She left us all this great, clear evidence of tampering & hilariously failing to cover-up a crime. Look at how brazenly pre-meditated this all must have been. Look at all her fingerprints & shoe prints & marks we can easily trace to her garden tools all over everything! This is amazing!"
- Even if Henry had not somehow mistaken his backyard creek for a rushing river, and the body was truly going to fall into white rapid and vanish... people tend to notice that someone has disappeared. "Oh Glen disappeared, and then 'he' signed off his custody coincidentally to his sexually abused daughter that we all kinda know he abused, then his body was later discovered down river. Gee whiz how incredibly not suspicious at all, we definitely aren't going to investigate this obvious link to his disappearance."
I'm not much of one for trying to 'fix' this kind of thing, but... why bother with any sort of Rube Goldberg plan here? If Henry is going to die anyway and he feels radical action must be taken and he considers himself a martyr figure... who not directly confront Glen in a straight-up shoot out? Glen dies, Christina goes into new custody, Henry dies for a noble (?) cause, film can deal with family attempting to adopt Christina or something. I dunno. If nothing else, at least that would be an interesting subversion of a traditional American blaze of glory trope.
Would also kind of be hilarious.
good write
I just can’t get over how stupid this plan is! The first thing the police would do when they find a body of a man killed with an unusual bullet is interview all the local gun stores. No way is an anonymous gun store employee going to cover for Susan, no matter how many code words she uses.
Also, the talent show is supposed to be her alibi.. but she leaves the show! Someone would’ve noticed she was missing for twenty minutes. Usually when a movie character needs to establish an alibi, they’ll pretend they’re in a closed room that no one sees them leave, or they build a dummy à la Ferris Bueller. But no, she just leaves, in full view of several dozen witnesses.
At the very least, one of the dozens of cameras along her route home would’ve seen her speeding through traffic.
Not to mention that the entire plan hinges on the idea of social anonymity, and the suburbs of a small town is not a great place for that. In a big city with hundreds of thousands of faces, people might not be able to pick you out of a crowd, but here the other parents at the school and the neighbors probably know who Susan is, so if anyone saw her leaving the talent show or driving around during that time, they would easily be able to identify her and crack her alibi. Plus, Dominic and the gun store owner probably know who actually works for Dominic, and the cute blonde who works at the diner seems like someone the cashier would easily be able to recognize as an outsider.
I also don't see how having a new car would help her alibi. Her beat up car is a lot more familiar and conspicuous, which would make it the *better* car to use for establishing an alibi. It'd be one thing if she'd never brought the new car home and kept it in the school parking lot just to use for the race back to kill Glen, because then everyone in town would have seen her conspicuous old car leave her house and *remain* in the school parking lot. But even that's sketchy because then the new car being at her house would be suspicious and someone might notice it. Also, I'm pretty sure most new cars have computers and GPS and things that like log your recent trips? All it would take is a cop being like "cool, let's just verify your alibi and check your car logs" or whatever to see that she was very much driving around during the talent show.
I live in New Mexico, which is covered in tiny creeks. Even our Rio Grande (Literally "Big River" in Spanish) is a tiny stream to anyone from parts of the world with decent amounts of water. Now, thanks to Dan, EVERY SINGLE ONE of those will be a "Hey, boss, we found a body down by the creek" creek for the rest of my life. Still worth it.
Hell, the river completely up and disappears near Presidio! The only reason it even exists along the border after that is because of the Conches feeding into it.
I know EXACTLY the kind of creek you're talking about. I lived in Albuquerque a couple years.
I remember when my family would take the dog to the Rio Grande to run around when I was a kid living in Texas. I learned about it in school before I ever saw it (Texas education looooves Texas) and the first time we went, I literally thought "That's it?"
It's just a really gross, moderate river, neither wide nor deep. It smells and the ducks are aggressive. You could dump a body there but better fill the pockets with rocks and do it under the bridge. And the get out of town because it'll still be found in like a week.
32:48 This was so bizarre to me, that the administrator doesn't consider visible bruises cause enough to at minimum /investigate/ the situation. I played rugby in high school and came to school with visible bruises and almost every time some administrator stopped me in the hallway and asked if I needed to talk to anyone. I had a friend who played field hockey who was brought into the principal's office because of the bruises on her legs that they suspected were from getting beaten by a parent/guardian. The idea that a school admin wouldn't take bruises as seriously as they did in my high school is ludicrous, it's one of the most obvious red flags!
Midnight Screening pointed this out in their review of the movie, but this also bring up the question of... what if Henry was wrong about Christina? She does ballet, so what if she got bruises from dancing and Henry just jumped to conclusions? Because we, the audience, never see Glen outright do anything to her (she just looks upset while turning a flashlight on and off in her room) and Christina herself says she's okay (though granted, she seems upset about something). Midnight Screenings genuinely thought "Henry being wrong" was going to be a plot twist at the end of the movie!
When I was in the theatre I totally considered it as a possible outcome, too. Since the movie shows so little substantive evidence it wouldn't have been a far reach to say that Henry misread the situation.
Honestly if that had been the case, and Susan then figured that out before it was too late, the movie would be vastly superior, since that actually tells a, you know, story.
Yes, it wouldn't have solved everything, but at least it would have Susan accepting that her son wasn't Jesus or omnipotent. It's so problematic to turn the genius kid into this infallible creature who isn't even afraid of dying from brain cancer (and it's a nice clean cancer too-- he doesn't whither up or lose himself as it eats away at him).
wow, you went to a nice school
Not to mention that due to her profession, Principal Goddamnit Janice is most likely a mandated reporter. Meaning she is required by law to report ANY suspicion of child abuse.
Something that Dan only lightly touches on that stands out to me - despite ostensibly having a revelation that listening to even an abnormally intelligent 11 year old who advocates murdering Mr Neighbour Man because it is The Only Way might be a be a bad idea, the movie ultimately validates Henry.
It all works out - immense psychological issues for all involved notwithstanding - because Glenn ends up shot in the head and Christina goes to Susan, thanks to Henry's plan anyway. If she hadn't followed the plan to the letter, then there would be no forged custody papers and no confrontation with Glenn that facilitated his death. It's having your cake and eating it, the equivalent of a female lead in rom-com realising that her self worth comes from within and she doesn't need a man, immediately followed by Mr Right and her getting together after all. This leads to me to suspect that Susan going against the plan was, in fact, a very late addition in the 18-year process of the writing of the script.
And the worst part is, it wouldn't be that hard to make it work significantly better. If Susan caught on to the myriad of the flaws in the flawless plan, that would set up her realisation that Henry was not an omnipotent demigod but a smart kid with an inflated ego a lot more naturally. The realisation falls flat because the movie is in denial that either Henry or his plan has any flaws at all. Deciding not to kill Glenn is framed as morally right, but intellectually Henry is still presented as sub textually winning, since his end goal was saving Christina via forgery before Glenn's head going boom. In the end, Christina is saved thanks to forgery, before Glenn's head goes boom.
TLDR: Susan's decision to go against the plan is hollow, because by the internal logic of the movie, the plan was fine. It's fine. It's fine. It's FIIIIINE.
12:11
There is a simple answer to this: Henry planned for all contingencies, being the child prodigy that he is, and thus even when Mom fails to shoot Glen, it's following Henry's plan.
Which is why his goal still gets accomplished.
I recently had major surgery and, while heavily doped up in recovery, saw this movie in the On Demand list. In my drug-addled state all I could remember was that I'd heard the name before so I watched it. Turns out I'd heard the name before from *this video*.
I am at least comforted in knowing that I wasn't hallucinating from oxycodone overdose; the movie really was that terrible.
What an underrated comment.
Watches movie while high on drugs
It's still terrible
Hope recovery went well. Not from the surgery, from the movie.
Also, minor thing, but the smart-sounding line “plywood is about as thick as the human skull” makes no sense. In America, plywood comes in many thicknesses, from eighth of an inch to a full inch, and greater custom. It’s a nit-pick, but you’d think that someone on set, one of the techies, would have pointed this out, or perhaps the art department when they apparently illustrated the concept of plywood-skull-thickness with what appears to be a section of manufactured flooring, not plywood.
also, isn't dansity more important? Is plywood density compared to human skull's? Does it matter when you use a sniper, a weapon developed tomake headshots from afar?
Also, the whole thing about Henry's plan to withdrawal money from different ATMs (within an hour) to get around withdrawal limits... is not a thing. ATMs don't work like that.
That depends on the type, and size, of the account. It IS possible to have no limit.
Your point about the techies speaking up about the plywood/skull thickness is actually a question of filmmaking centralization and dissemination. These crew members I'm assuming were tasked with "make us a target to shoot at" and "edit this dialogue into the scene." Yes, when you look at the full picture, it makes no sense. But really, their job is not to look at the big picture as it is to perform the tasks they were hired for. In the end, it is again an oversight on the centralized creators' part i.e. director screenwriter and producers, and this extremely perceptive observation for which you should receive some kind of award is a microcosm of the shodiness of the top level creators.
I mean seriously. This kind of shit should not be getting made nowadays
water is about as deep as a pool
I'm kickstarting a reboot called "We need to talk about Henry".
I'd buy it.
POV: you've paused the video to better concentrate on the fixes and fanfics in the comments
I just came back to this comment section after four years, and there's quite a lot of interesting fixes and fanfics since then. Wonder if the video got linked somewhere.
@@lmabacus404 at least in my case it's just part of my usual rotation of comfort videos
HE SCATTERS HENRYS ASHES OVER THE CROWD
HE SCATTERS HENRY'S ASHES OVER THE CROWD
th-cam.com/video/6OrGhs2TQDM/w-d-xo.html
*standing ovation*
PETER SCATTERS HENRY'S ASHES OVER THE CROWD.
*H E S C A T T E R S H E N R Y'S A S H E S O V E R T H E C R O W D*
Wow, what hilariously awful looking movie. Also, ATM withdrawal limits are linked to the card, not the ATM. Oops. And yes, as a former BSA/AML officer, I can tell you that multiple cash withdrawals from different institutions, as opposed to one withdrawal of the same amount is absolutely suspicious. I'd look at the person who took out $1,000/day for 5 days, as opposed to someone who just took out $5,000. It's not the amount, it's the activity that is suspicious.
Seriously. If I'm making a legitimate $5000 purchase, why would I go to different ATM's on different days? Insanely inconvenient if you aren't trying to avoid large withdrawals...
@@harpoonlobotomy Your card has 2 limits, one for cash and one for electronic transfer (cashless). When you make a purchase at a store/market/whatever, it comes off the purchase limit side, which can be up to $10,000. The cash limit is much lower, since once the withdrawal is done, the cash is gone.
Hope that answers your question.
@@harpoonlobotomy Also, if you're making a $5000 cash purchase, you just need to go into a branch if you're doing it same day. I pay my rent in cash, which is just over my card limit...so either I go into a branch, use multiple accounts, or hit the ATM two separate days. The bottom line is that banks aren't comfortable having a larger amount of cash getting taken from a machine. ATM fraud is still pretty frequent and when the cash is gone, it's gone.
@@sydhamelin1265 Yes, if you're making a $5k cash purchase you just need to go into a branch, and avoiding visiting a branch is part of why multiple large withdrawals at an ATM is suspicious. I do understand how bank cards work...
@@harpoonlobotomy A lot of people don't know about the 2 different limits for cash and purchase; I wasn't trying to talk down to you or anything.
I probably just missed your point entirely. It happens.
Goddamnit Janice is my favorite song from Rocky Horror.
Steven
PLANET
SCHMANET
GODDAMMIT
JANICE
I'm so glad I wasn't the only one thinking that every single time he said "God damnit Janice" I was finishing it with "I love you!" Or the less PC midnight showing version every single time.
Olsen Dan
I plan
For you too
What amazing writing that they manage to make the kid dying of cancer be in no way sympathetic or to care for him real marvel of storytelling
Let's face it, this movie exists because the writer thinks he's come up with a brilliant, foolproof method to kill someone and not get caught, and was honestly so proud of himself that he wrote the single most contrived, nonsensical story around it just to justify putting that plan in the script.
Gregg Hurwitz wants to be Henry. An emotionally manipulative, smug, inherently violent would-be murderer is the kind of person he thinks everyone should aspire to.
Wow.
Him and colin trevorrow
ITS A STORY LINE.
Calm down.
Well yeah I mean who doesn't want to murder a few people on a nice cold weekend
Okay I'm actually really interested in seeing how this turns out so I'm gunna stop 6 minutes in and watch this tonight I guess and finish it after
How'd it go?
This reminds me heavily of a story I tried writing when I was 12. It was supposed to be grounded in reality despite the fact that I was a preteen with no friends in the middle of nowhere. Throughout my teen years I kept changing the story and making additions to it until I realized the entire foundation of the story was flawed in the first place, which I realized before I even graduated high school. How did an adult write this? I could imagine this working if it had a comedic bent that played up how utterly ridiculous the plot is, but it's played completely straight?
I see what you mean, it could've worked brilliantly as an edgier Home Alone-style movie if Henry didn't have cancer in both brain and attitude, or had the commisioner never got killed either way...
sockpuppetkingdom I wrote some SUPER immature wish-fulfillment fanfic in college that makes me cringe now. I kinda wanna go back and edit it to make it so that it’s supposed to be, like, POV from the kid-character, but in the adult years, they get hit with the realization that, actually, THEY were in the wrong and super immature... I cannot figure out HOW, though, so I leave it be and don’t try to send it to publishers and humiliate myself.
Wait, do you mind sharing the story?
When you work on something for far too long and ego starts seeping in, you get the book of Henry.
I love Goddammit Janice's face when Henry walks in.
It's just like she's thinking:
"Oh god, what is it this time?"
The whole movie would have been so much better if Henry would have been caracterized as the typical child prodigy, who longs to do something with his skills, but can't find anything worth his time. So as a result, he imagines his neighbor being abused. For example, in the scene in which he saw his neighbor with a flashlight, and then her dad entering the room, what really happened was her just staying up past her bedtime and her dad yelling at her. Henry would proceed to spin a more and more elaborate web of possibilities, ending up obsessed with the neighbor family, until every action and non-action becomes "evidence" to Henry that he is right.
At the same time, Susan can be shown as a loving and caring mother, who feels like she can never quite help Henry live the life that she wanted for him. She can see he has no friends, and blames herself for it. She can see he can't find anything productive to do with his time, and blames herself for it. And then, when Henry dies, she inadvertently also takes the blame. When she discovers his notes about Glen being a rapist, she buys into it like a conspiracy theory, fueled by grief and a desperate wish for redeption.
She ends up following through with the plan that Henry has made, only to end up killing an innocent man. Glen, in this version, was no rapist. He was simply a father who, on occassion, had a fight with his rebellious teenage daughter. Henry, in this version, was so obsessed with showing the world what a genius he was, how he could solve the case that nobody knew even existed, that he let himself be blinded from his own brilliance. Susan was desperate for a different kind of validation; the validation that she was a good mother, that she did what she could for Henry. And through her struggle for validation, she ended up buying into the conspiracy theory of an obsessive teenager - ultimately destorying the lives of everyone involved.
I watched this shit heap with a friend of mine who is the chief detective in the homicide squad of our local pd and he told me that a murder like this would've been very easily solved in real life by even the most inept of homicide detectives because of the shockingly obvious suspicious behavior of the next door neighbor of the dead man.
@@Hammerhead547 You needed the chief detective in the homicide squad to tell you that?
This is a fantastic reimagining that is actually interesting and true to human behavior. Unfortunately, this would require the writer to have some self awareness that he simply does not have. Because he's shoehorned himself into the Henry character it would also disrupt his bizarre misogynistic Jordan Peterson inspired fantasy to show Henry in any light besides this male genius savior of all women.
And in decades of chewing on this story the writer still didn't see this laughably narrow understanding of human psychology. Just plowed ahead with his delusion, and in that way he is exactly like Henry. Just not in the way he thinks he is.
That reimagining of the Book of Henry's plot feels like the actual plot of Taxi Driver.
I spit out an entire mouthful of ice cream at the explanation of the ashes metaphor.
My brain exploded at the ashes reveal.
Why did you have a full mouth of ice cream at the end of the video? Did you begin to eat it near the end? Or maybe you ate so much stuff, that it took you 40 minutes to get to the dessert? Or did you skip to the end? Or did you dropped the video and then continued watching from some point? Or did you hold it in your mouth for so long, and still called that cream ice cream? Or was it a metaphore? Or was it a lie? It is important
@@АлександрБагмутов I mean who *doesn't* eat ice cream for forty minutes straight?
RIP icecream. :"( that poor vanilla bean, spat at your equally poor monitor.
.......WAIT
Not going to lie, I thought the twist would be that the box pops open and Henry's corpse spills out.
Henry didn't die from brain cancer he died from watching so much Rick and Morty.
The outside of his red notebook is just crusted all over with Szechuan sauce
It made his brain grow so much that it cracked his skull
I love Rick and Morty but this comment made me laugh bc it's so accurate lol x
Well, hmm, funny you mentioned that since Henry’s actor played Morty in those recent live-action ads 🤣
He was simply too powerful
What confuses me most about Peter's magic trick as shown in this video is that... it's just not a magic trick. I genuinely don't understand what the audience is supposed to be fooled into thinking. It's not like he showed the chest to be empty beforehand or anything vaguely illusion-y. It's just a chest filled with fake snow and a big fan.
It's not even a failed magic trick, because even with a failed magic trick, I can at least see what I am _supposed_ to be thinking, even if I can see through it. This just seems to be exactly what it looks like which is fake snow and a big fan.
Mightnight screenings actually made a good point on this. They said it's entirely possible the ONLY reason Peter got a stand ovation and won was because he played the "Dead Brother" card.
@@tomhur1 and he's also like 8, kid talent shows are low stakes generally lmao
@@happyfullfridge Yeah, but some of the kids demonstrated actual talents (beyond sticking ash/fake snow in a box with a fan).
19:45 Plywood is as thick as a human skull in the same way a piece of string is as long as a tapeworm
"The movie is super judgmental about her not spending 100% of her time with her kids."
The director of this is the same guy who directed Jurassic World, right?
cheezemonkeyeater hahaha holy shit
Just realized he actually makes note of this connection in the video’s description but not the video itself.
Yeah, I wrote a big chunk, but it involved pulling in so much material from the Jurassic World script that I just moved the BoH-relevant stuff over to there instead.
Folding Ideas Which video is that? Or is it no longer up for some reason?
@@FoldingIdeas link to video?
Seeing how many 90s/early 00s films castigated father figures for not committing 100% of their time to their kids (e.g., the "sorry I missed *one* of your baseball games son, but I had an important meeting at work" characterization), I'm not surprised a script that's been percolating since that time would be as harsh if not more so to a mother character. Even though she's not working 60+ hour weeks to provide for her family--all she does is take a little me-time after all her parenting and housekeeping responsibilities are done.
I used to guess this was a combination of the lazying aping of early Spielberg and Hollywood creative types' trauma or guilt over their own childhoods or involvement with their own children. I also noticed this trope diminishes a lot after the 2008 economic downturn. E.g., Scott Lang in ANT-MAN realizes his daughter is being well-cared and provided for by her mother and new stepfather, and as long as he can still be involved with her upbringing, and models good behaviour for her, it's okay if he's not the most reliable provider.
honestly, i'm so glad that trope is dead in movies. My dad was a long-haul truck driver so I would only really see him on the weekends, and yeah it sucked, but we liked living in a house with food to eat, you know?
@@gwendolynstata3775 On a cinematic related note, would you consider living a harder life, if it meant that you got to see your dad more and got to spend more time with him and have him as a more involved individual in homework, questions about boys and relationships, etc. ? That would make an infinitely richer story for filmmakers to focus on, rather than focusing on previous tropes and cliches, and other recycled elements. :)
Seriously. The only point in the movie where it MIGHT have worked was when Susan put Peter in the tub, then went downstairs to play a video game -- if the implication was that she was endangering her kid by not watching him while he was taking a bath and could've drowned. But there would've needed to be some conflict for that to work -- a scream from upstairs, or even 'emotionally intelligent' Henry calling her out for it and saying that Peter could slip and fall. As is -- she could've been playing candy crush on her phone while in the bathroom, for as much as it mattered.
ants
*ants*
ANT-MAN
Honestly it's not even the same trope, those movies were critical of fathers who spent literally no time with their kids, the takeaway being that they can still work/have hobbies etc. as long as they spend any more than 0% of time with the family. Susan clears that bar comfortably - she's clearly an active participant in her kids' lives, so while that was clearly the dynamic the creators were going for, it was not what they actually showed.
"It breaks all the rules of screenwriting." Gee it's almost as if those "rules" are there for an actual reason..... (they're actually just rough guidelines but whatevs). Dog Day Afternoon is an example of a film that throws out the screenwriting books. And Colin Trevorrow ain't no Sidney Lumet, that's for damn sure.
The problem with people who want to "break all the rules" is that they rarely UNDERSTAND why there would be reasons to do so.
Students don't understand the rules.
Experts excel within the rules.
Only true masters can go beyond the rules.
Guess where the screenwriters fell within this spectrum!
Silver Dragon are you telling me that someone who got a little bit of buzz in the 90s and then somehow spent 18 years rewriting a script about Dr Evil as a kid isn't the best screenwriter?
I wouldn't dare speculate that Hollywood big studio executives are anything less than True Seers of our age and Cassandras, unheeded in their infallible wisdom. I certainly wouldn't imply that their judgement in who is a good scriptwriter is a massive load of shit so fetid that it stains the good name of useful farming manure so useful in growing delicious food.
Pretty much like roads are kind of a guideline for vechilar traffic? ;) :P
I find it really ironic how Henry spends this movie white knighting for abuse victims while spending the entire runtime emotionally abusing his mother.
In keeping with Dan's characterization of him, he only takes up the cause because everyone else is just so incompetent at abuse, unlike him.
You know, it's weird, but the way Henry condescends to Susan throughout the film, telling her to buy a better car, constantly belittling what she does in her free time and her creative expressions, chiding her for not acting grown-up enough and telling her to quit her job sounds a lot like the sort of things an emotionally abusive and possessive boyfriend/girlfriend or husband/wife would say. And in addition to making Henry look even more like a dick, carries with it slew of disturbing connotations for both Henry as a character and the writer himself.
The writer has gone on record as a huge Jordan Peterson fan.
@@commandernomad2817 Well gee, that's all the evidence one needs, right? No one could possibly be a Jordan Peterson fan AND a good person, it's just completely incomprehensible!
@@ZZ-sb8os You're rambling hyperbole because you don't like the implication that maybe being a Jordan Peterson fan can give context to this kind of horrifying writing. Not a good look.
"Partner" is less words and more inclusive
@@ZZ-sb8os Given the fact that Peterson's influence is all over the writing of this movie... I'm gonna go ahead and say that no one should be surprised. Also, it's worth noting that Peterson peddles a bunch of incel bullshit. He either believes what he's saying or he's a grifter. Either one of those things make him an asshole and if you're a fan that's a bit of a yikes.
There was a point you reiterated several times that stuck out to me, which was that the movie thinks that God Damnit Janice needs some kind of "proof" before she can call CPS on Glenn. That is not only a really awful convenience to avoid directly placing the blame on any of the characters, it's completely incorrect. Much like counselors and medical professionals, teachers are mandated reporters. The fact that any of Christina's school authorities felt confident that she was being abused and never said anything is damning because they're required to report suspected abuse or neglect regardless of proof. The movie already had an excuse in place for why Glenn wouldn't be seriously investigated, so leaving Henry to be the only person to report him until the very end really only serves to make every other adult interacting with Christina negligent
Seriously! Dude, in middle school, they pulled me to the guidance counselor’s and asked me if there was any trouble at home for shoddy drawing of a bandaged guy. Nothing was going on, I just wanted to test out my red pen. It was annoying at the time , but in hindsight, I do appreciate the lengths they went to make sure.
Point being, if they have even a sneaking suspicion that someone’s being abused, they will LOOK TF INTO IT as they are required by law. Reporting? Reporting MULTIPLE TIMES??? Forget about it...
I remember seeing the trailer for this film and I wanted to see it because it looked like a single mom pushed to murdering her neighbor when she discovered he was abusing his daughter. I was under the impression it was going to be over-worked single mom goes Die-Hard and that sounded awesome. Then I saw the movie and I was so disappointed that the perfect angel kid did everything and it sucked.
I thought the neighbor murdered the genius boy and she couldn't prove it so she murdered him.
Both Sarah Heim and loopeymire came up with better movies than the real one
Honestly, Dan's original vlog about it made it sound like a botched attempt at a black comedy satirising the sorts of precocious kids films it draws upon, which also would have been kind of amazing if done right, but seeing these clips, the visual language only speaks to this accidentally, which is *such* a letdown.
THIS. This is what the movie should have been. Holy hell it could have been an amazing takedown.
Wait, I want to see Die-Hard Suburban Mom kinda bad now....
I just looked up and found that the screenwriter is a huge Jordan Peterson fan, and has publiclly said his teaching influenced most of his writing. He studied under him.
I wonder if this informs anything.
Jesus Metaphors, the lack of knowledge on how to handle actual serious issues, snarkiness.... I think you're onto something
A little boy knowing better than any woman (though actually he is asocial, horribly clueless and overconfident)... yep, this explains a lot.
😳
That makes a ton of sense
Holy shit.
This explains everything 🤯