Pastel photography

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  • เผยแพร่เมื่อ 11 ต.ค. 2024
  • Rotating flowers to create a multiple exposure effect studio still life.
    How to make a perfect white background for studio photography.
    Controlling contrast with lighting
    Combining multiple images in Photoshop using layers and masks
    Profoto studio flash
    Canon DSLR
    Tethering into Capture One

ความคิดเห็น • 38

  • @karenbraswell947
    @karenbraswell947 3 ปีที่แล้ว +1

    Thank you so much for this tutorial. You are an excellent teacher and I appreciate you very much!

  • @Trish12303
    @Trish12303 8 หลายเดือนก่อน

    Very clever!! I am going to have to give this a try! Thank you so much!!

    • @CameraClubLive
      @CameraClubLive  8 หลายเดือนก่อน +1

      You are so welcome!

  • @rastovicfilip
    @rastovicfilip 2 ปีที่แล้ว

    Amazing videos, I'm learning tons about lighting and it has helpmed me with my 3D rendering work tremendously!

  • @duncanmeechan5694
    @duncanmeechan5694 2 ปีที่แล้ว

    What a result, quite beautiful, loved it. At first I thought you were taking an unnecessary amount of time in the set up but then I began to realise what was happening and understood the work that you put in, the image turned out great. Thank you, I learned a lot from this👍😁

  • @blackwhite-ij4cr
    @blackwhite-ij4cr 2 ปีที่แล้ว

    Thank you so much for all of your videos!

  • @JulesMoyaert_photo
    @JulesMoyaert_photo ปีที่แล้ว

    👍

  • @turhaansamodien9113
    @turhaansamodien9113 3 ปีที่แล้ว

    Great show once again Prof

  • @AaAa-ev9rt
    @AaAa-ev9rt 2 ปีที่แล้ว

    best channel

  • @benjaminfabri7440
    @benjaminfabri7440 10 หลายเดือนก่อน

    Exzellent! Thank you

  • @kennethnielsen3864
    @kennethnielsen3864 13 ชั่วโมงที่ผ่านมา

    Thanks for sharing.

    • @CameraClubLive
      @CameraClubLive  6 นาทีที่ผ่านมา

      Thanks for watching!

  • @czlvsezful
    @czlvsezful 3 ปีที่แล้ว

    Great job!

  • @Dogdogdoga
    @Dogdogdoga 3 ปีที่แล้ว

    Thank you. I love it !!

  • @sennahsenna8289
    @sennahsenna8289 3 ปีที่แล้ว

    Thanks againnn .. help me a lot.

  • @j2isndhu
    @j2isndhu 3 ปีที่แล้ว

    Amazing video! Is are there some cheaper equivalents to the B1X + 4 foot softbox combo you would recommend?

    • @CameraClubLive
      @CameraClubLive  3 ปีที่แล้ว +1

      You could try Godox studio flash and Photax modifiers, let me know how you get on.

    • @j2isndhu
      @j2isndhu 3 ปีที่แล้ว

      @@CameraClubLive Thank you

  • @photocreativity
    @photocreativity 3 ปีที่แล้ว

    Nice tutorial.

  • @kevindickinson1541
    @kevindickinson1541 6 หลายเดือนก่อน

    The flowers were photographed on a white background. I don't understand the need for the extra white base layer.

    • @CameraClubLive
      @CameraClubLive  6 หลายเดือนก่อน

      The white base layer in Photoshop just adds a little more control. In this case, with a white background, it is possible to do without it. Thanks for watching.

  • @ErwinSerle
    @ErwinSerle 2 ปีที่แล้ว

    Would it have been easier to do the last fine tuning of the amount of light by changing the camera diaphragm instead, in steps of 1/3, the influence on DOP is small

    • @CameraClubLive
      @CameraClubLive  2 ปีที่แล้ว

      I just find it simple to change the flash.

  • @robertwilson4664
    @robertwilson4664 2 ปีที่แล้ว

    Would it be possible to use continuous lighting

    • @CameraClubLive
      @CameraClubLive  2 ปีที่แล้ว +1

      Yes, the principle is the same whether you use continuous, flash or even daylight.

  • @oneeyedphotographer
    @oneeyedphotographer 9 หลายเดือนก่อน

    When you measure the luminosity of the channels in Capture One, you are measuring eight bits per channel. Your camera is probably recording 14 bits per channel, it's these extra bits that enable you to "recover lost detail."
    255 is the maximum you can record in eight bits (the other value, 0, is "nothing visible.") With six more bits, you have 16384 values of "something visible." You can go a little further than 255,255,255.
    In Ps, you can work in 16 bits/channel and I think) 32 bits/channel.
    My BenQ monitor supports 10 bits/channel (your billion colours), but my video card does not, so I can see about 24 million colours.
    I am confident that you can set the three channels all the 255 with no bad consequences. But barely, one step above 254 in each channel.
    If capture One displayed 14 bit colour, 16383 would be your maximum.
    At export time, you're back to 255,255,255 in anything displayable on the internet.

    • @CameraClubLive
      @CameraClubLive  9 หลายเดือนก่อน

      Thank you for your comments. All comments help to grow my channel. Thanks for watching.